Nine years ago, Nikhita Gandhi made a stunning entry into Hindi film music with the title track of Raabta (2017), and since then, she hasn’t looked back. After getting her big break from A R Rahman with I (2015), she went on to lend her voice to several memorable Hindi film albums, including Jagga Jasoos (2017), Jab Harry Met Sejal (2017), Sanju (2018), Stree (2018), Kedarnath (2018), Luka Chuppi (2019), Tu Jhoothi Main Makkaar (2023), Tiger 3 (2023), War 2 (2025), etc. Over the years, she has collaborated with artists such as Pritam Chakraborty, Sachin-Jigar, Arijit Singh, Diljit Dosanjh, and many more. Her recent release, ‘Tu Hi Disda’ from Bhooth Bangla, featuring Akshay Kumar and Wamiqa Gabbi, has amassed 50 lakh views on YouTube and counting. In an exclusive interview with Bollywood Hungama, Nikhita opened up about ‘Tu Hi Disda’, her singing career, the concert boom in India, AI in music and a lot more.

How has the feedback been for ‘Tu Hi Disda’? It’s quite a catchy number…
Of all the new releases, I am a little partial to this song for sure. It’s very rare that a song gives equal real estate to the male and female singers. It’s a very quintessential duet. There are lots of duets out there where the female portion comes only towards the end. Some of my biggest songs are like that, like ‘Qaafirana’ (Kedarnath; 2018). ‘Tu Hi Disda’ is not like that; it has a really cute banter between the boy and the girl. I find it refreshing and very Indian. Hence, I am glad to be a part of it.
Why is it that male and female playback singers don’t have equal prominence in songs nowadays? This was not the case earlier…
I don’t think there’s a conscious decision behind it. In the past, there were proper lip-sync songs, more on the lines of ‘he-said-this-and-then-she-said-this’. It was like a conversation. So, it required male and female playback singers to alternate. That’s how cinema was in the past. Now, songs are sometimes from a third person’s perspective. So, it has nothing to do with gender as such. Also, songs are usually composed by a male composer. So, they automatically compose it in a male scale and from a male perspective. The female perspective is a refreshing in-between.
But as I said, it’s not a conscious thing. In the case of ‘Tu Hi Disda’, it’s a balanced duet. Also, the female character is wearing a saree, and there’s a conversation going on between the two, just like it was in the olden times.
The concert boom is happening right now in India. How much do you enjoy doing concerts and live performances?
I love being on stage and performing. When I started out, I didn’t plan to be a singer. It wasn’t a career path that I had worked towards; it happened accidentally. So, even the role of being a performer was something I had slipped into inadvertently, but never truly explored until I actually became a singer (smiles).
Sometimes, attendees surprise performers by requesting an underrated track, something the singer never expected to be asked for. Has that ever happened to you?
Of course. I love when these surprises happen because it’s so important to be surprised by life and by people. You never want to feel complacent and think you have done everything you wanted to do. I did a wedding show recently. We started late and hence I skipped a few songs. I went straight away to the party tracks in order to cater to the mood of the event. After the event, a fan told me that he was a big fan of my music and requested me to sing ‘Qaafirana’ (smiles).
It was not surprising because of the song; after all, ‘Qaafirana’ is my biggest song. But the fact that somebody paid so much attention and specifically wanted to hear that. That just made it so special and beautiful. Some of the underdogs from my discography are also requested. When that happens, it’s such a win.
What are your views on AI’s ability to replicate singers’ voices? Do you see it as a threat?
The ultimate truth is that if you can’t beat it, then join it! You need to work with it to your advantage. For instance, there’s a singer who wants to present her music, but she’s not a producer. She doesn’t even have the budget to hire a producer. AI can prove to be of help. That’s how I would function as an artist – if I am bad at something or don’t want to spend time as much as doing it because it’s not my primary skillset, and if I don’t have the means to hire someone to do it, I’ll resort to AI. We are also living in a world where everyone wants to see a finished product. No one wants to see a pitched idea; they all want a complete product. My filmmaker friends create AI animation as a pitch before the pilot, so that the producers can see what the film is going to look like. Hence, the best way to move ahead is to find ways to implement it in your work.
Also Read: Nikhita Gandhi and Rekha Bhardwaj express happiness after working on the web-series Khalbali Records
The post EXCLUSIVE: Nikhita Gandhi reveals why she’s partial to Bhooth Bangla’s ‘Tu Hi Disda’: “It’s RARE that a song gives equal real estate to male and female singers”; BREAKS silence on AI threat to singers: “If you can’t beat it, then join it” appeared first on Bollywood Hungama.
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