Gen Z icon Ahaan Panday joins Philips OneBlade as brand ambassador, championing the ‘built different’ generation

Philips Personal Health India has appointed Ahaan Panday as Brand Ambassador for Philips OneBlade, launching its new campaign, ‘Built Different, just like my Philips OneBlade’, to mark the moment.

Ahaan is one of Gen Z’s most recognized faces in India. His partnership with Philips OneBlade, the country’s most loved grooming brand for the generation, puts Gen Z’s confidence and individuality front and centre, speaking directly to a generation that grooms on its own terms.

Bringing this insight to life, the ‘Built Different’ campaign captures a generation often misunderstood. Frequently labelled distracted, rebellious or unwilling to follow convention, Gen Z is not rejecting tradition but reshaping it on its own terms. Through Ahaan Panday’s voice, the campaign challenges conventional grooming rituals, replacing the “cuts and drama” with a smarter, more versatile life hack designed for speed, flexibility and self-expression. The message is simple yet powerful: this generation isn’t following someone else’s script; they’re writing their own – and they know they will make their mark because they’re built different, just like OneBlade.

The same ‘built different’ spirit comes alive in Philips OneBlade. Powered by Philips’ unique OneBlade Technology, the device is crafted to trim, edge and shave with a single versatile tool. Instead of juggling multiple tools for trimming, shaving and shaping, OneBlade brings it all into one device. Whether it’s cleaning up stubble, shaping a beard or getting sharp edges around a moustache, the tool is built to handle different need with ease. And unlike traditional razors that shave too close, OneBlade is designed to keep the skin comfortable while still delivering a clean, well-defined look, making it the perfect grooming device for Gen Z.

Speaking on the association, Smit Shukla, Country Head – Philips Personal Health, said: “Gen Z has rewritten the rules of grooming on their own terms, and OneBlade was built to match that energy, delivering the flexibility and performance that fits how they actually live. Ahaan is one of the most genuine and influential young voices in India right now, and bringing him on board as Brand Ambassador reflects our confidence in OneBlade’s trajectory and our commitment to being the grooming brand Gen Z reaches for.”

Commenting on the association, Ahaan Panday, Brand Ambassador – Philips OneBlade, said: “For my generation, grooming is more about expressing who you are. That’s why this partnership with Philips grooming feels natural. OneBlade keeps up with the way we live – fast, dynamic, and always evolving. ‘Built Different’ is more than a campaign; it’s a mindset that celebrates individuality and the confidence to do things your own way. I’m excited to be part of a movement that encourages young people to own their style without compromise.”

Also Read: Saiyaara Team Reunites: Mohit Suri, Akshaye Widhani, Ahaan Panday and Aneet Padda return for an intense romance laced with heart-tugging music

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From Ananya Panday to Aneet Padda: New-Gen Bollywood Actors redefine style with statement silhouettes and power dressing

Bollywood’s emerging leading ladies are steadily reshaping the industry’s fashion narrative, bringing a more defined and individualistic approach to style. Moving beyond traditional red carpet glamour, actors like Sahher Bamba, Ananya Panday, Aneet Padda and Pratibha Ranta are embracing silhouettes that reflect structure, versatility and personal identity.

Sahher Bamba’s fashion choices are rooted in precision and control, often highlighting clean cuts and structured fits. Her recent appearance in a corset paired with a voluminous skirt demonstrated a balance between sharp tailoring and fluidity, underlining her preference for looks that are both defined and composed.

Ananya Panday, on the other hand, continues to experiment within a space that blends ease with polish. Her style frequently merges relaxed elements with refined tailoring, making it both contemporary and accessible. A coordinated blazer and skirt ensemble showcased her take on modern power dressing, combining structure with a softer finish.

Aneet Padda is carving a space through minimal, sharply constructed outfits that prioritise fit and proportion. Her approach leans towards understated dressing, where the strength of the silhouette takes precedence over embellishment. Structured blazer looks remain central to her evolving fashion identity.

Meanwhile, Pratibha Ranta brings contrast into focus, often combining softer, feminine elements with more defined silhouettes. Her sartorial choices reflect a duality that is both subtle and striking, as seen in fitted gowns that emphasise clean lines while introducing bold design elements.

Together, these actors represent a shift in Bollywood fashion, where style is increasingly seen as an extension of individuality rather than spectacle. Their choices signal a move towards thoughtful dressing where construction, balance and self-expression play a key role. As audiences continue to engage with celebrity fashion beyond the screen, this new generation is not just following trends but actively influencing them, shaping a more nuanced and contemporary style landscape within the industry.

Also Read: Ananya Panday takes charge of Limca; actress steps into unique role for new campaign

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Subhash Ghai’s Mukta Arts invites writers to pitch high-concept stories in just two pages

In a move that aims to discovering and nurturing fresh talent, Subhash Ghai-led Mukta Arts Film Studios has announced a storytelling initiative inviting writers to pitch their story ideas in just two pages.

Known for introducing iconic faces like Jackie Shroff and Mahima Chaudhary to Indian cinema, Mukta Arts has consistently been a launchpad for new talent. Extending that very philosophy beyond actors, the studio is now turning its focus to writers encouraging original voices to step forward with powerful, concise storytelling.

At the heart of this initiative lies a simple yet powerful idea – great stories don’t need length, they need impact. Taking to Instagram, Subhash Ghai said, “IF STORY IS A KING – then KING MUST SPEAK IN FEW WORDS TO WAKE UP THE LISTENER. So Mukta arts productions is proud to announce to writers to please pitch your stories in two pages only. To connect with you immediately if it is worth. As mukta arts is planning to go for multimedia productions soon. N ready to read your story. Please be sure about your original copyright registered n resume to be sent along .”

 

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Adding to this vision, Subhash Ghai further shared, “At Mukta Arts, we have always believed that talent is everywhere, it only needs the right platform and the right voice. Today, we are looking for writers who can surprise us with clarity of thought and strength of ideas, because a powerful story, told simply, has the ability to travel far and stay forever.”

The initiative invites submissions across a wide range of formats, including small budget, high-concept films, OTT series in music, drama, and suspense (Hindi), animated one-hour feature films, mid-budget live action films, high budget marvel science-fictions for theatres.

By opening up to multiple formats, Mukta Arts aims to tap into diverse storytelling voices and ideas that can seamlessly translate across theatrical and digital platforms. With this initiative, Subhash Ghai once again opens the doors, this time to writers, offering them a chance to be seen, heard, and potentially brought to screen.

Also Read: EXCLUSIVE: Mahima Chaudhry recalls Subhash Ghai was offended when she asked for a contract in the 90s; says, “There were no rules. There were no laws in place”

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“Too young to understand it”: Shreya Ghoshal recalls Devdas’s global success

Shreya Ghoshal recently reflected on the early phase of her career, recalling the global impact of Devdas, which marked her debut as a playback singer. In a recent interview, she spoke about how the scale of the film’s success was something she had not anticipated at the time.

“I was too young and too naive to really understand what was going on back then. But Devdas went on to create such a massive international impact globally, and that was something I was never prepared for,” she said, looking back at the experience.

Directed by Sanjay Leela Bhansali, Devdas went on to achieve significant recognition both in India and internationally, contributing to the global visibility of Indian cinema. The film’s music, including Ghoshal’s songs, also played a key role in its popularity and long-lasting cultural recall. Ghoshal’s debut with the film marked the beginning of a successful playback singing career, with her voice becoming closely associated with several iconic tracks in Hindi cinema. Over the years, she has continued to be a prominent name in the industry.

Bhansali, meanwhile, is known for his distinct filmmaking style, often characterised by elaborate visuals and emotionally driven narratives. His body of work has contributed to shaping large-scale storytelling in contemporary Indian cinema. The filmmaker is currently working on his upcoming project, Love and War, which is expected to be another ambitious addition to his filmography.

Ghoshal’s reflection on Devdas highlights how the film not only marked a turning point in her career but also became part of a larger moment when Indian cinema found wider recognition on the global stage.

Also Read: “Javed Akhtar sahab advised me not to do Kuch Kuch Hota Hai as he felt the director was ‘weird’ and ‘adamant’,” shares Sameer Anjaan; veteran lyricist also speaks about keeping himself relevant with changing times

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Aakhri Sawal teaser explores 1934 meeting between Hedgewar and Mahatma Gandhi, sparks curiosity

The makers of Aakhri Sawal, starring Sanjay Dutt, have released a new teaser that sheds light on a pivotal and lesser-known moment in Indian history, a private meeting between Keshav Baliram Hedgewar and Mahatma Gandhi in 1934. The film is directed by National Award-winning filmmaker Abhijeet Mohan Warang.

The latest teaser builds on the intrigue generated by earlier promotional material, offering a dramatic glimpse into what the makers present as a significant historical interaction. Opening with a question around what transpired during the meeting, the teaser portrays a tense and layered exchange between the two figures, suggesting a narrative rooted in real events while exploring perspectives that remain largely undocumented.

Aakhri Sawal has been positioned as a thought-provoking project that delves into complex and debated chapters of India’s past. Alongside the Hedgewar-Gandhi interaction, the film is expected to touch upon issues such as the ban on the RSS and narratives surrounding the Babri Masjid, placing these events within a broader socio-political context.

 

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The ensemble cast includes Amit Sadh, Namashi Chakraborty, Sameera Reddy, Tridha Choudhury, and Neetu Chandra. The film is backed by producers Nikhil Nanda and Sanjay Dutt under the banner of Nikhil Nanda Motion Pictures, with co-producers Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand.

The screenplay, story, and dialogues have been written by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas. With its latest teaser raising questions about historical narratives and interpretations, Aakhri Sawal continues to build anticipation ahead of its theatrical release on May 8, 2026.

Also Read: Sanjay Dutt starrer Aakhri Sawal gets new release date — film preponed to May 8

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Janhvi Kapoor reveals Bollywood’s filthiest truth: a heroine’s body becomes public the moment it becomes profitable

There is a sentence hidden inside Janhvi Kapoor’s recent remarks that Bollywood should not be able to ignore: once the camera desires you, consent becomes optional. She may not have phrased it that way, but that is the brutal truth sitting underneath everything she described: manipulated images, invasive zoom-ins, slowed-down edits, body-part fixation, and the assumption that if something looks public, it must be permissible.

That is the ugliest truth of female stardom. Not that the heroine is watched. She always has been. Not even that she is desired. Cinema has always traded in desire. The ugliness begins when desire starts behaving like entitlement. When the lens stops documenting and starts taking possession. When a woman’s body is treated not as part of a performance but as public property open to extraction, reframing and resale.

Janhvi’s distinction between sensuality and sexualisation is crucial here. She is not rejecting glamour. She is not disowning beauty, allure or screen presence. She is drawing a boundary that too many people in this business conveniently erase. A woman may consent to looking sensual in a song or a scene. She does not automatically consent to body-part zooms, slowed edits, manipulated frames, AI-generated outfits she never wore, or camera placements designed to override her comfort. That line should be obvious. The fact that it still needs explaining tells you everything about the ecosystem.

And let us be honest about where the problem sits. It is fashionable to blame only the paparazzi or only anonymous internet creeps. But Janhvi’s own remarks point to a wider rot. Official pages circulate fake visuals. Digital ecosystems reward objectifying content because it performs. Public figures are told this is the price of visibility. Even on sets, actresses often fear that resisting certain framings may make them look difficult or unprofessional. In other words, the problem is not one bad actor. The problem is a culture in which consent keeps getting renegotiated downward the moment the camera senses commercial value.

That is why this conversation matters beyond outrage. Because it is not about hurt feelings. It is about power. Who has the power to define the image? Who has the power to circulate it? Who has the power to say, This is not okay, without being told to relax, be practical, or stop being sensitive? Janhvi’s observation that she may not yet have enough voice or credibility to complain without backlash is devastating because it reveals how silence is manufactured. The woman most affected is often also the one least free to object.

Bollywood has spent years packaging the female star as agency itself: confident, modern, outspoken, empowered. Yet the machinery around her still behaves as though her consent is flexible once the image begins generating money, traffic or attention. That contradiction is not just embarrassing. It is foundational. It is built into the economics of glamour coverage, digital gossip, clickbait video edits and voyeuristic framing.

And that is why Janhvi Kapoor’s remarks hit harder than the usual conversation about trolling or sexism. She is naming a system in which the camera does not merely observe a heroine; it claims access to her. The moment the frame finds her desirable, too many people assume the boundaries have already been waived.
That should terrify the industry more than it currently does. Because if consent can be so casually diluted for one of the most visible young actresses in the business, then Bollywood’s empowerment language begins to sound less like principle and more like packaging.

Janhvi Kapoor has, perhaps without intending to, exposed a truth Hindi cinema still does not want to admit: the problem is not that women are seen. The problem is that once they are seen through a profitable gaze, too many people believe they no longer get to decide how.

Also Read: In Bollywood, the heroine is first sexualised, then moralised: Janhvi Kapoor has exposed the trap

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Chand Mera Dil title track release pushed by a day in tribute to Asha Bhosle

Dharma Productions has postponed the release of the title track of Chand Mera Dil by a day as a mark of respect following the passing of legendary playback singer Asha Bhosle. The song, featuring Ananya Panday and Lakshya, was earlier scheduled to release on April 13.

The decision comes as Asha Bhosle’s last rites are set to be held on the same day. Announcing the postponement, the production house shared a statement explaining the reason behind the move.

The statement read, “In honour of a legacy that has shaped generations, and with deep respect for the passing of the legendary Asha Bhosle, we are pushing the release of the Chand Mera Dil title track by a day. This decision has been made as a mark of heartfelt respect and remembrance for Asha Bhosle, whose lasting impact on music continues to inspire generations.”

 

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Asha Bhosle passed away at the age of 92 after being admitted to Breach Candy Hospital following cardiac and respiratory complications. She had reportedly not been keeping well for the past few months and was brought to the hospital in a critical condition before being shifted to the Intensive Care Unit on Saturday night. She died on Sunday afternoon, with her family later confirming that her last rites would take place the following day in Mumbai.

Also Read: Asha Bhosle passes away at 92: 10 defining songs that shaped her extraordinary musical legacy

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Peddi cinematographer R. Rathnavelu shares colour grading glimpse amid release delay reports

Peddi is one of the most anticipated films of 2026, headlined by global star Ram Charan. The film also features Janhvi Kapoor and Jagapathi Babu in pivotal roles, and has generated massive buzz ever since its announcement. After introducing Ram Charan as a rustic village cricketer, the makers recently showcased his striking transformation into a wrestler in Peddi Pehelwan, leaving fans amazed by his intense new avatar.

As the release draws closer, excitement continues to build. The film’s cinematographer, R. Rathnavelu, recently shared behind-the-scenes glimpses from the colour grading process on social media. He is seen with acclaimed colourist Andreas Brueckl, offering a sneak peek into the film’s visual detailing. The post featured pictures from the grading suite along with stills from the film, highlighting the meticulous craftsmanship and rich visual tone being crafted for Peddi.

Sharing the post, he wrote, “#Peddi Colour grading in full swing with my colourist #Andreas @AlwaysRamCharan @BuchiBabuSana @arrahman @RathnaveluDop @vriddhicinemas”

#Peddi Colour grading in full swing with my colourist #Andreas @AlwaysRamCharan @BuchiBabuSana @arrahman @RathnaveluDop @vriddhicinemas pic.twitter.com/Kc4Gx8wo3y

— Rathnavelu ISC (@RathnaveluDop) April 10, 2026

Peddi’s first single, ‘Chikiri Chikiri,’ became a chartbuster hit upon its release, with listeners loving its refreshing vibe and the signature magic of A. R. Rahman. The track resonated widely, racking up an impressive 200 million+ views across platforms and setting the tone for the film’s musical journey.

Keeping the momentum alive, the makers dropped the second song, ‘Rai Rai Raa Raa,’ a high-energy track that quickly grabbed attention online. With over 58 million views on YouTube already, the song has further fueled anticipation for Peddi and its much-awaited release.

Written and directed by Buchi Babu Sana, Peddi stars Ram Charan in the titular role, alongside Shiva Rajkumar, Janhvi Kapoor, Divyendu Sharma, and Jagapathi Babu. Produced by Venkata Satish Kilaru under his banner, Vriddhi Cinemas, and in collaboration with leading production house Mythri Movie Makers, the film is scheduled for release on April 30, 2026.

Also Read: Ram Charan starrer Peddi faces fresh release uncertainty amid delays and IPL clash: Report

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Ravie Dubey calls Ranbir Kapoor “quiet and deeply committed” while working on Ramayana

Actor Ravie Dubey recently shared his experience of working with Ranbir Kapoor on the upcoming film Ramayana. The film has already generated strong interest after its first glimpse was unveiled. Ranbir Kapoor’s look from the project has received attention online. Viewers have responded positively to his appearance and screen presence in the early visuals from the film.

Ravie Dubey praises Ranbir Kapoor’s approach on set

Speaking about their collaboration, Ravie Dubey described Ranbir Kapoor as calm and focused during the shoot. He said, “Ranbir has an incredible aura. He’s quiet, graceful, and deeply committed. He carries a very soft energy, and I think that’s something everyone who meets him would feel.”

His comments reflect his experience of working closely with the actor during the making of the film.

Cast brings together key characters from the epic

In Ramayana, Ranbir Kapoor plays Ram, while Ravie Dubey will be seen as Lakshman. Sai Pallavi is set to portray Sita. The casting of the trio has drawn attention since the film’s early announcements. The project continues to remain one of the most talked about upcoming titles.

Audiences are now waiting to see how the characters and their relationships are presented on screen as the film moves closer to release.

Also Read: Moti Sagar, son of Ramanand Sagar, reacts to Ramayana teaser, calls Ranbir Kapoor “a class actor”

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Fighter fame Rishabh Sawhney to play double role in Nagabandham? Here’s what we know!

Fighter fame Rishabh Sawhney is set for his next big bang in Nagabandham, slated for a summer 2026 release. Fresh off his breakout as the gripping Azhar Akhtar in Fighter, Rishabh levels up dramatically, stepping into the intense world of Ahmad Shah Abdali. This role isn’t just a step; it’s a pivotal upgrade, unleashing the fierce energy that defines Nagabandham.

Rishabh’s portrayal of Azhar Akhtar in Fighter was electric as he nailed the high-stakes action, turning a challenging debut into a massive triumph. That performance acted as a great launchpad for him, proving his chops in intense, layered characters. Now, Nagabandham, a high-stakes saga blending history and modern twists, Rishabh embodies Ahmad Shah Abdali as a barbaric, unstoppable force, with a shocking double role where Abdali reincarnates into a sleek and stylish character.

A source close to the development revealed that: “After making a striking impression in Fighter, Rishabh Sawhney is set to surprise audiences yet again in Nagabandham. He will be seen in a double role, something that adds an entirely new layer to the narrative. His dual portrayal is expected to be one of the film’s biggest talking points.”

Fighter proved Rishabh can handle pressure, and Nagabandham will show his range. His role in Fighter as Azhar was the perfect launchpad, and now his next role as Abdali stands as his next big conquest to face and conquer. Directed with epic scale, Nagabandham blends history, action, and intrigue Rishabh is poised to dominate with this powerhouse role of Ahmad Shah Abdali.

Also Read: Rishabh Sawhney shares excitement for Nagabandham teaser release on February 15: “This is something that will blow your mind”

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Ginny Wedss Sunny 2 trailer launch: After Zakir Khan and Siddharth Anand, now Medha Shankr jumps into Bandra-Juhu bandwagon: “There was a POV that romcoms Bandra-Juhu type honi chahiye, jisme Bumble aur Tinder…”

Avinash Tiwary, Medha Shankr, producer Vinod Bachchan and director Prasshant Jha attended the trailer launch of their film Ginny Wedss Sunny 2 at a multiplex in Mumbai. The Bandra-Juhu discourse is in the news nowadays after Zakir Khan spoke about it at the Screen Awards 2026. He joked about how filmmakers located between Bandra and Juhu in Mumbai are jealous of Dhurandhar’s historic success. However, it also led to backlash, which was also from the film industry. The most prominent celebrity to make his displeasure clear was Siddharth Anand of War, Pathaan and Fighter fame. This added to the chatter around it.

Now, Medha Shankr has also spoken about the Bandra-Juhu idea, but in a different context. She said, “As Avinash said, there are barely any films that the whole family can watch together. I also feel that there’s a point of view that romcoms Bandra-Juhu type honi chahiye ya bahut hi modern honi chahiye, jisme Bumble aur Tinder chal raha ho.”

She continued, “But honestly, even Gen Z is also looking for old school love and involvement of families in their relationships. Deep down, we all want a wholesome bond that goes on till the end. Hence, I feel that more and more romcoms should be made. Ginny Wedss Sunny 2 is an attempt on those lines. It is a very relatable love story. It shows involvement of families. You’ll see it and hopefully feel ‘Yeh dating apps hatao…iss tarah ka pyaar chahiye’! I hope people see that in our film.”

Meanwhile, Avinash Tiwary and Medha Shankr made an entry on a bike which had the ‘Just Married’ tag. They also indulged in a couple of wedding-related ceremonies, going by the theme of the film. Before the Q-and-A round with the media, creative producer Soundarya Bachchan, producer Umesh Kumar Bansal of Zee Studios and others also came on stage. Vinod spoke highly of his daughter, Soundarya.

Ginny Wedss Sunny 2 releases in cinemas on April 24.

Also Read: Ginny Wedss Sunny 2 trailer launch: Avinash Tiwary says even his bhabhi won’t show his films to her kids: “Iss film mein tum pagal ho gaye, uss film mein chuadail aa gayi”; reveals his family ABUSED him after watching Bambai Meri Jaan together: “I can’t repeat those abuses here!”

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EXCLUSIVE: After public support, Salman Khan now signs Rajpal Yadav for Dil Raju-Vamshi Paidipally’s next

Salman Khan is fondly called the superstar with the largest heart in the Indian film industry. Over the years, he has always stood by everyone in need, and the industry often reaches out to him in times of grief. A day back, Salman took social media by storm by lending his support to Rajpal Yadav, who is presently fighting a financial crisis in life. He shared, “Rajpal bhai aap 30 yrs se kaam kar rahe ho aur hum sabne aapko repeat kiya hai baar baar kyunki aap apna kaam jante ho aur ek value laate ho, kaam toh aapko bohot milega aur issi dollar rate pe milega aur milte rahega. Hakikat yeh hai. Aur yeh yaad rakhna ke kabhi kabhi flow mai kuch nikal aata hai, dena hi hai toh dimag mai rakho dil se kaam karo, dollar upar ho ya neeche kya farak padta hai dena toh India mai hi hai @rajpalofficial.”

Just days after the post went viral, we have exclusively learnt that Salman Khan has signed Rajpal Yadav to play a key role in his next feature film to be produced by Dil Raju with director Vamshi Paidipally. “Salman Khan has cast Rajpal Yadav to play a key role in this action-packed entertainer. Rajpal will be playing Salman Khan’s right hand in the film and will share a strong dynamic bond throughout the story. It’s one of the most important characters, and the casting has happened on merit. Salman is very fond of Rajpal and feels that he fits the bill to the T for his particular part,” shared a source with Bollywood Hungama.

Rajpal will start shooting for the film in the month of May. “Rajpal is excited to reunite with Salman Khan. The duo has worked together on several cult films, including the likes of Partner (Chotta Don) and Mujhse Shaadi Karogi (Chotta Pandit). This one, too, has a unique character trait for Rajpal, and the comic angle will bring the house down with laughter.”

Salman Khan and Dil Raju‘s next will hit the big screen in the first half of 2027. The shoot begins next week in Mumbai.

Also Read: Salman Khan – Vamshi Paidipally’s film gets a new addition in cast: Arvind Swamy comes on board, reveals report

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Photos: Avinash Tiwary and Medha Shankr grace the trailer launch of Ginny Weds Sunny 2

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Photos: Saiee Manjrekar snapped in Juhu

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Tabu reveals Asha Bhosle gifted her a guitar on her birthday : “Some moments stay with you forever”

Actor Tabu recently shared a heartwarming memory involving legendary singer Asha Bhosle, revealing a special birthday moment that left a lasting impression on her.

Taking to social media, Tabu posted pictures with Asha Bhosle and opened up about the special gesture she received from the music icon. Recalling the moment, she wrote, “Last November on my birthday a guitar was waiting at my door from Asha Tai.”

The actor expressed how deeply meaningful the gift was to her, highlighting her long-standing admiration for the singer. She added, “Some moments stay with you forever.”

She shared that on her birthday last November, she was pleasantly surprised to find a guitar gifted by Asha Bhosle waiting at her doorstep,a gesture that deeply moved her.

The actor expressed how much the moment meant to her, calling it one she will always cherish. She also spoke about her deep admiration for Asha Bhosle’s music, noting how the singer’s songs have long evoked emotions of love, longing, and passion in her life.

Tabu further shared that the guitar holds a special place in her heart and that she hopes to one day play Asha Bhosle’s songs on it, making the gift even more meaningful.

The post quickly resonated with fans, who admired the beautiful bond between the two celebrated artists. With this touching gesture, Asha Bhosle once again proved why she remains not just a musical legend but also a deeply cherished figure across generations.

Also Read: Priyanka Chopra shares Sunday dump from Hyderabad feat. mother Madhu and daughter Malti Marie!

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Janhvi Kapoor opens up on alcohol addiction: “Don’t abuse it – recognise when you’re crossing the line”

In a candid and deeply reflective conversation with podcast host Raj Shamani, Janhvi Kapoor addressed the often-overlooked issue of alcohol addiction, shedding light on its far-reaching emotional and social impact.

Speaking about her personal experiences and observations, the actor emphasised the urgent need to view addiction through a more informed and compassionate lens. “The concept of addiction has been a big villain in my life. I’ve seen many people around me fall prey to addiction. There’s still a lot of stigma attached to addiction—especially alcohol,” she shared.

Janhvi, who is associated with Amaha, revealed that her initiative focuses on spreading awareness and making reliable support systems more accessible. Through her interactions with medical professionals, she has gained a deeper understanding of behavioural patterns and effective responses to addiction.

“One key learning: addiction is a medical condition—like mental health issues, cancer, or a broken bone. It’s often linked to compromised mental well-being,” she explained, underlining the importance of treating the issue as a health concern rather than a moral failing.

Reflecting on the challenges faced by caregivers, she said, “I’ve taken on the role of a caregiver. And caregivers carry a lot of guilt. You don’t know if you’re doing enough—or making things worse.” She also highlighted how frequently such struggles surface in everyday conversations. “In society, how often do we hear—‘my husband drinks and hits me’? Someone addicted rarely realises it. There are over 100 million children globally with an addicted family member.”

Offering practical insights, Janhvi cautioned against confrontational approaches. “Never confront someone when they’re intoxicated. And never approach them with an accusatory tone—even when they’re sober. I’ve done that—and it causes more damage. When you accuse them—‘you drink too much’—it triggers defensiveness. And can push them into another binge.”

She further elaborated on behavioural red flags and emotional triggers, stating, “People drink for many reasons—escape, confidence issues, anxiety… They become dependent on it. When you accuse them, it becomes too much to handle… And they just go—‘forget it, I’ll drink even more.’”

Discussing warning signs, she noted, “For me, it was always a red flag when someone is intoxicated during the day. When someone drinks alone. When someone disappears… When they’re vague about where they’re going or where they were. For me, that’s an immediate red flag.”

Highlighting the role of societal attitudes, Janhvi added, “Society pushes them away, treats them badly, so they don’t even get a chance to come back to normal life. At least there, addiction is talked about openly. Here, people hide it.”

She also referenced a behavioural study to explain the importance of environment in recovery. “Rat Experiment – There were two rats. Both were given drugs and became addicted. When one was denied the drug, it died. But the other one, placed in an enriched environment with activities— Like games, stimulation—it got busy and stopped asking for drugs. That’s why I say—play cricket, stay engaged.”

With her initiative, Janhvi Kapoor hopes to spark a more open and empathetic dialogue around alcohol addiction—one that prioritises awareness, understanding, and meaningful support.

Also Read: Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

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Salman Khan wins hearts with ‘My Sukh’ post; gives fans a rare peek into his tender side

Bollywood superstar Salman Khan has once again captured the internet’s attention, this time not with a film announcement but with a heartfelt glimpse into his personal life. The actor recently shared a series of candid pictures featuring his pet, affectionately referred to as “My Sukh,” offering fans a softer, more intimate side of his otherwise larger-than-life persona.

Posting the images on social media, Salman kept the caption minimal yet evocative, writing, “3:55 – My Sukh.” The understated note, paired with the warmth of the visuals, quickly resonated with fans, who flooded the comments section with admiration for the actor’s evident bond with his furry companion.

Known for his enduring love for animals, Salman Khan has often spoken about the important role pets play in his life. Over the years, several of his dogs—including Myson, Mylove, and Myjaan—have been a constant presence, frequently appearing in his social media updates and even in casual conversations. With Sukh now becoming a part of that legacy, it reflects the continuity of the actor’s deep emotional connection with his pets.

The latest images stand out for their simplicity, capturing unguarded moments that highlight comfort, companionship, and affection. Away from the arc lights and action-heavy roles, these snapshots present a quieter version of Salman—one that fans rarely get to see but instantly connect with.

 

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On the professional front, Salman Khan is gearing up for his next film, Maatrubhumi: May War Rest in Peace. The project is being produced by Salma Khan under the banner of Salman Khan Films, with Apoorva Lakhia directing. Positioned as an intense narrative, the film is expected to explore themes of bravery, sacrifice, and resilience. It also features Chitrangada Singh in a pivotal role.

While anticipation builds for his upcoming release, it is these small, personal moments that continue to strengthen Salman Khan’s connection with his audience—proving that sometimes, simplicity leaves the biggest impact.

Also Read: Salman Khan unveils his custom Jacob & Co. watch worth over Rs. 40 lakhs; calls it “deeply personal”

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Sachin Tendulkar praises Rakesh Bedi in viral anecdote; actor’s witty comeback steals the show

The worlds of cricket and cinema often intersect in India, but few moments are as endearing as veteran actor Rakesh Bedi’s recent anecdote involving Sachin Tendulkar. Known for his impeccable comic timing and decades-long career, Bedi shared a memorable interaction with the cricket icon that has since struck a nostalgic chord with fans.

Recalling the encounter, Bedi revealed that Tendulkar had words of appreciation for his work. “Sachin Tendulkar… What did he say? He said, ‘Mr. Rakesh, it was fun. You did a great job,’” Bedi shared.Staying true to his comic persona, the actor responded with a witty remark that drew laughter and admiration alike. “I said, yes, you did a great job. Your sixes fell in India. My sixes fell in Pakistan,” he quipped, cleverly referencing the widespread popularity of Indian television and cinema across borders.

After Watching Dhurandhar, Sachin Tendulkar called Rakesh Bedi and said:

“You were brilliant, Rakesh ji… what a six you hit!”

And Rakesh Bedi replied:
“You’ve hit many sixes… but yours landed in India.
Mine landed in Pakistan.” pic.twitter.com/JpyECGBsE0

— Rohan (@rohann__45) April 5, 2026

Bedi’s enduring appeal can be traced back to his performances in projects like Dhurandhar and its sequel Dhurandhar The Revenge. Known for portraying quirky, often flustered characters with a touch of innocence, he became a familiar face in family entertainment during the 1990s. Bedi gained recognition for its sharp humour and slapstick style, resonating strongly with audiences. Over the years, the actor enjoyed sustained success through satellite television, evolving into comfort watches for many viewers.

Meanwhile, Dhurandhar enjoyed much love from the audience when it hit cinemas in December. Now, the sequel titled Dhurandhar The Revenge too has become a record breaking success story. Directed by Aditya Dhar and inspired by true events, the film starred Ranveer Singh as Jaskirat Singh Rangi aka Hamza Ali Mazari, along with R Madhavan, Sanjay Dutt, Arjun Rampal, among others.

Tendulkar’s appreciation underscores the lasting cultural impact of such performances. For Bedi, the acknowledgment from one of cricket’s greatest figures serves as a unique validation—one that blends humour, nostalgia, and admiration across two of India’s most beloved industries.

Also Read: Ranveer Singh shot Dhurandhar The Revenge climax in 48°C heat, reveals makeup artist: “Containers were literally burning”

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Dacoit trailer launch: Adivi Sesh speaks about averting clash with Akshay Kumar’s Bhooth Bangla; confesses why he pushed release from March 19: “We didn’t get desired showcasing because of my FRIEND Aditya Dhar’s phenomenal film, Dhurandhar…woh film 3-4 mahine tak chalti rahegi!”

Mrunal Thakur, Adivi Sesh, Anurag Kashyap and Zayn Marie Khan attended the trailer launch of the Hindi version of their film Dacoit: Ek Prem Katha in Mumbai. The film was all set to arrive in cinemas on March 19, 2026 and thus clash with Dhurandhar The Revenge. In February, Bollywood Hungama was the first one to break the news that the action entertainer has been pushed to April 10. At the trailer launch, Adivi Sesh was asked about it.

Dacoit: Ek Prem Katha was then set to clash with Akshay Kumar’s Bhooth Bangla. A few days ago, the makers of the Akshay Kumar film announced that the horror comedy has been postponed to April 17. A journalist asked Adivi Sesh if they’ll have an advantage since Bhooth Bangla won’t be clashing with Dacoit: Ek Prem Katha.

Adivi replied, “Yes. Originally, we were scheduled to arrive in cinemas on March 19 to coincide with Ugadi, the Telugu New Year. Hence, it was a very good date for the South version. However, we didn’t get the desired showcasing because of my friend Aditya Dhar’s phenomenal film, Dhurandhar.”

He continued, “We thought we should find a date on which we would get the right showcasing. This is when our distributors informed us that we would get great showcasing, appropriate show timings and correct theatres on April 10. Only then did we announce the new date.”

With Dhurandhar The Revenge still making waves, does he fear that it’ll pose a competition? Adivi Sesh confessed, “No. I think Dhurandhar agle 3-4 mahine tak chalti rahegi (laughs). Aur chalni bhi chahiye. And it’s a phenomenon like the IPL. It influences the whole culture and zeitgeist.”

He ended the answer by saying, “There’s room for different kinds of cinema. Main chahta hoon ki jinko bhi Dhurandhar ki ticket na mile, woh dakiti karne aa jaaye (smiles).”

Also Read: Adivi Sesh on launching ‘Touch Buddy’ from Dacoit with Bhojpuri icon Pawan Singh in Gorakhpur, “I’ve always believed that cinema and music go beyond language”

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Photos: Adivi Sesh, Mrunal Thakur, Anurag Kashyap and Zayn Marie Khan grace the trailer launch of Dacoit

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Allu Arjun drops adorable birthday wish for son that melts hearts: “Happy Birthday, My Chinni Babu” goes viral

Allu Arjun has once again delighted fans, this time with a touching glimpse into his personal life. The actor took to social media to celebrate his son’s birthday, sharing a heartfelt post for Ayaan that quickly went viral and won over fans across the country.

Known for keeping his family life relatively private, the Pushpa star surprised followers with an intimate and affectionate picture. In the candid moment, Allu Arjun is seen warmly embracing his son, capturing a genuine father-son bond that resonated deeply with his audience.

Accompanying the photo was a heartfelt caption that added to the emotional appeal of the post. He wrote, “Many happy returns of the day to the love of my life. Happy Birthday, my chinni babu.” The simple yet powerful message struck a chord with fans, who flooded the comments section with wishes and admiration for the star and his family.

 

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Over the years, Allu Arjun has built a massive fan base not just for his on-screen charisma but also for his grounded personality off-screen. Moments like these further strengthen his connection with fans, offering a rare peek into the man behind the superstar image.

While the actor is currently enjoying this personal milestone, his professional journey continues to generate significant excitement. Allu Arjun is gearing up for a highly anticipated collaboration with filmmaker Atlee Kumar for a project tentatively titled AA22. The film has already created considerable buzz, with fans eager to see what this powerful combination will bring to the big screen.

In addition, the actor is also set to join hands with acclaimed director Lokesh Kanagaraj for AA23. Known for his distinctive storytelling and gripping narratives, Lokesh’s collaboration with Allu Arjun is expected to be another major milestone in the actor’s career.

Balancing personal joy with professional ambition, Allu Arjun continues to stay at the forefront of Indian cinema. As fans celebrate this heartwarming family moment, they also eagerly await his upcoming projects, which promise to further elevate his already stellar filmography.

Also Read: Allu Arjun Fans Association launches HPV vaccine drive ahead of actor’s April 8 birthday

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Web Series Review: Maamla Legal Hai Season 2

Star Cast: Ravi Kishan, Naila Grrewal, Nidhi Bisht, Anjum Batra, Anant Vijay Joshi

Director: Rahul Pandey

Synopsis:

MAAMLA LEGAL HAI SEASON 2 is the story of everyday life in a court. After the events of the first season, Vishweshwar Dayal Tyagi aka V D Tyagi (Ravi Kishan) becomes the Principal District Judge at Patparganj Court, Delhi. Kailash Shubhkela (Dibyendu Bhattacharya) is also appointed as a District Judge at the same court. Tyagi becomes good friends with Kailash and starts enjoying his stint as a judge. However, he also feels stifled as there are too many restrictions on him now. Meanwhile, Jagdish Gupta aka Munshi ji (Vijay Rajoria) takes over Tyagi’s chamber and is assisted by Lakhmir Singh Balli aka Mintu (Anjum Batra) and Sujata Negi (Nidhi Bisht). However, they have a tiff over whether the chamber should be named Balli Negi And Associates or Negi Balli And Associates. To resolve this issue, Munshi ji devises a plan: whoever solves the maximum number of cases within a specific period will have their name mentioned first. On the other hand, Ananya Shroff (Naila Grrewal) struggles to register her first courtroom victory. She takes up the case of Banaspati (Dinesh Lal Yadav aka Nirahua), whose underarms are burnt after he is misled into using a deodorant because of its advertisement. Hence, he sues the deodorant company and seeks compensation of Rs. 5 lakhs. Ananya is shocked to learn that Nayana Arora (Kusha Kapila) will fight the case on behalf of the deodorant brand. Ananya and Nayana have been rivals since childhood and hence, the case becomes personal for them. What happens next forms the rest of the season.

Maamla Legal Hai Season 2 Story Review:

Kunal Aneja, Syed Shadan, Mohan Aneja and Tatsat Pandey’s story is inspired from real life episodes and is amusing. Kunal Aneja, Syed Shadan, Mohan Aneja and Tatsat Pandey’s screenplay is breezy and peppered with some fine moments. However, just like the first season, the same minuses also persist in the sequel. Kunal Aneja, Syed Shadan, Mohan Aneja and Tatsat Pandey’s dialogues are one of the USPs. Several dialogues would raise a lot of laughs.

Rahul Pandey’s direction is simple and effective. Just like the first season, Season 2 also commences with a hilarious voiceover by Vijay Raaz. Every episode ends with newspaper clippings that prove that the bizarre cases shown in the show are inspired by true events. The first season was lauded as it showed a side of the legal world that JOLLY LLB, THE TRIAL etc. didn’t touch upon. This aspect is further explored in Season 2. We see V D Tyagi facing unexpected challenges while functioning as a judge. For instance, he’s instructed not to smile anymore to the lawyers. This bit is never explored before in any film or show and it adds a nice touch. The oath ceremony and the chaos that ensues are superb and set the mood. The deodorant track is the best of the lot, followed by the bizarre happenings in Episode 6 (a strict mother-in-law provoking her daughter-in-law’s brother and the ‘Act Of God’ moment). A solid twist comes up in Episode 7, which will surprise viewers. The final scene of the final episode is also interesting and sets the tone for the forthcoming season.

On the flipside, V D Tyagi becomes a judge to experience the ‘kick’, but that very kick is missing for the viewers. This is because while the makers succeed in landing the jokes, they falter when it comes to the emotional moments. As a result, the show never quite rises to the desired high, something that had also affected Season 1. The track of Varsha (Pooja Shyam Prabhat) is highly amusing, but it is forgotten after a point. The final episode, too, turns serious, yet fails to leave the desired impact.

Maamla Legal Hai Season 2 Performances:

Ravi Kishan is exemplary. He totally gets into the skin of his character and puts up a very lovable and effective act. Naila Grrewal delivers yet another confident performance. Nidhi Bisht is the soul of the show. She gets to display her histrionics and nails the part. Anjum Batra and Anant Vijay Joshi (Vishwas Pandey) are too good and lend able support. Dibyendu Bhattacharya handles his part with panache. Vijay Rajoria is dependable, as expected. Dinesh Lal Yadav, aka Nirahua, is hilarious and it needs solid conviction to pull off such a character. Kusha Kapila leaves a huge mark. However, her screen time is limited. R Badree (Bipin Topo; reader) manages to register. Bishwanath Bhattacharya (Judge Ghosh) is fair and plays a relatable character. The others who do well are Amit Vikram Pandey (Law aka Nikunj), Vikram (Order), Vijaykant Kohli (Judge Sunil Pathak), Abhishek Sharma (Advocate Bagai), Imran Rasheed (Daleel), Kumar Saurabh (Shambhu), Sudhir Sangwan (Pepsu; cop), Garima Vikrant Singh (Sagarika), Brijendra Kala (P P Sahab), Poonam Mathur (Sharma Aunty; landlady), Prasanna Bisht (Sonam; daughter-in-law), Arnav Bhasin (Nihal; Sonam’s husband), Durga Sharma (Nihal’s mother), Pranay Singh (Pawan; juvenile delinquent), Gautam Rode (Danish; gay lover of a deceased person) and Sameer Saxena (Rajesh; Well Tricks Manufacturing And Packaging manager). Pooja Shyam Prabhat is wasted and the same applies to Tenzing Choden (Maya Tamang; stenographer). Rajendra Gupta (S D Tyagi) again makes a special appearance but this time, his character doesn’t pack a punch like last time. Tanvi Azmi (Judge Bainsla) is much better in a cameo. Lastly, special mention should go to the Ajay Devgn lookalike, Ajay Verma (e-rickshaw driver). He’s hilarious.

Maamla Legal Hai Season 2 music and other technical aspects:

Nilotpal Bora’s music is forgettable. Nilotpal Bora’s background score is well-woven into the narrative. Milind Jog’s cinematography is satisfactory. Shraddha V Vasugavade and Prashant Ray’s production design and Veera Kapur Ee’s costumes are realistic yet appealing. Chandrashekhar Prajapati’s editing is slick. The episodes this time are a bit longer, but none of them is dragging or slow.

Maamla Legal Hai Season 2 Review Conclusion:

On the whole, MAAMLA LEGAL HAI SEASON 2 rests on a quirky and novel premise, packs in several amusing and bizarre courtroom cases and is adorned with witty dialogues and entertaining performances. However, the lack of strong emotional highs and a finale that doesn’t hit as hard as expected prevents it from being a thoroughly impactful follow-up. Nevertheless, for viewers who enjoyed the humour and slice-of-court chaos of the first season, this one makes for a fun and worthwhile watch.

Rating – 3.5 stars

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