Hrithik Roshan BREAKS SILENCE on being approached for Don 3 after Ranveer Singh’s fallout with Excel Entertainment.

Amid mounting speculation surrounding the casting turmoil of Don 3, actor Hrithik Roshan has issued a clarification, stating that he was never approached for the film at any stage.

Addressing the rumours directly, Hrithik said, “What started off as just a rumour has now taken on an entire life of its own, and it’s important to set the record straight. I would like to categorically clarify that I was never approached for Don 3 at any given time. Requesting media to steer clear of any such unverified reports.”

His statement comes in the wake of ongoing reports about behind-the-scenes developments involving the much-anticipated third instalment of the Don franchise.

Background: Don 3 Announcement and Exit

In August 2023, Excel Entertainment officially announced Don 3, unveiling Ranveer Singh as the new face of the iconic franchise. A stylised announcement video generated considerable buzz, with the action spectacle slated to go on floors in 2026.

However, recent developments indicated that Ranveer Singh had exited the project, triggering intense discussion within industry circles. Readers may recall that last week, Bollywood Hungama reported that the situation escalated to the extent that two closed-door meetings were held under the aegis of the Producers Guild of India, involving key stakeholders.

Allegations and Counter-Narratives

At the second meeting, Ranveer’s stance was reportedly presented first. A producer present at the meeting, speaking on condition of anonymity, stated, “Ranveer blamed Excel Entertainment for unprofessionalism and not being serious about taking Don 3 on floors. He stated that Farhan Akhtar never had a bound script in place and that, as an actor, he prefers to work only with fully developed material.”

The source further claimed, “Ranveer also pointed out that Farhan was never open to feedback on the script and had issues incorporating certain subplots. He further alleged that Excel was exploring the possibility of getting Hrithik Roshan on board and only re-approached him after the success of Dhurandhar, to capitalise on his momentum.”

It is this specific claim that appears to have prompted Hrithik Roshan’s clarification.

Setting the Record Straight

By publicly distancing himself from the project, Hrithik has sought to put an end to speculation linking him to Don 3. His statement underscores the actor’s position that he was not involved in any discussions related to the film.

As of now, there has been no official update from Excel Entertainment regarding the revised casting or production timeline of Don 3.

Also Read: SCOOP: Ranveer Singh cites Baiju Bawra ‘no compensation’ experience in Don 3 showdown; brings up Shah Rukh Khan angle over Rs. 40 cr demand

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Pragya Kapoor on 10 years of Fitoor: “This script is a masterclass in script writing”

As Fitoor completes ten years since its release, producer Pragya Kapoor reflects on the film’s journey and the role it played in shaping her perspective on filmmaking. Starring Katrina Kaif and Aditya Roy Kapur, the romantic drama continues to be revisited by audiences, with its music and visuals still circulating widely on social media.

Marking the milestone, Pragya Kapoor shared how reading the script became a defining moment for her. “I remember the first time that I read Fitoor, it’s written by Abhishek Kapoor and Supratik Sen. That script is a masterclass in script writing. I’ve read a lot of scripts since then, before that and I think I have learned so much about filmmaking from that script. Honestly, it’s one of our best-written scripts till date,” she says.

She also spoke about how the film influenced her career path. “Fitoor opened my eyes to what producing is. It made me fall in love with producing, and it’s one of the reasons I am producing. Those visuals and music is still relevant, and people are still posting about it, are still being nostalgic about it. And I think that’s the beauty of filmmaking. You don’t make a film for now, you make a film for forever, and I think Fitoor did that!” she adds.

Directed by Abhishek Kapoor, Fitoor is a romantic musical drama inspired by Charles Dickens’ 1861 novel ‘Great Expectations’. Known for its Kashmir backdrop, music, and stylized storytelling, the film has continued to find viewers over the years. As it marks a decade, the film remains a notable chapter in Kapoor’s journey as a producer.

Also Read: Producer Pragya Kapoor on a stunning comeback at the Lakme Fashion Week after 13 years: “It brought back a rush of memories”

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Sandeepa Dhar on her character in Do Deewane Seher Mein: “Everyone sees Naina as ‘perfect’, but behind the exterior lies a woman who has slowly lost her sense of self”

As the February 20 release of Do Deewane Seher Mein approaches, Sandeepa Dhar’s recent Instagram note has already struck a chord. In a few heartfelt lines, the actress introduced audiences to Naina — a character she describes as someone who stayed with her long after the shoot wrapped. But beyond the film’s romance, it is the social reality embedded in Naina’s journey that makes this story particularly timely.

Directed by Ravi Udyawar and produced by Sanjay Leela Bhansali Films, the film may be positioned as a love story, but Sandeepa’s words reveal something deeper — a layered commentary on the quiet pressures women continue to face in Indian society.

“Everyone sees Naina as the ‘perfect’ one,” she wrote. “Beautiful. Accomplished. Married into wealth. On paper, she embodies the aspirational ideal that society celebrates. But what Sandeepa subtly highlights is the cost of that perfection. Behind the picture-perfect exterior lies a woman who has slowly lost her sense of self — a reality far too familiar in many Indian households.”

One of the film’s most significant themes, as she pointed out, is sibling comparison — a cultural norm that is rarely addressed openly yet deeply impacts self-worth. The “perfect” child versus the “other” child. The one who meets expectations versus the one still finding their way. In many families, comparison is normalized as motivation, but it often becomes a quiet source of emotional fracture.

 

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Through Naina, Sandeepa seems to question a larger societal pattern: Why is a woman’s success still measured by how well she fits into roles designed for her? Why is external validation valued over internal fulfillment? And why does perfection often demand self-erasure?

What makes this narrative powerful is that it doesn’t villainize tradition — it simply holds up a mirror. It acknowledges that love stories in India are rarely just about two people. They are about families, status, perception, and the invisible checklist that defines what is “right.”

In calling Do Deewane Seher Mein “a story about two imperfect people finding true love, and finding themselves,” Sandeepa positions the film not just as romance, but as reclamation. It is about rediscovering identity beyond labels — beyond the “ideal daughter,” “ideal wife,” or “ideal sibling.”

At a time when conversations around mental health, individuality, and emotional autonomy are finally entering mainstream discourse, Naina’s journey feels relevant.

Also Read: Sandeepa Dhar says, “Being a part of Do Deewane Seher Mein has been…”

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FWICE steps in for Rajpal Yadav, appeals to film industry for financial support amid legal crisis

The Federation of Western India Cine Employees (FWICE) has formally extended its support to actor Rajpal Yadav, who is currently facing serious financial and legal troubles. Following reports of the actor being sent to Tihar jail after failing to meet court-mandated repayment obligations in a cheque bounce case, the apex body has appealed to members of the film industry to come forward and assist him.

In an official statement, FWICE urged filmmakers, artists and well-wishers to offer monetary help to Yadav, stressing the need for collective support during what it described as a difficult phase in the actor’s life. The organisation clarified that contributions could either be made directly to Rajpal Yadav or routed through FWICE, assuring transparency in the process. “Members and well-wishers willing to offer monetary assistance may contribute directly to Shri Rajpal Yadav or route their support through FWICE. The Federation assures complete transparency, and any funds received will be responsibly consolidated and handed over to assist him in settling his dues at the earliest,” the statement read.

Several personalities from the film industry, including Sonu Sood, Gurmeet Choudhary, Salman Khan and Ajay Devgn, have already expressed their support for the actor, who is widely respected for his work and distinctive comic timing.

The legal issues trace back to a financial decision taken over a decade ago, when Yadav borrowed a substantial sum to finance his directorial venture Ata Pata Laapata. After the film underperformed commercially, repayment difficulties emerged, eventually leading to a prolonged legal dispute. Over the years, multiple cheques issued towards repayment were dishonoured, resulting in his conviction under cheque bounce provisions of the law. While higher courts had granted interim relief at different stages, they also required the actor to show genuine intent by clearing a significant portion of the outstanding amount, which had increased considerably with time.

Despite partial payments made earlier, the court recently observed repeated non-compliance with assurances given by the actor, ultimately directing him to surrender. This development prompted renewed concern within the film fraternity, leading FWICE to step in with its appeal.

By issuing this statement, FWICE has positioned itself as a facilitator, calling for solidarity within the industry to help Rajpal Yadav resolve his financial liabilities and navigate one of the most challenging periods of his career.

Also Read: Rajpal Yadav surrenders in Rs 9 crores cheque-bounce case: After Sonu Sood, music producer, Kamaal R Khan, and Tej Pratap Yadav offer financial aid

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The Lagaan–Gadar lesson, updated for 2026: Toxic and Dhurandhar 2 can coexist and conquer

As March 19, 2026, inches closer, the conversation around Indian cinema has slipped into familiar territory – the big box-office battle and who will win. With Yash’s Toxic: A Fairy Tale for Grown-Ups and Ranveer Singh’s Dhurandhar 2, titled Dhurandhar: The Revenge, arriving together on the coveted Eid weekend, the industry is abuzz with curiosity about the outcome of this clash. But to frame this moment as a zero-sum game is to miss the larger, far more exciting picture. This is not about one film cannibalising the other – it is about two giants confidently coexisting, and in doing so, expanding the theatrical pie.

A source says, “Dhurandhar 2 and Toxic are unapologetically tentpole in scale and ambition. The advantage is that Dhurandhar’s first installment went on to become the highest-grossing Hindi-language film of all time and, notably, saw a renewed surge in attention after dropping on Netflix during the same week this data was recorded. That recency effect has naturally amplified recall and conversation around the sequel. As a standalone, non-franchise title Toxic (Hindi) is performing incredibly while it is yet to fully unveil its promotional arsenal. In a market where sequels often command runaway buzz, Toxic’s exponential rise in popularity signals audience’s massive curiosity around the Yash starrer. It reflects a readiness to engage with original cinematic worlds alongside familiar ones—further strengthening the argument that March 19 is not a zero-sum showdown, but a high-potential weekend where two distinct films can thrive neck and neck.”

Exhibitors, often the first stakeholders to feel the heat of so-called clashes, are striking a refreshingly pragmatic note. PVR INOX’s Aamer Bijli recently summed it up when he said such releases are “not too challenging” and that collaborative release dates can, in fact, offer strong momentum. Theatre owners echo this sentiment, pointing out the obvious but often ignored upside: when two highly anticipated films arrive together, footfalls don’t split – they multiply. Beyond the regular Friday crowd, curiosity-driven viewers, repeat audiences, and celebratory holiday crowds step in, turning the weekend into an event rather than a duel.

There is also a growing consensus among exhibitors that a fair, near 50–50 screen division is not only possible but practical. The content is distinct, the audiences overlap but don’t entirely mirror each other, and programming flexibility allows cinemas to respond dynamically to demand. Indian cinema has been here before. History reminds us that films as ideologically and tonally different as Lagaan and Gadar: Ek Prem Katha didn’t just survive together—they went on to become landmarks.

Veteran trade analyst Taran Adarsh also believes that there should be 50-50 screen division. “I genuinely feel that it should be divided equally. But it’s going to be a tough fight. And I don’t think the distributors of both the films would want to forego certain prime shows,” he said.

He also points out to the fan wars on social media. “What happens is that people will fight for the show, people will fight for the prime show timing. And the fan wars will only aggravate the situation. As the release date draws nearer, you will see a lot of fan wars happening,” he said.

Adarsh also highlighted that a lot of money is riding on both the films. “Both are expensive films. Both are releasing in multiple languages. There’s a lot of money riding on both. And both, as I said, have the potential to be record breakers. So, prior to the release, it leads to a lot of talk about screen sharing like don’t give this, don’t give single screen, don’t give multiple screen”

Adarsh further added, “Let the business prosper. Let the business be the winner. Let the industry be the winner. Because I think both have potential to really break box office records. KGF 2, which was a blockbuster. And we all know what Dhurandar is. I mean, it’s historic. It’s the biggest Hindi film ever.”

He also pointed out the goodness of the people on both the sides. “Both are wonderful people. I know Mr. Venkat K Narayana, the producer of Toxic. Very nice man. I know Jyoti Deshpande. She, of course, is a fantastic producer. Very professional person. Both the sides are very nice people. And so are the distributors also.

Lastly, Adarsh expressed that one should look at the industry as a whole and let the industry win. “It’s not like, let Dhurandar win or let Toxic win. Both should win. And the industry should be the biggest winner eventually. And so should the audience because they will also get a choice to watch both the films. It’s a long (holiday) period already,” he said.

In an industry that thrives on plurality of options, when content is strong, cinema coexists. And that is a win for everyone, especially the viewer, who remains the final, most decisive judge.

Also Read: EXCLUSIVE: Exciting song of Dhurandhar: The Revenge to be unveiled in February; trailer likely to be launched around March 5

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EXCLUSIVE: Exciting song of Dhurandhar: The Revenge to be unveiled in February; trailer likely to be launched around March 5

With less than six weeks to go before the release of Dhurandhar: The Revenge, excitement is running high for obvious reasons. The first part, Dhurandhar (2025), opened on a decent note before going on to emerge as the highest-grossing Hindi film of all time. Its characters, iconic moments, patriotic undertone and, of course, Akshaye Khanna’s dance achieved cult status, ensuring that the film continued to draw viewership even after its Netflix premiere. In this article, Bollywood Hungama takes a closer look at the promotional plans of the sequel, based on inputs gathered from multiple sources.

A source told Bollywood Hungama, “There’s a tremendous demand for the trailer of the sequel. However, fans will have to wait for some time. In February, the makers plan to release a song. This track is quite promising and expected to further the hype for Dhurandhar: The Revenge.”

The source continued, “As for the trailer, it’ll be released in March after Holi. As of now, the makers plan to launch it on Thursday, March 5, in a grand fashion, just like last time. However, the exact date of the trailer launch will be confirmed in a few weeks.”

There are reports that the trailer launch will be held at Nita Mukesh Ambani Cultural Centre (NMACC), BKC, Mumbai. The source said, “The trailer will indeed be launched in NMACC. The first part’s trailer event also took place in the same sprawling venue. At that time, the entire team of the film were already in high spirits as they knew that they had made a special film. Now, with the way the first part has been received, their enthusiasm will be at an all-time high and that would further add to the fun.”

Produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios, Dhurandhar stars Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and others. Incidentally, director Aditya Dhar’s birthday falls on March 12, that is, a week before Dhurandhar: The Revenge’s March 19 release and it remains to be seen if a memorable celebration is planned. The source said, “It won’t be a surprise if team Dhurandhar goes the extra mile in making his birthday special this year. After all, Aditya Dhar has become a sensation; he’s the pride of Indian cinema.”

Also Read: SCOOP: Dhurandhar 2 OTT rights EXPLODE to Rs. 150 cr; Ranveer Singh creates yet another RECORD as Jio Hotstar wins big!

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Bhooth Bangla has no connection with Bhool Bhulaiyaa franchise, clarifies T-Series

T-Series has reacted strongly to online speculation claiming that Akshay Kumar’s upcoming film Bhooth Bangla has been developed using a storyline connected to Bhool Bhulaiyaa 2. Putting an end to the rumours, the production house has clarified that the two projects have no link whatsoever.

The statement comes after reports suggested that the script of Bhool Bhulaiyaa 2 was allegedly reworked and used for Bhooth Bangla. However, T-Series has firmly denied any such development. Shiv Chanana, co-producer at T-Series, addressed the chatter and said the claims are baseless. “We have also come across some articles, but the fact is we have never received any script from Mr Priyadarshan or his team for making a Bhool Bhulaiyaa franchise,” he said.

Chanana also emphasised that the franchise is entirely controlled and developed by the studio itself. “It is our franchise. If anything has to be developed, it will be developed by us and under our supervision, which is exactly how Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3 were made. I don’t understand where these stories are coming from—this was never the case,” he added.

Reports further quoted industry insiders claiming that T-Series considers the Bhool Bhulaiyaa brand a major asset, and any attempt to draw indirect association with it could invite legal consequences. With the clarification now out, the studio has urged audiences to rely only on official updates rather than unverified speculation surrounding the films

Also Read: Inside Bollywood’s Old-School brotherhood: Why Akshay Kumar spoke to Salman Khan before announcing Bhooth Bangla for April 10

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Adivi Sesh teases never-before-seen South – Bhojpuri collaboration with Pawan Singh in Dacoit

Actor Adivi Sesh has confirmed an unexpected collaboration with Bhojpuri music icon Pawan Singh for his upcoming Pan-India film Dacoit, setting off widespread curiosity across film industries. The association brings together two distinct creative spaces—the South Indian film industry and the Bhojpuri entertainment world—making it one of the more unusual cross-industry collaborations in recent times.

While official details remain scarce, Sesh has acknowledged that Pawan Singh is associated with Dacoit in a capacity that has not yet been disclosed. Whether the collaboration involves a musical contribution, an on-screen appearance, or another creative element altogether is something the makers are intentionally keeping confidential. The guarded approach has only added to the intrigue surrounding the project.

Reacting to the growing buzz, Adivi Sesh said, “Collaborating with Pawan Singh on Dacoit has definitely got people excited, and rightly so. It’s a very unique association. What exactly we’re doing together is something audiences will have to wait and watch for.”

 

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The announcement has sparked discussions online, particularly given Pawan Singh’s massive popularity in the Bhojpuri belt and his strong musical following, combined with Sesh’s reputation for mounting content-driven, genre-focused films with Pan-India reach. Industry observers note that such collaborations could help films tap into newer audience segments beyond traditional regional boundaries.

Dacoit is being shot simultaneously in Hindi and Telugu, reinforcing its Pan-India ambitions. The film is co-written by Adivi Sesh and directed by Shaneil Deo. It stars Mrunal Thakur and Anurag Kashyap in pivotal roles and is described as an intense, character-driven action drama.

Known for films that blend scale with grounded storytelling, Sesh has consistently expanded his footprint beyond regional cinema. With Dacoit, the makers appear to be leaning into that strategy once again, both through its bilingual production and its eclectic mix of collaborators.

As anticipation builds, audiences will have to wait for an official reveal to understand how Pawan Singh fits into the world of Dacoit. Until then, the collaboration remains one of the film’s most closely guarded talking points.

Also Read: EXCLUSIVE: Adivi Sesh-Mrunal Thakur starrer Dacoit to release on April 10; makers of Pan-India action entertainer realign strategy amid multiple big releases

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From Cricket icons to Bollywood stars: Celebrity-owned restaurants in Goa you need to bookmark

Goa’s food and nightlife culture has increasingly become a magnet for celebrity-backed ventures that promise more than just a meal. These restaurants combine high-end cocktails, striking aesthetics, and a relaxed coastal vibe that perfectly matches the holiday mood most travellers seek. Here’s a curated look at some of the most talked-about celebrity-owned restaurants in Goa, along with a quick note on the stars behind them.

1. One8 Commune by Virat Kohli – Assagao, North Goa
Virat Kohli is one of India’s most successful cricketers and former national team captain, with multiple international records and a strong global brand presence extending into fitness, fashion, and hospitality. His most famous brand, the restaurant franchise One8 Commune has a branch in the beachy state. It is a stylish restobar known for its Mediterranean-inspired décor, scenic river views, and a menu that blends global comfort food with subtle Goan influences. Signature dishes like the Mushroom Googly Dim Sums and Guava Picante cocktail have made it a favourite among diners looking for a relaxed yet refined experience.

2. Bastian Riviera by Shilpa Shetty – Morjim, North Goa
Popular actress Shilpa Shetty who has invested in several entrepreneurial and wellness ventures, widely credited for bringing yoga and holistic living into mainstream pop culture, owns the famous chain of restaurants under Bastian – a venture that is also co-owned by her husband Raj Kundra. Speaking of their plush Goa property, set along the Morjim backwaters, Bastian Riviera is a luxury beach club and dining destination known for its Mykonos- and Dubai-inspired design, premium seafood, and sunset-focused cocktail program. The venue balances indulgent flavours with high-quality ingredients, appealing to both partygoers and wellness-conscious diners.

3. Kaia by Bhumi Pednekar – Morjim, North Goa
Bhumi Pednekar, who is known for her socially driven film choices and has earned critical acclaim for roles that challenge conventional narratives in Hindi cinema, is not only a climate warrior but also an active entrepreneur. She has invested majorly in a beautiful and scenic property called Kaia in Goa which focuses on “slow living” through coastal cuisine, wood-fired cooking, and consciously sourced ingredients. The menu caters equally to vegetarians and non-vegetarians, with botanical cocktails and fermented elements adding depth to the dining experience.

4. Jolene by the Sea by Amrita Arora – Anjuna, North Goa
Amrita Arora has been a familiar face in Bollywood and fashion circles, known for her long-standing presence in the entertainment and lifestyle space. After marriage, the actress who has actively been involved in business along with her tycoon husband Shakeel Ladak, owns the picturesque Jolene by the Sea. The restaurant offers a chic bohemian setup paired with global coastal flavours, from fresh vegetarian plates to indulgent seafood, pizzas, and pastas. Its tropical cocktails and relaxed vibe make it a popular sunset dining spot.

5. Burger Factory by Shweta Salve – Anjuna, North Goa
Shweta Salve is a well-known television actor and theatre performer who has successfully transitioned into entrepreneurship. She co-owns one of the most popular joints – Burger Factory in Anjuna. It is a casual, rustic favourite celebrated for its gourmet burgers, creative vegetarian options, and hearty non-vegetarian offerings. Sangrias, gin-based cocktails, and milkshakes complete its laid-back appeal.

Together, these celebrity-owned restaurants add star power to Goa’s culinary map, offering visitors a mix of glamour, comfort, and the unmistakable Goan vibe.

Also Read: Inside the World’s Most Expensive Smartphone: The story of Nita Ambani’s Falcon Supernova iPhone

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Photos: Saif Ali Khan and Kareena Kapoor Khan visit the Tiffany & Co boutique in Jio World Plaza, Mumbai

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EXCLUSIVE: Salman Khan’s Battle Of Galwan to release on Independence Day 2026

Earlier in the day, Bollywood Hungama announced that the much-awaited film, Battle Of Galwan, might not be able to make it on April 17, as scheduled. The news went viral as soon as it went live. We now bring to you another exciting update – the new release date of the Salman Khan-starrer.

A source told Bollywood Hungama, “Battle Of Galwan has indeed been postponed and it’ll now release on August 14, 2026. Salman Khan and the makers are of the opinion that it would be a better date since India’s Independence Day falls on August 15. The patriotic sentiment will be at an all-time high and Battle Of Galwan would be an ideal flick to watch in this period.”

The source further said, “The makers are expected to shortly announce the new release date of Battle Of Galwan officially.”

Earlier, Bollywood Hungama, in its article, carried a quote from a source who explained the reason for the delay, “The shoot is not yet over and the reshoot is taking more time than expected. From Monday, February 9, a one-week schedule will commence in the Golden Tobacco Factory in Mumbai. After this schedule gets over, a few more days of shooting are left and by February-end, it’ll be a wrap.”

The source further said, “Director Apoorva Lakhia will begin editing the reshot portions. And that’s not all. As per the rules, Battle Of Galwan needs to be shown to the Ministry of Defence and this process might also take time. Due to these two reasons, the makers feel that they would not be able to meet the April 17 deadline. Salman Khan is clear that such a special, patriotic film needs to be nurtured well. He has told the team of the film that they should not rush through the process and take their time in ensuring that the final product looks appealing, compelling and cinematic.”

Interestingly, Battle Of Galwan will now clash with Kartik Aaryan-starrer Naagzilla.

Also Read: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

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Shahid Kapoor reveals he shot ‘Paan Ki Dukaan’ without rehearsals, calls the song a complete on-set experience

The much-anticipated song ‘Paan Ki Dukaan’ from upcoming film O’Romeo was unveiled yesterday at a high-profile event in Mumbai, instantly grabbing attention for its desi swagger and infectious energy. The launch turned into a spectacle, with paan stalls set up across the city and Shahid Kapoor taking over the stage alongside a flash mob, creating a moment that quickly became the talk of the town. Adding to the excitement, Triptii Dimri joined Shahid on stage for the flash mob performance, giving audiences a first glimpse of the fresh on-screen pairing dancing together.

The duo’s easy chemistry and the song’s street-style vibe made the live performance one of the standout moments of the evening. Speaking about the making of Paan Ki Dukaan, Shahid Kapoor shared an interesting behind-the-scenes detail, revealing that the song was shot without any prior rehearsals. He said, “Paan ki Dukaan ka shoot humne end mein kiya, we were shooting for Aashiqon ki colony. Vishal Sir aye mere pass aur bole yeh dusra gaana jo hain woh bhi karle, logon ko yeh gaana bohot pasand aane wala hain. Maine reharsals ki nahi thi iss gaane ki. We started shooting for Paan ki Dukaan just the next day we wrapped Aashiqon ki Colony. Jo bhi steps huye jo bhi planning huyi yeh set pe tha, wahi pe seekha wahi pe kar diya (We shot ‘Paan Ki Dukaan’ towards the end of the schedule, when we were already filming ‘Aashiqon Ki Colony’. Vishal sir came up to me and suggested that we shoot this second song as well, saying that audiences were really going to enjoy it. I didn’t rehearse for the song at all. We began shooting ‘Paan Ki Dukaan’ the very next day after wrapping ‘Aashiqon Ki Colony’. All the steps and planning happened on set — I learned everything there and performed it right then and there).”

The actor’s comments underline the spontaneous nature of the track, which appears to mirror the raw, unfiltered energy that the song brings to screen. Since its release, ‘Paan Ki Dukaan’ has been gaining traction online, with fans praising its catchy rhythm, lively choreography, and Shahid Kapoor’s effortless screen presence. The song is already shaping up to be a crowd favourite and adds another vibrant layer to the musical landscape of O’Romeo.

O’Romeo is an upcoming Hindi-language action thriller written and directed by Vishal Bhardwaj and produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment. Based on Hussain Zaidi’s book ‘Mafia Queens of Mumbai’, the film boasts an ensemble cast featuring Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Tamannaah Bhatia, Disha Patani, Farida Jalal and Vikrant Massey.

Presented by Sajid Nadiadwala, O’Romeo is scheduled to hit theatres on February 13, 2026. With ‘Paan Ki Dukaan’ already creating a strong buzz, expectations around the film continue to build steadily.

Also Read: O’Romeo song launch: Shahid Kapoor, Triptii Dimri STUNNED as fans storm the stage to dance on ‘Paan Ki Dukaan’; bouncers save the day; Shahid’s quotes steal the show – “During promotions, roz Shendi lagti hai…roz DARR lagta hai…”

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SCOOP: Budget math stalls Krrish 4 – Hrithik’s Rs. 500 cr. vision vs Aditya Chopra’s Rs. 350 cr. cap!

Hrithik Roshan as Krrish is one of the most celebrated characters of Indian Cinema, and the last decade has seen a pent-up demand from the audience to see the return of this franchise for the fourth time. Hrithik was receptive to the audience and announced Krrish 4 in association with Yash Raj Films. This time around, the actor is donning a dual hat – of an actor and a director too, as Krrish 4 is to mark his debut as a director.

But it seems that the fans will have to wait a little longer for Krrish 4. Reliable sources have confirmed that Krrish 4 has gone on back-burner as Hrithik Roshan and Aditya Chopra are not aligning on the budget of this superhero epic. “Hrithik Roshan wants to make the film at a huge budget close to Rs. 500 crores, and Aditya Chopra believes that it’s essential to have an upper cap to the film around the Rs. 350 crore mark. After multiple rounds of discussions, the duo have at the moment put Krrish 4 on the back burner,” a source told Bollywood Hungama.

Hrithik is meanwhile exploring the possibilities of collaborating with another studio on Krrish 4, and also reworking the script, keeping budget restrictions in mind. “Hrithik is also a practical guy and has taken Aditya Chopra’s feedback positively. He is relooking at certain feedback given by Adi, and at the same time in talks with other studios to fund the film. He is also looking to start another film before completely moving into Krrish 4. He has read multiple scripts and will green-light one very soon.”

Krrish 4 currently stands pushed to 2027. By then, either Aditya Chopra may meet Hrithik Roshan’s budget expectations or Hrithik could come on board with a new producer, the situation remains open-ended for now. What’s certain, though, is that Krrish 4 will not go on floors this year, as Hrithik is set to begin another acting assignment. An announcement about his next big-screen film is expected soon and it’s said to be a genuine surprise.

Also Read: Hrithik Roshan BREAKS silence on filing legal suit amid deepfake fears: “Better to be protective NOW than do damage control later”

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Ranveer Singh enters ultra-luxury space with Rs. 11 lakh whisky; ABD Maestro unveils ‘The Collective’ 34-year-old single malt

Ranveer Singh is making a powerful statement beyond the silver screen. The actor, who is also the co-founder of ABD Maestro, has unveiled the brand’s most ambitious luxury offering to date — ‘The Collective’ Limited Edition 34-Year-Old Speyside Single Malt Scotch Whisky, priced at an eye-watering Rs. 11 lakh per bottle.

Announced on February 6 in Mumbai, the launch marks ABD Maestro Pvt. Ltd.’s formal entry into the ultra-grand luxury spirits segment in India. A subsidiary of Allied Blenders & Distillers (ABD), ABD Maestro is positioning itself as a curator of rare and exceptional spirits, and this debut release sets the tone.

The first expression under ‘The Collective’ is an exceptionally rare 34-year-old single malt distilled at the Macallan Distillery in 1991. Matured for over three decades, the whisky showcases a refined balance of delicate florals, soft citrus and malty notes, layered with deep sherry-led richness — crafted for seasoned collectors and connoisseurs.

What truly elevates the release is its exclusivity. Only 60 hand-filled decanters have been produced globally, each individually numbered, engraved and manually gold-lettered in Scotland. Every bottle is housed in a handmade wooden outer box, designed to reflect individuality and artisanal craftsmanship. Adding a personal touch, each decanter comes with a personally signed letter from Ranveer Singh, making it a prized collectible for luxury enthusiasts.

 

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With availability strictly limited, ‘The Collective’ is being offered exclusively through pre-orders. The whisky has been custom-created for ABD Maestro in collaboration with Speyside Capital, Glasgow, which served as the brand and project partner. In India, it will be available through Travel Retail and select major cities.

The 700 ml expression is priced at Rs. 11 lakh (MRP in Maharashtra), firmly placing it among the most premium whisky releases in the country.

Commenting on the landmark launch, Bikram Basu, Managing Director, ABD Maestro, said, “ABD Maestro curates the very best in Luxury spirits. With the first expression of ‘The Collective’, we present rare, limited editions that are not sold, but acquired – exclusively on pre-order. Defined by quiet luxury and uncompromising craftmanship, each release speaks as much to the collector or connoisseur and those who understand exclusivity as value in itself.”

With ‘The Collective’, Ranveer Singh adds another bold chapter to his ever-expanding portfolio — blending heritage, craftsmanship and modern luxury, while reinforcing his growing presence in the premium lifestyle and spirits space.

Also Read: SCOOP: Dhurandhar 2 OTT rights EXPLODE to Rs. 150 cr; Ranveer Singh creates yet another RECORD as Jio Hotstar wins big!

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Tamannaah Bhatia and Sidharth Malhotra spotted filming a scooter scene in Vvan

Vvan has been one of the most talked-about projects ever since its announcement. With audiences eagerly waiting for more details, the recently released intriguing teaser offered a tantalising peek into its mystical world—one that explores a unique folklore rooted in a rich cultural backdrop. Adding to the growing excitement, a new picture featuring Sidharth Malhotra and Tamannaah Bhatia in their first-ever on-screen collaboration has surfaced, teasing a refreshing chemistry fans didn’t know they needed.

A sneak peek of Sidharth Malhotra and Tamannaah Bhatia from the sets of Vvan is simply too cute to miss. Their never-seen-before pairing sparkles with warmth and charm. Coming together on screen for the first time, the duo radiates youthful, energetic vibes, instantly winning hearts. This glimpse has only amplified the buzz around the film.

The fresh pairing has already sparked massive excitement among fans, who have long been eager to see these two stars share screen space. Their crackling chemistry in this BTS moment has sent social media into a frenzy, building anticipation for what’s to come.

Adding to the film’s scale and intrigue, Vvan marks a landmark collaboration between two powerhouses of the content world—Ekta Kapoor’s Balaji Telefilms and Arunabh Kumar’s TVF (The Viral Fever). This exciting partnership promises compelling storytelling and top-notch content, while also marking TVF’s first-ever venture into feature films. Set in the folk thriller genre, Vvan emerges as a rare and intriguing offering, further fuelling curiosity about the world it is set to unveil.

Balaji Motion Pictures, a division of Balaji Telefilms Ltd, in association with TVF, an 11.11 Production, present VVAN – Force of the Forest! VVAN is a big-screen folk thriller, starring Sidharth Malhotra and Tamannaah Bhatia. Written by Arunabh Kumar, directed by Deepak Mishra and Arunabh Kumar, with DOP and Visual Director Manu Anand; and produced by Shobha Kapoor, Ektaa R Kapoor, Arunabh Kumar and Niraj Kothari. Releasing in theatres in 2026!

Stay tuned for more exciting updates from the world of Vvan!

Also Read: VVAN: Force of the Forest makers and Tamannaah Bhatia wish Sidharth Malhotra on his birthday

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EXCLUSIVE: March gets emptier; after Pati Patni Aur Woh Do, Gabru also postponed; Sunny Deol starrer won’t release on March 13

In November 2025, Bollywood Hungama was the first one to break the news that Salman Khan has an entertaining and extended cameo in Sunny Deol-starrer Gabru. We now bring to you another exclusive news about this film – the release has been pushed and it won’t arrive next month.

A source told Bollywood Hungama, “Gabru was scheduled to release in cinemas on March 13. But now, the makers have decided to push the release. The makers are considering a few options and are expected to lock a date soon. Once done, they’ll make an official announcement.”

While the reason behind the delay is not known, a trade source said, “The holy month of Ramzan will be underway in mid-March, which could limit footfalls from a section of the audience. Moreover, the much-awaited films Dhurandhar: The Revenge and Toxic are set to clash on March 19. Sunny Deol’s track record has strengthened after the blockbuster success of Border 2 and Gadar 2 (2023). Hence, it makes sense to arrive at a time when a larger number of moviegoers will be available to catch the film on the big screen.”

Gabru is directed by Shashank Udapurkar and produced by Vishal Rana. In November, Bollywood Hungama carried a quote of a source who said, “There was a requirement of a star and the makers knew that Salman Khan fit the bill completely. Salman was approached and he loved the part and its contribution to the film. He quietly shot the film more than a year ago and it has shaped up well. His cameo in Gabru is all heart. It is adorable and also highly entertaining. He has 3 scenes in total and hence, it’s an extended special appearance.”

Sometime back, Bollywood Hungama revealed that the Ayushmann Khurrana-Sara Ali Khan-Wamiqa Gabbi-Rakul Preet Singh starrer Pati Patni Aur Woh Do, which was to release in cinemas on March 4, has also been postponed. With Gabru also pushed, trade, industry and even moviegoers now wonder if any film, other than Dhurandhar: The Revenge and Toxic, would arrive in cinemas in the month of March. A clearer picture on this front is expected to emerge in a few days.

Also Read: Next On Netflix 2026: Ikka actor Tillotama Shome reveals, “A fly crawled into Sunny Deol’s EYE; he STILL didn’t stop the shot…he reasoned, ‘I didn’t want to spoil your take’”

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Netflix drops teaser of Maamla Legal Hai Season 2; courtroom comedy returns in 2026

Netflix has officially announced Maamla Legal Hai Season 2, which is set to premiere on the platform this year. The courtroom comedy is returning with the familiar madness of Patparganj Court, promising big laughs and even bigger twists.

The new season will see Ravi Kishan returning as V.D. Tyagi, but this time in a new avatar. With a fresh aura and a new personality, Tyagi will be seen navigating the realities of his new role, while the chaos of Patparganj Court continues as the lawyers deal with bizarre cases, unusual clients and everyday courtroom drama. The upcoming season is also described as “satya durghatnaon par aadharit” (based on true incidents).

The makers shared that the response to the first season was overwhelming, and with Season 2, they are excited to return to Patparganj with the same set of lawyers. The upcoming season will feature bigger cases, new faces and even more outrageous situations, while the humour and chaos are expected to be sharper than before.

Maamla Legal Hai Season 2 is created by Saurabh Khanna, Kunal Aneja and Sameer Saxena, with Sameer Saxena serving as executive producer and showrunner. The series is directed by Rahul Pandey and written by Kunal Aneja, Syed Shadan, Mohak Aneja and Tatsat Pandey. It is produced by Posham Pa Pictures. The cast includes Ravi Kishan, Nidhi Bisht, Naila Grrewal, Anant Joshi, Anjum Batra, Kusha Kapila and Dinesh Lal Yadav. Netflix has also dropped the official teaser for the upcoming season, further building excitement ahead of its 2026 release.

Also Read: Netflix announces new seasons of Mismatched, Black Warrant, The Royals, and Maamla Legal Hai

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Prateik Smita Patil and Priya Banerjee come together for first on-screen collaboration with ‘Ishq Fakir’

Real-life couple Prateik Smita Patil and Priya Banerjee Patil have come together on screen for the first time in the romantic music video ‘Ishq Fakir’. The song marks their debut collaboration as a couple and draws inspiration from the timeless love story of Heer and Ranjha.

Set against the backdrop of rural Punjab, ‘Ishq Fakir’ tells the story of a woman’s return that brings back unresolved emotions and a love once separated by circumstances. The narrative focuses on longing, devotion, and the quiet strength of a bond that refuses to fade with time. While rooted in a classic love legend, the video presents the story in a contemporary setting.

Talking about the project, Priya Banerjee Patil shared that both she and Prateik were immediately drawn to the song. “When producer Jatin Dharna approached us, we liked the idea instantly. We’ve never done a song together before, so it felt new and exciting. The vibe of the song is beautiful,” she said. Priya also spoke about shooting in Punjab, adding that they filmed at real locations and stayed in a small village near Chandigarh. “It was our first time shooting in a pind, and we enjoyed the experience. Working with your spouse doesn’t feel like work at all,” she added.

Prateik Smita Patil said the makers had given them a clear reference point with Heer-Ranjha. “We were involved in the story and vision from the start,” he said. ‘Ishq Fakir’ is sung, written, and composed by Alam Gir Khan. The song is presented by Jatin Dharna, released under the JMP Music label, and directed by Amitesh Sanghani. The track is now streaming on YouTube.

Also Read: EXCLUSIVE: Prateik Smita Patil and Priya Banerjee open up about their first ramp walk as husband and wife: “Walking beside each other felt like the most beautiful beginning”

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Amaal Mallik exposes the harsh economics of Bollywood music: “‘Sooraj Dooba hai’ earned Rs. 60–70 crores, I got almost nothing”

Composer-singer Amaal Mallik has once again brought the spotlight on the long-standing issues plaguing the Hindi film music industry, particularly the lack of fair remuneration, ownership, and credit for composers and lyricists. In a candid interview with Pinkvilla, Amaal spoke at length about how artists continue to suffer despite creating commercially successful music.

Reflecting on one of his biggest hits, ‘Sooraj Dooba Hai’ from the 2014 musical Roy, Amaal revealed the stark imbalance between the revenue earned and what composers actually receive. “It earned Rs. 60–70 crore for the label, and I got nothing except publishing rights, which are negligible, not even close to Rs. 1 crore,” he said. Emphasising why ownership matters, he added, “I want to make money to help people. That can only happen if I have rights or equal rights. Film music doesn’t give you that.”

Opening up about his personal journey, Amaal shared how financial stability came late despite years of success. “Sixteen years later, I just bought a car for myself. I’ve never done anything for myself, it’s always been for people around me.” He also highlighted the disparity between regional industries and Bollywood, stating, “There are composers in the South earning Rs 10–15 crore while retaining rights. In Hindi cinema, composers get Rs 2–3 crore and give everything up.”

Amaal questioned the rigid structures of the industry, saying, “Everyone works in a straight line. Nobody asks why things can’t be structured differently or why credits can’t be fairer.” He stressed that credit integrity matters deeply to him, adding, “No one can ever say I denied them credit on my songs.”

Comparing Bollywood to global practices, he pointed out, “In the West, crediting systems are far more transparent. Here, even lyricists’ names disappear.” He recalled how lyricists were forced to protest publicly: “Lyricists like Amitabh Bhattacharya, Kausar Munir and Manoj Muntashir had to make a video just to demand proper credit.” He further noted, “They questioned why a composer could be credited on one label but not another.”

Amaal also spoke about creative opacity and professional setbacks. “You give 15–16 options, you and 10 other composers put your heart into it, and then songs are rejected without explanation. There’s no transparency,” he said. Recalling a bitter experience, he added, “There was a time when I was working with someone on a film, and by the evening we were fighting a court case. I won’t name anyone, but that’s how it works.”

Revealing the cost of speaking up, Amaal concluded, “In the last five years, I was dropped from 40 to 45 films,” while asserting, “Even when I wasn’t visible, my music kept living on.”

Also Read: Bigg Boss 19 contestants Farrhana Bhatt and Amaal Mallik skip Dubai Bash; fly to Malta instead — fans smell a new collaboration

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Scream 7 New Trailer: Ghostface returns with a chilling twist; targets Sidney Prescott’s family

The Scream franchise is gearing up to send shivers down spines once again, and this time, the terror hits closer to home. Paramount Pictures and Spyglass Media Group have officially unveiled the Big Game Spot for Scream 7 during the Super Bowl, offering fans a chilling glimpse into the next chapter of the iconic slasher saga. The film is slated for a theatrical release in India on February 27, 2026, with Paramount Pictures India handling distribution.

The latest instalment brings back Neve Campbell as Sidney Prescott, a character synonymous with survival and resilience in the Scream universe. In Scream 7, Sidney appears to have finally built a quiet life away from the horrors of her past. However, peace is short-lived as a new Ghostface killer emerges, turning Sidney’s world upside down when her daughter, played by Isabel May, becomes the latest target.

Determined to protect her family at all costs, Sidney is forced to confront the trauma and violence she once believed were behind her. The film promises to blend emotional stakes with the franchise’s signature suspense, pushing Sidney into what may be her most personal and dangerous battle yet.

Based on characters created by Kevin Williamson, Scream 7 boasts an expansive ensemble cast. Alongside Campbell and May, the film features Courteney Cox, Jasmin Savoy Brown, Mason Gooding, Anna Camp, Joel McHale, Mckenna Grace, Michelle Randolph, Jimmy Tatro, Asa Germann, Celeste O’Connor, Sam Rechner, Ethan Embry, Tim Simons, and Mark Consuelos.

Adding to the anticipation is the fact that Kevin Williamson, the mind behind the original Scream screenplay, takes the director’s chair for this instalment. The film is produced by William Sherak, James Vanderbilt, and Paul Neinstein.

With nostalgia, fresh blood, and heightened emotional stakes, Scream 7 aims to redefine the franchise while staying true to its roots. Indian audiences can prepare to experience the next wave of Ghostface terror when the film arrives in cinemas on February 27, 2026.

Also Read: Scream 7 trailer out now: Neve Campbell’s Sidney Prescott faces a new Ghostface threat; India release set for February 27, 2026

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