Suriya gifts Mahindra BE6 Batman cars worth Rs. 30 lakhs each to Karuppu crew after blockbuster success

The latest release Karuppu starring Suriya as the leading man, has emerged as one of the biggest Tamil blockbusters of the year, earning both critical acclaim and impressive box office numbers since its release in May. As the film continues its successful run in theatres, the superstar has now won hearts off-screen with a generous gesture towards the technicians who played a crucial role in bringing the film to life.

In a special token of appreciation, Suriya gifted brand-new Mahindra BE6 Batman edition cars to three key members of the Karuppu team. The luxury electric vehicles, estimated to cost around Rs. 30 lakh each, were presented to music composer Sai Abhyankkar, cinematographer GK Vishnu, and editor Selvamani.

The gesture was Suriya’s way of acknowledging the hard work and dedication of the technicians whose contributions helped shape the film’s success. The recipients later took to social media to share the news and express their gratitude to the actor. Music composer Sai Abhyankkar posted photographs of his new car and wrote, “Love you dear @actorsuriya sir @rajsekarpandian @prabhu_sr”, accompanied by pink heart emojis.

 

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Cinematographer GK Vishnu also shared his excitement on social media, writing, “Just God things!! Thank you @Suriya_offl sir. You have a huge heart!!!!” Editor Selvamani, meanwhile, referenced one of Suriya’s most celebrated characters while expressing his gratitude. Sharing a picture of the gift, he wrote, “#karuppu Just God things ?? Thank you @Suriya_offl anna ?? Got life time settlement from Our #ROLEX.” The mention of “Rolex” was a nod to Suriya’s popular cameo character from Lokesh Kanagaraj’s blockbuster Vikram, a role that continues to enjoy a massive fan following.

Just God things!!
Thank you @Suriya_offl sir.
You have a huge heart!!!! #Karuppu pic.twitter.com/N8CtzgHRjr

— GK Vishnu (@dop_gkvishnu) May 31, 2026

#karuppu
Just God things
Thank you @Suriya_offl anna
Got life time settlement from Our #ROLEX pic.twitter.com/2Q2A15CT8n

— kalaivanan R (@kalaivananoffl) May 31, 2026

The actor’s thoughtful gesture has received widespread appreciation from fans online, with many praising him for recognising the efforts of technicians who often work behind the scenes. The move has also reignited conversations about the importance of celebrating every department that contributes to a film’s success.

Directed by RJ Balaji, Karuppu is a fantasy action entertainer based on a screenplay co-written by Balaji along with Rathna Kumar, Ashwin Ravichandran, Rahul Raj, T. S. Gopi Krishnan and Karan Aravind Kumar. Produced by Dream Warrior Pictures, the film features Suriya in the lead role alongside Trisha Krishnan and RJ Balaji. The ensemble cast also includes Indrans, Natty Subramaniam, Swasika, Sshivada and Supreeth Reddy.

The film follows the story of Vettai Karuppu, a guardian deity who disguises himself as a lawyer to take on corruption within the judicial system while fighting for justice for a young girl awaiting a liver transplant. Blending fantasy, action and social commentary, the film struck a chord with audiences upon its release on May 15, 2026.

With Karuppu continuing to enjoy a successful theatrical run, Suriya’s latest gesture has further strengthened his reputation as a star who values and celebrates the people behind the camera just as much as those in front of it.

Also Read: Jyotika reacts to the massive success of Suriya starrer Karuppu amid criticism around the actor’s role; says, “No one’s here to be at a loss”

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Brad Pitt wins deposition ruling in Château Miraval battle with Angelina Jolie

The legal war between Brad Pitt and Angelina Jolie shows no signs of cooling, nearly a decade after their initial split. Even as their multi-year divorce proceedings drag on, the contested ownership of Château Miraval, their French winery, continues to generate fresh courtroom battles on multiple fronts.

Michigan ruling favours Pitt

The most recent development emerged from a Michigan court, where a judge ruled in Pitt’s favour in a dispute tied to Jolie’s 2021 sale of her stake in the winery.

According to The Daily Star, the judge ordered Todd Culyba, former general counsel of the Stoli Group, to submit to a further deposition after he had declined to respond to dozens of questions during an earlier session.

Pitt’s legal team had been seeking information about the sale of Jolie’s share of Château Miraval to Tenute del Mondo, a company linked to the Stoli Group. The judge determined that attorney-client privilege could not be applied as a shield against questions relating to the commercial dimensions of the transaction.

The roots of the dispute

The conflict traces back to 2022, when Pitt filed a lawsuit alleging that Jolie had sold her interest in the winery without his knowledge or consent, in breach of what he claims was a mutual agreement between them. Jolie has consistently denied that any such agreement ever existed. The Michigan ruling follows a separate verdict in California that went Jolie’s way. A Los Angeles Superior Court judge rejected Pitt’s request for access to a set of confidential emails connected to the winery sale, ruling that the documents were protected under attorney-client privilege.

Jolie’s attorney, Paul Murphy, welcomed the California decision, arguing that Pitt had failed to meet the legal threshold required to obtain the communications. The ruling was issued without prejudice, however, meaning Pitt retains the option to revisit the matter under a different legal framework.

More legal trouble and a fractured family name

Beyond the winery litigation, Pitt is also navigating a trademark dispute involving his skincare label Beau Domaine. Malibu-based skincare company Beau D has filed a lawsuit claiming the brand name bears too close a resemblance to its own, potentially misleading consumers.

The company is pursuing financial damages and an injunction to prevent Pitt from continuing to use the Beau Domaine name.

On a personal level, the ongoing legal friction mirrors deep rifts within the family. Several of the former couple’s children have actively moved to distance themselves from the Pitt surname. Maddox Chivan Jolie-Pitt has reportedly used only “Jolie” informally for years, while siblings Shiloh, Zahara, and Vivienne have taken steps to drop “Pitt” from their public and legal names.

With active litigation spanning multiple states and no resolution in sight over Château Miraval, the post-split legal entanglement between Pitt and Jolie appears set to endure for years to come.

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Jacqueliene Fernandez to face trial as Delhi court orders framing of charges in ED’s Rs 200 crores money laundering case

On May 30, 2026, a Delhi court ordered the framing of criminal charges against Jacqueliene Fernandez, conman Sukesh Chandrashekar, and 15 others in a high-profile Rs 200-crores money laundering case. The ruling establishes that the trial against the actor and the co-accused will formally commence following their appearance in court this week.

Additional Sessions Judge (ASJ) Prashant Sharma observed that the investigative findings revealed a robust legal basis to proceed with the prosecution. “Prima facie, there is sufficient material on record based upon which a strong suspicion is raised against all the accused,” the ASJ stated, as per a report by PTI.

The court held that Fernandez and the others are liable to be prosecuted for the offence of money laundering under Section 3 of the Prevention of Money Laundering Act (PMLA), which is punishable under Section 4 of the same Act. The judge has directed all the accused individuals to appear physically in court on June 3 for the formal signing and framing of the charges.

The court rejected Fernandez’s primary legal defense that she was an unwitting victim being made a scapegoat in the case. Her legal team had previously argued that she should not be prosecuted under the PMLA since she was not named as an accused in the scheduled extortion offense handled by the Delhi Police. However, the court dismissed this argument as meritless, reiterating that an individual can be prosecuted under anti-money laundering laws independently of the core scheduled offense.

The court noted that Fernandez’s own statements recorded under Section 50 of the PMLA clearly indicated her regular interaction with Chandrashekar, as well as the receipt of substantial funds and luxury articles. The ruling emphasized that the actor was aware of Chandrashekar’s extensive criminal background and yet chose to receive expensive gifts, financial payments for her brother, and a car for her parents, thereby attracting liability for utilizing the proceeds of crime.

The decision arrives shortly after the court permitted Fernandez to withdraw her application filed on April 16, which had sought to turn an approver in the ongoing probe. The Enforcement Directorate (ED) had vehemently opposed her petition, arguing that her active involvement and ongoing communication with the prime accused disqualified her from seeking such relief.

The broader case stems from an investigation into an organized criminal network operated by Chandrashekar, who was first arrested by the Delhi Police in 2017 and subsequently by the ED in 2021. Prosecution details reveal that Chandrashekar managed the extortion racket from inside his prison cell using spoofed calls, encrypted applications, and fabricated identities. By impersonating high-ranking government officials from the Prime Minister’s Office (PMO), the Ministry of Home Affairs, and the Ministry of Law and Justice, he induced the complainant, Aditi Singh, to part with huge sums of money totaling over Rs 200 crore.

Also Read: Jacqueliene Fernandez stuns in Rahul Mishra couture at Cannes 2026

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‘Aajkal Tere Mere Pyar Ke Charche’ singer Suman Kalyanpur dies at 89

Veteran playback singer Suman Kalyanpur, whose melodious voice graced several memorable Hindi film songs from the 1960s and 1970s, passed away on Sunday evening at her Mumbai residence. She was 89. The singer, known for evergreen tracks such as ‘Na Na Karte Pyar Tumhin Se,’ ‘Tumne Pukara Aur Hum Chale Aaye,’ and ‘Aajkal Tere Mere Pyar Ke Charche,’ reportedly died due to age-related health issues.

Confirming the news, Mangala Khadilkar, author of the acclaimed Marathi biography Suman Sugandh, shared details about the singer’s final moments. “Suman ji passed away at around 8 pm at her residence in Lokhandwala due to old age. She passed away peacefully. For the last few days she was listening to her own songs,” Khadilkar told PTI.

With a career spanning several decades, Kalyanpur carved a distinct identity for herself in the Indian music industry during an era dominated by some of the country’s most celebrated playback singers. Her soft, expressive voice won the admiration of music lovers and earned her a special place in Hindi cinema’s golden age.

Apart from Hindi cinema, Kalyanpur showcased her versatility by recording songs in several Indian languages, including Marathi, Bengali, Kannada, Assamese and Odia. Her repertoire also extended beyond film music to devotional songs, ghazals and thumris, reflecting the depth and range of her musical abilities.

Suman Kalyanpur is survived by her daughter, Charu. According to family sources, her last rites will be performed at the Pawan Hans crematorium in Mumbai on Monday between 11:30 am and 12 noon.

Bollywood Hungama extends its heartfelt condolences to Suman Kalyanpur’s family, friends, and countless admirers. May her soul rest in peace, while her timeless melodies continue to live on in the hearts of music lovers.

Also Read: The Trial S2, Scam 1992 actor Ramakant Daayama passes away

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Mukesh Ambani’s praise for Jio Studios’ success with Dhurandhar franchise is a reflection of Jyoti Deshpande’s remarkable transformation of the banner

Over the last few years, Jio Studios has emerged as one of the most dominant forces in the Indian entertainment industry, and at the heart of this transformation has been Jyoti Deshpande, who is heading the operations at the studio. Its unprecedented success has now received recognition from none other than Reliance Industries Chairman Mukesh Ambani, who highlighted the achievements of Jio Studios and the blockbuster Dhurandhar franchise in his letter to his shareholders.

Praising the phenomenal performance of Dhurandhar, Ambani said in the letter, “It achieved an unprecedented 40%+ of India’s box office,” he said.

The success of the franchise has cemented Jio Studios’ position as a market leader. Ambani pointed out, “Jio Studios has achieved the unique distinction of having the highest-grossing film three years in a row with Stree 2 in 2024, Dhurandhar in 2025 and Dhurandhar The Revenge in 2026, demonstrating consistency and undisputed leadership,” said Ambani.

The Reliance chairman further underlined the scale of the achievement, stating, “FY 2025-26 saw Jio Studios release ‘the record-smashing spy action thrillers Dhurandhar and Dhurandhar The Revenge (together the Dhurandhar franchise), creating new benchmarks in box office, release strategy, monetisation models and customer engagement, globally,” he stated.

What made the franchise particularly historic was the ambitious release strategy adopted by the studio. The first installment arrived in cinemas in December 2025, while the sequel followed just three months later in March 2026. Reflecting on the unique approach, Ambani noted, “Never before in the world, let alone India, had a film franchise been conceived, financed and shot as two parts and released so close to each other,” he said in the letter.

According to Ambani, the gamble paid off spectacularly. “The first part on its own created a record to become the highest-grossing Indian film of all time. The film saw an unprecedented run of 15 straight weeks till the second part hit the cinema screens amid massive anticipation and smashed records set by the first part.”

The extraordinary performance of the Dhurandhar franchise is also a reflection of the vision Jyoti Deshpande has pursued since taking charge of building Jio Studios from scratch. In a recent exclusive interview with Bollywood Hungama, she revealed that the studio always believed in the film’s potential.

Speaking about expectations from Dhurandhar, Deshpande said, “When you greenlight a film, at the corner of your eye, you want to keep the economics. I don’t make films looking at the downside; like it should not be more than this downside. I always play for the upside and not really looking to break even in a film. So, we thought it’s clutter-breaking enough. Animal was an adult film. It showed that it can do a certain amount of business. So, we thought, even if this does Rs. 400-500 crores box office, we will be home. In our mind, that was the number.”

What followed exceeded even those expectations, with Dhurandhar and Dhurandhar The Revenge rewriting box-office records and becoming cultural phenomena.

Deshpande believes the studio’s success is not the result of a single lucky hit but of a consistent strategy. She explained, “The fact that three years in a row – Stree 2, Dhurandhar, Dhurandhar The Revenge – top three films of 2024, 2025 and 2026 has been ours, shows that it’s not an accident. It’s not a one-trick pony.”

Deshpande also shed light on the principles that guide her decision-making process. Referring to a dialogue from Dhurandhar, she said, “In Dhurandhar, there is a line, ‘Nazar aur sabr’. Along with that you need rigour. You can’t greenlight something just because an actor is available or someone has dates. The rigour that you need to spend in getting the story right; in trying to create that perfect storm across all departments. All departments need to fire to make that magic. For example, in Laapataa Ladies, all departments fired and there was a little piece of magic. Same with Dhurandhar.”

That emphasis on discipline often means turning down projects. Speaking about the toughest aspect of her job, she admitted, “Saying ‘no’ to a lot of films. The power of no is not easy. You are tempted to say ‘yes’ to a substandard stories and think that along the way you will somewhere repair it. So, that discipline of saying ‘no’ unless you have full conviction that has been tough.”

She further explained the criteria she considers before backing any project: “The uniqueness of the premise of a film. How different and clutter-breaking is the premise of a film. The conviction and intent of the captain of the ship in terms of the filmmaker and how much skin in the game do they have. I like to see most of my budget showing up on screen rather than on other below-the-line activities.”

The recognition from the Ambani family has been particularly meaningful for Deshpande, who has overseen the studio’s journey since its inception. She said, “They are incredibly proud. From 2018, I set up this studio from the ground up; it’s a baby. From zero we set it up and we have reached this far. It can’t happen without the support of the (Ambani) family. They have given us wings to fly. They are extremely proud for the success that we have been able to achieve. I think the testimony to that is that Jio Studios, this time, made to the RIL investor presentation. An example of Dhurandhar was given. Three-four pages were dedicated to our small business. I think our zeroes are very less as compared to the RIL balance sheet, although we may be the largest in our industry.”

With three consecutive years of industry-leading blockbusters and the historic success of the Dhurandhar franchise, Jyoti Deshpande’s leadership has transformed Jio Studios from a new entrant into a powerhouse of Indian cinema. The acknowledgment from Mukesh Ambani himself serves as perhaps the strongest endorsement yet of the studio’s remarkable journey and its growing influence on the global entertainment landscape.

Also Read: EXCLUSIVE: Jio Studios head Jyoti Deshpande breaks silence on Dhurandhar backlash: “We made a film against terrorism, not against any community”

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A.R. Rahman to compose music and co-produce Shekhar Kapur’s Masoom: The New Generation

Filmmaker Shekhar Kapur and composer A.R. Rahman have announced a new collaboration titled Masoom: The New Generation, a contemporary film inspired by Kapur’s 1983 classic Masoom. The project marks another creative partnership between Kapur and Rahman, who have previously worked together on projects such as Elizabeth: The Golden Age, Bombay Dreams, and Why? The Musical. For the new film, Rahman will not only compose the music but will also serve as a co-producer.

According to the makers, Masoom: The New Generation will examine themes of family, identity, love, and migration in a contemporary setting while retaining the emotional foundation associated with the original film.

Speaking about the project, Shekhar Kapur said, “For a long time, I’ve felt that the themes of Masoom deserved to be revisited through the lens of today’s world. Families, relationships, identity; these ideas have evolved so much, and cinema must evolve with them. Rahman has always had the rare ability to create music that speaks directly to the soul of a story and its audience. Having him as both composer and creative partner on this journey makes it even more meaningful.”

A.R. Rahman also shared his thoughts on joining the film in multiple capacities. “Working with Shekhar has always been a deeply enriching experience, he has been a mentor and a creative force in many ways. When he shared the vision for this film, I felt compelled to be involved beyond the music. There’s something timeless about Masoom, and reinterpreting that emotional world for a new generation feels both exciting and necessary,” Rahman said.

The film will feature an ensemble cast that includes Naseeruddin Shah, Shabana Azmi, Manoj Bajpayee, Nithya Menen, and Kaveri Kapur.

Released in 1983, the original Masoom remains one of the most acclaimed films in Hindi cinema and is remembered for its portrayal of family relationships and emotional conflicts. With Masoom: The New Generation, the makers aim to revisit some of those themes while placing them in a contemporary social context.

The film is currently in pre-production and is expected to begin filming later this year. A worldwide theatrical release is planned for 2026.

Also Read: Shekhar Kapur describes an emotional airport encounter with a Masoom fan; the fan says, “Sir, they don’t make films from the heart anymore”

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Deepak Tijori shuts down rumours surrounding Rahul Roy’s well-being: “He is perfectly safe and fine”

Actor Deepak Tijori has spoken out in support of his longtime friend and Aashiqui co-star Rahul Roy, dismissing recent speculation surrounding the actor’s health and well-being.

Rahul Roy has been in the spotlight in recent weeks after several social media videos featuring him went viral. The clips sparked mixed reactions online, with some fans expressing concern about his physical condition and speech, while others criticized the content. The discussions gained momentum due to Rahul’s history of a brain stroke in 2020, from which he has been recovering over the past few years.

Amid the ongoing conversation, Deepak Tijori has clarified that there is no cause for concern and that Rahul is doing well.

Speaking to IANS, Deepak said, “I am in regular touch with Roy. Roy is still my brother, my friend, and he is perfectly safe; he is perfectly fine. It’s just people making news for no reason. There is no such thing that has been written about him.”

The statement comes shortly after Rahul himself addressed several rumours circulating online. In a detailed clarification shared on social media, the actor rejected claims that he had been abandoned or was facing severe personal difficulties.

Rahul explained that he currently lives with his sister and brother-in-law in Madh Island and receives their full support and care. He also clarified that his decision to travel by auto-rickshaw or avoid private security arrangements is a matter of personal preference rather than financial necessity.

 

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The actor further revealed that he continues to deal with legal expenses related to court cases that predate his 2020 stroke. At the same time, he stressed that he remains committed to working and staying professionally active.

 

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According to Rahul, continuing to work helps him maintain a sense of purpose while also supporting his recovery journey. He also responded to online criticism by encouraging those concerned about him to help him find meaningful work opportunities instead of spreading speculation.

Also Read: Deepak Tijori criticises CBFC over inconsistent censorship in Dhurandhar 2

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Tom Holland on Spider-Man’s future after Brand New Day: “If I could do what Robert Downey Jr did for me…”

Tom Holland has spoken about his involvement in the development of Spider-Man: Brand New Day, sharing details of his participation in the film’s writing process in a recent interview with Empire. The film is set for worldwide theatrical release on July 31, 2026, with Sony Pictures Entertainment India releasing it in India in English, Hindi, Tamil, Telugu, Kannada and Malayalam across all premium formats.

Holland revealed that the writing team met once every two weeks to discuss ideas and ambitions, and that this was the first time he had the opportunity to participate in the writer’s room. His initial pitch centred on the idea of Peter Parker losing control as things around him begin to change, a concept he called “Spider-Puberty”. “My pitch when I came to the table with it was called ‘Spider-Puberty’. What happens if Peter Parker is losing control and things are changing?” he said. He added, “‘Spider-Puberty’ was my tagline pitch to the studio, which was immediately shot down. But they liked the kernel of the idea and it grew into what we have in the movie now.”

On the long-term future of the Spider-Man franchise, Holland said, “For whoever’s next, whether that is a Miles Morales or a Spider-Gwen or a Spider-Woman or something like that, I would love to be a part of setting up the next chapter. Whatever that looks like, I don’t know. But if I could do what Downey did for me, then I would be so content swinging off into the sunset.”

Directed by Destin Daniel Cretton and produced by Kevin Feige, Amy Pascal, Avi Arad and Rachel O’Connor, Spider-Man: Brand New Day is written by Chris McKenna and Erik Sommers. The film stars Tom Holland alongside Zendaya, Jacob Batalon, Sadie Sink, Jon Bernthal, Mark Ruffalo, Michael Mando and Tramell Tillman. Sony Pictures Entertainment India releases Spider-Man: Brand New Day in theatres across India on July 31, 2026.

Also Read: Tom Holland thanks Ashish Chanchlani for launching Spider-Man: Brand New Day trailer in India: “Thank you so much for spreading the love”

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Bharat Bhhagya Viddhaata makers unveil motion poster titled The Unseen Heroes featuring Kangana Ranaut

Every once in a while, history pauses to remind us that when the country is pushed to the brink, it isn’t superheroes or larger-than-life figures who hold the fort, it is the common man who rises to the occasion. Celebrating these unsung heroes who keep the nation running, Kangana Ranaut-starrer Bharat Bhhagya Viddhaata has dropped its powerful motion poster, saluting the ordinary people who became extraordinary when it mattered the most.

Titled The Unseen Heroes, the motion poster is a stirring ode to those who are always around us, yet rarely acknowledged. It shifts the definition of heroism away from grand gestures and dramatic victories, focusing instead on duty, resilience, and silent courage.

The motion poster captures the essence of everyday bravery. It honours nurses, ward boys, cleaners, lift operators, security staff, and administrators, faces we pass daily without a second glance. When terror engulfed the city, these were the people who chose responsibility over self-preservation, ensuring that life inside hospital walls continued despite the chaos outside.

Starring Kangana Ranaut, Bharat Bhhagya Viddhaata places its emotional and moral centre within hospital corridors—spaces where fear was met not with panic, but with presence of mind and collective resolve.

Kangana Ranaut says, “Bharat Bhhagya Viddhaata is a salutation to those invisible souls who, when pushed into crisis, rise to stand as the ultimate shield of humanity and harmony. When disaster strikes, our collective instinct is to look toward armed uniforms or state authorities for salvation. But this film tributes the uniforms nobody notices until the world is burning—the blood-stained aprons, the sterile hospital scrubs, the frayed civilian clothes. True courage does not wait for a badge, permission, or the promise of a medal. Every single frame of this motion poster compels us to look into the eyes of people who surrendered everything they had without ever demanding an audience. I feel a profound honour in being part of a film that carries their truth to the world.”

Dr. Jayantilal Gada (Pen Studios), Presenter and Producer, said, ” Our nation is held together by something far more human—empathy. In moments of crisis, an unspoken instinct takes over, where one Indian naturally steps in to protect another. That strength and shared resilience lie at the heart of Bharat Bhhagya Viddhaata. For us at PEN Studios, supporting this film goes beyond commercial intent; it feels like preserving a truth we must not forget. We hope the film reminds audiences that the real architects of our destiny are not only those in power, but the ordinary people we encounter every day.”

 

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Manoj Tapadia (Writer & Director) says, “In contemporary cinema, the easiest thing to capture on camera is the explosive loudness of the gunfire, the destruction, and the panic. From day one, I challenged our creative team to capture something infinitely more complex: the silence of bravery. We wanted to document that microscopic, split-second window where a common civilian looks at mortal danger, subdues their own survival instinct, and decides to become a human shield. Cinema has a unique, beautiful power to step inside a tragedy and capture its human soul. Our camera focuses on the intimate details, the racing heartbeat of a nurse holding a ward door shut, or a ward boy staying behind with patients when every instinct tells him to run. This motion poster serves as our living promise of that emotional honesty.”

Besides Kangana Ranaut, the ensemble cast features Girija Oak, Smita Tambe, Amrutha Namdev, Esha Dey, Priya Berde, Asha Shelar, Suhita Thatte, Rasika Aghase, Aditya Mishra, and Zahid Khan.

Presented by Dr. Jayantilal Gada (Pen Studios), Bharat Bhhagya Viddhaata is produced by Pen Studios, Manikarnika Films, Paramhans Creations, In association with Eunoia Films LLP, and Floating Rocks Entertainment Pvt. Ltd. Written and directed by Manoj Tapadia, the film will be distributed by Pen Marudhar and is slated to release in theatres on June 12, 2026.

Also Read: Kangana Ranaut-starrer Bharat Bhhagya Viddhaata to release on June 12, 2026

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Prashanth Neel opens up about Dragon world, says “my childhood is my biggest strength”

Director Prashanth Neel has shared details about his upcoming film Dragon, starring Jr NTR in the lead role. Set in 1967 and centred on the opium and heroin trade in Mumbai and Kolkata, the period action drama is scheduled for a worldwide release on 11 June 2027. The first glimpse was released on 20 May 2026, coinciding with Jr NTR’s birthday.

Speaking about the film, Prashanth Neel said, “My childhood basically becomes my biggest emotion in my movies and in Dragon also it is my biggest strength. This is more accurate than stories I’ve told before. This is set in Mumbai and Kolkata so cities are real, it’s a story I built around the opium trade, heroin trade and that did exist during britishers and after they left also so I’m just building an arena where real drama takes place, it’s a very realistic attempt at the 1967 period.”

The film’s ensemble cast includes Anil Kapoor, Rukmini Vasanth, Biju Menon, Khushbu Sundar, Guru Somasundaram, Ashutosh Rana and Rajeev Kanakala, among others. The first glimpse establishes Dragon as a period drama set against the backdrop of the international opium trade in the years following India’s independence.

This marks the first collaboration between Jr NTR and Prashanth Neel, who previously directed KGF: Chapter 1, KGF: Chapter 2 and Salaar. Jr NTR’s most recent theatrical release was Devara: Part 1 (2024).

Dragon is written and directed by Prashanth Neel and produced by Nandamuri Kalyan Ram under NTR Arts, Naveen Yerneni and Y. Ravi Shankar under Mythri Movie Makers, and Bhushan Kumar under T-Series. The film releases worldwide on 11 June 2027 in Telugu, Tamil, Hindi, Kannada and Malayalam.

Also Read: Prashanth Neel calls the avatar of Jr NTR, ‘Luger’ in Dragon his ‘darkest and most risky creation’

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The Ranveer Singh Don 3 fallout proves Bollywood now needs Hollywood style contracts, not handshake stardom

The Don 3 controversy has all the ingredients of a Bollywood storm: a superstar, a prestigious franchise, a powerful producer-director, a reported financial dispute, a federation stepping in, and a public statement that says more by choosing to say less.

Ranveer Singh’s reported fallout with Farhan Akhtar and Excel Entertainment over Don 3 has become one of the biggest industry talking points of the week. FWICE issued a non-cooperation directive against Ranveer after the controversy around his alleged exit from the film, while his team responded by saying that he has consciously chosen to maintain silence and has wished the franchise well. The controversy began after claims that Ranveer had opted out of the film just weeks before the unit was scheduled to begin shooting.

At one level, this is a dispute between individuals and entities. At another level, it is much bigger. It is a warning sign for the entire Hindi film industry. Bollywood is still operating with the emotional grammar of old Bollywood and that is the problem.

A film like Don 3 is not just another film. It is an inherited brand that carries the memory of Amitabh Bachchan and the reinvention by Shah Rukh Khan. It is a sleek, urban, Excel-style identity created by Farhan Akhtar. And when Ranveer Singh was announced as the new face of the franchise, the casting itself became a national debate. Some welcomed it, some resisted it, some felt he was a daring choice, while others believed no one could step into that shadow. But either way, the film became a conversation long before it went on the floors. Which is precisely why Bollywood can no longer afford uncertainty at this scale.

In Hollywood, a movie is protected like a corporation. Dates, look tests, physical training, promotional commitments, sequel options, exit clauses, damages, confidentiality, insurance, scheduling buffers etc. Everything is mapped out in detail. Stars are important, but systems are more important. The machine is designed to survive shocks.

Bollywood, on the other hand, still often runs on relationships, personal equations, goodwill, informal understandings and last-minute adjustments. That culture has its charm. It has produced magic. It has allowed actors, filmmakers and producers to work with trust rather than bureaucracy. But when the stakes become massive, charm is not enough.

The reported Don 3 fallout should force Bollywood to ask some uncomfortable questions. When a star is announced for a franchise film, how binding is that announcement? When dates are blocked, how much of the unit’s preparation depends on the actor’s commitment? If an actor walks away, what happens to the money already spent? If a producer delays or changes terms, what protection does the actor have? If creative disagreements arise, who decides the exit process? And most importantly, why do such disputes still become public spectacles?

These questions matter because the business has changed. Earlier, a film announcement was excitement. Today, it is a market signal. A star’s casting affects investor confidence, distributor interest, OTT conversations, overseas perception, trade chatter and fan expectations. One big franchise update can dominate entertainment media for days. Hence, when a project of this stature runs into trouble, the damage is not limited to one film.

The Don 3 issue also highlights the impossible pressure on stars taking over legacy roles. Ranveer Singh was not merely signing a film. He was signing a comparison. Every look, every dialogue delivery, every leaked still, and every promotional asset would have been measured against two giants. That pressure can be thrilling, but it can also be brutal. In such cases, clarity between actor and filmmaker becomes even more important. The vision must be aligned from day one. There cannot be confusion on tone, script, dates, remuneration, creative treatment or promotional positioning. For a franchise like Don, ambiguity is expensive.

At the same time, the industry also has to acknowledge the producer’s side. Mounting a film like Don 3 is not like mounting a medium-budget drama that can be reshuffled easily. Large crews are booked, sets are planned, action teams are aligned, and international schedules may already be under discussion. Technicians block dates. Money starts moving long before the camera rolls. If a leading man exits close to shoot, the disruption can be enormous. Hence, from the producer’s point of view, accountability matters. This is where Bollywood needs modern contract culture, not as a weapon, but as protection for everyone.

Contracts should not be seen as a sign of mistrust. They are a sign of seriousness. A clear contract protects the producer from uncertainty, the actor from exploitation and the crew from sudden chaos. It protects the franchise from reputational damage and the audience from years of speculation, disappointment and bitterness.

The real tragedy of the Don 3 situation is that the conversation has moved from cinema to conflict. People are no longer discussing what Ranveer’s Don would look like. They are discussing bans, disputes, money and silence. The franchise that should have been trending for swagger is trending for stress. That is not good for anybody.

Ranveer’s team choosing restraint is, in one sense, a smart move. In today’s environment, one aggressive statement can create ten new controversies. Silence can sometimes be the most dignified PR strategy. But silence also leaves space for speculation. And speculation, in Bollywood, travels faster than official statements.

Farhan Akhtar and Excel Entertainment, too, have a franchise legacy to protect. Don is not merely another title in their filmography. It is one of Hindi cinema’s most stylish brands. Whatever happens next, the focus has to return to the film, not the fallout.

This moment should become a case study for the Hindi film industry. Not because one side is necessarily right and the other wrong. We do not know the full private details. But because the public mess shows that Bollywood’s systems have not evolved at the same speed as its ambitions.

The Don 3 controversy should not be reduced to gossip about Ranveer Singh and Farhan Akhtar. It should be treated as a wake-up call. As budgets rise and brands become bigger, Bollywood needs systems that are bigger than egos, clearer than rumours and stronger than personal equations.

The audience still wants Don 3. The trade still wants Don 3. The franchise still has enormous value. But the lesson is clear: in modern Bollywood, stardom may open the door, but structure keeps the building standing. And if Hindi cinema truly wants to enter its franchise era, it must first leave behind the era of vague commitments.

Also Read: EXCLUSIVE: Rs. 10 cr. upfront, Rs. 25 cr. discount – Ranveer Singh’s March peace offer to Excel failed before yesterday’s Don 3 explosion 

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The Trial S2, Scam 1992 actor Ramakant Daayama passes away

Veteran actor Ramakant Daayama has passed away, leaving the entertainment industry and his admirers deeply saddened. Known for his memorable performances across films, television, and digital platforms, Ramakant Daayama was most recently seen in projects like The Trial Season 2 and Scam 1992.

Following the news of his demise, actor Shubhangi Sanjeev Latkar shared a heartfelt note on social media, remembering him not only as a talented artist but also as a close friend and guide in her life. Expressing her grief, Shubhangi wrote, “Today, we lost a truly beautiful soul… and I am simply speechless.”

Remembering his vibrant personality, she added, “Ramakant Daima was not just a dear friend and family friend to me, but someone I deeply admired and respected. Full of life, warmth, and energy. He truly knew how to enjoy life despite every challenge.”

The actress also highlighted the many qualities that made Ramakant Daayama special to those around him. “A spontaneous dancer, a soulful singer, a brilliant actor, and for me, a wise advisor whose words always carried meaning,” she wrote.

Shubhangi further spoke about his strength and courage despite health challenges over the past several months. “He may have looked tiny in appearance, but he was one of the strongest and most courageous people I have known. Though we all knew he had been unwell for many months, somewhere in the heart, one never stops hoping,” she shared.

The actor also revealed that the two had plans to collaborate professionally once again after many years. According to her note, they were planning to work together on a Hindi play and even present selected poems on stage together.

Recalling those unfinished dreams, Shubhangi wrote, “We had so many unfinished plans. After years, I had truly wished to work with him again. We had decided to do a beautiful Hindi play together. When I requested him, he smiled and said, ‘Let me get well soon.’ We had even planned to present selected beautiful poems together on stage. That dream, too, now remains unfinished.”

Concluding her emotional tribute, she added, “Some losses leave behind a silence that words fail to express. Today feels like one of those days. You will be deeply missed, Ramakant ji. Your warmth, your courage, your art, and your beautiful spirit will always remain alive in our hearts. May your soul rest in peace.”

 

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Bollywood Hungama extends heartfelt condolences to the family, friends, and admirers of Ramakant Daayama during this difficult time.

Also Read: EXCLUSIVE: Pratik Gandhi opens up on being the ONLY actor of Indian cinema to play both Mahatma Phule and Mahatma Gandhi: “I feel blessed and lucky”; recalls delay in final episode drop of Scam 1992: “Many said that they were waiting for Season 2!”

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Arshad Warsi recalls Vir Hirani as ‘ShortCircuit’ from Munna Bhai ahead of Pritam and Pedro release: “Feels truly surreal and emotional”

What began years ago with a child actor sharing screen space with Arshad Warsi has now come full circle with Pritam and Pedro. A newly unveiled visual comparing an old frame of young Vir Hirani with Arshad to the duo now standing side by side in Rajkumar Hirani’s upcoming series has instantly struck a nostalgic chord online. Titled “Lap Se Laptop Tak,” the moment perfectly captures the journey from childhood innocence to stepping into an entirely new world of chaos, comedy and companionship together.

Bringing together humour, nostalgia and a genuine full-circle emotion, the image has quickly become one of the most talked-about moments from the show’s campaign so far with audiences especially loving the rare real-life evolution playing out on screen once again through Pritam and Pedro.

 

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Arshad Warsi, commenting on this nostalgic picture said, “Vir has literally grown up in front of my eyes. We first worked together during Munna Bhai, where I played Circuit and he played my son, ShortCircuit. Even back then, he was this curious, adorable kid constantly asking Raju Sir and me questions, while also being mischievous enough to make the whole set laugh. And now, years later, standing next to him as a co-actor on Pritam Pedro feels truly surreal and emotional. It honestly feels like watching someone you’ve known as a child grow into such a sincere and talented actor. There’s something very special and personal about that journey coming full circle.”

Also Read: Pritam and Pedro teaser: Rajkumar Hirani’s son Vir to make his debut; show to stream from July 3

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Abhimanyu Singh REACTS to Saurabh Dwivedi getting trolled for Kartavya acting debut: “Acting alag cheez hai”

Actor Abhimanyu Singh has reacted to the online trolling faced by journalist Saurabh Dwivedi following his acting debut in the Netflix crime drama Kartavya. Dwivedi, best known for founding The Lallantop and hosting political and social interviews, has become the subject of memes and criticism on social media after taking on a major negative role in the series.

Actor Abhimanyu Singh has shared his thoughts on the backlash during a conversation with Hindi Rush. Speaking about the criticism directed at Dwivedi, the actor explained that success in one profession does not automatically guarantee success in another. “Aap ek field mein bahut acche ho, iska matlab yeh nahi ki doosri field mein bhi utne hi acche ho jaoge. Woh bahut acche journalist hain. Lekin acting alag cheez hai,” Abhimanyu said.

The actor further used a metaphor to explain his point of view. “Ho sakta hai aap bichchu ka zeher utaarna jaante ho, lekin iska matlab yeh nahi ki aap saanp ke bill mein haath daal do,” he added.

At the same time, Abhimanyu made it clear that he does not have a problem with influencers, journalists, or social media personalities entering the film industry. According to him, everyone is trying to grow professionally and financially in their own way. “Har kisi ka ghar chal raha hai, woh bhi ek field hai. Jo log isko encash kar pa rahe hain, I’m happy for them,” he stated.

In Kartavya, Dwivedi plays Anand Shri, a controversial godman whose ashram comes under investigation. While the show has received a fairly positive response from viewers, many social media users were unconvinced by Dwivedi’s performance. Several viewers pointed out that his dialogue delivery sounded more like a journalist presenting a news bulletin rather than a character in an intense thriller drama.

The criticism quickly turned into a meme fest online, with users comparing his acting to some of Bollywood’s most criticised performers. A few social media users even joked that Kamaal R. Khan, popularly known as KRK, would have delivered a better performance. Others posted comments claiming that actors often trolled for their performances appeared much stronger in comparison.

Also Read: Kartavya takes over Netflix: Saif Ali Khan starrer ranks one in India, and second in 16 countries

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Karan Johar pens emotional note for David Dhawan after the latter confirmed to him that Hai Jawani Toh Ishq Hona Hai is his final directorial

Filmmaker Karan Johar recently shared an emotional note for veteran director David Dhawan after attending a special event celebrating the filmmaker’s cinematic legacy. The event, hosted by PVR following the trailer launch of Hai Jawani Toh Ishq Hona Hai, also marked the announcement of what is being described as David Dhawan’s final directorial venture.

Known for shaping the commercial comedy space in Hindi cinema during the 1990s and 2000s, David Dhawan has directed several successful entertainers over the decades. Reacting to the filmmaker’s statement about stepping away from direction, Karan Johar shared a heartfelt Instagram Story reflecting on David’s impact on the industry.

“Yesterday when I went to Davidjis celebration and he told me this was going to be his last film… I had a bittersweet reaction in my heart… here’s a filmmaker who is responsible for creating and entire Genre of films… A DAVID DHAWAN film spells entertainment! What must he feel saying this when he is an institution that so many filmmaker’s have taken forward as inspiration,” Karan wrote. The filmmaker further added, “He is LOVED and RESPECTED and CELEBRATED by our fraternity…. Theres NO opposing that!!! Here’s to your summer blockbuster with your son. DAVID DHAWAN… NO 1 man always.”

Karan Johar and David Dhawan have shared a long-standing professional and personal association over the years. The filmmaker also played a significant role in launching Varun Dhawan, David Dhawan’s son, in Bollywood with Student of the Year in 2012. Since then, Karan has collaborated with Varun on several projects including the Humpty Sharma Ki Dulhania and Badrinath Ki Dulhania, Kalank, Jugjugg Jeeyo, and Sunny Sanskari Ki Tulsi Kumari.

Meanwhile, Hai Jawani Toh Ishq Hona Hai reunites David Dhawan and Varun Dhawan once again for a full-fledged comedy entertainer. The film stars Mrunal Thakur and Pooja Hegde opposite Varun for the first time. The ensemble cast also includes Mouni Roy, Jimmy Shergill, Maniesh Paul, and Chunky Panday in key roles. The film is slated to release in cinemas on June 5 and is expected to bring back David Dhawan’s trademark blend of comedy, romance, confusion, and family entertainment to the big screen.

Also Read: SCOOP: Karan Johar’s Dharma Productions forays into Gujarati cinema; to present Siddharth Randeria-starrer Jindagi Once More

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David Dhawan admits he made Chashme Baddoor in ANGER: “I was not getting stars. They didn’t reject the film but they were hesitating”

The David Dhawan Film Festival is going on in PVR and to celebrate the legendary director, the multiplex chain organized a fireside chat. It involved David Dhawan talking about his life and films with his son, Varun Dhawan. Incidentally, both are also gearing up for the release of Hai Jawani Toh Ishq Hona Hai. The comic caper will arrive in cinemas on June 5. Towards the end of the event, David Dhawan opened up about the hardships he faced and how actors sometimes declined to work with him.

David Dhawan said, “If a director’s film doesn’t work, toh actor usko dekh ke kahin aur muud jaayega. Actor ki jaat hi aisi hoti hai! Actor kisi ka saga nahin hai.” Varun was amused and also awkward, as he’s an actor. It also raised laughs.

David continued, “But there’s one actor I worked with who never bothered ki iski film chali ya nahin. That actor is Govinda. I remember once when my film didn’t work, I was upset. He told me, ‘Tu script likh na’! Then I wrote Shola Aur Shabnam (1992).”

Varun asked him, “Was there a time when you were not getting stars?” He replied, “Yes, I made Chashme Baddoor (2013). Bahut gusse mein banayi thi maine. Chintu ji (Rishi Kapoor) was there in the film as well. He told me, ‘I don’t have a role’. I replied, ‘Aap karo, yaar’! He did it for me (smiles).”

Varun then asked, “Did you face rejection from some actors?” David explained, “No, but I could feel it. They were hesitating. I wanted to get out of that rut of stars, which was difficult. When one is able to write a good script and get good songs, then that person can make a film with newcomers.”

Chashme Baddoor starred Ali Zafar, Divyenndu and Siddharth. It marked the debut of Taapsee Pannu in Hind cinema.

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