Showing posts with label Bollywood. Show all posts
Showing posts with label Bollywood. Show all posts
Kubbra Sait on the right to question systems; says,”Fixing the system does not mean hating it”

Actor and author Kubbra Sait shared her thoughts on the right to question systems and institutions in a recent video posted on social media, stating that raising concerns should not be mistaken for opposition.

Kubbra Sait on the right to question systems; says,"Fixing the system does not mean hating it"

In the video, Kubbra used an analogy to explain her perspective. She asked viewers to imagine living in a building where the lift had been dysfunctional for years, and when a resident approached the building secretary requesting that it be repaired, the response they received was, “So you hate this building?”

According to Kubbra, that reaction misses the point entirely. “I live in this building. I love this building. I just want the lift to be fixed,” she said, drawing a parallel to how criticism is often perceived in society.

The actor noted that when people point out problems, the focus frequently shifts from the issue itself to questioning the intentions of the person raising it. “The moment someone says something isn’t working, you stop listening to the problem. We start judging the person,” she said.

Referring to students who have taken to the streets to question the examination system, Kubbra said that before deciding whether protesters are right or wrong, it is important to understand why they are protesting. She said those raising their voices often do so because they feel unheard. Kubbra’s comments have resonated with many online. Her message reflects a broader principle that questioning systems and seeking accountability should not be viewed as acts of hostility, but as efforts to improve the institutions people care about.

She said that asking for the lift to be fixed does not mean hating the building, it means wanting it to work better for everyone.

Also Read: Kubbra Sait applauds Madhuri after watching Lock Upp episode: “She made me cry”

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Saif Ali Khan makes an attention grabbing appearance at Lord’s Stadium; heritage-inspired Winchester College tie becomes the highlight of his look

Saif Ali Khan made a stylish appearance at the recently concluded India vs England Test match at the iconic Lord’s Cricket Ground in London, but it wasn’t just his sharp tailoring that caught the internet’s attention. While the actor exuded effortless sophistication in a well-cut suit, it was a subtle accessory—his tie—that sparked curiosity among fashion enthusiasts and fans alike.

The actor was seen sporting an Old Wykehamist tie, the official alumni tie of Winchester College, one of England’s oldest and most prestigious educational institutions. More than just a fashion statement, the tie carries deep cultural significance in the United Kingdom, where wearing an old school tie is considered a proud symbol of one’s heritage, educational legacy, and lifelong connection to an institution.

Saif’s choice of accessory resonated with many who admire his understated yet thoughtful approach to style. Rather than opting for a bold designer logo or a trend-driven piece, the actor chose an item rooted in personal history and tradition. The Old Wykehamist tie is instantly recognizable among Winchester College alumni and reflects a long-standing British custom that continues to hold significance even decades after graduation.

Known for his refined sartorial choices, Saif Ali Khan has often embraced classic menswear with an appreciation for history and craftsmanship. Whether attending film events, public appearances, or international gatherings, the actor frequently incorporates timeless tailoring and heritage-inspired elements into his wardrobe, making his fashion choices stand out for their elegance rather than extravagance.


His appearance at Lord’s also generated buzz among cricket lovers, as several celebrities were spotted enjoying the much-anticipated India vs England clash. Fans on social media praised Saif’s polished look, with many appreciating the story behind the tie after learning about its association with Winchester College.

The appearance once again reinforced Saif’s reputation as one of Bollywood’s most stylish actors, proving that meaningful details can often make the strongest fashion statement.

On the professional front, Saif Ali Khan is gearing up for the release of Haiwaan, directed by Priyadarshan. The film marks his reunion with Akshay Kumar, a pairing that has delivered several memorable films over the years. Scheduled to hit theatres on September 11, Haiwaan is among the most anticipated releases on Saif’s upcoming slate, with fans eager to see the duo reunite on the big screen once again.

Also Read: Saif Ali Khan steps into a visually challenged hero role in Haiwaan: “It is one of the most amazing roles”

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EXCLUSIVE: Onir “DISHEARTED” with 72nd National Awards winners, says All We Imagine As Light, Laapataa Ladies and others deserved recognition

The 72nd National Film Awards were announced last evening for the films released in 2024. Following the announcement, there has been a wave of happiness amongst the winners as well as their fans and admirers. Hence, the social media is flooded with congratulatory messages being poured in on the winners. On the other hand, the winners have shared statements of gratitude for their win.

However, there is a section of the audience that is disappointed with the results of the awards and they have been vocal. But there are very few people from the film fraternity itself who have voiced their disappointment towards the same. One among them is filmmaker Onir.

The My Brother Nikhil director took to his X (formerly Twitter) and posted, “They Have TOTALLY LOST TEH PLOT. #72ndNationalFilmAwards.”

Bollywood Hungama contacted Onir to ask if he wishes to elaborate on why he is disappointed with the results of the National Award winners. The filmmaker politely refused for an interview but sent a text message saying why he is disappointed to see certain films being ignored by the National Awards jury.

Onir said, “Just disheartening not to see All We Imagine As Light, Laapataa Ladies or Girls Will Be Girls being recognised for film, director or actors (awards). And Diljit Dosanjh in Amar Singh Chamkila.”

Directed by Payal Kapadia, All We Imagine As Light made India proud at Cannes Film Festival by being the first film from the country in 30 years to win the prestigious Grand Prix. Hence, there were hopes from the film’s admirers for its triumph at this year’s National Awards.

Also Read: Ajay Devgn in Maidaan, Laapataa Ladies, Fahadh Faasil in Aavesham, Manjummel Boys: 7 acclaimed films and performances that were SHOCKINGLY ignored by 72nd National Film Awards

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72nd National Film Awards: Prabhas celebrates Kalki 2898 AD wins; says, “A proud honour for the entire Kalki family”

Kalki 2898 AD added another milestone to its journey after securing two honours at the 72nd National Film Awards. The Nag Ashwin directorial won the award for Best Popular Film Providing Wholesome Entertainment, while Nitin Zihani Choudhary was recognised with the Best Production Design award for his work on the film.

72nd National Film Awards: Prabhas celebrates Kalki 2898 AD wins; says, “A proud honour for the entire Kalki family”

Following the announcement, lead actor Prabhas celebrated the achievement on social media by sharing the official National Award announcement poster on his Instagram Stories. Expressing his happiness over the recognition, the actor wrote, “A proud honour for the entire #Kalki2898AD family….”

72nd National Film Awards: Prabhas celebrates Kalki 2898 AD wins; says, “A proud honour for the entire Kalki family”

The production banner, Vyjayanthi Films, also marked the occasion by sharing a note thanking audiences and everyone associated with the project for contributing to its success. “This recognition is a celebration of every artist, technician, and every heart behind #Kalki2898AD. Thank you for believing in our vision and making this journey truly special. The next chapter carries not just our vision, but your belief. We promise to make the wait for #Kalki2 worth it,” the production house wrote on Instagram.

 

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A post shared by Vyjayanthi Movies (@vyjayanthimovies)


Directed by Nag Ashwin, Kalki 2898 AD released in 2024 and blended mythology with science fiction in a futuristic narrative. The film was noted for its large-scale production, visual effects and expansive world-building, emerging as one of the biggest commercial successes of the year.

The film features an ensemble cast led by Prabhas, alongside Amitabh Bachchan, Kamal Haasan, Deepika Padukone, Disha Patani and several others in pivotal roles. Upon release, it received appreciation for its visual scale, production values and ambitious storytelling.

The National Film Awards recognition further adds to the film’s list of achievements, with the Best Popular Film Providing Wholesome Entertainment honour acknowledging its widespread appeal, while the Best Production Design award recognises the extensive effort that went into creating its futuristic cinematic universe.

Meanwhile, anticipation continues to surround Kalki 2, the sequel to the blockbuster. While the makers have confirmed that the story will continue in a second instalment, work on the film is yet to begin as the principal cast is currently occupied with other commitments.

With two National Film Awards now to its credit, Kalki 2898 AD has further strengthened its position as one of the notable Indian films of 2024, while Prabhas and the team continue to celebrate the recognition received at one of the country’s most prestigious honours for cinema.

Also Read: 72nd National Film Awards: Amaran, Bramayugam, Kalki 2898 AD lead South Indian cinema winners

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Arshad Warsi starrer Jeevan Bheema Yojana to release on August 28

The makers of Jeevan Bheema Yojana have announced the release date of the upcoming dark comedy crime thriller. Headlined by Arshad Warsi, the film is slated to arrive in cinemas worldwide next month. Directed by Abhishek Dogra, the project marks the first time in Warsi’s career that he will be seen in a double role.

Arshad Warsi starrer Jeevan Bheema Yojana to release on August 28

The film revolves around Arshad Warsi’s dual characters, Jeevan and Bheema—a debt-ridden common man and his dangerous lookalike—whose lives intersect in unexpected circumstances, leading to a series of chaotic events. Sanjeeda Shaikh plays Yojana, a resourceful wife who devises an ambitious fraud, while Vijay Raaz essays the role of Vinayak, a mysterious man with secrets that gradually unfold.

Sharing details about the film, director Abhishek Dogra said, “Jeevan Bheema Yojana is a film about ordinary people making one extraordinary, catastrophic decision — and then spending the rest of the film paying for it. The genre is dark comedy, but the heart of it is very human. Greed, desperation, love, and the terrible momentum of a lie you can’t stop telling. Arshad brings both men to life with a precision that constantly surprised us on set.”

Raman Raheja, Director of StarBeam Ventures Ltd and co-producer, also spoke about the project, saying, “This is the first of the multiple releases lined up by StarBeam Ventures Ltd in the next 6-12 months and what better way to start than having the ever-loved Arshad Warsi featuring in a double role for the first time in his career. Audiences will love it.”

The announcement adds another project to Arshad Warsi’s upcoming slate, with the actor exploring a dual-character narrative for the first time. Directed by Abhishek Dogra, Jeevan Bheema Yojana combines elements of crime, dark humour and family drama, with the story centring on how one decision triggers an increasingly complicated chain of events.

Presented and produced by StarBeam Ventures Ltd (formerly Blue God Entertainment Ltd), Jeevan Bheema Yojana also features Pooja Chopra, Bijendra Kala and the late Atul Parchure in pivotal roles.

With its ensemble cast and a premise built around mistaken identity and deception, Jeevan Bheema Yojana is set to release in cinemas worldwide on August 28, 2026.

Also Read: Vir Hirani thanks Arshad Warsi after Pritam and Pedro debut; says, “Having you by my side made all the difference”

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Sameera Reddy opens up about body shaming during her 2002 debut; says, “I was made two to three shades lighter”

Sameera Reddy has spoken candidly about the unrealistic beauty standards she encountered during the early years of her Bollywood career. Looking back at her acting debut in the 2002 film Maine Dil Tujhko Diya, the actress revealed that she was asked to alter her appearance to fit industry expectations, including lightening her skin tone with makeup and wearing padded bras.

Sameera Reddy opens up about body shaming during her 2002 debut; says, “I was made two to three shades lighter”

Speaking in an interview with Hauterrfly, Sameera recalled, “In my first film, Maine Dil Tujhko Diya, I was made two to three shades lighter. I almost looked grey! I used to do full body makeup to match the colour of my face with my body.” She said these practices reflected the rigid beauty standards that were prevalent at the time.

Questioning society’s perception of beauty, the actress added, “Do you know how many women have it in their own families? Her own parents and in-laws say, ‘You’re dark or fat.’ What the hell! Who has given the definition of beauty?”

Sameera admitted that accepting herself was a long journey that took over two decades. Reflecting on her struggles with self-image, she said, “The confusion with what I had to represent, what I’m selling, and who I am — I have to say it was only in my 40s that I broke it! It took me 20 years because for all these years, I was wearing only padded bras, bum pads, and coloured lenses.”

The actress also shared that comments about her body began early in her career. “I was always ‘pleasantly plump’ since my childhood, as I’d like to put it. When I lost weight, I was told, ‘Your bum is flat.’ Today, I can laugh about it. I was struggling till my 30s with my identity that I’m not that fair, I don’t have light eyes, and I’m not too tall! I used to hunch and walk because my hero wasn’t tall. But now I’m like, ‘That’s not my problem, bro! You wear heels!’ At that time, it was such a problem. So, what do you do? You make the girl feel bad,” she said.

Sameera further revealed that the pressure to change her appearance also came from members of the film crew. “Even the dress designers told me right from the start that I had to do something about it. So, all my outfits had built-in bras with pads. And I’ve to tell you I’ve the best collection of pads! I was told so many times, ‘How much can we try with the pads, Sameera? Just do something about it. What is it going to take, anyway?’” she recalled.

Maine Dil Tujhko Diya marked the Bollywood debut of both Sameera Reddy and Sohail Khan, who also wrote, directed and produced the film. After a 14-year break from Hindi cinema, Sameera recently returned to the big screen with Abhijeet Mohan Warang’s political drama Aakhri Sawal, which released in theatres on May 15.

Also Read : Aakhri Sawal trailer: Sanjay Dutt vows to give the final answer to the final question

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Anupam Kher, Anubhav Sinha among top honourees as NIFFA 2026 concludes

The National Indian Film Festival of Australia (NIFFA) concluded its 2026 edition with grand closing ceremonies held across Brisbane and the Gold Coast, marking another successful chapter in its journey as one of the largest showcases of Indian cinema outside India. Bringing together filmmakers, industry professionals and cinema enthusiasts from both nations, the festival celebrated storytelling while strengthening cultural and creative ties between India and Australia.

Anupam Kher, Anubhav Sinha among top honourees as NIFFA 2026 concludes

Among the biggest winners, Jeejivisha Kale’s Marathi drama Tighee (Motherhood) secured the Best Indie Feature award, while Ankur Arun Kakatkar’s Mumbai-based romance Courage was named Best International Indie Feature. Chintan Kamlesh Parekh’s documentary Gottipua: Beyond Borders, which premiered globally at the festival, won Best Documentary. Meanwhile, Khwabeeda, directed by Beybaar and Vishal Tiwari, received the Best Short Film honour in association with Pocket Films.

Adding to the significance of the awards, the producers of both winning feature films are graduates of Australian film schools, reflecting the growing influence of Australia-trained filmmakers in India’s independent cinema landscape.

The festival also recognised several notable personalities from the Indian film industry. Veteran actor Anupam Kher was presented with the Indian International Cinema Icon Award, while filmmakers Anubhav Sinha and Leena Yadav received the prestigious Nishtha Awards. Trade analyst Komal Nahta was honoured with the Vimarsh Samman.

NIFFA 2026 expanded its reach more than ever before, covering over 13 Australian cities through more than 200 screenings, workshops, masterclasses, red-carpet events and special presentations. More than 32 films in 15 Indian languages were showcased across metropolitan centres, regional towns and outback locations.

Festival Director Anupam Sharma reflected on the event’s growing impact, saying, “In a short time NIFFA became something bigger – a national platform where cinema, culture, community and commerce between India and Australia meet in real time. This is very important in the current environment of anti-immigration and pro-monocultural narratives being attempted.”

Queensland politician Hon John-Paul Langbroek MP also praised the initiative, stating, “Festivals such as NIFFA play an important role in connecting communities, celebrating cultural exchange and showcasing the power of storytelling to bring people together… we are delighted to host a festival that strengthens the cultural and creative ties between Australia and India.”

The festival also announced a three-year partnership with Destination NSW and a two-year collaboration with the Northern Territory, paving the way for greater discussions around filming opportunities, co-productions and creative partnerships between India and Australia. With strong backing from government bodies and film organisations in both countries, NIFFA 2026 once again highlighted cinema’s ability to foster cultural understanding and deepen international collaboration.

Also Read : Anupam Kher breaks silence on Ram Mandir controversy; says, “I was never scared before, I’m not scared today”

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Samantha Ruth Prabhu on embracing motherhood; says, “I’ve been waiting for this moment, I’ve always wanted to be a mother”

Samantha Ruth Prabhu is embracing a new phase in her personal life as she prepares to welcome her first child with husband Raj Nidimoru. After recently confirming her pregnancy during the promotions of Maa Inti Bangaaram, the actress has now opened up about her excitement for motherhood, revealing that it is something she has long dreamed of.

Samantha Ruth Prabhu on embracing motherhood; says, “I’ve been waiting for this moment, I’ve always wanted to be a mother”

In an interview with Pinkvilla, Samantha shared that becoming a mother has always been close to her heart. “It’s definitely new and exciting. But I’ve been waiting for this moment for a while now. I’ve always wanted to be a mother. So I know that I’ll be giving this my all,” she said.

This marks Samantha’s first pregnancy. The actress married filmmaker Raj Nidimoru in December 2025 following her divorce from actor Naga Chaitanya. She is currently on maternity leave after wrapping up her ongoing professional commitments.

Speaking further about this new chapter, Samantha described the emotional transformation she has been experiencing. “I’ve always been passionate about everything in life. But now I feel I carry a different, new kind of strength and purpose in me. I’m looking forward to this journey a lot. And I’m filled with gratitude, learning every day, and getting ready to embrace whatever comes next,” she added.

Speculation about Samantha’s pregnancy first gained momentum when fans noticed what appeared to be a baby bump during the success celebrations of Maa Inti Bangaaram. The actress later confirmed the news herself at the film’s success event, where she also announced that she would be taking a brief maternity break after completing her scheduled work.

Alongside this personal milestone, Samantha is also celebrating a major professional achievement. Her latest Telugu action comedy-drama, Maa Inti Bangaaram, has crossed the Rs 100 crore mark in worldwide gross box office collections. The actress recently shared a video capturing her reaction after learning about the film’s success while relaxing at home.

Expressing her gratitude, Samantha thanked audiences for their overwhelming support and reflected on the initial uncertainty surrounding a woman-led film. She noted that the film’s strong box office performance represents the beginning of a larger shift for female-led cinema.

Directed by BV Nandini Reddy, Maa Inti Bangaaram is produced by Samantha Ruth Prabhu, Raj Nidimoru and Himank Reddy Duvvuru under the banner of Tralala Moving Pictures. The film has emerged as both a commercial success and a significant milestone in Samantha’s career, making this an especially memorable period in the actress’s life as she prepares to step into motherhood.

Also Read : Samantha Ruth Prabhu flaunts baby bump in her first playful post on Instagram

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Varun Tej gets possessed by a Korean spirit in Korean Kanakaraju teaser; film releases on August 7

The teaser for Korean Kanakaraju, a Telugu horror comedy starring Varun Tej, Ritika Naik and Satya, released on July 13. Directed by Merlapaka Gandhi, the film is set for a theatrical release on August 7. It is produced by Rajeev Reddy and Sai Babu Jagarlamudi under the UV Creations and First Frame Entertainment banners.

Varun Tej gets possessed by a Korean spirit in Korean Kanakaraju teaser; film releases on August 7

The teaser opens with Varun Tej’s character Kanakaraju introducing himself and his hometown of Penukonda in Rayalaseema, establishing the film’s rural setting. The narrative shifts when a vessel arriving from Korea carries a supernatural presence that possesses Kanakaraju, transforming him into Korean Kanakaraju and setting the story’s central premise in motion.

Moving between the landscapes of Penukonda and Korea, the teaser builds around the comic and supernatural fallout of the possession. Ritika Naik plays a Korean girl central to the plot, while Satya appears alongside Varun Tej through several scenes.

The technical team includes Thaman S as music composer, Manojh Reddy as cinematographer and Satyaa G as editor. The film has been shot across locations in Rayalaseema and South Korea.

Varun Tej was last seen in Matka (2024), directed by Karuna Kumar, and the Hindi action thriller Operation Valentine (2024), directed by Shakti Pratap Singh. Ritika Naik previously featured in Mirai (2025), written and directed by Karthik Gattamneni, and Hi Nanna (2023) alongside Nani and Mrunal Thakur. Satya was most recently seen in Peddi (2026), starring Ram Charan, Janhvi Kapoor and Shivarajkumar, and Alcohol (2026), directed by Meher Tej.

Korean Kanakaraju releases in theatres on August 7, 2026.

Also Read: Varun Tej suffers knee fracture during Bhari shoot and undergoes surgery; sister Niharika Konidela shares health update

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Jayati Bhatia opens up on playing the ruthless Sharda on Jaane Anjaane Hum Mile: “It has been one of the most challenging journeys of my career”

Zee TV show Jaane Anjaane Hum Mile has continued to keep viewers invested with its dramatic storyline and emotional twists. Headlined by Bharat Ahlawwat as Raghav and Aayushi Khurrana as Reet, the show is currently centred around one of its biggest storylines yet, with Sharda Bua, also known as Shalini Batra, emerging as the mastermind behind the separation of Reet and Raghav after allegedly kidnapping their newborn child.

Jayati Bhatia opens up on playing the ruthless Sharda on Jaane Anjaane Hum Mile: “It has been one of the most challenging journeys of my career”

At the heart of this intense narrative is actress Jayati Bhatia, whose portrayal of the manipulative and calculating Sharda has become one of the show’s most talked-about aspects. As the character continues to descend into darker territory, the actress has reflected on the emotional and creative challenges of portraying such a layered negative role for over a year and a half.

Speaking about the experience, Jayati Bhatia said, “Playing Sharda, aka Shalini Batra, for over one and a half years has been one of the most challenging yet fulfilling journeys of my career. With every twist in the story, Sharda’s negativity has only grown and staying in that headspace for 12–14 hours a day pushes me as an actor. But the moment I pack up, I make it a point to leave Sharda on the sets and become Jayati again. My co-stars have always understood that Sharda is just a character, so off-screen we’re constantly laughing and enjoying each other’s company. As for the audience, when they get angry with Sharda or criticize her actions, I take it as a compliment because it means they’ve completely accepted me in the role. I never take those reactions personally. Instead, they motivate me to portray Sharda with even more conviction and honesty. For me, that’s the biggest reward of playing a powerful negative character.”

The actress also highlighted the importance of maintaining a clear distinction between her on-screen persona and her real-life self, revealing that she consciously leaves the character behind once the day’s shoot comes to an end.

The current storyline has raised the stakes in Jaane Anjaane Hum Mile. As Reet’s baby, Reyansh, unknowingly returns home, Sharda remains determined to prevent a reunion between mother and son. Her latest scheme is expected to further complicate the lives of Reet and Raghav, setting the stage for more suspense and emotional confrontations in the episodes ahead.

With Sharda’s actions continuing to drive the narrative forward, viewers can expect more dramatic twists as the mystery surrounding Reyansh unfolds. Jaane Anjaane Hum Mile airs every day at 10:30 pm on Zee TV.

Also Read: Ayushi Khurana opens up about challenges she faced while shooting inside a water tank

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Kubbra Sait on the right to question systems; says,”Fixing the system does not mean hating it”

Actor and author Kubbra Sait shared her thoughts on the right to question systems and institutions in a recent video posted on social media,...