Vijay Subramaniam unveils HistoryVerse content slate with eight new titles; details inside

Collective Artists Network today announced its first content slate, focused on bringing India’s vast and layered history to screen through deeply researched narratives and contemporary storytelling tools. The slate features eight history-inspired titles across theatrical films and web series, and marks the first major release under Collective Studios, the company’s newly launched unified content studio bringing together original storytelling across its platforms.

Positioned as India’s largest history-inspired slate, the lineup draws from figures, eras, and cultural traditions that have shaped the subcontinent over centuries. The slate spans stories inspired by Hanuman, Krishna, Shiva, Shivaji, Durga, Kali, and Swami Samarth. The already released Mahabharat series serves as the starting point for HistoryVerse’s larger vision, demonstrating how historically rooted narratives can be approached for modern screens.

Of the newly announced projects, three are being developed as theatrical films, while two will take shape as web series, with additional titles currently in various stages of development. From the earliest stages of writing to the final visual experience, every layer is carefully shaped to build scale, detail, and immersion, allowing these stories to unfold with a richness and scope rarely attempted before.

 

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Speaking about the slate, Founder and Group CEO of Collective Artists Network, Vijay Subramaniam, said, “I’ve always believed that our folklore is among the richest in the world, and that these stories, woven into the core of our cultural fabric, deserve a global stage. As HistoryVerse grows, our vision goes beyond films and series to include experiences, consumer brands, and gaming; building a larger ecosystem around these stories for audiences to engage with.”

With this announcement, Historyverse under Collective Studios reinforces Collective Artists Network’s commitment to building a long-term storytelling platform dedicated to Indian history-inspired narratives, designed to connect with audiences across generations and geographies.

Also Read: Lord Hanuman gets AI-powered cinematic makeover: Abundantia Entertainment and Collective Media Network announce Chiranjeevi Hanuman – The Eternal

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Karan Johar says Dhurandhar’s politics didn’t bother him; calls it “nuanced film,” praises Aditya Dhar for his unique voice

Filmmaker Karan Johar has weighed in on the ongoing conversations surrounding Dhurandhar, describing the film as nuanced and clarifying that its political undertones did not offend him.

In a recent interaction on the IIMUN YouTube channel, Johar discussed his perception of the film amid discussions that questioned its political messaging. Addressing the debate directly, he stated that he did not find the film offensive, adding that it was important to view it through the lens of storytelling rather than ideology.

KJo said, “I unabashedly, unapologetically, and absolutely, outstandingly loved Dhurandhar. I saw all of it with awe because I loved the craft of filmmaking. I loved the storytelling. I loved the way he divided it into chapters. I loved that the gaze was more internal, and it wasn’t against, it was for speaking about politics in its own way.”

He further added, “I actually wasn’t offended by the politics of the film. I know where it was heading. I know some people could agree or disagree, and that should be cinema. I was not offended by any ideological issue in the film. I watched it for the craft, for the cinema aspect of it, and I absolutely loved it, and I felt like Aditya Dhar has a unique voice, and I feel he has emerged as a strong, unique voice. I walked out feeling it was a nuanced film.”

Speaking of the film, readers may recall that earlier today, Bollywood Hungama exclusively reported that the Ranveer Singh-starrer sequel has been titled Dhurandhar The Revenge. In fact, the Central Board of Film Certification (CBFC) passed the teaser of Dhurandhar’s sequel. The duration of the teaser is one minute plus, and it has been awarded an ‘A’ certificate.

Also Read: Karan Johar buys apartment in Mumbai’s Khar West for Rs 8.05 crores

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Kanye West to perform in India during April 2026 concert tour

American rapper and producer Kanye West is set to make a performance stop in India during his concert tour in April 2026, marking what would be his first live performances in the country, according to the latest buzz. West, one of the most influential figures in contemporary music, will bring his live show to Indian audiences as part of a broader tour next year. Details such as specific cities and venues have not been disclosed, but sources familiar with the plans say the visit is anticipated to be a major cultural event.

West, who has had a substantial impact across hip-hop, rap, gospel and experimental music, has won 24 Grammy Awards, making him one of the most decorated artists in the genre’s history. Some of his best-known tracks include ‘Gold Digger’, ‘Stronger’, ‘Good Life’ and ‘Ultralight Beam’, and his influence extends into fashion and broader popular culture.

While this would be West’s first official concert tour stop in India, he has visited the country on previous occasions. Reports suggest that he travelled to India for a spiritual retreat in 2009 and later visited Mumbai in 2012 to promote his women’s fashion label.

International live music events have become increasingly common in India in recent years, with acts such as Coldplay, Ed Sheeran, Dua Lipa, Maroon 5 and Justin Bieber drawing large crowds at standalone concerts or festivals. Global events like Lollapalooza India have also featured major international performers, highlighting growing demand for live international music experiences across the country.

At this stage, official confirmation from West’s team or promoters regarding the India leg of the tour has not been released. Fans and industry observers will be watching for further announcements on dates, venues and ticketing details as plans for the April 2026 concerts take shape.

Also Read: Kim Kardashian gets candid about brain aneurysm diagnosis amid divorce with Kanye West; says, “My ex will be in my life no matter what”

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Dhurandhar Box Office: Scores another HUGE RECORD with near DOUBLE DIGIT 7th weekend

While new films for last so many weeks are struggling to hit a double digit score in their opening weekend, Dhurandhar has done the unthinkable. It has come close to a double digit score in its seventh weekend, something that has never happened before. There are hardly any films that have actually survived in theatres for so long, leave aside scoring records, and here is Dhurandhar, which is yet to go below the 2 crores mark.

The film brought in Rs. 9.95 crores more over the weekend fine by with Friday (Rs. 2.10 crores), Saturday (Rs. 3.60 crores) and Sunday (Rs. 4.25 crores) being terrific all over again. Apart from being the highest scorer on a daily basis when compared to all other films in the running, be it new or holdover, the film is also marching into the weekdays on a superb high with at least Rs. 5 crores more set to come before Border 2 hits the screens.

The film’s total currently stands at Rs. 879.75 crores and now just around Rs. 20 crores remain for it to enter the 900 Crore Club. This also sets huge expectations for Dhurandhar 2 because one would expect nothing but Rs. 1000 crores from the film and that too in just Hindi from India alone. It would all boil down to how the promo is cut for the film since audiences are excited, momentum is there and equity has been built. All that’s required is for the final product to meet the mammoth expectations as well.

All Time Mega Blockbuster

Note: All collections as per various box office sources

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SCOOP: Shah Rukh Khan and Siddharth Anand LOCK Christmas 2026 release for King; Announcement on the way

After the historic success of Pathaan, Shah Rukh Khan and Siddharth Anand are reuniting for the second time on King. The film rides on a stellar star-cast with Shah Rukh Khan, Deepika Padukone, Anil Kapoor, Rani Mukerji, Abhishek Bachchan, Jaideep Ahlawat, Arshad Warsi, Suhana Khan and Abhay Verma among others. Over the last few days, there has been a historic buzz around the release date of this tentpole actioner.

Bollywood Hungama is bringing to all the readers an exclusive scoop on King. Reliable sources have confirmed that Shah Rukh Khan and Siddharth Anand have locked a Christmas 2026 release for King. “The duo of SRK and Sid were brainstorming several options for their release, and the two in the forefront were – December 4 and December 25. After weighing all options, they have locked a Christmas 2026 release for their action packed entertainer.”

The source also informed us further that the film is skipping the iconic December 4 window due to Ramayana. “SRK and Sid are clear in maintaining a gap from Ramayana, which could go on to record a historic business. They don’t want to come and hurt the business of this divine saga in any way, and hence have locked a Christmas 2026 release. This ensures a gap of 45 days between Ramayana and King, giving both the films the breathing space that they deserve.”

With a Christmas release, SRK will be enjoying an open run at the box office, as no Hindi film is slated to arrive in that coveted window. There is Avengers: Doomsday a week before, but Hollywood films are frontloaded and for the Hindi cinema audience, there’s nothing that can top the experience of watching a Shah Rukh Khan film on the big screen.”

An official announcement for the release date of King is expected to be made in the coming week.

Also Read: “Being part of a Shah Rukh Khan film feels like a dream come true,” says his King-co-star Akshay Oberoi

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Vir Das on turning director with the spy comedy Happy Patel, “I had to wait for the universe to let Tiger, War, Pathaan and Dhurandhar happen”

Actor and comedian Vir Das has made his directorial debut along with Kavi Shastri in Happy Patel Khatarnak Jasoos, which released in cinemas this week and is produced by Aamir Khan. He got candid talking about his first film as a director and his career in an interview with us.

What brings you to direction at this juncture of your career?
Well you know, I spent the last eight years really focusing on stand-up comedy and stand-up comedy can sometimes be quite an isolating art form and I really felt like I wanted to do something collaborative. I had this script in my head for a long time. But mainstream spy cinema didn’t exist when I wrote it. So, I think I had to wait for the universe to let Tiger, War, Pathaan and Dhurandhar happen because comedy is counter-culture. So, you know to make the most ridiculous version of it needs to exist and so, you know, everything happens in the right time.

Your itinerary seems overloaded with spectacular stand-ups. So, is direction a side passion?
No. I did not do any stand-up through the direction of this movie. Through the three and a half months of pre-prod, no stand-up. Happy Patel Khatarnak Jasoos is a very small film. We only shot for 31 days. We really tried to get a lot accomplished in 31 days when you consider the mainstream action movies shoot for between 60 and 90 days. Our film really got a lot done and so that required a hundred percent. Then, of course, the post-production of it takes the length of what the post-production of it takes. But there were 30 test screenings of the film with Aamir inviting random people to watch our film, and you know about three cuts. So, I definitely focused on it.

Was it easy getting Aamir on board as producer?
There’s a process to getting Aamir on board, but luckily he’s defined the steps very well. You know there were about five or six narrations and he’d give us notes every time we did a narration. And they were usually story-driven notes or character driven notes that made the script better. Then there was a test shoot. So, he gave us a little bit of money and said go out and shoot five scenes. He wanted us to shoot it, write it, production-design it, edit it, mix it, grade it, cast it and direct it. So, I think he wanted to really see what my co-director and I could do as directors and see me as the character and then once that happened, we got greenlit for pre-production and then we met Aamir sir as an actor after which there are test screenings, post the second cut, etc.

What would you select as your main vocation?
I’m a comedian at heart, but I did dream of directing. It’s the closest thing to stand-up comedy where you get to infect every second of the frame with your madness. I’ll hope to direct again. Not just comedy, I’m hoping my next will be a pure horror movie that scares the daylights out of people. But you know, I’m at the bottom rung of the directorial ladder. So, hoping to ascend.

Is it getting increasingly dangerous to be a stand-up in India?
I think we have the largest comedy audience in the world, the youngest audience in the world under 35 working, largest smartphone audience in the world. So no, it is far more convenient and you will see success a lot faster as a comedian in India than really anywhere else in the world. So, I don’t think there is a been a better time to be a comedian than right now in India.

What will you say are the distinguishing factors of Happy Patel and how do you intend to compete with Dhurandhar?
I don’t think I can compete with Dhurandhar. I’m probably smaller than the catering budget of Dhurandhar but what I do think Happy Patel brings to the table is unapologetic silliness, a complete commitment to the joke, so that if there’s even five seconds that you have, we try and get a laugh out of you. It’s a story that’s got heart and I do think that there is a young edgy Indian audience that is underwhelmed by theatrical comedy. Maybe, it’s like all the spies are at a dinner table. Every joint family has an idiot at a dinner table, and I’m happy to be it. So, if Tiger, Pathan and Ranveer from Dhurandhar are having the serious cool spy conversation, I’m just happy to be the idiot who’s invited to the table and hopefully I can make everybody laugh.

Also Read: Aamir Khan voluntarily edits out a funny scene featuring Vir Das in Happy Patel

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Anil Kapoor to duel with Jr NTR in Prashanth Neel’s Dragon

Prashanth Neel’s action drama Dragon just got its North Indian tadka. Anil Kapoor has joined the cast in a prominent role. Anil is apparently playing the antagonist.

To cast a Bollywood actor opposite an A-lister Telugu actor has become quite the thing. It started with Neil Nitin Mukesh, followed by Bobby Deol in several Telugu films.

About Anil Kapoor in Dragon, the film’s team is quite tightlipped about his role. However, a source close to the development revealed that Anil would be making an appearance at a pivotal juncture in the narrative.

“It is a brief but very important character, and Anil has agreed to do it for NTR’s sake,” the source informed.

Also Read: SCOOP: Anil Kapoor buys rights to his cult film Nayak; aspires to make its sequel

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BREAKING: Jio Studios issues public notice; declares ‘FIRST and PARAMOUNT lien’ on Ali Abbas Zafar Films LLP’s commercial earnings

In a development that has caught the attention of the trade and industry, Jio Studios (the Media and Entertainment division of Reliance Industries Limited) has issued a Public Notice cautioning the film, media and entertainment industry about its contractual rights connected to Ali Abbas Zafar Films LLP and filmmaker Ali Abbas Zafar.

The notice, published on January 17, 2026, in Atul Mohan’s Complete Cinema magazine by King Stubb & Kasiva, Advocates & Attorneys, states that pursuant to binding contractual arrangements entered into between Jio Studios, Ali Abbas Zafar Films LLP and Ali Abbas Zafar, with effect from September 30, 2025, Jio Studios “holds and continues to hold a first and paramount lien” on all incomes, revenues, receipts, proceeds and earnings of whatever nature and in whatever form, whether present or future, accruing from what the notice describes as “Commercial Engagements”.

Importantly, the notice indicates that the lien is not restricted only to projects mounted with Jio Studios. It claims coverage over earnings arising from a wide range of media and entertainment activities linked to Ali Abbas Zafar Films LLP as well as Ali Abbas Zafar in his individual capacity, that is, spanning projects, ventures, engagements, productions, collaborations and exploitations, whether or not Jio Studios is involved. The notice further signals that the claim extends to projects undertaken through other entities as well, where the LLP’s designated partners or directors have a stake, including entities that exist today and those that may be incorporated later. In addition, it covers earnings of the designated partners/directors of Ali Abbas Zafar Films LLP from any source within the media and entertainment domain.

The public notice adds that the said lien is absolute, continuing, enforceable and will remain in force by operation of contract and law until full discharge of all outstanding obligations owed to Jio Studios, along with applicable interest. It also advises producers, studios, financiers, OTT platforms, broadcasters, talent agencies and other industry participants to take note of the stated lien and to deal with the concerned parties appropriately while considering or entering into such commercial arrangements. Where necessary, Jio Studios calls upon stakeholders to intimate it prior to finalizing or giving effect to any such arrangement, so that the rights of all parties, including Jio Studios, are not prejudiced.

What does “first and paramount lien” mean?

In simple terms, a lien is a security/legal right over receivables or money to secure payment of dues. The words “first and paramount” indicate top priority, meaning Jio Studios is asserting it must be paid first out of the covered earnings, ahead of other claims or subsequent security interests.

The notice ends by stating that Jio Studios reserves the right to enforce the lien and pursue remedies as available under applicable law.

Ali and Jio’s association

Ali Abbas Zafar collaborated with Jio Studios once, for Bloody Daddy (2023). The Shahid Kapoor-starrer released directly on JioCinema and was produced by Jio Studios, Ali Abbas Zafar’s AAZ Films and others. The action entertainer was directed by Ali Abbas Zafar.

Also Read: Ali Abbas Zafar casts Aaishvary Thackeray as antagonist opposite Ahaan Panday in YRF’s next; promises ‘big-screen carnage’

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Dhurandhar Box Office: Continues to be TOP PERFORMING FILM even on 7th Friday

What a run Dhurandhar has been having at the box office. Even on its 7th Friday, the film has been the top performer with no other film coming even close to its collections. It hasn’t helped that most of the films have been weak in content or not universal due to which the Aditya Dhar directorial has stayed on to be the first choice of the audience.

That happened yesterday as well when Rs. 2.10 crores were collected at the box office. The collections are, of course, on the lower side but then other films are not collecting even this much which further reaffirms the supremacy of the Ranveer Singh starrer. In fact, today the film will jump quite well and around Rs. 3-3.50 crores are on the cards. Then similar collections tomorrow will ensure that not just will Week 7 get into double digits but then there would be more added to it as well before Border 2 strikes next Friday.

The film is also all set to surpass Rs. 875 crores milestone as its current collections stand at Rs. 871.90 crores. By tomorrow, the film will be close to Rs. 880 crores and then Rs. 885 crores should be crossed by the close of 7th week. Post that, Rs. 15 crores would remain for an entry into the 900 Crore Club and that would be touch and go unless Republic Day holiday helps boost its collections in a big way.

All Time Mega Blockbuster

Note: All collections as per various box office sources

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‘Fame Us’, first song from Shanaya Kapoor and Adarsh Gourav starrer Tu Yaa Main, reflects Mumbai’s youth culture, watch

The makers of Tu Yaa Main have released the film’s first song, ‘Fame Us’, featuring Shanaya Kapoor and Adarsh Gourav. The track arrives following the film’s teaser and offers a look into the fast-paced lives of social media creators set against the backdrop of Mumbai.

Sung by 7BantaiZ and Rai Harrie, ‘Fame Us’ reflects the city’s everyday movement and contemporary youth culture. The song features lyrics by David Klyton, Nitesh Patel, Nishant Mohite, Rai Harrie, Aditya Vhatkar, Yogesh Kurme, and Siddesh Jammi, with music composed by Rai Harrie. The visuals place Kapoor and Gourav within urban settings that align with the film’s modern narrative.

Speaking about their involvement, 7BantaiZ said, “Tu Yaa Main is a youth-oriented film, and it was interesting for us to be part of its music. Mumbai plays an important role in the song, and we tried to reflect that through the track.”

Directed by Bejoy Nambiar, Tu Yaa Main blends romance and thriller elements, following two characters whose date takes an unexpected and dangerous turn involving a crocodile. The film is positioned as an alternative Valentine’s release.

The film is produced by Aanand L Rai and Himanshu Sharma under Colour Yellow, along with Vinod Bhanushali and Kamlesh Bhanushali of Bhanushali Studios Limited. Starring Adarsh Gourav and Shanaya Kapoor, Tu Yaa Main is scheduled for theatrical release on February 13, 2026.

Also Read: Tu Yaa Main to release on February 13, 2026: Shanaya Kapoor-Adarsh Gourav starrer to clash with Shahid Kapoor’s O Romeo; watch teaser!

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Celina Jaitly pens heartbreaking tribute on Army Day for brother detained in UAE: “Families serve too, just without medals”

On the occasion of Army Day on January 15, actor and former beauty queen Celina Jaitly paid a poignant tribute to her brother, Major (Retd.) Vikrant Kumar Jaitly, who has been detained in Abu Dhabi for more than 14 months, in a heartfelt social media message that resonated with many online.

Taking to Instagram, Celina reflected on the unseen sacrifices made by soldiers’ families, emphasising that their service often goes unrecognised. She opened her post with an emotion-laden line: “#armyday Families serve too, just without medals.”

The actress shared a throwback image from a visit to her brother’s unit in the valley, recalling how one of his fellow officers, who was martyred after that mission, placed his para beret on her head. “He smiled & said, ‘Our families stand behind us & pay an equal price of bravery while we stand at the front,’” she wrote, underlining the emotional weight carried by those waiting at home.

Celina also posted a letter that Vikrant wrote in 2000, soon after joining the armed forces. Describing her brother as a “fourth-generation soldier” born with “ammunition boots on his feet,” she noted how he joined the Indian Army through a technical entry and went on to serve with the elite 3 Para SF, earning commendation during his career. “This letter reminds me that a soldier is forged long before the uniform, long before the medal, & long before the battlefield,” she wrote, expressing the profound pride and pain in equal measure.

The legal battle surrounding Major Jaitly’s detention continues to unfold. The Delhi High Court has issued a notice to the Central government, asking it to file a status report within four weeks and to appoint a nodal officer to facilitate communication and assistance for him, including legal and medical support. His counsel, Advocate Raghav Kacker, said such steps could “help secure his release” and strengthen ties between India and the UAE.

In her message, Celina also recalled personal memories — the family home, their parents, and the sacrifices that have shaped their family’s legacy.

 

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The situation has drawn public attention and diplomatic interest, with India’s external affairs authorities reportedly providing all possible assistance. While specific details of the charges against Major Jaitly have not been made public, authorities cited “national security concerns” surrounding his detention, and his family has suggested possible mistaken identity or other external factors.

Also Read: Celina Jaitly reveals husband served divorce papers as 15th anniversary “gift,” denied contact with sons: “My entire world was snatched from me in one moment”

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EXCLUSIVE: Taran Adarsh says War 2’s failure was no surprise; explains why the damage went beyond financial loss

Veteran trade analyst Taran Adarsh has offered a candid assessment of what went wrong with War 2, despite the film boasting a star-studded cast and a high-profile creative team. Speaking to Bollywood Hungama, Adarsh said the film’s failure was not surprising, given its lack of substance.

Referring to the film’s scale and expectations, Adarsh pointed out that War 2 had all the ingredients of a major blockbuster on paper. “If you watch War 2… first of all, it was a sequel of a successful film. You are making it bigger than that with stars like Hrithik Roshan and Jr NTR, Ayan Mukerji as the director… and what did you make? There were expectations,” he said.

However, according to Adarsh, the core issue lay in what the film ultimately offered to audiences. “But what did you give to the audience? In terms of content. There was nothing in the film. Nothing in the film. And when such films flop, there is no surprise,” he remarked.

Emphasising changing audience priorities, Adarsh said that star power alone is no longer enough to ensure success. “People want entertainment. Big screen entertainment. And you are not able to give that. You are only showing stars. That doesn’t work,” he added.

The trade expert also addressed the debate around the film’s box office numbers, noting that collections cannot be viewed in isolation. While War 2 reportedly earned around Rs 185 crores, Adarsh stressed that profitability depends heavily on costs and returns.

“Even Salman’s films can reach 100–150 crores. But the cost — that is very important. That is very, very important. If you are giving returns in front of cost, then how can the film be successful?” he asked.

According to him, the consequences of such underperformance extend beyond financial losses. “It is a loss for the producers. Absolutely. It is a financial loss. That is another thing. But your reputation, which takes a hit because of that — that becomes a problem,” Adarsh concluded.

His remarks underline a recurring industry conversation: in an era of rising budgets and heightened expectations, content and audience experience remain central to a film’s fate, regardless of scale or star cast.

Also Read: EXCLUSIVE: “No one imagined Dhurandhar would break Pushpa 2 Hindi records,” says Taran Adarsh as he recalls Ranveer Singh starrer being written off early 

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