EXCLUSIVE: David Dhawan quips, “Rakesh Bedi ki chaal change ho gayi” after Dhurandhar success; recalls being ragged together during FTII days

Filmmaker David Dhawan has opened up about actor Rakesh Bedi’s recent surge in popularity following his performance in the Dhurandhar duology, saying the recognition comes after decades of consistent work and is well deserved.

Bedi’s portrayal of Jameel Jamali in Dhurandhar The Revenge attracted strong audience attention and quickly became a talking point online. The character’s popularity also translated into brand visibility, with the actor recently leading a digital campaign for Crocs India built around everyday moments.

Speaking to Bollywood Hungama during promotions for his upcoming directorial Hai Jawani Toh Ishq Hona Hai, Dhawan reflected on his long association with Bedi and the response to his recent performances.

“He studied with me at FTII. Our friendship is 50 years old. He has worked in many of my films. He is in this one too. I told him, ‘For 50 years nobody recognised you, now finally they have. He is a fine actor. He was always a very good actor. Now he is crossing 70 and getting recognition, but that’s good. He fully deserved it. You can see the spark in him. Even the way he walks has changed. We still keep talking regularly. He has been my classmate from the beginning,’” he said.

Recalling their early years together, Dhawan also shared that the two went through ragging during their time at Film and Television Institute of India.

“When we went there, ragging used to happen,” he said, adding with a laugh that both of them faced it together as students.

Meanwhile, Hai Jawani Toh Ishq Hona Hai, which features Varun Dhawan, Pooja Hegde and Mrunal Thakur, is scheduled to release on June 5, 2026. Dhawan confirmed that Bedi is also part of the film, continuing their long creative association that spans several decades.

Also Read: EXCLUSIVE: David Dhawan praises Salman Khan’s trust: “Any time I can call him and shoot with him”

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Vijay Varma’s Matka King hits no.1 in India & UAE, enters global top 10

Roy Kapur Films’ Matka King, led by Vijay Varma, has emerged as a major OTT success story, climbing to the No.1 spot in both India and the UAE within just four days of its premiere on Prime Video on April 17. The eight-episode crime drama has also secured the 8th position in Prime Video’s Global Top 10, making it the only Indian series currently trending worldwide, as per FlixPatrol.

Created and directed by Nagraj Popatrao Manjule and produced by Siddharth Roy Kapur, the series has struck a chord with audiences across multiple territories. Apart from India and the UAE, Matka King is trending in the Top 10 across countries including Australia, Canada, Malaysia, New Zealand, Singapore, and the United Kingdom, highlighting its widespread global appeal.

At the heart of the series is Vijay Varma’s performance as Brij Bhatti, a character navigating the high-stakes and dangerous world of matka gambling in 1960s and 70s Bombay. The show’s gritty storytelling and immersive setting have contributed significantly to its rapid rise in popularity.

The series has also garnered strong word-of-mouth within the film industry. Karan Johar praised it on social media, calling it “the perfect binge,” while Vicky Kaushal added it to his watchlist. Aamir Khan also extended his support, sharing that he is “hearing only good things” about the show and looks forward to watching it.

Alongside Varma, the ensemble cast includes Sai Tamhankar, Kritika Kamra, Siddharth Jadhav, and Gulshan Grover in pivotal roles. With its gripping narrative, strong performances, and growing international traction, Matka King has quickly established itself as one of the most talked-about Indian series on the global OTT stage.

Also Read: Amitabh Bachchan, Anil Kapoor and Rajkumar Hirani praise Vijay Varma starrer Matka King as series trends online

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NTRNeel: First glimpse of the Jr NTR and Prashanth Neel collaboration to release on May 20 on actor’s birthday; release date locked

The much-anticipated collaboration between Jr NTR and filmmaker Prashanth Neel, tentatively titled NTRNeel, has taken the internet by storm with a major new update. The makers have officially announced that the film’s first glimpse will be unveiled on May 20, coinciding with Jr NTR’s birthday. Alongside the announcement, they also confirmed the film’s theatrical release date as June 11, 2027.

A new poster released by the team features Jr NTR in a stylish and intense avatar, instantly fuelling excitement among fans. The announcement has added to the growing buzz surrounding the project, which has already been one of the most talked-about films since it was first announced.

The birthday release of the first glimpse is expected to be a special treat for Jr NTR’s massive fanbase, many of whom have been eagerly waiting for a first look at the actor’s character in the action spectacle. Social media reactions poured in soon after the update, with fans celebrating the pairing of the actor and the hit filmmaker.

 

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Adding to the curiosity is Jr NTR’s much-discussed transformation for the film. Recent images of the actor’s look have circulated widely online, with fans praising his revamped appearance and speculating about the character he will portray in the film.

The project marks Prashanth Neel’s next directorial venture after delivering blockbuster hits such as KGF and Salaar. Known for his larger-than-life storytelling and high-octane action dramas, Neel’s collaboration with Jr NTR has positioned NTRNeel as one of the biggest upcoming releases on the horizon.

Backed by Mythri Movie Makers and NTR Arts, the film stars Jr NTR in the lead role. With the first glimpse now scheduled for May 20, all eyes are on what promises to be a massive cinematic event.

Also Read: Jr NTR’s intense physical transformation sends NTRNeel buzz soaring

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Shiv Jyoti Rajput on working with Surya Sharma in Undekhi Season 4: “I know Surya since my workshop days… he was a constant support”

With the trailer of Undekhi Season 4 now out, the series is already building anticipation, especially with Shiv Jyoti Rajput joining the cast as a fresh face this season. Stepping into an established show can often feel daunting, but for Shiv Jyoti, familiarity came in the form of co-actor Surya Sharma.

Sharing her experience, she said, “I know Surya since my workshop days, and it is such a coincidence that he is also a part of the show. He is a great friend and a phenomenal actor. I was very comfortable on set because of him as I have known him for years. He was the person who introduced me to the other cast and made me feel comfortable on set. Everyone knew everyone, but Surya helped me get to know everyone as I was the new entry in Season 4 and I didn’t know anybody. That was an advantage for me – he was a constant support.”

Coming in as the new entrant in a closely bonded ensemble, Shiv Jyoti found her footing with ease, thanks to Surya’s presence and support. As Undekhi Season 4 moves closer to release, her entry is set to bring a fresh dynamic to the narrative, backed by both her performance and a strong off-screen camaraderie that translated seamlessly on screen.

Also Read: Undekhi actor Surya Sharma on the importance of writers, “Aaj writer hi hero hai! An actor can’t create in a vacuum”; also reveals how his father prepared him for his 1st acting stint in school

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Gaurav Gera praises Ranveer Singh’s discipline and on-set involvement in Dhurandhar: The Revenge

Actor Gaurav Gera has spoken about his experience of working with Ranveer Singh in Dhurandhar: The Revenge, highlighting the latter’s approach to performance and presence on set.

In a recent interaction with India Today, Gera described Ranveer as someone deeply invested in his work. “Ranveer is a superstar for a reason, he is so good at what he does. He’s extremely organised and fully immersed in the character. He takes a keen interest,” he said, pointing to the actor’s focused preparation.

He also spoke about Ranveer’s involvement during scenes, even when he wasn’t required to be actively present. “He didn’t have to be there for cues in my scenes, which often happens on shoots. But he stayed back and remained present throughout. That’s just how he is—completely involved with the film,” Gera added.

Recalling a lighter moment, Gera mentioned their earlier ‘Chutki-shopkeeper’ act that recently resurfaced online amid the film’s buzz. He shared that Ranveer instantly recognised him on set. “He tapped my shoulder and said, ‘How are you, Chutki?’ I was surprised because I had a beard and looked quite different, but he still remembered,” he said.

Gera also noted a shift in Ranveer’s on-screen approach over time, especially while playing Hamza in the film. “He’s grown a lot as an actor. There’s a certain calmness in his performance here, which is very different from how people usually see him in public. That controlled energy comes across very strongly,” he explained.

Summing up, Gera described Ranveer as someone who can balance contrasting energies with ease, both on and off screen. Meanwhile, Dhurandhar: The Revenge has completed a steady run in theatres and continues to hold its ground at the box office.

Also Read: Gaurav Gera opens up on working with Ranveer Singh in Dhurandhar franchise: “Stars walk away… he was so involved”

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Ajay Devgn shares special message as ‘Tanhaji’ for Riteish Deshmukh ahead of Raja Shivaji release

The buzz around Raja Shivaji continues to grow, and now Ajay Devgn has added to the excitement with a warm public message for Riteish Deshmukh aka Riteish Vilasrao Deshmukh and the upcoming historical epic. The actor took to social media to cheer for the film, offering his support in a gesture that has already caught fans’ attention.

Ajay Devgn, who earlier portrayed the legendary Maratha warrior Tanhaji Malusare in Tanhaji: The Unsung Warrior (2020), gave the shoutout a special touch by referring to himself as ‘Tanhaji’ while saluting Chhatrapati Shivaji Maharaj and the film.

Sharing the Hindi version of the Raja Shivaji anthem ‘Chhatrapati’ on his Instagram Stories, Ajay wrote, “Tanhya chya naman, Raje! This looks incredible! Wishing you nothing but glory for #RajaShivaji @riteishd Jai Shivray!” The message has resonated strongly with audiences, especially considering Ajay’s previous association with Maratha history through Tanhaji, which emerged as one of the major successes of 2020. His endorsement has further amplified curiosity around Riteish Deshmukh’s ambitious project.

Raja Shivaji is a significant milestone for Riteish, who is not only acting in the lead role but has also directed, written and produced the film. The historical drama chronicles the life and legacy of Chhatrapati Shivaji Maharaj, one of India’s most revered warrior kings and the founder of Hindavi Swarajya. The makers are now preparing for the trailer launch scheduled for April 20, which is expected to offer a larger glimpse into the scale, storytelling and visual treatment of the film.

The ensemble cast features names from both Hindi and Marathi cinema, including Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Mahesh Manjrekar, Sachin Khedekar, Boman Irani, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amol Gupte, Genelia Deshmukh and Riteish Vilasrao Deshmukh.

Presented by Jio Studios, the film is a Mumbai Film Company production and has been produced by Jyoti Deshpande and Genelia Deshmukh.

Raja Shivaji is slated for a worldwide theatrical release on May 1, 2026, in Marathi, Hindi and Telugu. With the trailer launch around the corner and Ajay Devgn’s endorsement adding momentum, the film has strengthened its position as one of the most anticipated historical releases of the year.

Also Read: EXCLUSIVE: Raja Shivaji’s trailer to be launched in a GRAND event on April 20 in the presence of cast and crew

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Tabu buys luxury apartment worth Rs. 10 crores in Versova’s Godrej Skyshore; Mumbai real estate move grabs attention

Tabu has reportedly added another premium address to her portfolio with the purchase of a luxury apartment in Mumbai’s sought-after Versova locality. According to property documents accessed through Liases Foras, the acclaimed actress has bought a new residence at Godrej Skyshore in Andheri West for Rs. 10 crores.

The apartment is said to be spread across 2,153 sq. ft., making it a sizeable acquisition in one of Mumbai’s most competitive residential markets. A notable feature of the property is its spacious balcony area of approximately 127 sq. ft., considered a rare and highly valued amenity in the city where outdoor private space is often limited.

As per the available documents, the transaction was reportedly registered on March 26, 2026. The actress is said to have paid a stamp duty of Rs. 5.24 lakhs along with a registration fee of Rs. 30,000. The deal also includes two dedicated parking spaces, adding further value to the premium purchase.

Located in Versova, one of Mumbai’s preferred residential pockets for film personalities and high-profile buyers, Godrej Skyshore is positioned as an upscale development with a focus on privacy and coastal living. Spread across 1.5 acres, the project consists of one iconic tower with two wings and approximately 120 units.

The official description of the development highlights its premium positioning, stating, “A shoreline sanctuary shaped by the timeless dance of earth and sea, Godrej Skyshore emerges with quiet elegance along Mumbai’s western coast. Where the rhythm of the waves meets architectural finesse, strength and serenity converge – creating a legacy address poised to reshape the landscape of Versova.”

Versova and Andheri West continue to remain popular among actors, producers and entertainment industry professionals due to their proximity to studios, production offices and the city’s creative hubs. Tabu’s latest purchase further reinforces the area’s status as a preferred destination for celebrity homeowners.

On the professional front, Tabu was recently seen in Bhooth Bangla, that hit theatres on Friday, April 17. Directed by Priyadarshan, it marked her reunion with Akshay Kumar after nearly two decades and featured her in the role of Yashoda Acharya.

With a celebrated career spanning acclaimed performances and commercial successes, Tabu’s latest real estate move once again places her in the spotlight — this time for a high-value property investment in Mumbai’s premium housing market.

Also Read: Tabu reveals Asha Bhosle gifted her a guitar on her birthday : “Some moments stay with you forever”

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Raashii Khanna drops BTS post from the sets of Akshay Kumar, Vidya Balan starrer; thanks her co-actress for the sweet surprise

Raashii Khanna has delighted fans with a playful behind-the-scenes glimpse from the sets of her upcoming film co-starring Akshay Kumar and Vidya Balan. The actress, who is currently shooting for the much-awaited entertainer, shared a candid social media post that quickly grabbed attention online — especially because of a thoughtful gesture from Vidya Balan.

Taking to social media, Raashii posted a series of fun moments from the set and revealed that Vidya had surprised her with a box of donuts. Thanking her co-star, the actress captioned the post, “Thankyou to the sweetest @balanvidya mam for the donuts. Swipe to see what happens when the sugar hits!”

The post instantly struck a chord with fans, offering a warm and lively peek into the atmosphere on set. In the photos, Raashii is seen happily enjoying colourful chocolate donuts before breaking into playful moves between takes. Her carefree energy and spontaneous expressions made the post even more relatable, with many fans praising her cheerful vibe.

The BTS upload also gave audiences a small glimpse of the camaraderie among the cast members of the film, which has already generated curiosity due to its star-studded lineup. While much of the project is being kept under wraps, Raashii’s latest post has only added to the anticipation.

 

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The untitled film is being directed by Anees Bazmee and stars Akshay Kumar, Vidya Balan and Raashii Khanna in key roles. Known for delivering mainstream entertainers packed with humour, drama and family appeal, Bazmee has earlier shared that the film will feature comedy, romance, action and songs. The ensemble cast also reportedly includes Vijay Raaz, Zakir Hussain and Sayaji Shinde.

With Akshay Kumar and Vidya Balan reuniting on screen and Raashii Khanna joining the mix, the film has become one of the more talked-about commercial projects currently in production. Though the makers are yet to announce an official title, industry buzz around the project has remained strong since filming began earlier this year.

Beyond this film, Raashii has a packed slate ahead. She is set to headline Lukkhe, which is part of Amazon Prime Video’s upcoming lineup. The actress will also return for Farzi Season 2 alongside Shahid Kapoor and Vijay Sethupathi. In addition, she has Talakhon Mein Ek opposite Vikrant Massey and Bridge with R. Madhavan in the pipeline.

For now, however, it is her sweet and spontaneous set moment with Vidya Balan that has fans smiling — proving that sometimes the most memorable on-set updates come with donuts and a dose of fun.

Also Read: Raashii Khanna and Vaani Kapoor show actresses can be BFFs in their “who is most likely to” video; fans call it ‘ultimate goals’

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SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi’s Lahore 1947 likely to be renamed Batwara 1947

In February 2026, Bollywood Hungama had reported that the makers of Lahore 1947 are looking for a change of title. We have now learned from sources that the film is likely to be rechristened as Batwara 1947.

An article in Mid-Day on April 17 mentioned that the period drama has been tentatively titled as Batwara 1947. A source told Bollywood Hungama, “The makers prefer the title Batwara 1947. In all probability, this would be the title of the film once all the stakeholders agree to it. A clearer picture will emerge in a few weeks on this front.”

In February 2026, Bollywood Hungama carried a quote from a source that stated, “Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film.”

The film will release in cinemas on August 13, that is, in the Independence Day week.

The play, ‘Jis Lahore Nai Dekhya’, was written by Syed Asghar Wajahat in 1980. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.

Lahore 1947 or Batwara 1947 is highly awaited as it reunites Sunny Deol and Rajkumar Santoshi and moreover, it is produced by Aamir Khan. Aamir will also be seen in the film in a supporting role and it also stars Preity Zinta, Ali Fazal and Shabana Azmi. Due to the stellar team and Sunny’s booming track record (that got a boost with the success of Border 2), the period drama is expected to set the cash registers ringing.

Also Read: Not just Lahore 1947, Preity Zinta also set for a SOLID comeback with Amazon MGM Studios’ Vibe; directed by Kunal Kemmu

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EXCLUSIVE: Fact Check – Hrithik Roshan, Siddharth Anand’s Fighter sequel is NOT in the making

Recently, an Instagram handle put up a news that a sequel to Fighter (2024) is being made and that the film would go on floors this year. On this post, Fighter’s director and one of the producers, Siddharth Anand, commented with an evil eye emoticon. It was seen by many as a confirmation that the piece of news about Fighter 2 is indeed true.

However, Bollywood Hungama has learned that there’s absolutely no truth to Fighter 2 speculations. A source close to Hrithik Roshan said, “There is no discussion between Hrithik and Siddharth regarding Fighter 2. These rumours are baseless.”

Hrithik Roshan recently announced two projects as a producer, under the banner name of HRX Films. The actor has taken up an active role of creatively developing the web series Storm and the comedy film Mess, both backed by Amazon Prime Video. Alongside his duties as a Producer, Hrithik has been busy with the pre-production of his much awaited Krrish 4. Hrithik will be directing the superhero saga, a first for him. He’s also collaborating with KGF and Kantara‘s production house, Hombale Films for an ambitious project.

Meanwhile, Siddharth Anand is busy shooting for King, starring Shah Rukh Khan, Deepika Padukone, Rani Mukerji, Suhana Khan, Anil Kapoor, Abhishek Bachchan, Raghav Juyal, Akshay Oberoi, Arshad Warsi, Jaideep Ahlawat, Jackie Shroff, Abhay Verma, Saurabh Shukla and others. It’s exciting first look teaser was launched on November 2, on the occasion of Shah Rukh Khan’s 60th birthday. The film arrives in cinemas on December 24, 2026.

About Fighter

Fighter, set in 2019, tells the story of an Indian Air Force unit called Air Dragons, comprising Squadron Leader Shamsher Pathania aka Patty (Hrithik Roshan), Squadron Leader Minal Rathore aka Minni (Deepika Padukone), Squadron Leader Sartaj Gill (Karan Singh Grover), Squadron Leader Basheer Khan (Akshay Oberoi), Sukhi (Banveen Singh) and others. It is headed by Rakesh Jai Singh aka Rocky (Anil Kapoor). It is this unit which successfully destroys a military base at Balakot in Pakistan after the ghastly Pulwama attack. Patty and his team also fight with the terrorist mastermind, Azhar Akhtar (Rishabh Ravinder Sawhney), leading to disastrous consequences. What happens next forms the crux of the story.

Also Read: Siddharth Anand promises to “raise the bar” with Shah Rukh Khan’s King in Fighter’s second anniversary post

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Laia Costa calls Lee Cronin a ‘magician’ on The Mummy, “You can see his editing while shooting”

While much of the conversation around The Mummy has focused on its bold reinvention of horror, for Laia Costa, the real revelation lay behind the camera in the dynamic, ever-evolving process of working with director Lee Cronin. Costa, who plays Larissa in the film, describes an experience that was as creatively fluid as it was demanding, driven largely by Cronin’s distinctive approach to filmmaking.

“It’s been such a pleasure. He’s fun and an amazing film director,” she says. “I think he has his own world in his mind, and the way he works on set is very enjoyable for an actor because he makes sure you are part of the creative process.”

What stood out most to Costa was Cronin’s ability to balance clarity of vision with openness to change a rare combination that shaped the film in real time. “He wants to involve everyone, and he’s very open to listen to new ideas. At the same time, he has a very clear idea of what he needs and what he wants,” she explains. “You can almost see his editing while you’re shooting.”

That instinctive filmmaking style often meant the script itself remained fluid throughout production. Rather than sticking rigidly to pre-planned material, Cronin embraced spontaneity. “He might walk into a location and think, ‘I should be doing this or that scene here,’ and then rewrite,” Costa reveals. “Or after watching us in a scene, he’d say, ‘I think I need to write something else.’ He’s always taking ideas in and reshaping the material, and we’re basically surfing along with him.”

For an actor, that kind of unpredictability can be both challenging and liberating something Costa clearly embraced. The constant evolution kept performances fresh, while also allowing moments to emerge organically. At the same time, Cronin ensured that the intensity of the film’s darker themes never overwhelmed the atmosphere on set.

“Lee wants to keep the set light, fun, and creatively active,” Costa says. “He’s always working toward that good energy, which is especially important on a film like this.”

That sense of balance extended beyond the director to the entire crew, many of whom had collaborated with Cronin before. “The crew on set were filmmaking lovers for sure. Lee has worked with many of them before, so they know each other very well, and it feels like a family,” she shares. “That makes everything easier, because filmmaking can be exhausting, especially over four months abroad.”

The familiarity and shared passion helped the team navigate the inevitable pressures of a long shoot. “Things can get rushed and stressful, but when it feels like a family, it’s much easier to ride those waves,” Costa adds. If anything, Costa’s experience suggests that The Mummy (2026) isn’t just a reinvention of a classic monster story it’s also the product of a highly collaborative and adaptive creative process.

And at the centre of it all is Cronin, a filmmaker she sums up with a fitting metaphor: someone who can seamlessly shift between tones, ideas, and emotions all while keeping his cast and crew in sync.

In Costa’s words, he’s nothing short of “a magician.”

Also Read: Laia Costa on fear, motherhood, and why The Mummy is unlike anything before; “I don’t watch horror”

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Gen Z icon Ahaan Panday joins Philips OneBlade as brand ambassador, championing the ‘built different’ generation

Philips Personal Health India has appointed Ahaan Panday as Brand Ambassador for Philips OneBlade, launching its new campaign, ‘Built Different, just like my Philips OneBlade’, to mark the moment.

Ahaan is one of Gen Z’s most recognized faces in India. His partnership with Philips OneBlade, the country’s most loved grooming brand for the generation, puts Gen Z’s confidence and individuality front and centre, speaking directly to a generation that grooms on its own terms.

Bringing this insight to life, the ‘Built Different’ campaign captures a generation often misunderstood. Frequently labelled distracted, rebellious or unwilling to follow convention, Gen Z is not rejecting tradition but reshaping it on its own terms. Through Ahaan Panday’s voice, the campaign challenges conventional grooming rituals, replacing the “cuts and drama” with a smarter, more versatile life hack designed for speed, flexibility and self-expression. The message is simple yet powerful: this generation isn’t following someone else’s script; they’re writing their own – and they know they will make their mark because they’re built different, just like OneBlade.

The same ‘built different’ spirit comes alive in Philips OneBlade. Powered by Philips’ unique OneBlade Technology, the device is crafted to trim, edge and shave with a single versatile tool. Instead of juggling multiple tools for trimming, shaving and shaping, OneBlade brings it all into one device. Whether it’s cleaning up stubble, shaping a beard or getting sharp edges around a moustache, the tool is built to handle different need with ease. And unlike traditional razors that shave too close, OneBlade is designed to keep the skin comfortable while still delivering a clean, well-defined look, making it the perfect grooming device for Gen Z.

Speaking on the association, Smit Shukla, Country Head – Philips Personal Health, said: “Gen Z has rewritten the rules of grooming on their own terms, and OneBlade was built to match that energy, delivering the flexibility and performance that fits how they actually live. Ahaan is one of the most genuine and influential young voices in India right now, and bringing him on board as Brand Ambassador reflects our confidence in OneBlade’s trajectory and our commitment to being the grooming brand Gen Z reaches for.”

Commenting on the association, Ahaan Panday, Brand Ambassador – Philips OneBlade, said: “For my generation, grooming is more about expressing who you are. That’s why this partnership with Philips grooming feels natural. OneBlade keeps up with the way we live – fast, dynamic, and always evolving. ‘Built Different’ is more than a campaign; it’s a mindset that celebrates individuality and the confidence to do things your own way. I’m excited to be part of a movement that encourages young people to own their style without compromise.”

Also Read: Saiyaara Team Reunites: Mohit Suri, Akshaye Widhani, Ahaan Panday and Aneet Padda return for an intense romance laced with heart-tugging music

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From Ananya Panday to Aneet Padda: New-Gen Bollywood Actors redefine style with statement silhouettes and power dressing

Bollywood’s emerging leading ladies are steadily reshaping the industry’s fashion narrative, bringing a more defined and individualistic approach to style. Moving beyond traditional red carpet glamour, actors like Sahher Bamba, Ananya Panday, Aneet Padda and Pratibha Ranta are embracing silhouettes that reflect structure, versatility and personal identity.

Sahher Bamba’s fashion choices are rooted in precision and control, often highlighting clean cuts and structured fits. Her recent appearance in a corset paired with a voluminous skirt demonstrated a balance between sharp tailoring and fluidity, underlining her preference for looks that are both defined and composed.

Ananya Panday, on the other hand, continues to experiment within a space that blends ease with polish. Her style frequently merges relaxed elements with refined tailoring, making it both contemporary and accessible. A coordinated blazer and skirt ensemble showcased her take on modern power dressing, combining structure with a softer finish.

Aneet Padda is carving a space through minimal, sharply constructed outfits that prioritise fit and proportion. Her approach leans towards understated dressing, where the strength of the silhouette takes precedence over embellishment. Structured blazer looks remain central to her evolving fashion identity.

Meanwhile, Pratibha Ranta brings contrast into focus, often combining softer, feminine elements with more defined silhouettes. Her sartorial choices reflect a duality that is both subtle and striking, as seen in fitted gowns that emphasise clean lines while introducing bold design elements.

Together, these actors represent a shift in Bollywood fashion, where style is increasingly seen as an extension of individuality rather than spectacle. Their choices signal a move towards thoughtful dressing where construction, balance and self-expression play a key role. As audiences continue to engage with celebrity fashion beyond the screen, this new generation is not just following trends but actively influencing them, shaping a more nuanced and contemporary style landscape within the industry.

Also Read: Ananya Panday takes charge of Limca; actress steps into unique role for new campaign

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Subhash Ghai’s Mukta Arts invites writers to pitch high-concept stories in just two pages

In a move that aims to discovering and nurturing fresh talent, Subhash Ghai-led Mukta Arts Film Studios has announced a storytelling initiative inviting writers to pitch their story ideas in just two pages.

Known for introducing iconic faces like Jackie Shroff and Mahima Chaudhary to Indian cinema, Mukta Arts has consistently been a launchpad for new talent. Extending that very philosophy beyond actors, the studio is now turning its focus to writers encouraging original voices to step forward with powerful, concise storytelling.

At the heart of this initiative lies a simple yet powerful idea – great stories don’t need length, they need impact. Taking to Instagram, Subhash Ghai said, “IF STORY IS A KING – then KING MUST SPEAK IN FEW WORDS TO WAKE UP THE LISTENER. So Mukta arts productions is proud to announce to writers to please pitch your stories in two pages only. To connect with you immediately if it is worth. As mukta arts is planning to go for multimedia productions soon. N ready to read your story. Please be sure about your original copyright registered n resume to be sent along .”

 

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Adding to this vision, Subhash Ghai further shared, “At Mukta Arts, we have always believed that talent is everywhere, it only needs the right platform and the right voice. Today, we are looking for writers who can surprise us with clarity of thought and strength of ideas, because a powerful story, told simply, has the ability to travel far and stay forever.”

The initiative invites submissions across a wide range of formats, including small budget, high-concept films, OTT series in music, drama, and suspense (Hindi), animated one-hour feature films, mid-budget live action films, high budget marvel science-fictions for theatres.

By opening up to multiple formats, Mukta Arts aims to tap into diverse storytelling voices and ideas that can seamlessly translate across theatrical and digital platforms. With this initiative, Subhash Ghai once again opens the doors, this time to writers, offering them a chance to be seen, heard, and potentially brought to screen.

Also Read: EXCLUSIVE: Mahima Chaudhry recalls Subhash Ghai was offended when she asked for a contract in the 90s; says, “There were no rules. There were no laws in place”

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“Too young to understand it”: Shreya Ghoshal recalls Devdas’s global success

Shreya Ghoshal recently reflected on the early phase of her career, recalling the global impact of Devdas, which marked her debut as a playback singer. In a recent interview, she spoke about how the scale of the film’s success was something she had not anticipated at the time.

“I was too young and too naive to really understand what was going on back then. But Devdas went on to create such a massive international impact globally, and that was something I was never prepared for,” she said, looking back at the experience.

Directed by Sanjay Leela Bhansali, Devdas went on to achieve significant recognition both in India and internationally, contributing to the global visibility of Indian cinema. The film’s music, including Ghoshal’s songs, also played a key role in its popularity and long-lasting cultural recall. Ghoshal’s debut with the film marked the beginning of a successful playback singing career, with her voice becoming closely associated with several iconic tracks in Hindi cinema. Over the years, she has continued to be a prominent name in the industry.

Bhansali, meanwhile, is known for his distinct filmmaking style, often characterised by elaborate visuals and emotionally driven narratives. His body of work has contributed to shaping large-scale storytelling in contemporary Indian cinema. The filmmaker is currently working on his upcoming project, Love and War, which is expected to be another ambitious addition to his filmography.

Ghoshal’s reflection on Devdas highlights how the film not only marked a turning point in her career but also became part of a larger moment when Indian cinema found wider recognition on the global stage.

Also Read: “Javed Akhtar sahab advised me not to do Kuch Kuch Hota Hai as he felt the director was ‘weird’ and ‘adamant’,” shares Sameer Anjaan; veteran lyricist also speaks about keeping himself relevant with changing times

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Aakhri Sawal teaser explores 1934 meeting between Hedgewar and Mahatma Gandhi, sparks curiosity

The makers of Aakhri Sawal, starring Sanjay Dutt, have released a new teaser that sheds light on a pivotal and lesser-known moment in Indian history, a private meeting between Keshav Baliram Hedgewar and Mahatma Gandhi in 1934. The film is directed by National Award-winning filmmaker Abhijeet Mohan Warang.

The latest teaser builds on the intrigue generated by earlier promotional material, offering a dramatic glimpse into what the makers present as a significant historical interaction. Opening with a question around what transpired during the meeting, the teaser portrays a tense and layered exchange between the two figures, suggesting a narrative rooted in real events while exploring perspectives that remain largely undocumented.

Aakhri Sawal has been positioned as a thought-provoking project that delves into complex and debated chapters of India’s past. Alongside the Hedgewar-Gandhi interaction, the film is expected to touch upon issues such as the ban on the RSS and narratives surrounding the Babri Masjid, placing these events within a broader socio-political context.

 

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The ensemble cast includes Amit Sadh, Namashi Chakraborty, Sameera Reddy, Tridha Choudhury, and Neetu Chandra. The film is backed by producers Nikhil Nanda and Sanjay Dutt under the banner of Nikhil Nanda Motion Pictures, with co-producers Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand.

The screenplay, story, and dialogues have been written by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas. With its latest teaser raising questions about historical narratives and interpretations, Aakhri Sawal continues to build anticipation ahead of its theatrical release on May 8, 2026.

Also Read: Sanjay Dutt starrer Aakhri Sawal gets new release date — film preponed to May 8

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Janhvi Kapoor reveals Bollywood’s filthiest truth: a heroine’s body becomes public the moment it becomes profitable

There is a sentence hidden inside Janhvi Kapoor’s recent remarks that Bollywood should not be able to ignore: once the camera desires you, consent becomes optional. She may not have phrased it that way, but that is the brutal truth sitting underneath everything she described: manipulated images, invasive zoom-ins, slowed-down edits, body-part fixation, and the assumption that if something looks public, it must be permissible.

That is the ugliest truth of female stardom. Not that the heroine is watched. She always has been. Not even that she is desired. Cinema has always traded in desire. The ugliness begins when desire starts behaving like entitlement. When the lens stops documenting and starts taking possession. When a woman’s body is treated not as part of a performance but as public property open to extraction, reframing and resale.

Janhvi’s distinction between sensuality and sexualisation is crucial here. She is not rejecting glamour. She is not disowning beauty, allure or screen presence. She is drawing a boundary that too many people in this business conveniently erase. A woman may consent to looking sensual in a song or a scene. She does not automatically consent to body-part zooms, slowed edits, manipulated frames, AI-generated outfits she never wore, or camera placements designed to override her comfort. That line should be obvious. The fact that it still needs explaining tells you everything about the ecosystem.

And let us be honest about where the problem sits. It is fashionable to blame only the paparazzi or only anonymous internet creeps. But Janhvi’s own remarks point to a wider rot. Official pages circulate fake visuals. Digital ecosystems reward objectifying content because it performs. Public figures are told this is the price of visibility. Even on sets, actresses often fear that resisting certain framings may make them look difficult or unprofessional. In other words, the problem is not one bad actor. The problem is a culture in which consent keeps getting renegotiated downward the moment the camera senses commercial value.

That is why this conversation matters beyond outrage. Because it is not about hurt feelings. It is about power. Who has the power to define the image? Who has the power to circulate it? Who has the power to say, This is not okay, without being told to relax, be practical, or stop being sensitive? Janhvi’s observation that she may not yet have enough voice or credibility to complain without backlash is devastating because it reveals how silence is manufactured. The woman most affected is often also the one least free to object.

Bollywood has spent years packaging the female star as agency itself: confident, modern, outspoken, empowered. Yet the machinery around her still behaves as though her consent is flexible once the image begins generating money, traffic or attention. That contradiction is not just embarrassing. It is foundational. It is built into the economics of glamour coverage, digital gossip, clickbait video edits and voyeuristic framing.

And that is why Janhvi Kapoor’s remarks hit harder than the usual conversation about trolling or sexism. She is naming a system in which the camera does not merely observe a heroine; it claims access to her. The moment the frame finds her desirable, too many people assume the boundaries have already been waived.
That should terrify the industry more than it currently does. Because if consent can be so casually diluted for one of the most visible young actresses in the business, then Bollywood’s empowerment language begins to sound less like principle and more like packaging.

Janhvi Kapoor has, perhaps without intending to, exposed a truth Hindi cinema still does not want to admit: the problem is not that women are seen. The problem is that once they are seen through a profitable gaze, too many people believe they no longer get to decide how.

Also Read: In Bollywood, the heroine is first sexualised, then moralised: Janhvi Kapoor has exposed the trap

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Chand Mera Dil title track release pushed by a day in tribute to Asha Bhosle

Dharma Productions has postponed the release of the title track of Chand Mera Dil by a day as a mark of respect following the passing of legendary playback singer Asha Bhosle. The song, featuring Ananya Panday and Lakshya, was earlier scheduled to release on April 13.

The decision comes as Asha Bhosle’s last rites are set to be held on the same day. Announcing the postponement, the production house shared a statement explaining the reason behind the move.

The statement read, “In honour of a legacy that has shaped generations, and with deep respect for the passing of the legendary Asha Bhosle, we are pushing the release of the Chand Mera Dil title track by a day. This decision has been made as a mark of heartfelt respect and remembrance for Asha Bhosle, whose lasting impact on music continues to inspire generations.”

 

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Asha Bhosle passed away at the age of 92 after being admitted to Breach Candy Hospital following cardiac and respiratory complications. She had reportedly not been keeping well for the past few months and was brought to the hospital in a critical condition before being shifted to the Intensive Care Unit on Saturday night. She died on Sunday afternoon, with her family later confirming that her last rites would take place the following day in Mumbai.

Also Read: Asha Bhosle passes away at 92: 10 defining songs that shaped her extraordinary musical legacy

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Peddi cinematographer R. Rathnavelu shares colour grading glimpse amid release delay reports

Peddi is one of the most anticipated films of 2026, headlined by global star Ram Charan. The film also features Janhvi Kapoor and Jagapathi Babu in pivotal roles, and has generated massive buzz ever since its announcement. After introducing Ram Charan as a rustic village cricketer, the makers recently showcased his striking transformation into a wrestler in Peddi Pehelwan, leaving fans amazed by his intense new avatar.

As the release draws closer, excitement continues to build. The film’s cinematographer, R. Rathnavelu, recently shared behind-the-scenes glimpses from the colour grading process on social media. He is seen with acclaimed colourist Andreas Brueckl, offering a sneak peek into the film’s visual detailing. The post featured pictures from the grading suite along with stills from the film, highlighting the meticulous craftsmanship and rich visual tone being crafted for Peddi.

Sharing the post, he wrote, “#Peddi Colour grading in full swing with my colourist #Andreas @AlwaysRamCharan @BuchiBabuSana @arrahman @RathnaveluDop @vriddhicinemas”

#Peddi Colour grading in full swing with my colourist #Andreas @AlwaysRamCharan @BuchiBabuSana @arrahman @RathnaveluDop @vriddhicinemas pic.twitter.com/Kc4Gx8wo3y

— Rathnavelu ISC (@RathnaveluDop) April 10, 2026

Peddi’s first single, ‘Chikiri Chikiri,’ became a chartbuster hit upon its release, with listeners loving its refreshing vibe and the signature magic of A. R. Rahman. The track resonated widely, racking up an impressive 200 million+ views across platforms and setting the tone for the film’s musical journey.

Keeping the momentum alive, the makers dropped the second song, ‘Rai Rai Raa Raa,’ a high-energy track that quickly grabbed attention online. With over 58 million views on YouTube already, the song has further fueled anticipation for Peddi and its much-awaited release.

Written and directed by Buchi Babu Sana, Peddi stars Ram Charan in the titular role, alongside Shiva Rajkumar, Janhvi Kapoor, Divyendu Sharma, and Jagapathi Babu. Produced by Venkata Satish Kilaru under his banner, Vriddhi Cinemas, and in collaboration with leading production house Mythri Movie Makers, the film is scheduled for release on April 30, 2026.

Also Read: Ram Charan starrer Peddi faces fresh release uncertainty amid delays and IPL clash: Report

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