Anupam Kher, Anubhav Sinha among top honourees as NIFFA 2026 concludes

The National Indian Film Festival of Australia (NIFFA) concluded its 2026 edition with grand closing ceremonies held across Brisbane and the Gold Coast, marking another successful chapter in its journey as one of the largest showcases of Indian cinema outside India. Bringing together filmmakers, industry professionals and cinema enthusiasts from both nations, the festival celebrated storytelling while strengthening cultural and creative ties between India and Australia.

Among the biggest winners, Jeejivisha Kale’s Marathi drama Tighee (Motherhood) secured the Best Indie Feature award, while Ankur Arun Kakatkar’s Mumbai-based romance Courage was named Best International Indie Feature. Chintan Kamlesh Parekh’s documentary Gottipua: Beyond Borders, which premiered globally at the festival, won Best Documentary. Meanwhile, Khwabeeda, directed by Beybaar and Vishal Tiwari, received the Best Short Film honour in association with Pocket Films.

Adding to the significance of the awards, the producers of both winning feature films are graduates of Australian film schools, reflecting the growing influence of Australia-trained filmmakers in India’s independent cinema landscape.

The festival also recognised several notable personalities from the Indian film industry. Veteran actor Anupam Kher was presented with the Indian International Cinema Icon Award, while filmmakers Anubhav Sinha and Leena Yadav received the prestigious Nishtha Awards. Trade analyst Komal Nahta was honoured with the Vimarsh Samman.

NIFFA 2026 expanded its reach more than ever before, covering over 13 Australian cities through more than 200 screenings, workshops, masterclasses, red-carpet events and special presentations. More than 32 films in 15 Indian languages were showcased across metropolitan centres, regional towns and outback locations.

Festival Director Anupam Sharma reflected on the event’s growing impact, saying, “In a short time NIFFA became something bigger – a national platform where cinema, culture, community and commerce between India and Australia meet in real time. This is very important in the current environment of anti-immigration and pro-monocultural narratives being attempted.”

Queensland politician Hon John-Paul Langbroek MP also praised the initiative, stating, “Festivals such as NIFFA play an important role in connecting communities, celebrating cultural exchange and showcasing the power of storytelling to bring people together… we are delighted to host a festival that strengthens the cultural and creative ties between Australia and India.”

The festival also announced a three-year partnership with Destination NSW and a two-year collaboration with the Northern Territory, paving the way for greater discussions around filming opportunities, co-productions and creative partnerships between India and Australia. With strong backing from government bodies and film organisations in both countries, NIFFA 2026 once again highlighted cinema’s ability to foster cultural understanding and deepen international collaboration.

Also Read : Anupam Kher breaks silence on Ram Mandir controversy; says, “I was never scared before, I’m not scared today”

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Samantha Ruth Prabhu on embracing motherhood; says, “I’ve been waiting for this moment, I’ve always wanted to be a mother”

Samantha Ruth Prabhu is embracing a new phase in her personal life as she prepares to welcome her first child with husband Raj Nidimoru. After recently confirming her pregnancy during the promotions of Maa Inti Bangaaram, the actress has now opened up about her excitement for motherhood, revealing that it is something she has long dreamed of.

In an interview with Pinkvilla, Samantha shared that becoming a mother has always been close to her heart. “It’s definitely new and exciting. But I’ve been waiting for this moment for a while now. I’ve always wanted to be a mother. So I know that I’ll be giving this my all,” she said.

This marks Samantha’s first pregnancy. The actress married filmmaker Raj Nidimoru in December 2025 following her divorce from actor Naga Chaitanya. She is currently on maternity leave after wrapping up her ongoing professional commitments.

Speaking further about this new chapter, Samantha described the emotional transformation she has been experiencing. “I’ve always been passionate about everything in life. But now I feel I carry a different, new kind of strength and purpose in me. I’m looking forward to this journey a lot. And I’m filled with gratitude, learning every day, and getting ready to embrace whatever comes next,” she added.

Speculation about Samantha’s pregnancy first gained momentum when fans noticed what appeared to be a baby bump during the success celebrations of Maa Inti Bangaaram. The actress later confirmed the news herself at the film’s success event, where she also announced that she would be taking a brief maternity break after completing her scheduled work.

Alongside this personal milestone, Samantha is also celebrating a major professional achievement. Her latest Telugu action comedy-drama, Maa Inti Bangaaram, has crossed the Rs 100 crore mark in worldwide gross box office collections. The actress recently shared a video capturing her reaction after learning about the film’s success while relaxing at home.

Expressing her gratitude, Samantha thanked audiences for their overwhelming support and reflected on the initial uncertainty surrounding a woman-led film. She noted that the film’s strong box office performance represents the beginning of a larger shift for female-led cinema.

Directed by BV Nandini Reddy, Maa Inti Bangaaram is produced by Samantha Ruth Prabhu, Raj Nidimoru and Himank Reddy Duvvuru under the banner of Tralala Moving Pictures. The film has emerged as both a commercial success and a significant milestone in Samantha’s career, making this an especially memorable period in the actress’s life as she prepares to step into motherhood.

Also Read : Samantha Ruth Prabhu flaunts baby bump in her first playful post on Instagram

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Varun Tej gets possessed by a Korean spirit in Korean Kanakaraju teaser; film releases on August 7

The teaser for Korean Kanakaraju, a Telugu horror comedy starring Varun Tej, Ritika Naik and Satya, released on July 13. Directed by Merlapaka Gandhi, the film is set for a theatrical release on August 7. It is produced by Rajeev Reddy and Sai Babu Jagarlamudi under the UV Creations and First Frame Entertainment banners.

The teaser opens with Varun Tej’s character Kanakaraju introducing himself and his hometown of Penukonda in Rayalaseema, establishing the film’s rural setting. The narrative shifts when a vessel arriving from Korea carries a supernatural presence that possesses Kanakaraju, transforming him into Korean Kanakaraju and setting the story’s central premise in motion.

Moving between the landscapes of Penukonda and Korea, the teaser builds around the comic and supernatural fallout of the possession. Ritika Naik plays a Korean girl central to the plot, while Satya appears alongside Varun Tej through several scenes.

The technical team includes Thaman S as music composer, Manojh Reddy as cinematographer and Satyaa G as editor. The film has been shot across locations in Rayalaseema and South Korea.

Varun Tej was last seen in Matka (2024), directed by Karuna Kumar, and the Hindi action thriller Operation Valentine (2024), directed by Shakti Pratap Singh. Ritika Naik previously featured in Mirai (2025), written and directed by Karthik Gattamneni, and Hi Nanna (2023) alongside Nani and Mrunal Thakur. Satya was most recently seen in Peddi (2026), starring Ram Charan, Janhvi Kapoor and Shivarajkumar, and Alcohol (2026), directed by Meher Tej.

Korean Kanakaraju releases in theatres on August 7, 2026.

Also Read: Varun Tej suffers knee fracture during Bhari shoot and undergoes surgery; sister Niharika Konidela shares health update

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Jayati Bhatia opens up on playing the ruthless Sharda on Jaane Anjaane Hum Mile: “It has been one of the most challenging journeys of my career”

Zee TV show Jaane Anjaane Hum Mile has continued to keep viewers invested with its dramatic storyline and emotional twists. Headlined by Bharat Ahlawwat as Raghav and Aayushi Khurrana as Reet, the show is currently centred around one of its biggest storylines yet, with Sharda Bua, also known as Shalini Batra, emerging as the mastermind behind the separation of Reet and Raghav after allegedly kidnapping their newborn child.

At the heart of this intense narrative is actress Jayati Bhatia, whose portrayal of the manipulative and calculating Sharda has become one of the show’s most talked-about aspects. As the character continues to descend into darker territory, the actress has reflected on the emotional and creative challenges of portraying such a layered negative role for over a year and a half.

Speaking about the experience, Jayati Bhatia said, “Playing Sharda, aka Shalini Batra, for over one and a half years has been one of the most challenging yet fulfilling journeys of my career. With every twist in the story, Sharda’s negativity has only grown and staying in that headspace for 12–14 hours a day pushes me as an actor. But the moment I pack up, I make it a point to leave Sharda on the sets and become Jayati again. My co-stars have always understood that Sharda is just a character, so off-screen we’re constantly laughing and enjoying each other’s company. As for the audience, when they get angry with Sharda or criticize her actions, I take it as a compliment because it means they’ve completely accepted me in the role. I never take those reactions personally. Instead, they motivate me to portray Sharda with even more conviction and honesty. For me, that’s the biggest reward of playing a powerful negative character.”

The actress also highlighted the importance of maintaining a clear distinction between her on-screen persona and her real-life self, revealing that she consciously leaves the character behind once the day’s shoot comes to an end.

The current storyline has raised the stakes in Jaane Anjaane Hum Mile. As Reet’s baby, Reyansh, unknowingly returns home, Sharda remains determined to prevent a reunion between mother and son. Her latest scheme is expected to further complicate the lives of Reet and Raghav, setting the stage for more suspense and emotional confrontations in the episodes ahead.

With Sharda’s actions continuing to drive the narrative forward, viewers can expect more dramatic twists as the mystery surrounding Reyansh unfolds. Jaane Anjaane Hum Mile airs every day at 10:30 pm on Zee TV.

Also Read: Ayushi Khurana opens up about challenges she faced while shooting inside a water tank

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Photos: Dhvani Bhanushali spotted in Khar

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Dhamaal 4 Box Office Day 3 Evening Update: Collects Rs. 20.91 crore by 5 PM; records 50% occupancy in evening shows on Sunday

Dhamaal 4 has recorded a phenomenal jump in collections on its third day at the domestic box office. The comedy entertainer has collected approximately Rs. 20.91 crore as of 5 PM on Sunday and is headed towards a massive Day 3 total.

The film began the day with occupancy of around 20% during the morning shows. The response surged significantly during the early and late afternoon shows, which registered occupancy of approximately 46%. The evening shows have grown further, recording occupancy of nearly 50%.

The night shows are currently tracking at around 27%, though the figure is expected to improve as spot bookings gather momentum closer to showtime.

Dhamaal 4 is witnessing strong audience turnout across the country, with most major cities recording occupancies in excess of 40%. Several smaller towns and centres have performed even better, registering occupancies in the range of 50% to 60%.

The widespread growth beyond the metropolitan markets highlights the franchise’s strong mass and family appeal. With the evening shows running to packed houses across several centres and night-show bookings continuing to rise, Dhamaal 4 is set to conclude its opening weekend on a blockbuster note.

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Photos: Cast of Dil Deewana Ho Gaya announce release date of the film

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The Odyssey Mumbai press conference: Matt Damon REGRET turning down Shekhar Kapur’s The Four Feathers: “It’s a 20-year-old DEBT that I have been carrying around in my pocket!”

Christopher Nolan, Matt Damon, Tom Holland and producer Emma Thomas attended the press conference of their film, The Odyssey, at a five-star hotel in South Mumbai. Bollywood Hungama was one of the privileged few to attend this press meet. Matt surprised one and all as he spoke about his regret of not doing a film with Shekhar Kapur.

Matt Damon was asked if he’d like to work with an Indian filmmaker and who that would be. He said, “The filmmaker that everybody wanted to collaborate with is Shekhar Kapur. I remember when I couldn’t do The Four Feathers for some reason and I was really upset about that (laughs). I think I was signed up for a Bourne movie. So, I guess he’s always been on my list. I’d like to have another go. That’s like a 20-year-old debt that I have been carrying around in my pocket!”

He also opened up about working on The Odyssey, “I had the benefit of those 35 years behind me and (it was an exciting) opportunity to play a role like this; he’s such a fascinating, complex character. But to do it at this scale in this way with Chris – everything practical and everything in camera – it felt like my one chance to do a David Lean movie! I always wanted to do that (smiles). I felt such gratitude the moment he called me. I had a sense of what it was going to entail.”

Matt Damon continued, “It required so much of work from so many thousands of people. Every single person wanted to be there and nowhere else. We collected crew members in every country that we went to. We knew we were working with the elite members that are coming on board for that section to take on that set piece, and then you move on. We did that in Greece, Iceland, Morocco and Italy. It was just the most exceptional group of people who were just there for the same reason.”

He raised laughs as he said, “I told this to Emma early about producing this film. I asked her, ‘What is wrong with you?’! I told her that I was so happy that I am not a producer on this movie (laughs) because the level of coordination was beyond anyone’s imagination. She said to me, ‘This is like 6 or 7 movies, but we actually made each of these movies already. We have gone underwater with Dunkirk (2017), we have been on mountains with Batman. We have made all of these movies and so, we are prepared to make this one’.”

Matt Damon concluded, “I drew upon every tool from the toolkit and every experience that I have gathered over the course of my life to prepare for this moment. And I had the privilege of doing it alongside the most extraordinary group of people.”

The Odyssey releases in cinemas on July 17.

Also Read: The Odyssey Mumbai premiere: Christopher Nolan attends film’s ONLY fan screening worldwide; calls Indian audiences “some of the MOST enthusiastic and knowledgeable in the world”; playfully asks, “Who is better in the film – Matt Damon or Tom Holland?”

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Robert Downey Jr on playing Doctor Doom in Avengers: Doomsday: “I played the best hero… I can play the best villain”

The excitement surrounding Avengers: Doomsday continues to grow as fans eagerly await Robert Downey Jr’s return to the Marvel Cinematic Universe. However, this time the Oscar-winning actor will step into a completely different role, leaving behind his iconic portrayal of Tony Stark/Iron Man to play one of Marvel’s most feared villains, Doctor Doom.

The announcement of Downey Jr’s casting as Doctor Doom sparked widespread discussion among Marvel fans, who are curious to see the actor take on a darker and more complex character after spending over a decade as the face of the franchise’s greatest hero.

Adding to the anticipation, Marvel Studios president Kevin Feige recently shared how Downey Jr responded when he was approached for the role. Speaking at a recent event, Feige recalled the actor’s confident reaction, saying, “His exact words were, ‘I played the best hero… I can play the best villain.'”

“why….. WHYYYY rdj as doom” answer by kevin feige #AvengersDoomsday pic.twitter.com/2dbsWm4YIO

— em (@drdoomarchive) July 11, 2026

The statement has quickly caught the attention of Marvel fans, with many looking forward to seeing how Downey Jr reinvents himself as Victor Von Doom, one of Marvel Comics’ most iconic antagonists. Doctor Doom is known for his intelligence, power and strategic mind, making him a formidable opponent for Earth’s Mightiest Heroes.

Downey Jr’s return marks one of the biggest casting developments in the MCU, especially after Iron Man’s emotional farewell in Avengers: Endgame. His comeback in an entirely new role is expected to bring a fresh dynamic to the franchise while opening a new chapter in the Marvel saga.

With production progressing and excitement continuing to build, Avengers: Doomsday has already become one of the most anticipated superhero films on the release calendar. Fans are now waiting for the first official look at Downey Jr as Doctor Doom and to see how his version of the legendary villain fits into the future of the Marvel Cinematic Universe.

Also Read : Tom Holland on Spider-Man’s future after Brand New Day: “If I could do what Robert Downey Jr did for me…”

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EXCLUSIVE: Here’s why Aditya Chopra and Luv Ranjan are mentioned under ‘Special Thanks’ in Ikka

Ikka has finally released today on Netflix and the film is much awaited as it brings together two veteran powerhouse performers – Sunny Deol and Akshaye Khanna. Interestingly, the opening moments of the end credits feature a surprise. The ‘Directed by Siddharth P Malhotra’ slate is followed by the names of Aditya Chopra and Luv Ranjan under the ‘Special Thanks’ section.

Bollywood Hungama spoke exclusively with Siddharth P Malhotra for the reason behind it. He said, “They (Aditya Chopra and Luv Ranjan) had worked on it. As I have mentioned in many of my interviews, lots of people helped to get this film made. Ikka bante-bante nahin bani. Everyone liked the script. But due to casting issues or financial factors, it didn’t materialize. At one point, both Adi and Luv sir made immense contributions to the script. It was only correct for me to thank them and give credit where its due.”

He added, “Iss script pe Adi ne mehnat ki thi; unke baad Luv sir ne bhi mehnat ki thi.”

The years-long struggle finally ended on a high when Sunny Deol and Akshaye Khanna came on board as Ikka’s lead actors. Siddharth P Malhotra admitted, “This casting is god-sent. Nobody ever thought that such casting would fall into place.”

Siddharth P Malhotra has made two films for Yash Raj Films – the 2018 box office hit Hichki and Junaid Khan’s launch vehicle, Maharaj (2024). Like Ikka, the latter was also a courtroom drama which had a direct release on Netflix.

Yesterday, a screening of Ikka was held for the media and for the cast and crew. Siddharth P Malhotra was missing and he explained the reason behind it, “I am in New York for my sister-in-law’s daughter’s wedding. It’s a wedding in my immediate family. So, I had to be here.”

He admitted, “My heart and soul are in Mumbai. I wanted to be there for the screening.”

Also Read: After Dhurandhar’s success, Ranveer Singh and Aditya Chopra hold a closed-door meeting at YRF; reunion on the cards?

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Alliance: Soha Ali Khan makes surprise entry as host; Sohail Khan says, “Yeh ek aisa show hai jo unpredictable hai”

The latest episode of Alliance brought fresh twists to the game as a surprise appearance by Soha Ali Khan, emotional conversations and two high-stakes Knockout Challenges kept contestants on edge. Interestingly, the show is hosted by Kunal Kemmu who is also Soha’s husband. Amid many of them reacting to the Prime Video reality series which tests loyalties, with relationships inside the headquarters were seen facing renewed scrutiny after another eventful day including Sohail Khan.

The episode picked up from the aftermath of Dolly Javed and Kushal Tandon’s confrontation, with tensions still lingering among the contestants. Dolly was seen breaking down during a conversation with Nikhil Chinapa, who encouraged her to move forward despite the events that had unfolded. Meanwhile, discussions surrounding Kushal’s role in the game continued, with Ruhee Dosani and Payal Gaming questioning his approach. Payal even referred to him as the “captain of the headquarter.”

Elsewhere, Ace Arslan Goni reassured Niti Taylor amid uncertainty over her future in the competition, telling her that if the decision rested with him, she would not be leaving the headquarters. However, before the contestants could settle into the day, an unexpected system glitch froze the tracker, leaving everyone surprised.

The atmosphere shifted once the contestants assembled for the next Knockout Challenge, where Soha Ali Khan made a surprise appearance. She announced that Alliance had become the No. 1 trending show on Prime Video before interacting with Sohail Khan about his experience on the reality series.

Reflecting on his journey, Sohail said, “Bahut badia, yeh ek aisa show hai jo unpredictable hai, roz kuch na kuch naya hai (Its amazing, it’s a show that is quite unpredictable. Something new happens every day).” He further revealed that it was his children who motivated him to participate in the show and expressed his hope of making them proud.

The game then resumed with the Kings defeating the Hunters in the first Knockout Challenge. The loss forced the Hunters to decide which member would be placed on the “To Be Deleted” list. What began as a discussion soon turned into an argument after Rivva Kishan called Vriddhi Patwa “darpok.” Following deliberations, the alliance ultimately chose Vriddhi’s name for the list.

The Kings continued their winning run by defeating the Warriors in the next challenge, once again putting the losing alliance in the difficult position of deciding which teammate would face elimination. With every round reshaping alliances and testing trust, the competition inside the headquarters continues to become increasingly unpredictable.

Alliance, hosted by Kunal Kemmu, streams daily at 12 noon exclusively on Prime Video.

Also Read: Sohail Khan takes responsibility for divorce as ex-wife Seema Sajdeh joins Alliance as wild card contestant; says, “I take the onus and the responsibility”

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Lock Upp: Shivangi Joshi backs Dheeraj Dhoopar during chargesheet task amid Shilpa Shinde’s dramatic entry, says, “He is being what he is”

The latest episode of Lock Upp witnessed changing equations, strategic decisions, and fresh drama as Shilpa Shinde made a surprise entry into the house. Her arrival altered the dynamics among the contestants, with conversations taking a different turn after her return.

Before Shilpa entered the house, several inmates were seen discussing the controversy surrounding her alleged false accusation against a producer. However, once she arrived, the tone of those conversations appeared to change, with many contestants choosing to interact with her differently, highlighting the constantly evolving alliances inside the reality show.

The episode also featured the chargesheet task, which raised the stakes for all the contestants. Only six inmates could secure their safety, forcing participants to bid from their own ‘kharcha paani’ in an effort to avoid landing in the risk zone. The task required contestants to balance strategy with personal relationships, resulting in several difficult choices.

Amid the intense competition, Shivangi chose to support fellow contestant and actor Dheeraj. While some members of the girls’ group reportedly preferred backing other contestants, Shivangi used her opportunity to help Dheeraj move back into the safe zone.

Explaining her decision, Shivangi said she would continue to support him even if it meant putting another contestant, Varun, at risk. Sharing her perspective, she said, “Dheeraj has a good impact on the show, and I have nothing against Varun who is very sweet but so is Dheeraj and he is being what he is.”

Her remarks sparked discussion among fellow contestants, with differing opinions emerging over whether the move was driven by loyalty, personal rapport, or gameplay. As alliances continue to shift inside the Lock Upp house, such decisions are expected to play an important role in shaping the competition in the coming episodes.

The latest developments have once again underlined how quickly equations can change in the reality show, especially with unexpected twists and new challenges influencing contestants’ strategies. With Shilpa Shinde’s entry adding another layer to the ongoing dynamics and the chargesheet task testing loyalties, viewers can expect more confrontations and strategic gameplay as the season progresses.

Whether Shivangi and Dheeraj’s alliance continues to remain strong or changes with the course of the game remains to be seen in the upcoming episodes of Lock Upp.

Also Read: Ashneer Grover REACTS after X user asks him to donate Rs 900 crore following wife Madhuri Jain Grover’s remarks in Lock Upp: “Biwi ne gyaan de diya hai already”

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Saira Banu pays tribute to Dilip Kumar on his 5th death anniversary; says, “His memories continue to live on”

Actress Saira Banu paid tribute to her late husband, actor Dilip Kumar, on the fifth anniversary of his death, marking the occasion with a personal note shared on her social media account on July 7. In the note, Banu reflected on memory, love and companionship, referring to Kumar by the affectionate name “Sahib” throughout.

She wrote, “The most beautiful thing about life is that it never truly departs. It lingers, in memories. And memories, unlike time, are faithful companions. They return unbidden, in quiet moments and in crowded ones alike, carrying with them every smile, every glance, every word, as though nothing has ever truly been lost. To remember someone is, perhaps, the purest proof that they have never been forgotten.

I often believe that Sahib bestowed upon me a treasure beyond measure before he took his leave of this earthly world, a treasury of memories so rich, so abundant, that I shall spend the remainder of my days living amongst them.

On this very day, the 7th of July, 2021, Dilip Kumar left not only me, but an entire world that had cherished him. His family, his friends, his admirers across generations, and his brethren in the fraternity of cinema were all left with an emptiness that words shall never quite suffice to describe. Yet, for me, he was far more than the man the world celebrated. He was the steadfast anchor of my life, the quiet strength upon which I leaned for so many blessed years.

I count my blessings with profound gratitude, for ours was not merely a life lived together, it was a life fulfilled. As long as Sahib was by my side, I never found reason to concern myself with the burdens and trivialities of the worldly existence. Such was the generosity of his spirit, such was the grace with which he shouldered every responsibility, that he allowed me the rare privilege simply to be his companion.

The world shall forever remember him as one of the greatest artists to have ever adorned the silver screen. His devotion to his craft was unparalleled. Yet those who truly knew him shall remember a far gentler greatness, a philanthropist whose kindness knew no measure, a friend held in the highest esteem by the most distinguished amongst men, and above all, a human being whose compassion was as boundless as his dignity.

As I look back upon the years we shared, I realise something that had escaped me whilst I was living those very moments. I was not merely witnessing history, I was dwelling within it. Day by day, unknowingly, I became a humble part of a legacy that generations shall continue to celebrate.

Five years have passed since Sahib departed from my sight, yet never from my life. Love of such depth does not submit to time, nor does companionship of such grace surrender to absence. He continues to reside wherever my memories wander, and they wander to him every single day.

If I have been fortunate in this lifetime, it is because I was granted the immeasurable honour of loving, and being loved by, Dilip Kumar.

And that is a blessing for which my soul shall remain grateful until we meet again.”

Dilip Kumar died on July 7, 2021. The tribute marks five years since his death.

Also Read: 46 years of Karz: Subhash Ghai reflects on the film’s enduring legacy, says, “A film becomes a classic when it continues to live in the hearts of audiences”

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Aditya Dhar drops heartfelt birthday post for Ranveer Singh; calls his Dhurandhar performance ‘one of the finest in Indian cinema’

Filmmaker Aditya Dhar marked Ranveer Singh’s birthday with an emotional social media post, sharing behind-the-scenes moments from the sets of Dhurandhar and Dhurandhar: The Revenge. Along with the unseen photos, the director penned a heartfelt note praising the actor’s dedication, craft and the bond they built while working together on the two films.

Sharing the post on Instagram, Aditya reflected on his experience of directing Ranveer in the action dramas, describing the collaboration as one of the most memorable of his career. He penned, “Happy Birthday, Ranveer Singh. Some films stay with you forever. Dhurandhar will always be one of those films for me. Not just because of the story we told but because I got to witness something very few directors ever get to witness. I’ve always known you’re an extraordinary actor. But this journey made me fall in love with the artist you are and even more with the human being behind the artist.”

The filmmaker went on to recall several key sequences from the film that left a lasting impression on him and shared, “There were days on Dhurandhar that I knew I was witnessing something incredibly rare. The 26/11 sequence. The final tea shop scene. The Pathankot massacre. The pump house scene. The court exterior. Just to name a few. Take after take, scene after scene, you never once looked for the easy choice. Every emotion landed exactly where it needed to. Every silence had meaning. Every glance had intent. Every beat was pitch perfect.”

Praising Ranveer’s consistency, Aditya further wrote, “The consistency was almost impossible to comprehend. It genuinely felt like watching someone touched by divine grace. As though Maa Saraswati herself had placed her hand on your head and blessed you with every ounce of artistic brilliance she could. As a director, there are moments you spend your entire career hoping to experience. You gave me those moments again and again.”

He added, “I truly believe what you’ve done in Dhurandhar is one of the finest performances Indian cinema has ever seen. It isn’t just a performance, it is a force of nature. Fearless, towering and so complete that it disappears into the soul of the character. I have no doubt people will talk about this performance for years, perhaps generations to come. But what I’ll cherish even more is everything that happened between “Action” and “Cut.” The conversations. The shared conviction. The relentless pursuit of getting every single moment right.”

 

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Concluding the note on a personal note, the filmmaker continued, “Somewhere along the way, you stopped being just my actor. You became my brother. Thank you for trusting me with your heart, your craft and your madness. Thank you for giving Dhurandhar every piece of yourself. I couldn’t be prouder of what we’ve created together. Love you always. Happy Birthday, brother.”

Released in December 2025, Dhurandhar emerged as one of the biggest cinematic successes of the year, with audiences and critics responding positively to its scale and performances. Its sequel, Dhurandhar: The Revenge, which hit theatres in March 2026, continued the momentum and went on to achieve another record-breaking run at the box office, further cementing the franchise as one of the biggest successes in recent times.

Also Read: Ranveer Singh turns 40: Arjun Rampal calls Dhurandhar co-star “Sher” in heartfelt birthday wish BTS montage

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Dhurandhar production designer Rupin Suchak reveals Alia Bhatt’s major role in transforming his career: “She entrusted me with designing her home. That project opened an ENTIRELY new chapter”

Rupin Suchak is a reputed production designer who has worked on several prominent films, including Go Goa Gone (2013), Happy Ending (2014), Dear Zindagi (2016), Pad Man (2018) and Khel Khel Mein (2024). He also served as an additional production designer on the much-loved Dhurandhar (2025) and Dhurandhar The Revenge (2025). Apart from designing film sets, Rupin has also carved a niche for himself as an interior designer. In an interview with Mumbai Mirror, he revealed how Alia Bhatt played an important role in this transition, helping interior design become a major part of his practice.

Rupin Suchak said, “After nearly five years in production design, the turning point came unexpectedly when I was commissioned to design the office of filmmakers (R) Balki and Gauri Shinde. What started as a single project altered the direction of my career.”

He further said, “During the project, Alia Bhatt visited the office and responded strongly to the design. Not long afterwards, she entrusted me with designing her home. That project opened an entirely new chapter. One commission led to another and before long interior design had become a major part of my practice.”

In the same interview, Rupin Suchak admitted that designing for films and designing people’s homes are two vastly different experiences. He remarked, “I often joke that I have spent most of my career building worlds that people either inhabit for years or encounter for two seconds on screen.”

He also added, “Ironically, the biggest challenge in moving from film sets to homes was not creativity but patience. Film production runs on relentless deadlines. Interiors demand long conversations, planning, collaboration and attention to how people actually live.”

He signed off by stating, “Whether I am working on a film, a commercial or a residence, the objective remains remarkably similar. I want people to feel something. The medium changes. The story changes. But my desire to create memorable worlds does not.”

Also Read: Ranveer Singh starrer Dhurandhar heads to Japan after blockbuster run; actor shares special message ahead of July 10 release

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Nora Fatehi says Indian fans supporting Morocco left her teary-eyed at FIFA World Cup: “They were cheering for Morocco and they hugged me”

Amid the ongoing FIFA World Cup fever, Nora Fatehi is once again making headlines for her connection with football’s biggest stage. Over the years, she has become closely associated with FIFA. Specially this year, through her opening performance, her official FIFA World Cup song ‘Siir Siir’ breaking all records and fan-favourite anthem ‘Champions’. This time, however, it wasn’t the action on the field that made the moment special. It was the love she received from Indian fans in Dallas that left her emotional.

Nora Fatehi said, “I wouldn’t trade it for the world. It beats seating at home and watching the game; this is a different experience. It’s such an unforgettable experience. I would never forget this. I actually have something to tell my kids in the future. I’ll be like, ‘Mommy went to the games and she sat in the front right next to the pitch and experienced history. Experienced something incredible. I would not trade this for the world. I really feel like I’m living, I legit feel like I’m living and I also wanna say something that made me extremely happy and brought tears to my eyes. I met so many Indians here in the stadium that were wearing the Moroccan jersey and they were cheering for Morocco and they came and they hugged me and they took pictures with me. I was just so proud. It was such a moment for me. I have no words to explain this but thank you guys. If you’re Indian and you’re here in Dallas supporting Morocco, I appreciate it. I thank you from my heart.”

Born to Moroccan roots and loved in India, Nora has always shared a special bond with both countries. Her emotional message from the stadium has struck a chord with fans, with many calling it one of her most heartfelt FIFA moments yet.

Also Read: Nora Fatehi makes TODAY show debut, performs FIFA World Cup 2026 song ‘Siir Siir’ in New York

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Inside Aamir Khan and Gauri Spratt’s wedding: FIRST photo shows actor signing marriage registry

The first inside photograph from Bollywood star Aamir Khan’s private wedding to partner Gauri Spratt has surfaced online, giving fans a glimpse into the intimate ceremony held at the actor’s Pali Hill residence in Mumbai.

The image captures a candid moment from the wedding registration. Dressed in an understated off-white traditional kurta, Aamir Khan is seen signing the official marriage registry while seated at a rustic wooden table. Beside him sits Gauri Spratt in an elegant ivory traditional ensemble featuring intricate embroidery. She completed her look with a statement necklace and minimal styling.

Adding a personal touch to the moment, Gauri’s young son from her previous marriage is seen standing between the couple, looking closely at the marriage documents. Aamir’s youngest son, Azad Rao Khan, is seated beside the actor in a peach-coloured kurta, watching the proceedings.

The venue was decorated in soft pastel floral arrangements with candles, creating a warm and intimate setting. Several family members and close friends gathered around the table, with some seen capturing the special moment on their phones.

The wedding took place on Sunday, July 5, at Aamir Khan’s residence in Pali Hill, Bandra. The ceremony was attended by around 100 to 150 guests, comprising close family members, childhood friends and a select group of industry colleagues. Filmmaker Ashutosh Gowariker was among those present at the private celebration.

A relationship that came full circle

Aamir Khan and Gauri Spratt’s journey began nearly 25 years ago when they first met before eventually losing touch. The two reconnected in 2024 through Aamir’s cousin, Nuzhat Khan, in Bengaluru. Their relationship reportedly continued as a long-distance one before Aamir publicly introduced Gauri as his partner during his 60th birthday celebrations in March 2025.

Following that announcement, Gauri relocated from Bengaluru to Mumbai and has since been associated with Aamir Khan Productions.

Also read: EXCLUSIVE: Karan Razdan reveals Love Story 2050 was based on Aamir Khan’s shelved film, Time Machine; adds, “Makers shouldn’t have changed the base; gadbad ho gayi…Priyanka Chopra’s death scene would have DEVASTATED viewers”

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TVF founder Arunabh Kumar praises Paritosh Tripathi after TSP Kavi Sammelan recognition: “No one could do it better than you”

TVF founder Arunabh Kumar recently shared a heartfelt message for actor and comedian Paritosh Tripathi after the latter expressed gratitude for being part of TSP Kavi Sammelan. The exchange took place on social media following an award ceremony where Paritosh acknowledged Arunabh’s support.

Paritosh shared a video from the event, capturing a moment on stage with Arunabh Kumar. Along with the clip, he thanked the TVF founder for giving him the opportunity to be associated with TSP Kavi Sammelan. “Sach Me sir. Thank u so much for @tspkavisammelan @arunabhkumar,” Paritosh wrote in the caption.

Arunabh later reshared the post on his Instagram Stories and responded with a message appreciating Paritosh’s contribution to the show. “Love you @iamparitoshtripathi. No one could do it better than you,” Arunabh wrote.

TSP Kavi Sammelan, produced under TVF’s digital content banner The Screen Patti (TSP), has received positive responses from viewers since its release. The show features Paritosh Tripathi in a prominent role and presents poetry and humour in a contemporary format.

Arunabh Kumar is widely recognised as the founder of TVF, one of India’s leading digital entertainment companies. Over the years, the platform has produced several acclaimed web series, including Panchayat, Kota Factory, Gullak, Permanent Roommates, TVF Pitchers and Tripling.

Recently, TVF also announced several upcoming projects at Prime Video Presents. The slate includes films such as Vvan and College Fest, new series including Pyramid and Vansh, along with fresh seasons of popular titles like Aspirants, Panchayat, Gram Chikitsalay, Sapne vs Everyone and Sandeep Bhaiya.

The interaction between Arunabh Kumar and Paritosh Tripathi has since drawn online attention, with fans appreciating the duo’s mutual admiration following the award event.

Also Read: TVF founder Arunabh Kumar recalls deciding to shut down during COVID: “My fiancée and my mother, gave me the strength to keep going”

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Salman Khan’s Maatrubhumi faces delay as CBFC withholds clearance certificate despite title change

Salman Khan’s upcoming war drama Maatrubhumi, previously titled Battle of Galwan, has encountered another hurdle ahead of its theatrical release. According to an NDTV report, the Central Board of Film Certification (CBFC) has withheld the film’s clearance certificate until further notice, casting uncertainty over its release schedule.

The film, inspired by the 2020 Galwan Valley clash between Indian and Chinese troops, was initially slated to release on April 17, ahead of Eid. The date was later postponed, with the makers reportedly eyeing an August release around the Independence Day weekend. However, with the certification process still pending, the film is now expected to miss that release window as well.

Directed by Apoorva Lakhia and produced by Salma Khan under the Salman Khan Films banner, Maatrubhumi stars Salman Khan in the role of Colonel Santosh Babu, the commanding officer of the 16 Bihar Regiment, who led Indian soldiers during the Galwan Valley confrontation while implementing a disengagement agreement at the border. Chitrangda Singh plays the female lead, while Abhilash Chaudhary and Ankur Bhatia also feature in pivotal roles. The film’s music has been composed by Himesh Reshammiya.

The film had already sparked controversy even before its release. Following the circulation of its teaser online, several users on the Chinese social media platform Weibo criticised the project, alleging that it misrepresented the events surrounding the Galwan Valley clash.

Earlier this year, the Ministry of External Affairs (MEA) distanced itself from reports suggesting it had objected to the film. Responding to questions on the matter, External Affairs Ministry spokesperson Randhir Jaiswal said, “We understand that a film of this nature is being planned. Issues regarding filmmaking in India, as you are well aware, are looked after by the relevant authorities. And as far as we are concerned, MEA has no role in this or such ventures.”

Sources had earlier indicated that the makers had changed the title from Battle of Galwan to Maatrubhumi, with related modifications being incorporated into the project. “The title of the film was recently changed from Battle of Galwan to Maatrubhumi. Changes are being made accordingly. It is likely that the release of the film may be further delayed. It is likely to be released in August around the Independence Day weekend,” sources had said.

The teaser for Maatrubhumi was unveiled on December 27, 2025, coinciding with Salman Khan’s 60th birthday. The actor was last seen in AR Murugadoss’ Sikandar, co-starring Rashmika Mandanna. With the CBFC yet to grant certification, the release date of Maatrubhumi now remains uncertain.

Also Read: From Artistic Pants to Graphic Demin Pants: A look at Salman Khan’s quirkiest trend-setting trousers

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Evil Dead Burn to Insidious: Horror films to look forward to in the second half of 2026

The lights go down, the room goes quiet, and somewhere in the dark a floorboard creaks that shouldn’t. For a genre once dismissed as a cheap Friday night filler, horror has spent the last few years quietly rewriting the rules of what fills a cinema hall. Audiences are lining up in the thousands, not for a spectacle of superheroes or explosions, but for the promise of being genuinely, deliciously frightened.

That appetite shows no sign of slowing down. The back half of 2026 is stacked with horror releases that range from franchise legacy titles returning for another round to auteur-driven originals built to unsettle rather than simply startle. Whether it is a demon-possessed reboot, a purgatorial haunting, or a werewolf stalking 13th-century England, here is what is coming to a theatre near you.

Evil Dead Burn

The sixth instalment of one of horror’s oldest and most beloved franchises, Evil Dead Burn, arrives with a pedigree that fans will not want to miss. Sébastien Vaniček takes the director’s chair, while Sam Raimi, who helmed the original Evil Dead, returns as producer alongside longtime collaborator Rob Tapert. Billed as the franchise’s most savage chapter yet, the film promises an all-new dose of carnage and demonic mayhem when it hits screens on 10th July.

Insidious: Out of the Further

Since its debut in 2010, the Insidious franchise has reportedly grossed more than $740 million worldwide, cementing itself as one of horror’s most enduring universes. The new entry, Insidious: Out of the Further, follows a young mother named Gemma, played by Amelia Eve, raising her daughter in the very house she grew up in. When Gemma discovers she can travel into The Further, the purgatorial realm at the heart of the series, she also uncovers a far more dangerous ability: she can bring what lives there back with her. Once the demons realise what she is capable of, the real world becomes their playground. The film releases on August 21.

Resident Evil

The eighth film in the Resident Evil franchise arrives courtesy of Zach Cregger, the filmmaker behind Weapons and Barbarian. This all-new story follows Bryan, a medical courier played by Austin Abrams, who finds himself caught in a non-stop fight for survival as one horrifying night spirals into chaos around him. Resident Evil is set to release on 18th September.

Clayface

Set within James Gunn and Peter Safran’s new DCU, Clayface takes a sharp turn into body horror. Tom Rhys Harries stars as a B-grade movie star who injects himself with an experimental substance to stay relevant, with predictably horrifying results. Directed by James Watkins, the film’s script comes from Mike Flanagan, best known for Doctor Sleep and The Haunting of Hill House, giving the project serious horror credentials behind the camera.

Werwulf

Set in 13th-century England, Werwulf stars Aaron Taylor-Johnson, Lily-Rose Depp and Willem Dafoe, with filmmaker Robert Eggers at the helm. Eggers, known for The Lighthouse, The Witch and The Northman, has described the film as the darkest thing he has ever written, by far. Given his track record for slow-burning, atmospheric dread, that is a statement horror fans will take seriously.

Between legacy franchises returning to their roots and auteurs pushing the genre into stranger, more unsettling territory, the second half of 2026 leaves little doubt that horror’s box office dominance is far from over. The only question left for audiences is which nightmare to walk into first.

Also Read: Teaser of Evil Dead Burn promises a brutal new chapter of terror, watch

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Abhishek Bachchan gets candid about early career insecurities in Bollywood: “Kaam milega, nahin milega”

Abhishek Bachchan has completed over 26 years in the Hindi film industry, a journey that began with his debut in Refugee in 2000. As the son of Bollywood icon Amitabh Bachchan, the actor entered the industry amid enormous expectations. While he went on to deliver memorable performances in several acclaimed films, he also experienced his share of box office disappointments, something that left him grappling with the fear of whether work would continue to come his way.

In a conversation with ETimes, Abhishek looked back on his career and said the biggest transformation over the years has been becoming more confident and comfortable with himself. “I think when I started out, there was a bit of discomfort. But now, I’m more comfortable being in front of the camera. When you’re just being yourself and comfortable in your skin, that gives you clarity on decisions you need to take,” he said.

The actor explained that years of experience have given him greater clarity, especially when it comes to selecting projects. He admitted that during the early phase of his career, excitement and insecurity often influenced his decisions. “I’m very clear today or I would say in the last five to seven years about what I don’t want to do. Initially in your career, there’s such excitement and such insecurity about kaam milega, nahin milega. Whatever comes your way, you do.”

According to Abhishek, maturity has brought with it the confidence to make more thoughtful career choices, allowing him to be more selective about the roles he accepts. “There’s a lot more conviction in that, and that comes from a certain maturity and calmness. I think that helps in your work as well. We’re not all over the place anymore, I’d like to believe,” he added.

Throughout his career, Abhishek has earned praise for his performances in films such as Guru, Bunty Aur Babli, and the Dhoom franchise, showcasing his versatility across genres. Despite frequently being compared with his father, Amitabh Bachchan, and his contemporaries, the actor said he has never viewed others’ achievements as a source of insecurity. “I’ve never been an insecure actor in terms of, ‘Yeh kya kar raha hai?’ Insecure about my capabilities, yes. I think all actors are. You always wonder, ‘Will I be able to do this?’”

On the work front, Abhishek Bachchan is preparing for the release of King, headlined by Shah Rukh Khan. Directed by Siddharth Anand, the highly anticipated film also features Suhana Khan, Deepika Padukone, Anil Kapoor, Jackie Shroff, Arshad Warsi, and Rani Mukerji, and is slated to hit theatres later this year.

Also Read : Abhishek Bachchan welcomes John Abraham to European T20 Premier League (ETPL) as co-owner of Rotterdam Dockers: “His involvement reflects growing belief in potential of cricket across Europe”

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EXCLUSIVE: CBFC censors multiple stabbing visuals in Alpha; deletes foul word

Yesterday, Bollywood Hungama was the first one to inform readers that the Central Board of Film Certification (CBFC) has passed Alpha with a U/A 16+ certificate. In this article, we’ll exclusively focus on the cuts given to the Alia Bhatt-Sharvari starrer.

The good news is that the CBFC’s Examining Committee have asked for very few modifications. To begin with, the makers were asked to redraft the disclaimer at the beginning of the film. Subtitles were inserted for all the songs. The producers, Yash Raj Films (YRF), were also asked to mention the opening cards and end scrolls in the applied language, that is, Hindi.

Now coming to the cuts. Visuals in a scene in the first half of Alpha were reduced and replaced with alternative visuals. However, no detail was provided about these visuals. A similar cut was done in another point in the first half as well. In the second half, the visuals of multiple stabbings were asked to be reduced and replaced with alternative visuals. Lastly, a foul word was asked to be deleted in the first half.

The CBFC’s Examining Committee asked the makers to insert anti-alcohol static in all scenes of alcohol consumption. Lastly, as per the rules, the makers were asked to submit the parents’ consent letter of the child artist.

Once these changes were made, the makers of Alpha were handed over the censor certificate on June 29. The length of the film, as mentioned on the censor certificate, is 140.48 minutes. In other words, Alpha is 2 hours, 20 minutes and 48 seconds long.

Yesterday, Bollywood Hungama also exclusively reported that the first half of Alpha is 1 hour, 13 minutes and 32 seconds long. The run time of the second half is 1 hour, 7 minutes and 16 seconds.

Alpha belongs to the YRF Spy Universe and is directed by Shiv Rawail. It releases in cinemas on Friday, July 3.

Also Read: EXCLUSIVE: YRF issues show-sharing mandate for Alpha – shows from 9:30 am onwards, weekend rates to be at par with Welcome To The Jungle

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EXCLUSIVE: Welcome To The Jungle made on Rs. 125 cr budget; Akshay Kumar forgoes fee for profit share

One of the biggest talking points surrounding Welcome To The Jungle isn’t just its massive ensemble cast or its box office performance, but also Akshay Kumar’s unique remuneration model. Instead of charging his customary acting fee upfront, the superstar opted for a backend arrangement, agreeing to take no salary for the film and instead coming on board on a profit-sharing basis. The move significantly reduced the film’s upfront production cost while giving Akshay a vested interest in the film’s long-term commercial success.

According to trade estimates, Welcome To The Jungle has been mounted on a controlled production budget of Rs. 125 crores. The largest chunk of the expenditure has gone into the film’s shoot, with production costs amounting to Rs. 60 crores. Given the film’s scale, action sequences and extensive ensemble cast, the figure reflects an attempt to balance spectacle with financial prudence.

Interestingly, the cost of the cast has been kept at Rs. 35 crores, a number that is considerably lower than what one would typically expect from a film featuring multiple established actors. The biggest reason behind this is Akshay Kumar’s decision to forgo an acting fee. Industry insiders believe that had the actor charged his regular remuneration, the film’s budget would have swelled substantially.

The technical crew and director’s remuneration account for another Rs. 15 crores, while Rs. 15 crores have been allocated towards print and publicity, taking the total cost of production to Rs. 125 crores.

The backend deal is perhaps the most fascinating aspect of the film’s financial structure. Rather than earning a fixed amount irrespective of the film’s performance, Akshay has tied his earnings directly to the profits generated after the producers recover their investment.

At present, Welcome To The Jungle has collected Rs. 64.85 crores at the domestic box office.

Also Read: EXCLUSIVE: Anand Raaj Anand returns with a bang after Welcome To The Jungle; bags Akshay Kumar-Vidya Balan’s untitled next, hints at reunion with Sanjay Gupta for Kaante 2

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