Showing posts with label Bollywood. Show all posts
Showing posts with label Bollywood. Show all posts
13 Years of Student Of The Year: Alia Bhatt, Sidharth Malhotra and Varun Dhawan relive their debut magic

It has been thirteen years since the debut of the film Student of the Year, which introduced Bollywood actors Sidharth Malhotra, Alia Bhatt and Varun Dhawan. The trio marked the anniversary on 19 October, celebrating the journey that began with Karan Johar’s directorial in 2012.

13 Years of Student Of The Year: Alia Bhatt, Sidharth Malhotra and Varun Dhawan relive their debut magic

Fans of the film honoured the milestone by flooding social media with throwback stills from the movie, re-singing the hit tracks and posting heartfelt messages. The actors themselves acknowledged this outpouring of love by reposting several fan tributes.

13 Years of Student Of The Year: Alia Bhatt, Sidharth Malhotra and Varun Dhawan relive their debut magic

The production house, Dharma Productions, joined in the celebration by posting a commemorative reel on its official Instagram account that read, “13 years later, everyone is still in ‘ishq wala love’ with these students! Celebrating 13YearsOfSOTY.”

 

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In the comments section of the post, Alia’s mother, veteran actor Soni Razdan, reacted with the simple but affectionate line, “Special for sure.”

Reflecting on its cast, the article notes that the film also featured industry names such as Rishi Kapoor, Sana Saeed, Ram Kapoor, Farida Jalal, Sahil Anand and Ronit Roy.

In the film’s storyline, Varun portrayed the wealthy, antagonistic “rich bully”, while Sidharth played the likable over-achiever; Alia’s character was the affluent yet emotionally grounded girl, more interested in relationships than brands.

Since that debut, all three actors have gone on to build substantial careers in Bollywood, delivering memorable performances and becoming household names.

Also Read : Alia Bhatt channels timeless elegance in an archival Ritu Kumar saree for Diwali 2025

The post 13 Years of Student Of The Year: Alia Bhatt, Sidharth Malhotra and Varun Dhawan relive their debut magic appeared first on Bollywood Hungama.



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Parineeti Chopra and Raghav Chadha announce the arrival of their baby boy

Bollywood actor Parineeti Chopra and politician Raghav Chadha have shared the happiest news of their lives – the arrival of their baby boy! The couple took to social media to make the heartwarming announcement, leaving fans and friends from both the film industry and political circles showering them with love and blessings.

Parineeti Chopra and Raghav Chadha announce the arrival of their baby boy

In a beautifully designed post featuring a pastel rainbow and a baby cradle, Parineeti and Raghav expressed their overwhelming joy, writing, “He’s finally here! Our Baby Boy. And we literally can’t remember life before! Arms full, our hearts are fuller. First we had each other, now we have everything. With gratitude, Parineeti & Raghav.”

 

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The couple, who tied the knot in a dreamy ceremony in Udaipur in September 2023, have often spoken about their mutual admiration and the deep bond they share. Their baby’s arrival marks a beautiful new chapter in their lives, blending Parineeti’s vibrant world of cinema with Raghav’s disciplined political journey.

Fans flooded social media with congratulatory messages soon after the announcement. Fellow celebrities from the film fraternity, including Parineeti’s cousins and close friends, also shared their excitement and extended warm wishes to the new parents.

While the couple has yet to reveal the baby’s name, the announcement radiates love, gratitude, and new beginnings. Known for her sincerity both on and off screen, Parineeti’s post perfectly captured the emotions of a new mother basking in the joy of her first child.

As Parineeti and Raghav embrace parenthood, their journey ahead promises to be filled with laughter, love, and little giggles; truly, the start of their most beautiful story yet.

Also Read : Parineeti Chopra relaunches YouTube channel with Raghav Chadha as her first guest; spill secrets on love and careers

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South Korean actor Lee Jung jae clicks selfie with Shah Rukh Khan, breaks the internet

At the recently held Joy Forum 2025 in Riyadh, Saudi Arabia, global cinema fans were treated to a rare crossover moment when South Korean superstar Lee Jung-jae, famed for his role in the Netflix phenomenon Squid Games, clicked a selfie with India’s beloved megastar Shah Rukh Khan. The viral snapshot, shared on Lee’s Instagram, showed both icons flashing warm smiles, with Lee captioning it, “Honoured to be with the respected icon Mr. @iamsrk,” instantly igniting a frenzy among global fans.​

South Korean actor Lee Jung jae clicks selfie with Shah Rukh Khan, breaks the internet

The Joy Forum 2025 was a star-studded international entertainment summit that drew distinguished cultural influencers, filmmakers, and performers from across the globe. Representing India, Shah Rukh Khan attended alongside fellow Bollywood legends Aamir Khan and Salman Khan, while South Korea was represented by acclaimed actors Lee Jung-jae and Lee Byung-hun. The gathering celebrated global unity through art, creativity, and cinematic collaboration.​

 

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The photo quickly became a trending topic across social media platforms, hailed by excited fans as the “collab of the century.” Comments from around the world poured in—many labelling the meeting between SRK and Lee as a dream come true for lovers of Indian and Korean entertainment alike. Some viewers called it a moment uniting “two royal empires of world cinema” Bollywood and K-Drama under one frame.​

Shah Rukh Khan, currently filming his upcoming action thriller King, directed by Siddharth Anand, looked dapper in an all-black ensemble, while Lee Jung-jae kept it chic in a casual outfit. For Lee, the meeting comes after wrapping the third and final season of Squid Games, marking another milestone in his illustrious international career.​

The Joy Forum, organized under Saudi Arabia’s Vision 2030 cultural initiative, once again underscored the country’s emerging role as a global hub for entertainment and creative exchange. As fans continue to celebrate the picture-perfect moment between these two cinematic giants, the selfie stands as a symbol of cross-cultural harmony — proving that art, indeed, transcends borders.​

Also Read : Before Shah Rukh Khan-Kajol’s classic, there was another Dilwale Dulhaniya Le Jayenge — released in 1980!

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Sonu Nigam and Jaya Kishori bring divine bliss this Diwali with ‘Dekho Ram Aaye’; song out now!

After the remarkable success of their first collaboration ‘Payoji Maine’ last year, spiritual and motivational speaker Jaya Kishori and legendary playback singer Sonu Nigam reunite this Diwali for another soulful creation. Their latest devotional track, ‘Dekho Ram Aaye’, is a heartfelt bhajan dedicated to Lord Ram, released under Jaya Kishori’s music label, Unity Records, on 17th October.

Sonu Nigam and Jaya Kishori bring divine bliss this Diwali with ‘Dekho Ram Aaye’; song out now!

Sung by Sonu Nigam and Jaya Kishori, with heartfelt lyrics by Udaar, ‘Dekho Ram Aaye’ beautifully captures the divine essence of Diwali and the deep faith that unites millions of devotees in devotion to Lord Ram.

Speaking about the thought process behind the bhajan, Jaya Kishori shared, “We wanted to create something meaningful for this Diwali something that evokes the feeling of Lord Ram’s divine arrival. After the construction of the Ayodhya temple, the Diwali festival has become even more special, celebrated there with great grandeur. Now when people say, ‘Shri Ram wapas aa rahe hain,’ you can truly feel his divine presence at the Ayodhya Ram Mandir. We had the same emotion in our hearts while creating this bhajan. I gave the brief to my writer, Udaar, who came up with such beautiful lyrics. We’re very happy that the bhajan turned out exactly the way we envisioned it.”

On her second collaboration with Sonu Nigam, she expressed, “It feels amazing because ‘Payoji Maine’ was received so well by listeners. Collaborating with Sonu ji (Nigam) is truly a milestone for me, and getting the opportunity to sing with him again is a huge honour. I’m really happy that he decided to lend his voice to this bhajan for my label.”

Sharing why this project holds a special place in her heart, Jaya added, “This release is extra special for many reasons firstly, it’s coming out on Diwali, and secondly, it’s once again dedicated to Lord Ram. It’s also releasing under my record label, Unity Records, with Sonu ji singing for my label for the very first time. All of this makes it extremely special for me. Hopefully, Unity Records will continue to create more meaningful spiritual and devotional bhajans. After all, ‘Unity’ stands for collaboration and that’s exactly what our music represents.”

Also Read : From Sonu Nigam’s ‘Bijuria’ to Dhvani Bhanushali’s ‘Ishare Tere’: 6 Bollywood tracks to set your Diwali on fire!

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Gulshan Devaiah has zero regrets about turning down Mirzapur: “Some projects are great for your careers, but that’s not enough”

Gulshan Devaiah’s journey in cinema has been marked by steady growth and a strong commitment to his craft. The actor, who started his career with Anurag Kashyap’s That Girl in Yellow Boots (2010), has built a reputation for choosing challenging, complex roles that often explore the grey areas of human nature.

Gulshan Devaiah has zero regrets about turning down Mirzapur: "Some projects are great for your careers, but that's not enough"

With the success of Kantara Chapter 1, the Kannada film industry is finally recognizing one of its own — a talent who made his name in Hindi cinema. Directed by Rishab Shetty, Kantara Chapter 1 has become a box office sensation. It has overtaken films like Saaiyara, Coolie, War 2, and Lokah Chapter 1, making it the second-highest-grossing film of the year across languages.

Gulshan’s filmography includes notable titles such as Shaitan, Hunterrr, Mard Ko Dard Nahi Hota, and Dahaad. Over the years, he has worked with some of the finest directors in contemporary Indian cinema. Yet, he remains candid about roles he admires from afar. “Half of Rajkummar Rao’s career!” he laughs. “Ayushmann Khurrana’s role in Andhadhun, Rajkummar’s in The White Tiger. Also, Varun Dhawan’s parts in October and Badlapur. I even told Varun and his dad, David Dhawan, that I’m burning with jealousy! I fantasized about doing Badlapur.”

Despite his admiration for these roles, Gulshan has no regrets about turning down parts, including the iconic roles of Guddu Bhaiya and Munna Bhaiya in Mirzapur, which were eventually played by Ali Fazal and Divyenndu Sharma. “No regrets, absolutely none,” he said. “Some projects are great for your career, but that’s not enough. I need a genuine reason to do them. Divyenndu and Ali did phenomenally well, and I’m happy for them.”

Born and raised in Bengaluru, Gulshan had never worked in Kannada films before Kantara Chapter 1, where he portrayed the menacing King Kulashekhara. That role changed everything for him. “Maybe in the Kannada film industry, they didn’t know me because people don’t regularly watch Hindi films or series,” he explained. “When my dad had an accident and was at the hospital for a hip replacement, suddenly all the staff — housekeeping, nurses — started saying, ‘Hey, you’re in Kantara!’ One of them even showed me a WhatsApp message from his son asking for a voice note. That’s when I realised the Kannada audience finally knew me.”

For Gulshan, the success of Kantara Chapter 1 goes beyond box office numbers, though he acknowledges their importance. “It definitely impacts my career. I won’t pretend I don’t care. I’ll give it the importance it deserves, but I won’t take it too seriously. Rishab gets all the credit — I’m just a small part of it. But yes, it empowers me. Prices will go up, and new opportunities will open up,” he said. “The key is to stay realistic. If I start outpricing myself, people will just move on to actors like Vijay Varma or Jaideep Ahlawat, who are both phenomenal and more expensive.”

He added with a laugh, “I’ve been around for nearly 15 years; I know what’s reasonable. It’s all about perception and being wise.”

Fifteen years since his debut, Gulshan Devaiah continues to balance instinct and intellect — an actor who understands that while success is about perception, dedication to craft is about conviction. With Kantara Chapter 1, he has found both — a film that brought him back home and introduced him to an audience that has finally embraced one of its own.

Also Read: Gulshan Devaiah reveals well-wishers told him to buy second-hand BMW for building image: “I know how perception works in this industry”

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Kriti Sanon stuns in Kunal Rawal’s modern silk dhoti and bandhgala at World Health Summit 2025, Berlin

Bollywood actor, producer and UNFPA India’s Honorary Ambassador for Gender Equality, Kriti Sanon made a powerful style and cultural statement at the prestigious World Health Summit 2025 in Berlin. Representing India on the global stage, Kriti delivered a keynote address championing women’s health, gender equality, and the urgent need for increased investments in the sector.Kriti Sanon made history by becoming the first Indian celebrity to speak at the World Health Summit (WHS) 2025 in Berlin.

Kriti Sanon stuns in Kunal Rawal’s modern silk dhoti and bandhgala at World Health Summit 2025, Berlin

Dressed in a stunning bandhgala paired with a modernised silk dhoti ensemble by Kunal Rawal, Kriti blended India’s rich sartorial heritage with a contemporary edge. The neutral-toned outfit reflected power and elegance in equal measure, making it a standout moment at the Summit. The look, rooted in Indian tradition yet strikingly global, resonated strongly with the event’s spirit of inclusivity and leadership.

As UNFPA India’s Honorary Ambassador for Gender Equality, Kriti used the platform to highlight how women’s health remains a critical pillar for progress and urged global stakeholders to prioritise sustainable and equitable healthcare models. Her address received resounding applause from international delegates, healthcare experts and global leaders present at the Summit.

 

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The World Health Summit, a globally significant event, brings together policymakers, researchers, and thought leaders from around the world to drive conversations around better health outcomes. Kriti’s presence at the Summit marked a defining moment for Indian representation on such an influential platform, bridging culture, advocacy, and global impact.

From her keynote to her rooted-yet-modern ensemble, Kriti Sanon embodied strength, grace, and the voice of a changing India on a global stage.

Also Read: Kriti Sanon becomes first Indian actress to speak at world health summit, champions women’s health: “Women’s health is the cornerstone of humanity’s future”

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EXCLUSIVE: Ramesh Sippy’s hilarious take on Sholay’s forced ending change during Emergency: “Censors said ‘Thakur shouldn’t take law into his hands’ but he had no hands!”; BREAKS silence on Hema Malini’s DISAPPROVAL of Sholay’s changed climax

Sholay (1975) completed 50 years earlier this year, leading to a celebration among moviegoers. This is also the year when the restored print of the classic got screened in various prominent film festivals across the world, including the Toronto International Film Festival, which, incidentally, also celebrated its 50th year. In an exclusive interview with Bollywood Hungama, its director, Ramesh Sippy, opened up about lesser-known trivia about his much-loved and hailed flick. He also displayed his witty sense of humour while answering our queries.

EXCLUSIVE: Ramesh Sippy’s hilarious take on Sholay’s forced ending change during Emergency: “Censors said ‘Thakur shouldn’t take law into his hands’ but he had no hands!”; BREAKS silence on Hema Malini’s DISAPPROVAL of Sholay’s changed climax

Recently, you attended the 70th Filmfare Awards, where Sholay was honoured for completing 50 years. During the 50th edition of Filmfare, Sholay was given the award of Best Film in 50 years. But when your film was released, it won the award in the Best Editing category only. Hence, when Sholay was hailed as the Best Film in 50 years and the same film was sidelined then, how was the feeling?
Well, that’s how it goes (smiles). It’s nothing against me; it’s against them. I don’t like to embarrass people. But by not giving us an award, they realized after 50 years that it wasn’t right.

Sholay ran for 5 long years at Minerva and was replaced by your own film (Shaan; 1980). How was the last day at Minerva for Sholay?
It ran full house, even on the last day. 99% of the seats were filled. That’s history. Out of 50 years, the film ran in Minerva for 5 years (smiles).

You recently have screened Sholay at various places in the world. How has the response been?
I saw the film in Toronto about a month ago. The audience reaction was unbelievable. It was like the film had just been released in Mumbai. They reacted the same way as the audience reacted in Mumbai then! I assumed that the audience would be slightly upper-class. But no, they were like clapping, whistling and repeating the lines.

Did the audience comprise viewers of Indian origins or locals?
A lot of them were Indians, as Canada has a lot of Indian population. So, obviously, those who were not acquainted with Indian cinema cannot react like them. A few of them who watch some Indian films may react, but not all of them. Nevertheless, it was a heartwarming feeling.

Many also got a chance to see the new ending of Sholay at these screenings. Hema Malini is not happy with this development…
(Smiles) Really? Did she say that?

Yes. She said ‘It should remain untouched’. I guess she means that it has got registered in the minds of people so deeply…
That’s true. For 50 years, this is the version that people are familiar with. Also, in 1975, it was the time of the Emergency. So, we couldn’t argue too much. But the end that I put in had to be shot (at the last minute). This changed climax was the same ending that took place in every film at that time. The police comes and says, ‘Ruk jaao’! So, it was a typical ending. That’s what I didn’t like; there was no other reason. However, the Censor officials stressed that ‘He’s an officer. He should not be taking the law into his hands’. Actually, I can’t say hands as he didn’t have any (laughs)!”

Also Read: EXCLUSIVE: Ramesh Sippy CONFIRMS, “Sholay to re-release mostly in November”; reveals why he was UNHAPPY with the film’s 3D version: “The soundtrack was changed and I DIDN’T like that”

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EXCLUSIVE: After the success of The Ba***ds Of Bollywood, can Gupt re-release in cinemas? Rajiv Rai explains, “No point re-releasing a film people have seen a trillion times; if somebody wants to pay me and do it, I’ll be okay”

It’s been a month since the release of The Ba***ds Of Bollywood and still it’s been discussed on the internet. It’s also a show that brought back Gupt (1997) into focus and also its unforgettable songs. This is also the era of re-releases. Hence, can there be a possibility of a re-release of Gupt? There’s a section of the audience, which didn’t see it in cinemas; they were too young or not even born when it came out in 1997. And with a boost in its popularity, thanks to Aryan Khan’s web series, Gupt can surprise at the ticket window in its repeat run.

Bollywood Hungama asked Gupt’s director, Rajiv Rai, about it. He said, “I don’t believe in re-releasing films because people have seen it a trillion times. Those films that haven’t worked earlier can succeed like Sanam Teri Kasam (2016). But I personally feel that re-releasing a successful film, which people have seen over and over again, doesn’t make sense to me. Moreover, it costs money to release. So, I am not interested. If somebody wants to pay me and do it, I’ll be okay. But I am not going to do it.”

He also said, “I am sure it’ll look good in cinemas if it releases, but it doesn’t excite me. I want to move ahead. For me, moving ahead means releasing the film on IMAX or releasing it on YouTube. It’s one extreme or the other (laughs). There’s nothing in the middle. There’s not much cinema left anymore – spending crores and then biting your nails because it’s very hard to recover that kind of money. It’s very risky. When you make a film for the cinema, you have to mount it in a certain way and for that, you have to spend a lot of money. Also, I don’t work for a very big star cast. So, it becomes very dicey. Even earlier, I never used to work with very big stars. They became stars in the process. In today’s times, to hire a big star is not possible.”

Rajiv Rai added, “I don’t want to take any risk. I am very happy in the zone that I am in. But if I get a good opportunity to make a film and I feel that it is financially viable, I’ll do it. I am not saying that I am closing my door completely, but I don’t see it happening. I am also not struggling to make an ambitious film. It’s not on my mind at all. So, I am not writing subjects, not day-dreaming about it. I am not ambitious about making a film like Sholay (1975). There are so many kids who are doing it. I don’t have that kind of energy left to put that kind of focus. You also need physical strength to pull it off. I am over 70; where am I going to get the physical strength? Being the producer, director, editor and financier is too much of a burden on me. In the past, I was even distributing. I can’t do all that anymore.”

He signed off by saying, “So, I don’t have the strength to run this marathon. If there’s an accident in the end, how will I sustain it? I no longer have the mental capacity to handle anxiety. Filmmaking causes a lot of anxiety, especially for a director-producer. I am sure even actors get anxious, but in our case, a lot of money gets involved. Even if it’s somebody else’s money, you will be worried. So, when you start making a film with worry, it’s not good. Moreover, we don’t have that Hollywood-style system, though we pretend we do! There, they even hire 80 and 90-year-old directors and those directors are not stressed as everything is laid out for them. They even get a good cut of it and are dealt properly. The finances are fair. Here, everything is hotch-potch. You don’t know whom to trust. Sab oopar-neeche hai idhar.”

Also Read: Rajiv Rai on the ‘Duniya Haseeno Ka Mela’ girl: “She is Bhanu Khan, she was an assistant to Rekha Chinni Prakash”

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Kajol shares highlights from the 70th Filmfare Awards 2025: “It felt magical and cool and brought sooooooo many memories back”

Bollywood actress Kajol recently took to Instagram to share a heartfelt reel capturing her memorable moments from the 70th Hyundai Filmfare Awards 2025, held at the Eka Arena in Ahmedabad. The event, in collaboration with Gujarat Tourism, was a star-studded affair that celebrated the best of Indian cinema.

Kajol shares highlights from the 70th Filmfare Awards 2025 “It felt magical and cool and brought sooooooo many memories back”

In her post, Kajol reminisced about the magical atmosphere of the night, stating, “Had to do a #whathappenedthatnight post…it felt magical and cool and brought sooooooo many memories back! Think u guys felt all the love and laughter in the air as well. So glad that I wore Manish Malhotra’s saree and that it was almost the same as the one I wore in the song in Kuch Kuch Hota Hai. It was just an imperfectly perfect night…exactly like our movies! #feelslikethe90sagain #nostalgiaatitspeak #Filmfare2025 #CineIcon #7thblacklady #FullCircleMoment #anighttoremember #imperfectlyperfect.” She expressed her delight in wearing a Manish Malhotra saree reminiscent of the one she donned in the iconic song from Kuch Kuch Hota Hai.

 

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One of the evening’s most anticipated moments was Kajol’s on-stage performance alongside her frequent co-star, Shah Rukh Khan. The duo delivered a nostalgic medley of their classic hits, including ‘Tujhe Dekha Toh’ and ‘Suraj Hua Maddham,’ which had the audience cheering and reliving the golden era of the ’90s.

The night also saw Kajol, Shah Rukh Khan, and filmmaker Karan Johar honoured with the prestigious Cine Icon Award, recognizing their significant contributions to Indian cinema during the 1990s. Their reunion on stage was a poignant reminder of the timeless appeal of their collaborations and the enduring legacy of their work.

Kajol’s Instagram reel not only showcased her personal highlights from the event but also served as a tribute to the enduring magic of Bollywood’s golden era. Her post resonated with fans and fellow celebrities alike, sparking a wave of nostalgia and admiration for the iconic trio’s contributions to the industry.

Also Read : 30 years of Dilwale Dulhania Le Jayenge: Maratha Mandir’s Manoj Desai reveals Shah Rukh Khan told him, ‘Humein thank you bolo’: “I replied, ‘Shah Rukh ji, tum aur Kajol thank you mujhe bolo ki itne kam rate mein main chalata hoon”

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Boney Kapoor DENIES Varun Dhawan’s exit from No Entry sequel: “We are in active discussions”

Producer Boney Kapoor has dismissed recent reports claiming that actor Varun Dhawan has opted out of No Entry Mein Entry, the much-anticipated sequel to the 2005 comedy No Entry.

Boney Kapoor DENIES Varun Dhawan’s exit from No Entry sequel: “We are in active discussions”

Over the weekend, several reports suggested that Dhawan had walked out of the film due to scheduling conflicts, following Diljit Dosanjh’s exit from the project. A report by Mid-Day had quoted a source stating, “Varun was very excited about No Entry 2, however, the changes in dates after Dosanjh’s exit made things a bit complicated. Now Varun’s dates are locked for Bhediya 2.” The source further added that with both Dhawan and Dosanjh stepping away, the team was “back to the casting board.”

However, setting the record straight, Boney Kapoor told, “We are making No Entry Mein Entry, and Varun and Arjun are very much in the film. We are in active discussions to lock our other hero and the rest of the cast.”

Earlier in September, Kapoor had confirmed that Diljit Dosanjh is no longer a part of the sequel due to date issues. He told NDTV, “Yes, we have parted in good spirits as the dates were not aligning with our requirements. Hopefully, we will soon do a Punjabi film together.”

Dosanjh’s packed schedule — including his Aura Tour across Australia and New Zealand from October 26 to November 13 — reportedly clashed with the film’s shooting timeline. The singer-actor has been juggling multiple film commitments alongside his global tours, making coordination challenging.

The original No Entry, directed by Anees Bazmee and released in 2005, starred Salman Khan, Anil Kapoor, Fardeen Khan, Bipasha Basu, Esha Deol, Lara Dutta, and Celina Jaitly. The film went on to become one of the highest-grossing comedies of its time and recently completed 20 years in August 2025.

In 2024, Boney Kapoor and Anees Bazmee officially announced the sequel with a younger star cast, promising a refreshed take on the situational comedy that became a cult hit.

Also Read: No Entry 2 aiming for Christmas 2026 release, all three male leads to play double roles

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Deepika Padukone’s 8-hour work rule sparks debate: Hansal Mehta, Hema Malini, and Sharmila Tagore weigh in

Deepika Padukone is currently at the vortex of a heated industry debate, how many hours should a working mother dedicate to her profession when her baby is waiting at home? The film fraternity stands divided. While some defend Deepika’s right to balance work and motherhood, others argue that filmmaking isn’t and never can be a strict 9-to-5 job.

Deepika Padukone’s 8-hour work rule sparks debate: Hansal Mehta, Hema Malini, and Sharmila Tagore weigh in

Although Deepika hasn’t directly addressed reports about her opting out of certain projects like Kalki due to her insistence on an eight-hour workday, she did touch upon the subject of mental wellness at a recent event in Madhya Pradesh.

However, not everyone in the industry supports her self-imposed guideline.

An actress who has successfully balanced motherhood and stardom shared her candid take, “My father was a producer, so I know how tough it is to put together a project. I’ve seen actors arrive hours late for shooting while every second lost is money lost. I’ve seen actresses locked up in their vanity vans with their boyfriends while the entire unit waits for her highness to finish her business. I’ve myself looked after home, husband, and children and shot for films. We can’t say these many hours only. This is not a 9-5 job.”

Filmmaker Hansal Mehta shared a nuanced view, striking a balance between practicality and empathy. “I believe balance is essential. Work, rest, family, friends, and time for oneself are not indulgences they are integral to both health and to the quality of work we create. The normalisation of 12-hour working days feels exploitative. It should be the exception, not the standard.”

Recalling one of his own experiences, Mehta added, “I remember a film I once worked on where I would finish the day’s work within 8–9 hours. Almost immediately, the producers would rush in, asking me to do ‘a little more.’ Ironically, the film ended up taking longer than scheduled. Time wasn’t saved; on the contrary, it was wasted. Hours were stretched, not utilised.”

He concluded with a reminder about compassion in the industry, “The need is efficiency and economy but not at the cost of people. We must care about the physical and mental health of those who keep this industry running. It is not about the individual star or director they are usually well looked after. It is about those who arrive earliest, leave last, and often have the least protection. For them especially, we need to care.”

Veteran actress and parliamentarian Hema Malini offered a pragmatic perspective, emphasizing the importance of support systems, “I wouldn’t like to comment on anyone else. To each her own. But as far as I am concerned, I never had a problem balancing my work with my motherly duties. I was always there while my two daughters, Esha and Ahana, were growing up. No, I never took them to my shootings. I never had to. What you need is someone to support you. My mother was always there to look after my children when I was working.”

The ever-graceful Sharmila Tagore recalled her days managing motherhood alongside a flourishing career, “I wouldn’t call myself a perfect mother. But yes, I made sure I was there for Saif, Saba, and Soha. I don’t think they ever felt neglected because of my work. In Hindi cinema, some of my best works came after I was a mother. I was carrying Saif while shooting for Choti Bahu. Later, after his birth, I used to take him to my sets and locations. He used to get along with my co-stars, especially Shashi Kapoor.”

Sharmila also reflected on how times have changed, “I think we women are intrinsically multi-taskers. Managing home and work millions of women do it in other professions. Nowadays it is so much easier as the male spouse also shares parenting responsibilities. Look at Kareena and Saif, Ranbir and Alia.”

In the end, Deepika’s choice to prioritize her baby over back-to-back shoots is understandable even admirable. But as the experiences of stalwarts like Sharmila Tagore, Hema Malini, and countless working mothers prove, it is possible to find a balance between work and motherhood.

Also Read: Inside Deepika Padukone and Live Love Laugh team’s visit to Chhindwara on World Mental Health Day

The post Deepika Padukone’s 8-hour work rule sparks debate: Hansal Mehta, Hema Malini, and Sharmila Tagore weigh in appeared first on Bollywood Hungama.



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Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep”

When Annu Kapoor holds court, expect fireworks! The veteran actor’s latest razzle-dazzle isn’t from a film, but from his laugh-out-loud comments about Tamannaah Bhatia and her sultry track ‘Aaj Ki Raat’ from Stree 2. His hilarious, tongue-in-cheek observations have sent netizens into a tailspin—and for good reason!

Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep”

Kapoor wasted no time poking fun at Tamannaah’s viral statement that mothers sing the song to put babies to sleep. Leaning into his trademark wit, he fired back, “How old do children fall asleep? Even a 70-year-old child can fall asleep! Look at this.” He then doubled down, playfully musing, “In English, they say, ‘he is 70 years old.’ I am a 70-year-old child; someone can be an 11-year-old old man. So who falls asleep?”

Without missing a beat, Kapoor showers Tamannaah with a blend of playful praise and mischief, “Sister Tamannaah Bhatia, with her song, or with her milky face and body, if she is making our children sleep sweetly, it’s very good, man… It will be a great blessing for this country that our children sleep sweetly and healthily.”

It’s the kind of comment only the legendary Annu Kapoor can get away with. Just when you think he’s finished, Kapoor adds a sweet kicker, “If they have any other wishes, may God give her (Tamannaah) the capability, may she get blessings so that she can fulfil their wishes. This is my blessing for them.”

If there’s one thing the internet agrees on, it’s this: Annu Kapoor doesn’t just comment—he creates viral moments. With one “milky body” joke and his signature flair, he’s put both Stree 2 and Tamannaah Bhatia slap bang at the centre of online pop culture.

Also Read: Tamannaah Bhatia reveals ‘Ghafoor’ was shot in just one day; calls Aryan Khan “super clear”

The post Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep” appeared first on Bollywood Hungama.



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