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Indian cinema’s presence at the 98th Academy Awards is steadily gaining momentum. The Academy of Motion Picture Arts and Sciences (AMPAS) has officially unveiled a list of 201 feature films eligible for consideration in the Best Picture category, confirming that these titles have fulfilled all additional eligibility requirements beyond standard submissions.
Among the Indian films making headlines are Anupam Kher’s Tanvi The Great and Rishab Shetty’s Kantara: A Legend – Chapter 1, both of which have adopted a strategic route towards international recognition by securing a place on the Academy’s eligibility list. Their inclusion signals growing global attention towards diverse Indian narratives, spanning intimate human drama and culturally rooted mythology.
This development follows another major boost for Indian cinema, with Neeraj Ghaywan’s Homebound earning a spot among the Top 15 shortlisted films in the International Feature Film category earlier this season. Together, these milestones suggest a promising year for Indian filmmakers at the Oscars.
In November 2025, AMPAS had announced 317 eligible films across the Best Documentary, Animated Feature, and International Feature Film categories. With anticipation now building, the official Oscar nominations are scheduled to be announced on January 22, a date keenly awaited by the global film community.
Directed by Anupam Kher, Tanvi The Great stars Shubhangi in the role of Tanvi Raina, a young girl inspired by her late father’s service in the Indian Army. The film sensitively explores themes of autism, resilience, and patriotism, as Tanvi sets out to honour her father’s legacy and dreams of following in his footsteps.
On the other end of the spectrum, Kantara: A Legend – Chapter 1, produced by Hombale Films, delves deep into the ancient traditions of Daiva worship in Tulunadu, tracing its origins to the fourth-century Kadamba dynasty. Rishab Shetty plays Berme, the fierce protector of the Kantara forest and its indigenous people, in a story that blends mythology, history and cultural identity on an epic scale.
Tanvi The Great is produced by Anupam Kher Studios in association with NFDC, with global distribution handled by Excel Entertainment, led by Ritesh Sidhwani and Farhan Akhtar, and AA Films, led by Anil Thadani.
With multiple Indian films making notable inroads into the Oscar race, this year is shaping up to be a defining moment in Indian cinema’s expanding global footprint.
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Shruti Haasan has associated herself with a socially significant project by lending her voice to the trailer of Silent Screams: The Lost Girls of Telangana, a first-of-its-kind Telugu true crime documentary now streaming exclusively on Sun NXT. The documentary brings focus to deeply disturbing and often unheard stories, shining a light on issues that demand urgent public attention.
By narrating the trailer, Shruti uses her voice and platform to support a cause rooted in awareness and accountability. A glimpse of the trailer was earlier shared on social media with the note, “Very proud to share the trailer of Silent Screams: The Lost Girls of Telangana. A haunting, necessary story that gives voice to those who were silenced. The first-of-its-kind Telugu true crime documentary. Now streaming exclusively on Sun NXT”.
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Speaking about her association with the project, Shruti highlighted the emotional responsibility she felt while engaging with the subject matter. She said, “When I heard these stories, I felt an overwhelming responsibility to be part of telling them. Silent Screams is not just about what happened, it’s about what continues to happen in the lives of those affected. This is a conversation we cannot afford to postpone. We owe it to every woman who has been silenced.”
A few months prior to the trailer release, the makers had also shared a behind-the-scenes video of Shruti from the dubbing studio, offering a glimpse into her involvement with the documentary. Expressing gratitude, the team had written, “A meaningful day for Silent Screams. We had the honour of recording with Shruti Haasan, whose voice and perspective have added a new emotional layer to our documentary. Her narration carries the weight of every story we’re trying to tell, and we hope it helps these voices travel further. Thank you, Shruti, for your generosity, your perspective, and for standing with this story. Huge thanks to the team at 7Hz Studio for their support and space”.
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Silent Screams: The Lost Girls of Telangana stands out for its focus on real-life accounts and its attempt to initiate dialogue around a critical social issue. With her measured yet powerful narration, Shruti Haasan contributes to amplifying voices that have long remained unheard, reinforcing the documentary’s intent to spark awareness and reflection beyond the screen.
Also Read: Shruti Haasan adds an emotional layer to Mysskin’s Train with new single ‘Kannakuzhikaaraa’
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Finally, fans get their first glimpse of Shahid Kapoor as Romeo in the much-anticipated film of the year O’Romeo. Presented by the visionary Sajid Nadiadwala and directed by Vishal Bhardwaj, the film also stars Triptii Dimri. The film promises a unique cinematic experience. Shahid’s intense look in this first reveal hints at a character that is both menacing and quirky, showcasing the depth, drama, and passion that O’Romeo is ready to bring to the screen.
The second poster of O’Romeo presents Shahid Kapoor in an unflinching, feral avatar, instantly setting a dark and violent tone for the film. Set against a deep crimson backdrop that evokes blood, rage and moral decay, the visual is deliberately unsettling. Shahid is seen mid-roar, his mouth wide open in a raw expression of fury, pain and defiance. Blood streaks his face and drips across his hands, suggesting recent violence rather than stylised action. The bruises, cuts and smeared blood feel lived-in, reinforcing the sense of a character who has been pushed to an emotional and physical edge.
Dressed in a black outfit, with tattoos visible across his neck and arms, the actor’s look leans into a hardened, almost anarchic persona. His clenched posture, tense shoulders and blood-smeared fingers positioned near his waist convey barely contained aggression, as if the character is on the brink of exploding. The lighting is harsh and shadow-heavy, amplifying the menace and stripping the frame of any softness. There is no distraction in the background — the focus remains entirely on the character’s psychological state.
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Sajid Nadiadwala Presents O’Romeo, a film by Vishal Bhardwaj. Produced under Nadiadwala Grandson Entertainment, O’Romeo releases in Valentine’s Week on February 13, 2026.
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The Indian Motion Picture Producers’ Association (IMPPA) has urged Prime Minister Narendra Modi to intervene after Dhurandhar, the Ranveer Singh–starrer spy thriller, was reportedly banned in several Middle Eastern countries, describing the restrictions as “unilateral and uncalled for”. The appeal highlights concerns about freedom of expression and the economic impact of the ban on one of Indian cinema’s biggest recent hits.
In a letter signed by IMPPA President Abhay Sinha, the association asked the government to take up the matter with authorities in the United Arab Emirates, Bahrain, Kuwait, Qatar, Oman and Saudi Arabia. “We earnestly appeal to your kind self to intervene regarding the unilateral and uncalled for ban imposed on the film Dhurandhar … the ban imposed … is a suppression of the freedom of expression of our member,” the letter reads.
The film, directed by Aditya Dhar and starring Ranveer Singh, has been certified in India by the Central Board of Film Certification (CBFC) and has emerged as a major box office success domestically, breaking records and drawing praise from audiences and critics. IMPPA emphasised that the countries where the ban has been imposed are “India friendly” and engaged in regular business and cultural exchanges with the country.
“We humbly request that the Government of India take up this matter with the concerned authorities … and make efforts to ensure that freedom of expression is respected and the ban is revoked at the earliest,” the letter added. It also noted that IMPPA had sent copies of the appeal to Union ministers, including Information and Broadcasting Minister Ashwini Vaishnaw and External Affairs Minister S Jaishankar.
Dhurandhar has faced controversy in some quarters over its portrayal of geopolitical themes, with critics labelling aspects of the film as biased or propagandist, even as supporters within the industry defended its storytelling and craftsmanship. However, the Middle East ban is being viewed by producers and industry bodies primarily as a market access and free expression concern rather than a content dispute within India.
The ban is believed to have had a tangible economic impact. Industry sources suggest Dhurandhar missed out on significant box office revenue in the Gulf region—a traditionally strong market for Indian action films—due to its absence from cinemas there, even as it continues to perform strongly in markets where it is available.
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Aamir Khan, who is known to be extremely picky about the films he associates with, did the much-criticised Mela which clocks twenty-five years on January 7 solely to launch his brother Faisal Khan.
Ironically, Faisal has since accused Aamir of multiple transgressions, including illegal confinement and career sabotage. “Kya karein?” Aamir sighs. “That is my destiny. You can fight the world, but how can you fight your own family?”
Speaking about Mela, Aamir openly admits that the film was done for his brother’s sake. A loud and boorish adaptation of Sholay, Mela featured Aamir as a comic-book version of Dharmendra, while Faisal was cast as a tight-fisted, clenched-jaw take on Amitabh Bachchan’s iconic role from Sholay.
Mela bombed at the box office. Yet, Aamir insists he has no regrets. “I was obviously disappointed by its failure to achieve its potential. Beyond that, I think it’s tough to answer your question. First of all, let me tell you, every film I do means a lot to me. The failure of Mela definitely made a difference to me. It was hard on Faisal, but it was hard on me as well. I’m not comfortable with the idea of any of my films not realising their full potential. The entire team had worked very hard. We were all disappointed.”
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Vir Das, who is set to make his directorial debut with Aamir Khan Productions’ upcoming film Happy Patel: Khatarnak Jasoos, recently shared an interesting anecdote about how actor Imran Khan became part of the project. The film has already generated curiosity following its trailer, and Vir’s revelation offers insight into the unexpected way the collaboration came together.
Speaking about the moment, Vir recalled receiving an unexpected message from Imran Khan, who has largely stayed away from the limelight in recent years. Vir said, “One day, I got a text from Imran. He doesn’t even use WhatsApp,” before adding, “The message said, ‘Hey, I hear the movie is shaping up nicely. Can I come and do something fun in the film?’” According to Vir, the message came as a surprise, especially given Imran’s selective approach to film projects.
Following the actor’s outreach, Vir explained that he decided to rework the script to accommodate Imran in a way that would do justice to his interest in returning to a film set. Describing the process, Vir said, “After he reached out to me, I went back and incorporated him into the script of Happy Patel. I was like, yes, definitely, but then give me some time. I’ll craft a character for you that is entertaining and wild, and we need to do something you’ve never attempted before.” Interestingly, Vir shares a good bond with Imran considering that the duo shared screen space together in Delhi Belly.
The recently released trailer of Happy Patel: Khatarnak Jasoos highlights the film’s comic tone and quirky narrative. Packed with humorous moments, the trailer offers a glimpse into the world Vir Das has created, combining situational comedy with an energetic, light-hearted approach.
Produced by Aamir Khan Productions, Happy Patel: Khatarnak Jasoos marks Vir Das’ first outing as a director. In addition to Vir and Imran Khan, the film features Mona Singh, Sharib Hashmi and Mithila Palkar in pivotal roles. The film is scheduled to release in theatres on January 16, 2026.
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Marking the birthday of legendary composer A. R. Rahman, producer Namit Malhotra shared a heartfelt message celebrating the maestro whose music has shaped generations. Rahman, who is composing for Namit Malhotra’s ambitious epic Ramayana, received a special tribute from the producer, who took to social media to express his admiration and gratitude.
Namit Malhotra shared a picture from the recording studio featuring both the composers of Ramayana — A. R. Rahman and Hans Zimmer — offering audiences a rare glimpse into the making of the much-anticipated magnum opus.
Sharing his thoughts, Namit Malhotra wrote, “Celebrating the genius @arrahman and his big day today. Memories of my life are etched in his music and continue to remind me of my friends, my family, my country and my essence. May you be blessed with even greater divinity and SARGAM, to build a future of even greater music than you have in your past. Can’t wait to bring your magic together with @hanszimmer to the world.”
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Set 5,000 years ago and revered by over 2.5 billion people across the globe, the Ramayana is not just a story but a timeless legacy. Namit Malhotra’s cinematic adaptation stands among the most ambitious Indian films ever made and is eagerly awaited worldwide.
A. R. Rahman, a six-time National Award winner, Padma Bhushan recipient and Academy Award-winning composer, has delivered some of Indian cinema’s most iconic musical scores. In Ramayana, he collaborates with globally celebrated Academy Award winner Hans Zimmer, marking a rare coming together of two Oscar-winning legends.
The impact of this extraordinary collaboration was already felt with the music composed for the film’s first unit, a glimpse of which received an overwhelming response. If this is the excitement around just the first unit, anticipation continues to soar for the scale and emotion the duo is set to unveil next.
Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with eight-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX — Part 1 in Diwali 2026 and Part 2 in Diwali 2027.
Also Read: Namit Malhotra appreciates the 3D Promo of Ramayana; calls it “electrifying”
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Shanaya Kapoor chose an unconventional way to ring in the New Year, stepping away from city life and heading into the wilderness for an animal safari in Kenya’s Maasai Mara. The actress shared a series of photographs on social media, offering a glimpse into her quiet getaway that stood out for its simplicity and understated charm.
In the pictures, Shanaya is seen dressed in a beige safari outfit paired with cargo pants and a hat, opting for a minimal, no-makeup look that complemented the setting. The images capture her soaking in the experience at an unhurried pace, with frames featuring golden sunsets over the savannah and close encounters with wildlife. Among the animals spotted during her safari were lions, cheetahs and crocodiles, adding to the visual narrative of her time in the reserve.
What caught the attention of fans was the natural, unfiltered tone of the photo dump. Far removed from high-fashion poses or styled shoots, the post consisted of candid moments that reflected Shanaya’s off-duty side. The expansive landscapes of Maasai Mara provided a serene backdrop, giving the photographs a grounded and observational feel.
One image, in particular, stood out for its playful detail. The final slide featured a screenshot of Shanaya messaging someone about spotting a crocodile, complete with a crocodile-themed wallpaper on her phone. The subtle detail appeared to tie in with the theme of her upcoming film Tu Ya Main. Sharing the post on Instagram, Shanaya captioned it, “Pinch me!!!!???????? Hakuna Matata.. ?????????? Happy 2026!”
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The safari holiday also comes after a busy year for the actress. Shanaya has reportedly completed work on two films, with another unannounced project also in the pipeline. The getaway appears to be a brief pause before she returns to professional commitments.
On the work front, Shanaya Kapoor will next be seen in Bejoy Nambiar’s Tu Ya Main opposite Adarsh Gourav. She is also part of JC, directed by Sujaat Sudagar, which stars Abhay Verma. As she gears up for these releases, Shanaya’s New Year safari offers a glimpse into a quieter moment, balancing her growing career with time away from the spotlight.
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31 days in theatres and now the holiday season is officially over across the country. Released on December 5, Dhurandhar has now enjoyed a dream run till January 4, which is full one month in theatres. In this run, there have been multiple Bollywood, Hollywood and south films that have arrived and still Dhurandhar has been the top playing affair on practically every day.
This will stay on to be the case till January 23 as well when Border 2 arrives which means three more weeks of undefeated and unmatched supremacy for the Aditya Dhar film. Its collections have been a testimony to the kind of love and reception that audiences shower on a film when they accept it wholeheartedly and (barring one day) while it managed double digits right till yesterday when Rs. 13.50 crores more came in, it would respectfully get into single digits from here on.
In fact, after hitting 30 double digits days so far, there is an outside chance that the score may move up to 31 in case the feat is repeated next Sunday one more time. However, that would be quite a tough milestone to achieve since there are numerous biggies arriving as well and they would take away the screens as well as audience attention. Nonetheless, with Rs. 820.30 crores being scored already, the film is still in race for Rs. 875 crores milestone and that’s one feat which will stay unaffected for many more months to come.
All Time Mega Blockbuster.
Note: All collections as per various box office sources
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After weeks of speculation surrounding their marriage, popular television actors Jay Bhanushali and Mahhi Vij have officially confirmed that they are going their separate ways. The couple, who tied the knot in 2011 and share three children, addressed the ongoing rumours by issuing a detailed and heartfelt note on social media, putting an end to conjecture around their relationship status.
Taking to their Instagram Stories, Jay and Mahhi clarified that while they have decided to part ways as partners, they will continue to remain united as co-parents. Stressing that their decision is rooted in peace, maturity and mutual understanding, the duo urged fans and the media to refrain from attaching negativity or assigning blame to their separation.
“Today, we choose to part ways on a journey called life, yet we continue to have each other’s back. Peace, growth, kindness, and humanity have always been our guiding values. For the sake of our children Tara, Khushi, Rajveer, we commit to being the best parents, the best friends, and whatever else it takes to do what is right for them,” read a part of their statement.
They further added, “Though we walk separate paths, there is no villain in this story and no negativity attached to this decision. Before any conclusions are drawn, please know that we choose peace over drama and sanity above all else. We continue to respect one another, support one another, and remain friends, as we always have been. With mutual respect, we ask for your respect, love, and kindness as we move forward.”
Jay Bhanushali and Mahhi Vij have long been regarded as one of television’s most admired couples. Over the years, they have frequently spoken about family and togetherness, often sharing glimpses of their personal life with fans. The couple are parents to Tara, their biological daughter born in 2019, and Khushi and Rajveer, whom they raised and supported from a very young age.
Professionally, Jay remains one of Indian television’s most recognisable and loved reality show hosts, having fronted several high-profile programs. Mahhi, on the other hand, is widely known for her impactful performances in popular shows such as Laagi Tujhse Lagan and Balika Vadhu.
While the confirmation of their separation marks the end of a significant chapter, Jay and Mahhi’s statement makes it clear that their priority remains their children and maintaining a respectful bond moving forward.
Also Read: Photos: Celebs snapped attending Mahi Vij and Jay Bhanushali’s daughter Tara’s birthday party
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The audio launch of Thalapathy Vijay’s much-anticipated film Jana Nayagan turned into a spectacle as the grand event in Malaysia officially entered the Malaysia Book of Records for an unprecedented audience turnout of reportedly over 85000 attendees. The celebration witnessed an overwhelming response from Vijay’s fans, reaffirming his immense popularity and the deep emotional bond he shares with audiences beyond India.
The Malaysia audio launch drew fans in record numbers, creating an electrifying atmosphere filled with music, cheers and devotion. The event has now been recognised by the Malaysia Book of Records, marking a rare achievement for an Indian film’s promotional event overseas.
Speaking about the milestone, producer Venkat K Narayana of KVN Productions told Bollywood Hungama exclusively, “The Jana Nayagan audio launch in Malaysia became a defining moment, echoing the legendary connection Vijay sir shares with his fans. Entering the Malaysia Book of Records is a proud testament to this enduring legacy. With the trailer raising expectations worldwide, excitement continues to soar ahead of the January 9, 2026 release.”
Adding to the film’s growing buzz, the trailer of Jana Nayagan has already crossed an impressive 30 million views within the first 24 hours of its release online.
Directed by H Vinoth and produced under the banner of by KVN Productions, Jana Nayagan is one of the biggest releases of 2026. It is the last film for Vijay before he enters politics full time. The film is all set to release worldwide in multiple languages on January 9.
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Kicking off the year on a high-impact note, ‘Ghar Kab Aaoge’ from Border 2 has taken the nation by storm. The song has instantly captured the audience’s hearts across social media platforms. With its scale, soul, patriotic spirit and a universal question asked – Ghar Kab Aaoge? It has quickly emerged as one of the most talked-about musical moments.
The response has been phenomenal. Not only did ‘Ghar Kab Aaoge’ cross 1 Million views on YouTube within just 30 minutes of the music video being released but it also secured the #1 spot on YouTube Trending in 3 hours. Fans across social media are actively debating which verse moved them the most. Featuring Diljit Dosanjh, Vishal Mishra, Sonu Nigam, Arijit Singh, and Roop Kumar Rathod, the song has been praised for the distinct emotion each voice brings, making it a standout collaboration where every performance shines.
Directed by Anurag Singh, Border 2 brings together a powerful ensemble led by Sunny Deol, Varun Dhawan, Diljit Dosanjh, Ahan Shetty, Mona Singh, Medha Rana, Sonam Bajwa, and Anya Singh.
Border 2 is presented by Gulshan Kumar & T-Series, in association with J.P. Dutta’s J.P. Films. Backed by a powerful production team that includes Bhushan Kumar, Krishan Kumar, J.P. Dutta, and Nidhi Dutta, and directed by Anurag Singh, the film promises to deliver both scale and emotion. Gear up for this monumental saga of patriotism and courage as Border 2 storms into cinemas on January 23, 2026.
‘Ghar Kab Aaoge’ from Border 2 is now out on all streaming platforms, and the music video is available exclusively on the T-Series YouTube Channel.
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Raaj Kamal Films International has officially announced the director of Thalaivar 173, the highly anticipated film starring Superstar Rajinikanth. The project will be directed by Cibi Chakaravarthi and produced by Kamal Haasan and R. Mahendran under the banner of Raaj Kamal Films International.
The announcement confirms that Thalaivar 173 will feature music composed by Anirudh, marking yet another high-profile collaboration between the composer and Rajinikanth. With this update, the makers have put to rest speculation surrounding the film’s creative leadership and have formally locked its core team.
According to the official statement, filming is set to begin shortly, while further details regarding the cast, technical crew, and production schedule will be revealed at a later stage. The makers have chosen to keep additional information under wraps for now, adding to the anticipation surrounding the project.
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Thalaivar 173 is slated for a grand theatrical release during Pongal 2027, positioning it as a major festive release. With Rajinikanth in the lead, Kamal Haasan backing the project as producer, and Cibi Chakaravarthi at the helm, the film is already shaping up to be one of the most closely watched Tamil releases on the horizon.
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Filmmaker Farhan Akhtar’s highly anticipated action film Don 3 is undergoing another wave of casting developments, with reports emerging that actor Rajat Bedi is being considered to replace Vikrant Massey in a pivotal role. It is speculated that the discussions are underway as the makers work to finalise the ensemble ahead of production.
According to a report by Hindustan Times, Farhan Akhtar — who is directing the third instalment of the celebrated Don franchise — has shown interest in bringing in Rajat Bedi, fresh off his widely-noticed performance in The Ba***ds of Bollywood (2025). Bedi’s potential involvement comes after several high-profile changes in the film’s cast, including the earlier exits of Vikrant Massey and Kiara Advani.
Readers may recall that in July 2025, Bollywood Hungama reported that Massey — who was initially cast in what was described as a significant character — stepped away from the project due to creative concerns about the depth and development of his role. While the makers have not officially confirmed any replacements, insider reports suggest that Akhtar’s team has entered discussions with Bedi, and further conversations are expected to take place in January 2026.
Don 3, which forms a part of the long-running and celebrated Don franchise, has been subject to speculation ever since Ranveer Singh, originally announced as part of the film, exited the project amid creative disagreements. The shifting dynamics have prompted several casting ideas, including suggestions involving other leading actors, but nothing has been finalised.
Also Read: Ranveer Singh did not quit Don 3 because of Dhurandhar success, but creative differences: Report
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Kapil Sharma is all set to bring laughter back to the big screen as Kis Kisko Pyaar Karoon 2 gears up for a theatrical return on January 9, 2026. The family entertainer, which marks the sequel to the 2015 hit Kis Kisko Pyaar Karoon, is being re-released following sustained audience interest and positive word-of-mouth.
The film, which opened to encouraging responses from both viewers and critics, had its initial theatrical run affected due to limited screen availability amid a crowded release calendar and multiplex dominance by other films. Despite this, Kis Kisko Pyaar Karoon 2 managed to strike a chord with audiences, proving that light-hearted, family-oriented comedy continues to hold strong appeal.
Speaking about the same, producer Ratan Jain shared, “Kis Kisko Pyaar Karoon 2 has always been made with families in mind with pure entertainment meant to be enjoyed together. The love, laughter, and positive word-of-mouth the film received reaffirmed our belief in its universal appeal. With audiences continuing to ask for more, we felt it was the right moment to bring the film back to theatres and give viewers another chance to experience its humour on the big screen. We’re delighted to return with a film that celebrates joy, laughter, and wholesome family entertainment.”
Once again headlined by Kapil Sharma, the sequel takes the chaos several notches higher. This time around, the story revolves around an even more tangled web of relationships, with the protagonist juggling not three but four marriages, leading to a series of misunderstandings, situational comedy, and laugh-out-loud moments. It also features an ensemble cast that includes the likes of Tridha Choudhary, Ayesha Khan, Hina Warina, Parul Gulati, Manjot Singh, among others.
Directed by Anukalp Goswami, the film is produced by Ratan Jain, Ganesh Jain, and Abbas-Mustan under the banner of Venus Worldwide Entertainment, in association with Abbas-Mustan Film Production. Known for backing mainstream entertainers, the production houses aim to revive the theatrical comedy experience with this re-release.
As cinemas look to attract family audiences in the New Year, Kis Kisko Pyaar Karoon 2 returning to theatres positions itself as a light, accessible option for viewers seeking humour-driven entertainment. With its January 9 release, the film is expected to once again draw audiences looking for uncomplicated laughter and a break from high-octane dramas.
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Birthday girl Vidya Balan gets an unexpected gift from Anees Bazmee. She begins shooting for the filmmaker’s next, which also stars Akshay Kumar, from January 15. The shooting will continue till January 20.
After Bhool Bhulaiyaa and Heyy Babyy in 2007, Thank You in 2011 and Mission Mangal in 2019, Vidya Balan and Akshay Kumar are coming together again. Anees Bazmee earlier directed the pair in the comedy Thank You.
On probing the captivating casting, one came to know that Anees would be tapping into Vidya-Akshay’s combined comic capabilities. Everyone knows of Akshay’s impeccable comic timing. But Vidya, who has flaunted a fleeting flair for the funnies in Anees’ Bhool Bhulaiya 3, would be exposing her humour fangs like never before.
The post Anees Bazmee to shoot his next comedy with Akshay Kumar and Vidya Balan from January 15 appeared first on Bollywood Hungama.
2025 became the year Rising star Shanaya Kapoor stepped forward with a clear fashion identity. She experimented, refined, and arrived. From couture gowns to modern Indian silhouettes, her style spoke in clean lines, thoughtful details, and an ease that comes with growing confidence.
Here are her 8 best looks from 2025:
Ivory and Black Traditional Silhouette
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A richly embroidered lehenga with a woven dupatta and choli-cut blouse made this one a standout. Created by Mayyur Girotra, the look balances heritage and edge without feeling heavy — a rooted moment with modern energy.
Minimal White Drape
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A one-shoulder draped ensemble in a white Pantone-of-the-year palette showcased Shanaya’s growing affinity for simplicity. Designed by Meraki Official, it relied on clean lines and elegant structure instead of embellishment.
Gold Statement Ensemble
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A golden tube choli paired with a sidh-cut lehenga and a scarf-style dupatta brought a modern princess feel to the frame. From Manish Malhotra, the look shimmered without overpowering her, keeping the focus on the silhouette.
Grey Crystal-Cutwork Set
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A fitted pearl and crystal cutwork skirt with a matching one-shoulder blouse and attached tulle drape created a sculpted moment. Another Manish Malhotra appearance, this one leaned soft, detailed, and photogenic.
Emerald Green Premiere Look
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For the Mumbai premiere of her movie Gustaakhiyan, Shanaya stepped into sharp glamour with an emerald green couture piece by Georges Hobeika. Old-school elegance with a modern cut, this look signaled her shift toward bolder styling choices.
White One-Shoulder Gown
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A classic one-shoulder gown with a thigh-high slit and scarf detailing delivered pure red-carpet confidence. The Tom Ford piece brought in old Hollywood energy through shape rather than excess.
Classic Embellished Saree
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In a traditional, embellished saree by Sabyasachi, Shanaya proved she can work restraint. A timeless drape, refined detailing, and a styling approach that didn’t crowd the frame made this a quietly powerful pick.
Butter Yellow Crystal Saree Moment
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A butter yellow net saree with all-over crystals paired with a matching corset and an inskirt created one of Shanaya’s most delicate yet standout appearances this year. Designed by Manish Malhotra, the look focused on shimmer without heaviness — soft light, clean structure, and a silhouette that offered elegance without excess.
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The post 8 best looks of Shanaya Kapoor from 2025 appeared first on Bollywood Hungama.