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A day is left for the release of the much-awaited film, Dhurandhar, starring Ranveer Singh. Bollywood Hungama spoke to trade experts to find out about its opening day numbers and advance trends.
Trade veteran Taran Adarsh said, “The advances have just started. I hope the momentum picks up, as it’s an expensive film, reportedly. The numbers have to match the scale of the film. Hence, the advance booking as well as day 1 is very important for a front-loaded action film like Dhurandhar. It has to take a solid start on the first day itself to set the ground.”
Trade analyst Atul Mohan agreed and also said, “The advance booking isn’t much. It’s too early. The trend is not there of booking tickets days before release. A lot of films now get a walk-in audience and that’s what matters. Therefore, I feel we should not even be talking about advance. It’s an outdated concept now.”
Girish Johar, producer and eminent film business analyst, opined, “The advance is okay. It’s nothing extraordinary. However, I am confident that the audience will book tickets on the spot and watch the film.”
He added, “The expectations are mammoth. It’s a full-blown action film. The trailer has been fantastically received. However, a certain section of the audience, namely the womenfolk, might feel alienated. However, I do feel that Ranveer Singh’s fans will definitely throng the audience.”
Day 1 predictions
In 2025, Chhaava was the highest opener, collecting Rs. 33.10 crores. Will Dhurandhar be able to go past this number? Taran Adarsh replied, “It’s too early to comment. Dhurandhar ideally should collect Rs. 30 crores plus. But right now, the trends indicate an opening of Rs. 20 crores plus. This gap exists as the advance booking has not caught on in a very big way. It needs to jump.”
Distributor and exhibitor Raj Bansal also said, “I doubt (it’ll go past the number of Chhaava). I feel it’ll open in the range of Rs. 20-22 crores.” But he remarked, “The way the films are opening today, an opening of Rs. 20-22 crores is actually very good.”
Atul Mohan predicted, “The film should take an opening of Rs. 20 crores, considering the scale. Aditya Dhar and his brother Lokesh Dhar have mastered making films on Kashmir and India at large. They did that in Uri: The Surgical Strike (2019) and Article 370 (2024). As a result, the audience will expect a lot from Dhurandhar as well.”
Girish Johar also had doubts about the film crossing Chhaava’s first day number, “It all depends on the target audience we are looking at. Chhaava had a much wider target audience. Dhurandhar seems to be targeted at a male audience. They are promoting the song to attract a wider section of moviegoers. But by and large, the audience has made up its mind on whether or not to go. However, if the word of mouth is excellent, anything can happen by evening. But the start trend will be lower.”
Biggest opener for Ranveer Singh?
The question then arises if it’ll be the highest opener of Ranveer Singh? Padmaavat (2018) holds the record at present, having opened at Rs. 24 crores. Taran Adarsh exulted, “Let’s not forget that Padmaavat released in January 2018. So, even after more than 7 years, if you are comparing it with Padmaavat, then it’s not right. It has to challenge films of recent times.”
Meanwhile, Girish Johar stated, “It’ll go past the opening of Padmaavat, Simmba (2018; opened at Rs. 20.72 crores) and Gully Boy (2019; opened at Rs. 19.40 crores) and is poised to be the biggest opener. As of now, Rs. 20 crores plus seems achievable.”
Also Read: 6 reasons you must watch Dhurandhar in theatres
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The premiere of Christmas Karma was held at a multiplex in Mumbai on December 2. Organized by PVR INOX Pictures, it was graced by Nayana Bijli, Lead: Distribution and Licensing, PVR INOX Limited and executive producers Anushka Shah, Sunil Sheth, while the chief guest was Amruta Fadnavis. After the film’s screening, director Gurinder Chadha had a lovely conversation with none other than Karan Johar about the film and a lot more. Gurinder didn’t mince words when she said that she got a raw deal from a section of the media in her home country, the United Kingdom.
Gurinder said, “Sadly, some of the people in England have not engaged with the content of the film. They just said, ‘You can’t do a Christmas film’. I replied, ‘Yes, I can. Watch me’! I mean, Bhagat Singh and Udham Singh and all of them were saying the same thing that we wanted to live our life our way. I am trying to carry that tradition through film and entertainment.”
Karan Johar asked, “Are they questioning your audacity?”. Gurinder replied, “They are actually questioning my right to adapt Dickens and make a film about Christmas. Interestingly, when I adapted Jane Austen’s Pride And Prejudice and made Bride & Prejudice (2004), no one said anything. That wasn’t an issue at all. So, I think it’s a marker of how (the United Kingdom) has changed.”
She then narrated an incident, “My children see race differently compared to me. When my son was 8, he was in the school playground. His classrooms had English boys and just 2 Indian boys, including him. One of the English boys turned to the other Indian boy and said, ‘Your skin is the same colour as poo’. Everyone froze, including my son.”
She continued, “Then one English boy told him, ‘You can’t say that. That’s wrong’. The bully replied, ‘Yes, I can, because it’s true’. My son didn’t know what to do. He didn’t understand racism, as such. Out of nowhere, all the English boys surrounded that bully and said, ‘Take it back. That’s racist. You are not allowed to say that’. Now, this was very different from my experience. My son came home, told me what happened and asked me, ‘Was it racist, mom?’. I said, ‘When he said it, did you feel that he was trying to be mean? Did that upset you?’. He replied, ‘Yes’. I concluded, ‘Then, it was racist’.”
Gurinder remarked, “It’s a constant reminder that we are always having to negotiate and fight the status quo. But at the same time, we have made huge achievements, which we also need to celebrate. In this case, I made this film not just for my children but for all the English boys.”
Gurinder Chadha then revealed, “The Asian community in Britain has been overwhelmed and the message that I get is that they are so proud of the product. They feel that it’s a part of themselves that they get to relive again, and also deal with it for the first time. Hence, it has touched a raw nerve in the Asian community. So, now, what’s happening is that a lot of people are questioning the initial reviews that tried to dismiss the film.”
She added, “I am doing a press tour in India. People here are quite shocked. They don’t understand (why the film got negative reviews). They tell me, ‘It’s a really good film. We don’t understand what’s going on’. I said, ‘Welcome to the world of racism, guys’! This is it. I mean, for The Telegraph to give it zero stars, I must say that when I saw that review, I burst out laughing. I was like, ‘This is hilarious’ because it shows the world what I have to go through to raise funds and tell my stories.”
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The one role that Dharmendra wanted to play before he passed away was that of the septuagenarian lover from The Bridges of Madison County, the 1995 American film based on the 1992 bestselling novel of the same name by Robert James Waller.
Clint Eastwood starred opposite Meryl Streep in this autumnal love story and also directed this timeless romance.
Now, director Sriram Raghavan, who directed Dharmendra in his farewell film Ikkis, revealed that the veteran actor was keen on playing Clint Eastwood’s role.
“Dharam ji kept telling me, ‘Let’s do The Bridges Of Madison Country’. I had my Clint Eastwood in Dharam ji. But who would play Meryl Streep?” Sriram wonders as he prepares to release Ikkis on December 25.
“It is not a cameo. Dharam ji has a full-fledged role (in Ikkis). In spite of his age, Dharam ji was the life and breath on the sets. We felt much older than him. His enthusiasm was infectious. He would come on the sets with his lines fully memorized. He treated Bachchan saab’s grandson Agastya like his own grandson. He had so much love to give. So much more he wanted to do. Destiny had other plans,” said Sriram.
Being Dharam ji’s final release, Ikkis has acquired an added poignancy. “It is the story of a young soldier, who dies at 21. We lost Dharam ji while shooting. Luckily, I was able to show him 70 percent of the film. But I wish he watched the entire film.”
Also Read: Dharmendra’s anthology of poems to be published by the Deols and Hema Malini
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Disney is all geared up to bring the biggest release of the year, Avatar: Fire and Ash, in India in the best possible manner. The buzz is off the roof as experts are anticipating the James Cameron film to take the biggest start of the year in India. The month of Avatar has begun, and Bollywood Hungama has an exclusive scoop on the planning for the film’s arrival.
Reliable trade sources have confirmed that Disney has inked a 2-week deal with premium multiplexes for the film’s showcasing through the Christmas and New Year Period. A source told Bollywood Hungama, “Avatar: Fire And Ash will be screening all across the premium multiplexes in 3D format through the festive period, and the distributors in India have inked an exclusive 2-week deal for 3D, IMAX 3D, ScreenX and 4DX format. Given the unheard demand in audiences, the cinemas too have agreed on the same.”
The film arrives on December 19, and Disney plans to open the bookings well in advance. “The pre-sales for Avatar: Fire and Ash open on December 5, 2025. All the contracts are locked, and the makers are confident to score record results in the advance bookings for the year in India.”
For those unaware, Avatar: Way of Water had opened to Rs. 40 crores in India back in 2022, and it would be interesting to see if Avatar: Fire and Ash can recreate the same magic.
Also Read: Experience Pandora like never before: Fire and Ash preview plays with Avatar: The way of water
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It’s game on for Tere Ishk Mein. The film took a very good start, then jumped decently on Saturday, and has grown even more on Sunday as well to result in a weekend number of Rs. 50.95 crores. This is superb because the last theatrical outing of Aanand Rai and Dhanush, Raanjhanaa, had a lifetime score of Rs. 60.35 crores and now Tere Ishk Mein will surpass it in 5 days itself.
Of course, a lot has changed in the last 12 years, be it the ticket prices or the scale of release, which means in real value terms, Raanjhanaa numbers would be higher. Still, the manner in which Tere Ishk Mein is currently collecting, even after accounting for inflation it would be much bigger. In fact, though these are early days, the trending so far suggests that this Dhanush and Kriti Sanon starrer would end up being one of the biggest box office successes of 2025, something not many would have betted on at the beginning of the year.
The stage has been set well now as Sunday collections zoomed to Rs. 19.32 crores and now all eyes are on Monday hold. If it can somehow manage Rs. 8-9 crores, then that would be very good, though practically speaking anything over Rs. 6 crores would be quite good. In fact, it has to be seen that whether the makers would be opting for Blockbuster Tuesday offer for cheaper rates or would it instead retain regular weekday prices since the film is anyways doing quite well as it is.
Note: All collections as per various box office sources
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Last week, Bollywood Hungama reported that after Tu Meri Main Tera Main Tera Tu Meri and Naagzilla, Kartik Aaryan has been signed by Karan Johar for the third time. The makers have kept the details of this project under wraps, but we have been able to find information about this upcoming venture.
A source told Bollywood Hungama, “The film in question will be directed by Sandeep Modi, who has made a mark with acclaimed shows like Aarya and The Night Manager. He, Kartik Aaryan and Karan Johar were all set to make a war film. However, that movie didn’t materialise for various reasons. Kartik and Sandeep had formed a bond and promised to work together in the future when the right script comes along.”
This war drama was announced on Kartik Aaryan’s birthday in November 2023. It was scheduled to go on floors in 2024 and release on August 15, 2025.
The source continued, “Finally, earlier this year, Sandeep Modi pitched an idea of an entertaining film to Kartik Aaryan and Karan Johar. Both were quite impressed by the subject and decided to come on board as actor and producer, respectively.”
Though not much is known about this film, the source said that it’s not a battle saga that Sandeep was earlier supposed to make or even a reimagined version of it. The source said, “It’s a new script and has a lot of action. It promises to present Kartik Aaryan in a new avatar. Also, it would be different from the rest of the other two films that he’s doing with Karan Johar’s Dharma Productions.”
Tu Meri Main Tera Main Tera Tu Meri, co-starring Ananya Panday, is a romcom, which is all set to release on December 25. It is directed by Sameer Vidwans of Satyaprem Ki Katha (2023) fame. As for Naagzilla, it is a fantasy comedy which features Kartik as a shape-shifting naag. Directed by Fukrey director Mrighdeep Singh Lamba, the film releases in cinemas on Independence Day 2026. Kartik would have one more release in 2026 – an untitled musical love saga – co-starring Sreeleela and directed by Anurag Basu.
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Deepika Padukone’s sister Anisha will marry Rohan Acharya, great-grandson of filmmaker Bimal Roy. The wedding merges Deepika with Sunny Deol’s family, as Rohan is the brother of Drisha, Sunny’s son Karan Deol’s wife.
Interestingly, Deepika herself is related to the legendary filmmaker Guru Dutt whose real name was Vasanth Padukone.
Dharmendra was very proud of the fact that his grandson had married into the great Bimal Roy’s family. Now the legend in heaven must be smiling at being linked to another legendary filmmaker Guru Dutt, albeit through a very distant marriage.
Incidentally, none of the Deols would be able to attend the Anisa-Rohan wedding because of the tragedy in the Deol family.
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Bollywood actress and parliamentarian Jaya Bachchan sparked a sharp conversation around paparazzi culture during her recent appearance at the We The Women summit, where she openly criticised the behaviour of photographers who chase celebrities for unfiltered moments. Drawing a clear distinction between responsible journalism and the current paparazzi ecosystem, she expressed strong disdain for the way certain photographers operate in the entertainment industry today.
Speaking on stage, she said, “I am the product of a media. But my relationship with paparazzi is zero. Who are these people? Are they trained to be representing the people of this country? You call them media? I come from media. My father was a journalist. I have immense respect, tremendous respect for such people.”
She went on to question the professionalism and conduct of paparazzi commonly seen outside airports, restaurants, gyms, and film studios. “Magar yeh jo bahar drainpipe tight, gande gande pant pehen ke, haath mein mobile leke… they think that because they have a mobile, they can take your picture and say what they want. And the kind of comments they pass — what kind of people are these people? Kahan se aate hain? Kis tarah ka education hai? Kya background hai?”
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Her remarks instantly struck a chord online, stirring debate among media professionals, fans, and social media users. Many praised her for calling out the lack of training and ethics within the paparazzi system, while others argued that the paparazzi play a key role in shaping celebrity visibility in today’s social-media-driven landscape.
The actress, who has often maintained a private personal life despite her public profession, reiterated that her criticism was not directed at the media at large but at the unregulated and increasingly aggressive form of paparazzi culture that has taken root in recent years. She emphasised the need to distinguish between responsible journalism and casual, often intrusive content creators who blur ethical boundaries in pursuit of viral moments.
Her comments have reignited conversations about privacy, professionalism and the accountability of those who document public figures in India’s booming celebrity ecosystem.
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Shefali Shah has been one of Indian cinema’s finest performers, an actress whose talent and craft has consistently elevated every story she touches. Over the decades, she has built an enviable filmography with acclaimed projects like Satya, Dil Dhadakne Do, Delhi Crime, Jalsa, Human, Darlings and the list go on. But among her many memorable performances, one film continues to hold a special place even today is Monsoon Wedding, which completes 24 years today.
Mira Nair’s Monsoon Wedding, a groundbreaking ensemble drama, saw Shefali play Ria, a character whose quiet strength and emotional depth left a lasting impact on audiences worldwide. The film, featuring stalwarts like Naseeruddin Shah, Lillete Dubey, Vijay Raaz, and Tillotama Shome, has long been considered a cult classic in Indian cinema.
The film premiered at the Marché du Film section of the 2001 Cannes Film Festival and later won the prestigious Golden Lion at the Venice International Film Festival — a rare honour for an Indian film at the time. It was also nominated for a Golden Globe for Best Foreign Language Film and earned over $30 million internationally, cementing its legacy as a global success.
On the film’s anniversary, Shefali shared a heartfelt note on social media, taking her readers back to the shoot, a time she described as one big family coming together. She recalled mornings filled with group yoga, home-cooked breakfasts brought by Lillete Dubey, workshops led by Naseeruddin Shah, and Mira Nair’s focused, collaborative approach. In her post, she reflected not only on the warmth of the set but on how deeply the character of Ria stayed with her long after the film wrapped.
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Shefali wrote about how playing Ria was cathartic, though she hadn’t realised back then how the character would go on to become the voice of many women who had lived through similar trauma.
She also shared one memory that has stayed with her for years – an encounter with an elderly couple in Delhi. The woman, who had lived an experience similar to Ria’s, held Shefali’s hands in silence while her husband thanked her for giving his wife the strength to finally speak about something she had buried for years.
As Monsoon Wedding completes 24 years, the milestone isn’t just about the film’s global achievements but also a celebration of Shefali Shah’s ability to bring power to every role. Her journey continues to inspire, and Ria remains one of the most defining performances of her illustrious career.
Also Read: Shefali Shah joins IFP panel with enthusiasm; says, “I am excited to be a part of that spirit”
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Sunny Deol and his brother Bobby are shattered. Even superheroes have an expiry date. Dharmendra’s devoted sons know that now.
Now that Dharam ji is not with us, Sunny sees himself as the patriarch of the family. And he Sunny Deol won’t keep Esha and Ahana Deol out of family inheritance following Dharmendra’s demise: “There will be no drama, no dispute”
is determined to do the right thing by his stepsisters.
A very close family friend of the Deols spoke on Sunny’s behalf to this writer. “These stories about inheritance disputes between Sunny-Bobby and Esha-Ahana are rubbish, and very ill-timed. No one is a pauper here. There will be no drama, no dispute.”
In fact, Hema Malini and his daughters are not inclined to make any demands on Dharam ji’s property.
“But Sunny will not keep them out of the family inheritance. Right now, he is too bereaved to think about the road ahead. But one thing is for sure: Esha and Ahana will be part of the Deol family, as their father would have wished,” said the family friend.
I remember my conversations with Sunny on his father. “My father is my God. To this day, I can’t look into his eyes while speaking to him. His happiness, his consent means the world to me.”
Also Read: Sunny Deol announces new film Ikka, unveils first look motion poster
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Aamir Khan brought the final Fireside Chat of the 56th International Film Festival of India (IFFI) to a roaring conclusion, turning the packed Kala Academy into what felt like an immersive masterclass in cinema. The session, moderated by acclaimed film critic Baradwaj Rangan, was titled ‘The Narrative Architect of Social Transformation and Inclusivity’ and soon turned into a candid, insightful and deeply personal conversation with the superstar.
Aamir began by revisiting the origins of his love for stories, recalling memories of his grandmother’s tales and the magic of Hawa Mahal on the radio—moments he credits for shaping his creative instincts. “I’ve always been drawn to stories. They were a big part of my childhood, and that fascination has guided every choice I’ve made as an actor,” he said.
What emerged through the session was Aamir’s belief in instinct over calculation. “I can’t repeat myself. Once I’ve done a certain kind of film, I want to move on. I look for stories that feel fresh, unique, and creatively exciting,” he explained. Rejecting the idea of trend-driven filmmaking, he added, “I choose films purely based on my emotional excitement for the story, even if it goes completely against the norm.”
He reflected on how some of his biggest hits were once considered risky. “Most of my decisions have been impractical by industry standards. When we made Lagaan, even Javed Saab advised us not to. By all logic, I shouldn’t have become a star—I broke every rule. But somehow, those unconventional choices connected with people and I’m deeply grateful,” he said.
Aamir clarified that his films with social themes happened organically. “I never select a film thinking about which social topic to address next. I only look for scripts that excite me. If a great script carries a social message, that’s a bonus—not the starting point,” he noted, while crediting writers for shaping the worlds of Taare Zameen Par, 3 Idiots, Dangal and Laapataa Ladies.
In one of the evening’s biggest revelations, Aamir confirmed a major professional shift. “Once I complete the current slate of projects I’ve produced—Lahore 1947, Happy Patel, and a few others—the work on all of them will wrap in the next few months. After that, I’m shifting my focus entirely back to acting from production.” He continued, “From here on, any script I hear will be only for me as an actor. It’s a significant shift, but the right time to dedicate myself fully to acting again.”
He also shared that he is currently hearing new scripts. “Several have excited me—two or three in particular—but I’m still in the process of choosing,” he said.
Aamir touched upon his long-standing desire to direct, adding, “Direction is actually my big love. Filmmaking is what I enjoy the most… But the day I consciously decide to take up direction, I’ll probably stop acting, because it will consume me completely. That’s why I’m delaying that decision for now.”
The session closed with Aamir being felicitated by Secretary, Ministry of Information & Broadcasting, Shri Sanjay Jaju, marking a memorable end to IFFI 2025’s final Fireside Chat.
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Bollywood’s iconic song ‘Deewangi Deewangi’ from the film Om Shanti Om is memorable for many reasons, but one of its most charming stories comes from behind the scenes. Recently, Farah Khan and Manish Malhotra took a nostalgic trip down memory lane, revealing how they enticed female actors to shoot for the song with the promise of free Manish Malhotra outfits. Farah shared that Manish personally met every heroine to seal the deal, showcasing his dedication and charm in making the star-studded song possible.
Farah Khan reminisced about Manish Malhotra’s key role in the film’s costume design, especially for Deepika Padukone’s looks. Manish fondly recalled his inspiration from the Amitabh Bachchan star-studded song ‘John Jaani Janardhan’ in Naseeb and his dream of having so many actors together, which was realised in ‘Deewangi Deewangi’. “Ironically, ‘Deewangi Deewangi’ gave me that,” said the ace designer.
Farah further added, “‘Deewangi Deewangi’ was inspired by there only. Manish was not only a part of the song, but he also came with me to meet every heroine who was in that song. I had enticed the actresses who featured in the song that Manish would make their costumes, and they could keep them after the shoot.”
On the work front, Manish Malhotra has ventured into film production with his maiden project, Gustaakh Ishq, which is set to hit theatres on November 28, 2025. Directed by Vibhu Puri, this romantic drama stars Fatima Sana Shaikh, Vijay Varma, Sharib Hashmi, and Naseeruddin Shah in pivotal roles. The film has already garnered buzz for its soulful music and classic love story. Currently, Manish is busy with the promotions of Gustaakh Ishq, marking an exciting new chapter beyond his illustrious career as a fashion designer.
Also Read: Farah Khan reveals she underwent tummy tuck years after childbirth: “There was so much extra skin”
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Arjun Rampal celebrated his birthday today, and director Aditya Dhar shared a heartfelt tribute to the actor on his social media accounts, giving fans a glimpse of their camaraderie on the sets of Dhurandhar.
Aditya posted several unseen behind-the-scenes pictures from the film, featuring Rampal in the role of ISI Major Iqbal, a much-talked-about character that has already generated excitement among audiences. The candid images captured Rampal’s charismatic presence, showing a side of the actor that contrasts sharply with the intensity of his on-screen persona.
“Happy birthday, Arjun Sir. On screen, he’s pure menace, but off screen, he’s one of the warmest and most generous souls I’ve ever known. Love you Bhaiyya. Here’s to many more stories together.” Aditya Dhar wrote alongside the pictures, highlighting the strong professional bond and mutual respect between them.
Dhurandhar, presented by Jio Studios and produced under B62 Studios, is written, directed, and produced by Aditya Dhar, with Jyoti Deshpande and Lokesh Dhar also serving as producers. The film promises to explore the untold origins of unknown men, combining high-stakes storytelling with intense character portrayals. With its release scheduled for 5th December 2025, the film is poised to be one of the year’s biggest cinematic events, generating significant buzz among fans of action-thrillers and Arjun Rampal enthusiasts alike.
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The 54th International Film Festival of India (IFFI) turned into a cinematic whirlwind as acclaimed filmmaker and producer Vidhu Vinod Chopra lit up the “Unscripted – The Art and Emotion of Filmmaking” session at Kala Academy. In conversation with celebrated screenwriter Abhijat Joshi, Chopra delivered an afternoon packed with wit, nostalgia, and rare insights that left the audience erupting in applause and laughter.
The event opened with a felicitation by Dr. Ajay Nagabhushan MN, Joint Secretary (Films), who honoured Chopra and Joshi, followed by noted producer Shri Ravi Kottarakkara. Dr. Ajay expressed his hope that Chopra would continue guiding young filmmakers with his trademark honesty, while Ravi hailed Parinda as a “game-changing film” that rewrote Indian cinema.
Once the conversation began, Joshi recalled the day he first met Chopra—an encounter that eventually shaped films like Lage Raho Munna Bhai and 3 Idiots. He then asked whether Chopra’s filmmaking style had evolved from Parinda to 12th Fail. Chopra responded with striking candour: “Every film reflects who I am at that point. I was angry when I made Parinda. You can see that violence in the movie. Today I’m calmer.”
Chopra added that 12th Fail was born out of witnessing corruption firsthand. “The film was my way of saying, ‘Let’s be honest for a change’. If I can change even 1% of the bureaucracy, that’s enough.” He also revealed that watching 1942: A Love Story in its newly restored 8K format made him emotional, admitting he could not make that film today because he is no longer the same person.
Joshi praised Chopra’s conviction, saying, “He never cares about a film’s commercial fate, he values only its artistic fate,” before prompting Chopra to revisit the creative process behind his classics. Chopra spoke about his relentless pursuit of visual truth and even reenacted a moment from 1942: A Love Story, explaining how he insisted on real birds flying across a mountain ridge. Seeing that scene restored, he said, “was joy.”
The session then shifted into a riot of anecdotes—Chopra recalling how he wrote Khamosh in a one-room flat, shouting “cut, cut!” from the rooftop, and the crowd favourite: Jackie Shroff accidentally entering the wrong apartment during rehearsals and waking a startled woman who later believed she had dreamt the encounter.
Chopra’s musical memory lane continued with the story of R.D. Burman and ‘Kuch Na Kaho’. He recounted rejecting Burman’s initial tunes—“I called it bullshit. I wanted the soul of S.D. Burman”—before singing the iconic melody onstage to thunderous applause. He even revisited his famous National Award incident, joking about expecting Rs. 4,000 in cash but receiving an eight-year postal bond instead, a story that had the hall roaring.
In a moving highlight, 92-year-old Kamna Chandra, writer of 1942: A Love Story and Chopra’s mother-in-law, joined the discussion along with producer Yogesh Ishwar. Chandra said, “I felt like I’ve done something in life,” while Yogesh described the painstaking 8K restoration in Italy. Chopra concluded that the restored film “looks exactly like what I had imagined.”
By the end of the session, it was clear that the audience had witnessed more than a conversation—it was a journey through decades of cinematic passion, friendship, and fearless storytelling.
Also Read: “Youth has that purity”: Vidhu Vinod Chopra on why he backs fresh talent over star power
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Kareena Kapoor gave fans a heartwarming glimpse into her life as a mother of two by sharing an adorable picture of her sons, Taimur Ali Khan and Jeh Ali Khan, on Instagram. The actor delighted followers with a sweet moment of the brothers twinning in matching kurta-pyjamas.
Taimur and Jeh Twin in Kurta-Pyjamas
Kareena shared an Instagram story featuring Taimur and Jeh walking indoors, captured from behind. The two were dressed in light blue kurtas paired with white pyjamas, with their arms wrapped around each other’s shoulders as they strolled together. Kareena captioned the image, “Matchy Monday’s”, highlighting the charming twin moment that melted hearts online.
Earlier, on Friday, Kareena had shared another candid moment with Jeh during an Instagram photoshoot. She was seen bending down to greet her younger son with a warm kiss and a tight cuddle while Jeh, dressed in his school uniform, clung to his mother. She wrote, “Last pic with my baby who just came back from school and had to give me a hug”.
More About Kareena Kapoor’s Personal Life
Kareena is married to actor Saif Ali Khan. The couple fell in love while shooting for Tashan in 2008, and their friendship soon blossomed into a romance. At the time, Kareena was at the peak of her career, while Saif was an established actor and father of two from his previous marriage to Amrita Singh.
Saif has revealed that their relationship grew during long walks together, where Kareena would ask him about his thoughts on love. Their romance captured media attention when Saif got Kareena’s name tattooed on his forearm. After five years of dating, the couple married on October 16, 2012, in a private ceremony attended by close family and friends. They welcomed their elder son, Taimur, in December 2016, and their younger son, Jeh, in February 2021.
Kareena Kapoor’s Upcoming Work
Kareena will next feature in Meghna Gulzar’s upcoming film Daayra, co-starring Prithviraj Sukumaran. The film is co-written by Yash and Sima along with Meghna Gulzar and is currently in production.
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Spirit, starring Prabhas and directed by Sandeep Reddy Vanga, officially went on floors today, November 23. The team conducted a muhurat ceremony to mark the beginning of the shoot, attended by Triptii Dimri, producer Bhushan Kumar, Pranay Reddy Vanga, Shiv Chanana and megastar Chiranjeevi, who joined as the chief guest. Although Prabhas was present for the puja, he was not seen in the photos shared by the production team.
The film marks Vanga’s first collaboration with Prabhas, and anticipation has been steadily building since October, when the director released a special birthday surprise for the actor. On October 24, Vanga unveiled what he described as a “Sound Story,” an audio-led teaser that sets the tone for Spirit.
The teaser opens with a prison backdrop, introducing a tense exchange between a jailer and his team as they prepare to handle a former police officer-turned-prisoner. The most discussed moment arrives when Prabhas’s voice is heard saying, “Sir, since childhood I have one bad habit,” hinting at the character’s intense personality.
Produced by T-Series and Bhadrakali Pictures, Spirit is positioned as a large-scale pan-world action drama with Prabhas playing a fierce and uncompromising cop. Triptii Dimri joins him in a key role, adding to the film’s growing buzz.
The “Sound Story,” released in Telugu, Hindi, Tamil, Kannada and Malayalam, has already generated significant online engagement. By unveiling the teaser on Prabhas’s birthday, the makers offered fans an early glimpse into what Sandeep Reddy Vanga describes as one of the most ambitious projects of his career.
With filming now underway, Spirit moves into its next phase of production, and further details are expected in the coming months.
Also Read: Sandeep Reddy Vanga and Prabhas’ Spirit to have a dose of nudity
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Mastiii 4 has taken a poor opening at the box office. Not that it was surprising since the advance booking was hardly there and everything boiled down to spot booking. In fact, even the lack of advance booking wasn’t surprising since the adult comedy genre is dead, not just in Bollywood but even Hollywood and hence the very fact that the film was made made many wonder that why was it green lit in the first place.
No wonder, the first day collections have come as mere Rs. 2.50 crores and that’s pretty low. The film has good production values and has been largely shot abroad. Yes, there are rebates and all, but still the cost of making is still there and that needs to be taken into consideration. Theatrically, at least Rs. 30-40 crores are still expected from a film like this and if the opening day is any indication, it won’t reach there.
To put things in perspective, the very first instalment of Masti (2004) had opened at Rs. 1.80 crores and there isn’t much to differentiate with the numbers of Mastiii 4 (2025) even though more than a couple of decades have gone by with practically triple the ticket prices. Grand Masti (2013) made the makers believe that the genre is here to stay since it collected a whopping Rs. 12.51 crores on its first day and then entered the Rs. 100 Crore Club. However, the signs of decline were there when Great Grand Masti (2016), notwithstanding the online leak that had happened days before release, struggled with a first day number of mere Rs. 2.50 crores. That film had a lifetime total of Rs. 13.59 crores whereas Masti had collected Rs. 20.28 crores. Mastiii 4 would basically be competing with these films for an eventual lifetime score.
Note: All collections as per various box office sources
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Farhan Akhtar, who is currently promoting his latest release 120 Bahadur, has spoken candidly about the period of uncertainty he experienced while waiting to direct Jee Le Zaraa. Appearing on Unfiltered by Samdish, the actor-filmmaker reflected on how the repeated postponements of the film left him stressed, insecure, and questioning his own abilities as a director.
The film, announced in 2021 with Priyanka Chopra, Alia Bhatt and Katrina Kaif in the lead, was supposed to mark Farhan’s return to direction after more than a decade. However, as the project kept getting pushed, he found himself holding on to a schedule that never materialised.
Farhan recalled, “So my film Toofan was released in 2021, and right after that, I was set to direct a film called Jee Le Zaraa. It just kept getting delayed, and for those two years, I kept saying no to all other opportunities that came my way. I did that because when you have to direct you can only focus on that. If an acting role came, I told them, ‘No, I am soon going to be directing.’”
He added that despite his commitment, the shoot date continued to move. “The date for the film’s shooting just kept shifting ahead. It was such a stressful period because I thought that I was wasting time, and before I knew it, two and a half years had gone by.”
The prolonged uncertainty began affecting his mental well-being, leading him to seek therapy. Farhan shared, “There are some personal insecurities as well. I started feeling that maybe people thought that I wouldn’t be able to direct. It had been 12 years since I had directed a film, and maybe people were doubtful of my skill. When you sit with a therapist and you tell these things, you start realising where all these things are coming from. I didn’t want to say, ‘Let me move on from this film.’”
Since its announcement, multiple reasons have been cited for the delay, including the busy schedules of the leading cast. In 2023, co-writer Reema Kagti had mentioned that the film would go on floors by the end of the year, but the plan did not come through.
With Jee Le Zaraa still on hold, Farhan is now preparing to direct Don 3, starring Ranveer Singh.
Also Read: Raashii Khanna on working with Farhan Akhtar in 120 Bahadur: “Grateful for every moment we shared”
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Shah Rukh Khan once again proved why he is Bollywood’s ‘Baadshah’ after a video from a recent high-profile wedding surfaced online, capturing his grand entry and electrifying stage presence. The event, which saw several A-listers performing — including Salman Khan — instantly caught social media’s attention, but it was SRK’s majestic arrival that became the highlight of the night.
The superstar made a dramatic entrance on stage to the iconic title track of his film Baadshah, instantly sending fans into a frenzy. In the viral clip, Shah Rukh can be seen seated on a throne-like chair as dancers flanked him on both sides, creating a cinematic moment that fans have described as “legendary” and “fit for a king.” The visual spectacle not only reflected SRK’s charismatic screen persona but also reminded fans why he remains one of India’s most beloved entertainers.
The evening featured more memorable moments, including another clip that went viral earlier, where Shah Rukh and Salman Khan set the stage ablaze with their nostalgic performance on Salman’s evergreen hit ‘O O Jaane Jaana’. The rare sight of the two superstars grooving together once again left fans craving more of their camaraderie, resulting in a wave of excitement across social media platforms.
While SRK’s live performances continue to dominate timelines, the actor also remains in the spotlight on the professional front. Fresh off his 60th birthday celebration, Shah Rukh gave fans another reason to celebrate after the makers of his upcoming film King unveiled a title teaser showcasing the actor in a gritty, bloodied, action-packed avatar. The teaser, which presents SRK in a ferocious new look, has only intensified the anticipation surrounding the project.
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King holds special significance as it marks Suhana Khan’s theatrical debut and her first on-screen collaboration with her father. The film also boasts an ensemble cast that includes Abhishek Bachchan, Anil Kapoor, Deepika Padukone, Abhay Verma, Raghav Juyal and Arshad Warsi. Directed by Siddharth Anand, written by Sujoy Ghosh and produced by Marflix Pictures, the film is expected to hit theatres next year, with music composed by Anirudh Ravichander.
Whether on stage or on screen, Shah Rukh Khan continues to command attention with unmatched style — and his latest royal entry only reinforces why fans across the world still call him the Baadshah of Bollywood.
Also Read: Shah Rukh Khan and Salman Khan dance together to classic song ‘O Oh Jaane Jaana’, fans go crazy
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In an industry often dominated by family legacies, carving a space as an outsider in Bollywood requires determination, talent, and relentless hard work. While Shah Rukh Khan remains an iconic example of an outsider who conquered the industry, today’s generation of actors has produced its own inspiring lineup of self-made stars.
This International Men’s Day, we celebrate 10 remarkable self-made men in Indian cinema who built their careers without connections or privilege and left a lasting mark on Bollywood.
1. Ali Fazal
Ali Fazal began his journey with a small role in 3 Idiots and has since made a name for himself internationally with acclaimed performances in Victoria & Abdul and Death on the Nile. With multiple projects lined up, Ali exemplifies how talent and perseverance can lead to global recognition.
2. Randeep Hooda
Known for his intense and transformative performances, Randeep Hooda has carved a niche as one of Bollywood’s most respected method actors. From Highway to Sarabjit and Veer Savarkar, his self-made journey is a story of grit, persistence, and unmatched dedication.
3. Adarsh Gourav
Adarsh Gourav gained global attention with The White Tiger, earning BAFTA recognition and widespread acclaim. He made history by being cast in the iconic Alien franchise, becoming the first Indian actor to join this legendary universe, proving that talent transcends borders.
4. Adivi Sesh
Adivi Sesh has steadily risen through the industry as a writer-actor known for intelligence, precision, and hard work. After earning national praise for Major, his upcoming films G2 (Goodachari 2) and Dacoit have generated significant buzz, marking new milestones in his career.
5. Pankaj Tripathi
Pankaj Tripathi’s journey from a small village in Bihar to becoming one of India’s most beloved actors is the definition of self-made success. With memorable performances in Gangs of Wasseypur, Mirzapur, Ludo, and Metro In Dino, Pankaj continues to win hearts with his authenticity and craft. Upcoming projects like Mirzapur: The Movie and Parivarik ManuRanjan further cement his status.
6. Kartik Aaryan
Kartik Aaryan’s journey from modeling auditions and engineering classrooms to Bollywood stardom resonates with millions. His iconic Pyaar Ka Punchnama monologue became a generational moment, and with hits like Bhool Bhulaiyaa 2 & 3, Kartik represents the everyday dreamer who made it big through talent alone.
7. Gulshan Devaiah
Gulshan Devaiah has long been one of Bollywood’s most talented yet underrated actors. With critically acclaimed roles in Hunterrr, Mard Ko Dard Nahi Hota, Metro 8AM, and Dahaad, his career reached new heights with the blockbuster success of Kantara Chapter 1, showcasing that perseverance pays off.
8. Rajkummar Rao
Rajkummar Rao has become an iconic outsider in modern Bollywood. From struggling to land auditions to winning a National Award, his journey spans films like Shahid, Newton, Stree, and Trapped. Rajkummar continues to inspire aspiring actors with his dedication to craft over glamour.
9. Abhishek Banerjee
Abhishek Banerjee transitioned from a casting director to a celebrated actor with a powerful screen presence. After winning hearts as Jana in Stree and earning critical acclaim for Stolen, he now enjoys a strong foothold in both films and OTT, serving as a role model for aspiring outsiders.
10. Jaideep Ahlawat
Jaideep Ahlawat’s rise to fame was gradual and defined by patience, discipline, and theatre roots. His breakout in Paatal Lok transformed his career, and with acclaimed roles in Raazi, Jaane Jaan, and Gangs of Wasseypur, he stands as one of India’s most powerful performers.
These 10 actors exemplify how talent, persistence, and hard work can break barriers in Bollywood. On this International Men’s Day, their journeys remind us that success is earned, not inherited.
Also Read: Yash, the alpha male we truly need: An International Men’s Day special
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Director S.S. Rajamouli has recently found himself at the centre of a controversy following a complaint filed against him by the Rashtriya Vanara Sena at the Saroonagar Police Station. The issue stems from remarks Rajamouli allegedly made about Lord Hanuman during the launch ceremony of his new movie Varanasi. The group claims that the director made rude comments which have wounded the sentiments of Hindus, expressing concern over the casual manner in which Hindu gods are referenced in the film industry.
According to the complaint, Rajamouli’s statements have significantly hurt the feelings of the Hindu community, prompting the Rashtriya Vanara Sena to ask police to take strict action. They insist that robust measures be taken to ensure similar incidents do not occur again, though, as of yet, the police have not taken any official steps regarding the complaint.
The controversy ignited during a challenging night for Team Varanasi at the GlobeTrotter event hosted at Ramoji Film City, Hyderabad. Despite meticulous planning and high anticipation, technical difficulties continually disrupted the team’s attempt to unveil the film’s first look, leaving Rajamouli visibly emotional and frustrated.
Addressing thousands of fans who had gathered from various locations, Rajamouli offered an apology. In Telugu, he shared his disappointment, referencing comments his father, writer Vijayendra Prasad, had made about Lord Hanuman’s blessings guiding the crew. The director candidly stated, “I don’t have a lot of faith in God.” He further explained, “My dad claimed Hanuman would show us the way. I got upset when the problems started. Is this how He helps me?” The speech was interrupted as Rajamouli paused to compose himself.
Rajamouli also emphasized his wife Rama’s devotion to Lord Hanuman, noting that she communicates with the deity like a close friend. He remarked, “Let’s see if my wife’s Hanuman helps us this time,” speaking in a voice that betrayed his vulnerability. Later that evening, just before another attempt to present the movie’s preview, he expressed, “If my father’s Hanuman saved us once, let’s see if my wife’s Hanuman can do it again.” These remarks have sparked significant debate on social media, with supporters applauding Rajamouli’s authenticity and critics demanding accountability.
At present, authorities have yet to issue an official statement or respond to the complaint, but the issue remains the subject of heated online discussion.
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On November 15, Bollywood Hungama was the first to break the news that talented filmmaker Ram Madhvani has signed a multi-film deal with eminent producer Mahaveer Jain. Bollywood Hungama now brings an exciting update from their first film, work on which has already begun.
A source told Bollywood Hungama, “Action mega star Tiger Shroff has bagged the film and he’ll be seen in a never-seen-before avatar. Directed by Ram Madhvani, produced by Mahaveer Jain Films and Ram Madhvani Films, it’s a spiritual action thriller. This has never been attempted before in Indian cinema. Source says it has an appeal and huge potential for a global audience and not just the moviegoers of the Indian diaspora.”
The source continued, “Tiger Shroff will be undergoing extensive preparation for this ambitious film. It will go on floors in the second quarter of 2026. A major portion of the film will be shot in Japan. At present, the makers are in the process of finalizing the leading actress and another powerful actor for the role of the antagonist.”
The source also revealed, “Tiger Shroff is extremely excited about the film as it’ll present him in a new light. Ram Madhvani and Mahaveer Jain are also exhilarated about the project; they, along with their core team, right now are working on the first look. It is expected to be unveiled soon, along with the official announcement.”
Ace film-maker Ram Madhvani is best known for the National Award-winning Neerja (2016) starring Sonam Kapoor, the thriller Dhamaka (2021) with Kartik Aaryan, and the internationally acclaimed, Emmy-nominated series Aarya featuring Sushmita Sen. Meanwhile, Mahaveer Jain has collaborated on notable projects like Uunchai (2022) with Rajshri Productions, the upcoming Kartik Aaryan starrer Naagzilla with Karan Johar and Mrighdeep Singh Lamba, international thriller White with Siddharth Anand and Vikrant Massey as Gurudev Sri Sri Ravi Shankar, and Sooraj Barjatya’s upcoming film Yeh Prem Mol Liya, starring Ayushmann Khurrana and Sharvari.
Also Read: Deepika Padukone REACTS to being called ‘Global Indian’; speaks on empowering new talent
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