Kriti Sanon stuns in Kunal Rawal’s modern silk dhoti and bandhgala at World Health Summit 2025, Berlin

Bollywood actor, producer and UNFPA India’s Honorary Ambassador for Gender Equality, Kriti Sanon made a powerful style and cultural statement at the prestigious World Health Summit 2025 in Berlin. Representing India on the global stage, Kriti delivered a keynote address championing women’s health, gender equality, and the urgent need for increased investments in the sector.Kriti Sanon made history by becoming the first Indian celebrity to speak at the World Health Summit (WHS) 2025 in Berlin.

Dressed in a stunning bandhgala paired with a modernised silk dhoti ensemble by Kunal Rawal, Kriti blended India’s rich sartorial heritage with a contemporary edge. The neutral-toned outfit reflected power and elegance in equal measure, making it a standout moment at the Summit. The look, rooted in Indian tradition yet strikingly global, resonated strongly with the event’s spirit of inclusivity and leadership.

As UNFPA India’s Honorary Ambassador for Gender Equality, Kriti used the platform to highlight how women’s health remains a critical pillar for progress and urged global stakeholders to prioritise sustainable and equitable healthcare models. Her address received resounding applause from international delegates, healthcare experts and global leaders present at the Summit.

 

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The World Health Summit, a globally significant event, brings together policymakers, researchers, and thought leaders from around the world to drive conversations around better health outcomes. Kriti’s presence at the Summit marked a defining moment for Indian representation on such an influential platform, bridging culture, advocacy, and global impact.

From her keynote to her rooted-yet-modern ensemble, Kriti Sanon embodied strength, grace, and the voice of a changing India on a global stage.

Also Read: Kriti Sanon becomes first Indian actress to speak at world health summit, champions women’s health: “Women’s health is the cornerstone of humanity’s future”

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EXCLUSIVE: Ramesh Sippy’s hilarious take on Sholay’s forced ending change during Emergency: “Censors said ‘Thakur shouldn’t take law into his hands’ but he had no hands!”; BREAKS silence on Hema Malini’s DISAPPROVAL of Sholay’s changed climax

Sholay (1975) completed 50 years earlier this year, leading to a celebration among moviegoers. This is also the year when the restored print of the classic got screened in various prominent film festivals across the world, including the Toronto International Film Festival, which, incidentally, also celebrated its 50th year. In an exclusive interview with Bollywood Hungama, its director, Ramesh Sippy, opened up about lesser-known trivia about his much-loved and hailed flick. He also displayed his witty sense of humour while answering our queries.

Recently, you attended the 70th Filmfare Awards, where Sholay was honoured for completing 50 years. During the 50th edition of Filmfare, Sholay was given the award of Best Film in 50 years. But when your film was released, it won the award in the Best Editing category only. Hence, when Sholay was hailed as the Best Film in 50 years and the same film was sidelined then, how was the feeling?
Well, that’s how it goes (smiles). It’s nothing against me; it’s against them. I don’t like to embarrass people. But by not giving us an award, they realized after 50 years that it wasn’t right.

Sholay ran for 5 long years at Minerva and was replaced by your own film (Shaan; 1980). How was the last day at Minerva for Sholay?
It ran full house, even on the last day. 99% of the seats were filled. That’s history. Out of 50 years, the film ran in Minerva for 5 years (smiles).

You recently have screened Sholay at various places in the world. How has the response been?
I saw the film in Toronto about a month ago. The audience reaction was unbelievable. It was like the film had just been released in Mumbai. They reacted the same way as the audience reacted in Mumbai then! I assumed that the audience would be slightly upper-class. But no, they were like clapping, whistling and repeating the lines.

Did the audience comprise viewers of Indian origins or locals?
A lot of them were Indians, as Canada has a lot of Indian population. So, obviously, those who were not acquainted with Indian cinema cannot react like them. A few of them who watch some Indian films may react, but not all of them. Nevertheless, it was a heartwarming feeling.

Many also got a chance to see the new ending of Sholay at these screenings. Hema Malini is not happy with this development…
(Smiles) Really? Did she say that?

Yes. She said ‘It should remain untouched’. I guess she means that it has got registered in the minds of people so deeply…
That’s true. For 50 years, this is the version that people are familiar with. Also, in 1975, it was the time of the Emergency. So, we couldn’t argue too much. But the end that I put in had to be shot (at the last minute). This changed climax was the same ending that took place in every film at that time. The police comes and says, ‘Ruk jaao’! So, it was a typical ending. That’s what I didn’t like; there was no other reason. However, the Censor officials stressed that ‘He’s an officer. He should not be taking the law into his hands’. Actually, I can’t say hands as he didn’t have any (laughs)!”

Also Read: EXCLUSIVE: Ramesh Sippy CONFIRMS, “Sholay to re-release mostly in November”; reveals why he was UNHAPPY with the film’s 3D version: “The soundtrack was changed and I DIDN’T like that”

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EXCLUSIVE: After the success of The Ba***ds Of Bollywood, can Gupt re-release in cinemas? Rajiv Rai explains, “No point re-releasing a film people have seen a trillion times; if somebody wants to pay me and do it, I’ll be okay”

It’s been a month since the release of The Ba***ds Of Bollywood and still it’s been discussed on the internet. It’s also a show that brought back Gupt (1997) into focus and also its unforgettable songs. This is also the era of re-releases. Hence, can there be a possibility of a re-release of Gupt? There’s a section of the audience, which didn’t see it in cinemas; they were too young or not even born when it came out in 1997. And with a boost in its popularity, thanks to Aryan Khan’s web series, Gupt can surprise at the ticket window in its repeat run.

Bollywood Hungama asked Gupt’s director, Rajiv Rai, about it. He said, “I don’t believe in re-releasing films because people have seen it a trillion times. Those films that haven’t worked earlier can succeed like Sanam Teri Kasam (2016). But I personally feel that re-releasing a successful film, which people have seen over and over again, doesn’t make sense to me. Moreover, it costs money to release. So, I am not interested. If somebody wants to pay me and do it, I’ll be okay. But I am not going to do it.”

He also said, “I am sure it’ll look good in cinemas if it releases, but it doesn’t excite me. I want to move ahead. For me, moving ahead means releasing the film on IMAX or releasing it on YouTube. It’s one extreme or the other (laughs). There’s nothing in the middle. There’s not much cinema left anymore – spending crores and then biting your nails because it’s very hard to recover that kind of money. It’s very risky. When you make a film for the cinema, you have to mount it in a certain way and for that, you have to spend a lot of money. Also, I don’t work for a very big star cast. So, it becomes very dicey. Even earlier, I never used to work with very big stars. They became stars in the process. In today’s times, to hire a big star is not possible.”

Rajiv Rai added, “I don’t want to take any risk. I am very happy in the zone that I am in. But if I get a good opportunity to make a film and I feel that it is financially viable, I’ll do it. I am not saying that I am closing my door completely, but I don’t see it happening. I am also not struggling to make an ambitious film. It’s not on my mind at all. So, I am not writing subjects, not day-dreaming about it. I am not ambitious about making a film like Sholay (1975). There are so many kids who are doing it. I don’t have that kind of energy left to put that kind of focus. You also need physical strength to pull it off. I am over 70; where am I going to get the physical strength? Being the producer, director, editor and financier is too much of a burden on me. In the past, I was even distributing. I can’t do all that anymore.”

He signed off by saying, “So, I don’t have the strength to run this marathon. If there’s an accident in the end, how will I sustain it? I no longer have the mental capacity to handle anxiety. Filmmaking causes a lot of anxiety, especially for a director-producer. I am sure even actors get anxious, but in our case, a lot of money gets involved. Even if it’s somebody else’s money, you will be worried. So, when you start making a film with worry, it’s not good. Moreover, we don’t have that Hollywood-style system, though we pretend we do! There, they even hire 80 and 90-year-old directors and those directors are not stressed as everything is laid out for them. They even get a good cut of it and are dealt properly. The finances are fair. Here, everything is hotch-potch. You don’t know whom to trust. Sab oopar-neeche hai idhar.”

Also Read: Rajiv Rai on the ‘Duniya Haseeno Ka Mela’ girl: “She is Bhanu Khan, she was an assistant to Rekha Chinni Prakash”

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Kajol shares highlights from the 70th Filmfare Awards 2025: “It felt magical and cool and brought sooooooo many memories back”

Bollywood actress Kajol recently took to Instagram to share a heartfelt reel capturing her memorable moments from the 70th Hyundai Filmfare Awards 2025, held at the Eka Arena in Ahmedabad. The event, in collaboration with Gujarat Tourism, was a star-studded affair that celebrated the best of Indian cinema.

In her post, Kajol reminisced about the magical atmosphere of the night, stating, “Had to do a #whathappenedthatnight post…it felt magical and cool and brought sooooooo many memories back! Think u guys felt all the love and laughter in the air as well. So glad that I wore Manish Malhotra’s saree and that it was almost the same as the one I wore in the song in Kuch Kuch Hota Hai. It was just an imperfectly perfect night…exactly like our movies! #feelslikethe90sagain #nostalgiaatitspeak #Filmfare2025 #CineIcon #7thblacklady #FullCircleMoment #anighttoremember #imperfectlyperfect.” She expressed her delight in wearing a Manish Malhotra saree reminiscent of the one she donned in the iconic song from Kuch Kuch Hota Hai.

 

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One of the evening’s most anticipated moments was Kajol’s on-stage performance alongside her frequent co-star, Shah Rukh Khan. The duo delivered a nostalgic medley of their classic hits, including ‘Tujhe Dekha Toh’ and ‘Suraj Hua Maddham,’ which had the audience cheering and reliving the golden era of the ’90s.

The night also saw Kajol, Shah Rukh Khan, and filmmaker Karan Johar honoured with the prestigious Cine Icon Award, recognizing their significant contributions to Indian cinema during the 1990s. Their reunion on stage was a poignant reminder of the timeless appeal of their collaborations and the enduring legacy of their work.

Kajol’s Instagram reel not only showcased her personal highlights from the event but also served as a tribute to the enduring magic of Bollywood’s golden era. Her post resonated with fans and fellow celebrities alike, sparking a wave of nostalgia and admiration for the iconic trio’s contributions to the industry.

Also Read : 30 years of Dilwale Dulhania Le Jayenge: Maratha Mandir’s Manoj Desai reveals Shah Rukh Khan told him, ‘Humein thank you bolo’: “I replied, ‘Shah Rukh ji, tum aur Kajol thank you mujhe bolo ki itne kam rate mein main chalata hoon”

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Boney Kapoor DENIES Varun Dhawan’s exit from No Entry sequel: “We are in active discussions”

Producer Boney Kapoor has dismissed recent reports claiming that actor Varun Dhawan has opted out of No Entry Mein Entry, the much-anticipated sequel to the 2005 comedy No Entry.

Over the weekend, several reports suggested that Dhawan had walked out of the film due to scheduling conflicts, following Diljit Dosanjh’s exit from the project. A report by Mid-Day had quoted a source stating, “Varun was very excited about No Entry 2, however, the changes in dates after Dosanjh’s exit made things a bit complicated. Now Varun’s dates are locked for Bhediya 2.” The source further added that with both Dhawan and Dosanjh stepping away, the team was “back to the casting board.”

However, setting the record straight, Boney Kapoor told, “We are making No Entry Mein Entry, and Varun and Arjun are very much in the film. We are in active discussions to lock our other hero and the rest of the cast.”

Earlier in September, Kapoor had confirmed that Diljit Dosanjh is no longer a part of the sequel due to date issues. He told NDTV, “Yes, we have parted in good spirits as the dates were not aligning with our requirements. Hopefully, we will soon do a Punjabi film together.”

Dosanjh’s packed schedule — including his Aura Tour across Australia and New Zealand from October 26 to November 13 — reportedly clashed with the film’s shooting timeline. The singer-actor has been juggling multiple film commitments alongside his global tours, making coordination challenging.

The original No Entry, directed by Anees Bazmee and released in 2005, starred Salman Khan, Anil Kapoor, Fardeen Khan, Bipasha Basu, Esha Deol, Lara Dutta, and Celina Jaitly. The film went on to become one of the highest-grossing comedies of its time and recently completed 20 years in August 2025.

In 2024, Boney Kapoor and Anees Bazmee officially announced the sequel with a younger star cast, promising a refreshed take on the situational comedy that became a cult hit.

Also Read: No Entry 2 aiming for Christmas 2026 release, all three male leads to play double roles

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Deepika Padukone’s 8-hour work rule sparks debate: Hansal Mehta, Hema Malini, and Sharmila Tagore weigh in

Deepika Padukone is currently at the vortex of a heated industry debate, how many hours should a working mother dedicate to her profession when her baby is waiting at home? The film fraternity stands divided. While some defend Deepika’s right to balance work and motherhood, others argue that filmmaking isn’t and never can be a strict 9-to-5 job.

Although Deepika hasn’t directly addressed reports about her opting out of certain projects like Kalki due to her insistence on an eight-hour workday, she did touch upon the subject of mental wellness at a recent event in Madhya Pradesh.

However, not everyone in the industry supports her self-imposed guideline.

An actress who has successfully balanced motherhood and stardom shared her candid take, “My father was a producer, so I know how tough it is to put together a project. I’ve seen actors arrive hours late for shooting while every second lost is money lost. I’ve seen actresses locked up in their vanity vans with their boyfriends while the entire unit waits for her highness to finish her business. I’ve myself looked after home, husband, and children and shot for films. We can’t say these many hours only. This is not a 9-5 job.”

Filmmaker Hansal Mehta shared a nuanced view, striking a balance between practicality and empathy. “I believe balance is essential. Work, rest, family, friends, and time for oneself are not indulgences they are integral to both health and to the quality of work we create. The normalisation of 12-hour working days feels exploitative. It should be the exception, not the standard.”

Recalling one of his own experiences, Mehta added, “I remember a film I once worked on where I would finish the day’s work within 8–9 hours. Almost immediately, the producers would rush in, asking me to do ‘a little more.’ Ironically, the film ended up taking longer than scheduled. Time wasn’t saved; on the contrary, it was wasted. Hours were stretched, not utilised.”

He concluded with a reminder about compassion in the industry, “The need is efficiency and economy but not at the cost of people. We must care about the physical and mental health of those who keep this industry running. It is not about the individual star or director they are usually well looked after. It is about those who arrive earliest, leave last, and often have the least protection. For them especially, we need to care.”

Veteran actress and parliamentarian Hema Malini offered a pragmatic perspective, emphasizing the importance of support systems, “I wouldn’t like to comment on anyone else. To each her own. But as far as I am concerned, I never had a problem balancing my work with my motherly duties. I was always there while my two daughters, Esha and Ahana, were growing up. No, I never took them to my shootings. I never had to. What you need is someone to support you. My mother was always there to look after my children when I was working.”

The ever-graceful Sharmila Tagore recalled her days managing motherhood alongside a flourishing career, “I wouldn’t call myself a perfect mother. But yes, I made sure I was there for Saif, Saba, and Soha. I don’t think they ever felt neglected because of my work. In Hindi cinema, some of my best works came after I was a mother. I was carrying Saif while shooting for Choti Bahu. Later, after his birth, I used to take him to my sets and locations. He used to get along with my co-stars, especially Shashi Kapoor.”

Sharmila also reflected on how times have changed, “I think we women are intrinsically multi-taskers. Managing home and work millions of women do it in other professions. Nowadays it is so much easier as the male spouse also shares parenting responsibilities. Look at Kareena and Saif, Ranbir and Alia.”

In the end, Deepika’s choice to prioritize her baby over back-to-back shoots is understandable even admirable. But as the experiences of stalwarts like Sharmila Tagore, Hema Malini, and countless working mothers prove, it is possible to find a balance between work and motherhood.

Also Read: Inside Deepika Padukone and Live Love Laugh team’s visit to Chhindwara on World Mental Health Day

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Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep”

When Annu Kapoor holds court, expect fireworks! The veteran actor’s latest razzle-dazzle isn’t from a film, but from his laugh-out-loud comments about Tamannaah Bhatia and her sultry track ‘Aaj Ki Raat’ from Stree 2. His hilarious, tongue-in-cheek observations have sent netizens into a tailspin—and for good reason!

Kapoor wasted no time poking fun at Tamannaah’s viral statement that mothers sing the song to put babies to sleep. Leaning into his trademark wit, he fired back, “How old do children fall asleep? Even a 70-year-old child can fall asleep! Look at this.” He then doubled down, playfully musing, “In English, they say, ‘he is 70 years old.’ I am a 70-year-old child; someone can be an 11-year-old old man. So who falls asleep?”

Without missing a beat, Kapoor showers Tamannaah with a blend of playful praise and mischief, “Sister Tamannaah Bhatia, with her song, or with her milky face and body, if she is making our children sleep sweetly, it’s very good, man… It will be a great blessing for this country that our children sleep sweetly and healthily.”

 

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It’s the kind of comment only the legendary Annu Kapoor can get away with. Just when you think he’s finished, Kapoor adds a sweet kicker, “If they have any other wishes, may God give her (Tamannaah) the capability, may she get blessings so that she can fulfil their wishes. This is my blessing for them.”

If there’s one thing the internet agrees on, it’s this: Annu Kapoor doesn’t just comment—he creates viral moments. With one “milky body” joke and his signature flair, he’s put both Stree 2 and Tamannaah Bhatia slap bang at the centre of online pop culture.

Also Read: Tamannaah Bhatia reveals ‘Ghafoor’ was shot in just one day; calls Aryan Khan “super clear”

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Nivin Pauly unveils his slate on 41st birthday, including Sarvam Maya, Benz, web series debut Pharma, and more!

As Nivin Pauly celebrates his birthday, fans have more than just wishes to share — they’re gearing up for what promises to be one of the most exciting phases of his career. The actor’s upcoming lineup is as diverse as it is ambitious, blending crowd-pleasing entertainers with bold creative choices.

The celebrations begin with Sarvam Maya, a horror-comedy set for Christmas 2025, that reunites Nivin with Aju Varghese. Soon after comes Bethlehem Kudumba Unit, a romantic comedy from the Premalu team, pairing him with Mamitha Baiju — a project already creating buzz as the quintessential Nivin Pauly entertainer.

On the darker end of the spectrum, Nivin will showcase his intense side in Baby Girl, a thriller releasing this November. His Tamil film graph also looks promising with Yezhu Kadal Yezhu Malai, director Ram’s romantic psychological drama. Adding to the excitement, Nivin is set to join the Lokesh Cinematic Universe as the villain Walter in the 2026 film Benz. A grand political thriller directed by B. Unnikrishnan and backed by Gokulam Movies further boosts this stellar lineup.

Expanding his creative footprint, Nivin is also making his web series debut with Pharma, an intense drama exploring the world of medical representatives. As a producer under his Pauly Jr. Pictures banner, he continues to dream big with Multiverse Manmadhan, a pan-Indian superhero venture, and Dear Students, starring Nayanthara.

From thrillers to comedies, from Malayalam to Tamil, from actor to producer — Nivin Pauly is entering a new era defined by range and reinvention. For fans, this birthday isn’t just a milestone; it’s the start of a cinematic celebration.

Also Read: FIR filed against actor Nivin Pauly and director Abrid Shine for alleged Rs. 1.9 crores fraud over Action Hero Biju 2

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EXCLUSIVE: Ashish Kumar aka plain clothes cop of The Ba***ds Of Bollywood opens up about his experience: “Aryan Khan was very chilled out; NEVER got angry…Red Chillies Entertainment team is very professional; time ke pehle paise de diye the…”

Ashish Kumar left a huge mark as the plain clothes cop in Aryan Khan’s acclaimed show, The Ba***ds Of Bollywood, despite being there in just one scene. In an exclusive interview with Bollywood Hungama, the actor spoke about his experience, his journey and a lot more.

How did you bag the show?
I had sent my pictures to casting director Nandini Shrikent. Their assistant called and asked me to audition for a cop character. I was apprehensive at first as I was told that I don’t have more than 1 or 2 scenes. Yet, I auditioned for the role. The next day, I got a call saying that Aryan had liked my audition. They informed me that I had just 1 scene, but assured me that ‘accha scene hai; tum accha kaam karoge’. Then, I met Aryan and he appreciated my audition. He explained to me about my character and we did rehearsals. That’s how it got finalized.

How was it working with Aryan Khan? Many actors have stated that he goes for multiple takes and that he has a clear vision…
Initially, I was wondering how Aryan would turn out to be. But from the first meeting until the last, he gave me a lot of respect. He would talk like a buddy and was very chilled out. We would discuss how we should go about doing the scene. Until he was not satisfied, he would keep going for retakes as he wanted every shot to be perfect. Moreover, he never got angry at anyone, even if some actors goofed up or didn’t act as required. He would simply ask for another retake.

The Red Chillies Entertainment team has also been very kind and professional in terms of money and other matters. In fact, jo time diya tha, uske pehle hi paise aa gaye! The EP (executive producer), Bonnie Jain sir, and all the others who coordinated with me treated me respectfully. I wish other production houses would also treat me the same way as Red Chillies.

Where are you from and how did you get into acting?
I am from Seoni, Madhya Pradesh. I studied in a nearby Kendriya Vidyalaya and used to participate in plays in school. Hence, I always had the desire to be an actor, though I had no idea how to go about it. My mother dissuaded me from pursuing acting and advised me to finish my education and take up a job. I agreed with her as I come from a middle-class family and hence, earning money was paramount.

I shifted to Bhopal for my engineering course with the aim to dabble in MBA later, though it was always at the back of my mind that I should act. One day, I was sitting in the college lab with my friend. There was a newspaper lying nearby in which an ad of Bharat Bhavan was published. Its like Mumbai’s Prithvi Theatre where people perform plays. The friend, who was a localite, told me that there are people who teach acting in Bharat Bhavan. I reached the venue and asked around if acting was taught. But I didn’t get any positive answer. I went the second time and again, I was told that acting wasn’t taught. The third time, I met Sanjay Mehta ji, a prominent theatre director. He gave me my first chance. I worked with him for some time. I had reservations with the idea that you need to do the same play and play the same character 50 times. I used to wonder, same naatak same tarike se baar baar karne ka kya matlab hai? I was immature and it was not right on my part to think so.

Then, I met another director, Alakhnandan, and worked with him. I also worked with Alok Chatterjee. I also got enrolled in a drama workshop. I remember the teacher asking, ‘Who all are here just to attend the drama workshop and have no plans to enroll in the drama school if they get selected?’. I was the only one to raise my hand! Someone told me, ‘Pagal hai kya? If you get admission in the drama school, toh bahut acchi baat hogi’. However, I was brainwashed by a close friend, who also wanted to be an actor and who had knowledge about Mumbai. He told me, ‘Humein yeh sab thodi karna hai. We are going to Mumbai and work in Hindi films’. Shockingly, when he got selected, he took admission in the drama school. I was very hurt.

I decided to make a fresh start. I came to Mumbai in 2013 and did a lot of auditions. I played the lead in an episodic show of Balaji Telefilms, called ‘Gumrah’. I also did a cameo in another TV show, ‘Sadda Haq’ and worked in a few more TV serials. I also acted in Kumud Mishra’s theatre production.

But I didn’t have proper guidance. Now, it’s much better and actors even take online classes. I did an intense acting workshop with Neeraj Kabi to hone my craft. I dabbled in voice training under Asif Ali Beg, acting workshop of Rishabh Mittal and a free workshop by Mumbai Theatre workshop.

I couldn’t afford the workshops of Saurabh Sachdeva and Atul Mongia. So, I used to see their videos and also watched many films to get better.

In between, I thought of applying to FTII (Film and Television Institute of India), but I could not afford the fees at that time. Also, my family was against my desire to act and not take up a stable job. That’s why I dropped the idea.

Moreover, I was clear that I am open to acting in films, TV serials and web series but my character should have a pivotal part. At times, I would get offers to play the role of one of the friends of a hero in a TV show. It would be a one-year commitment; they were ready to pay Rs. 3,000 per day and the work was for 30 days in a month. That would amount to Rs. 90,000 every month, which was good money. However, I didn’t want to build my profile in this manner. If money was the goal, then I would have taken up a stable job, right? Why did I enter this profession then? However, I did take up ads.

In 2018, I returned home after my mother had paralysis and had to undergo hip surgery. Meanwhile, my father ran a shop and he suffered losses. We were in debt. My father asked me to support the family. I agreed to be with them for a year or two. I decided to contribute in solving the financial troubles and side by side, also work on my craft. We started a clothes shop through a loan secured under a state government scheme. 3 years went into all this. The desire to act never diminished and hence, I returned to Mumbai in 2021. My family could not support me here and I took yoga classes to sustain myself while also looking for roles. In 2023, I auditioned for The Ba***ds Of Bollywood.

What would you like to tell aspiring actors?
I am not in a stage to give advice. Yet, I would suggest that if you are from a lower middle class and if your parents are dependent on you, toh fir soch samaj ke iss line mein aana. That’s because your chances of making it are between 3% and 5%. Whenever I say this, some tell me, ‘Why are you saying this? You should motivate the aspiring actors’. But I don’t want to be the one ruining someone’s life. If you are extremely talented, like Nawazuddin Siddiqui or Manoj Bajpayee, then your chances of succeeding increase to 10% to 20%. And if you don’t have the required talent and still want to jump into this line, then be very careful and think about it many times.

There have been allegations that you created a new Instagram handle. Many are wondering how you suddenly came out of nowhere…
It’s not true. I had an account on Instagram for a long time but I used to not use it frequently as I was going through problems at home due to my mother’s health and I was also working on myself. Moreover, I am an introvert and didn’t have the time and will to use the app.

How do you react to the feedback coming your way?
I am very happy to know that everyone has appreciated my acting. However, I am very self-critical and I feel I could have done better. Nevertheless, I’ll always be grateful to Aryan Khan and Red Chillies Entertainment for this opportunity and for enhancing my self-confidence.

How did your parents react to your role in The Ba***ds Of Bollywood?
They are very happy and it means a lot to me. There are times when someone would inform my father that their son has got a lucrative job and will be paid Rs. 1.50 lakhs per month. Some other person would inform him that his son bought a flat. Whenever he would hear something of this sort, he would be sad and go silent. Middle class ya lower-middle class mein paise se upar aur kuch nahin hota. Here, success is measured by how much you earn. As a result, getting this part in such a big show has made them very happy.

Also Read: Aryan Khan breaks silence on The Ba***ds of Bollywood: “We wanted to be self-deprecating, not disrespectful”

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Rupali Ganguly shares heartwarming Karwa Chauth memories with family: “It’s a beautiful tradition to fast for your spouse’s long life and I get emotional about anything related to tradition and culture”

Television actress Rupali Ganguly shared warm sentiments about observing the occasion with her husband Ashwin K Verma, revealing how tradition and family play a big role in the festivities.

In an interview with Hindustan Times, Rupali reflected on growing up seeing her in-laws celebrate the fast and said, “I’ve seen how my in-laws enjoyed celebrating Karwa Chauth and it’s a legacy I want to continue. I’ve been shooting for the past five years but the team lets me go home early so I can break my fast. I’ve been to Karwa Chauth parties, but it’s a special moment shared by the husband and wife, best celebrated at home. My son Rudransh holds the thali, so he’s also part of the celebrations. It’s a beautiful ritual right from the sargi, to baya, katha and dressing up in red attire.”

Speaking of her early days as a bride, she stated, “Memories of my first Karwa Chauth are that my father-in-law helped me prepare. He got my sargi- ghee ki mathri, seviyan and many such delicacies. This is my second Karwa Chauth without my mother-in-law but my sisters-in law get on a video call and we wish each other. There’s nothing regressive about it, it’s beautiful and noone forces you to do it, it’ something we observe by choice.”

Ganguly admitted she loves the indulgence that comes with the day. “Ashwin is a fantastic cook and he prepares all my favourite food on Karwa Chauth. I’m pampered to the hilt both by my husband and son Rudransh. We also enjoy waiting for moon sighting. It’s a beautiful tradition to fast for your spouse’s long life and I get emotional about anything related to tradition and culture,” she said.

She also acknowledged the challenges of fasting while working, she further added, “So many women go to work while fasting, homemakers manage household duties. I dont feel I’m doing anything special though it can get a tad difficult. I’m blessed that I’m working and its been scientifically proven fasting is good for the body so it’s something I do happily. Karwa Chauth celebrates your partner and the bond you share. It’s beautiful.”

As Karwa Chauth approaches, Rupali Ganguly’s remarks highlight how she blends professional commitments with the emotional and cultural significance of the festival.

Also Read : Rupali Ganguly leads 25 real-life moms in heartfelt tribute at Star Parivaar Awards 2025

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Akshay Kumar, Twinkle Khanna, Kajol hail Saif Ali Khan as “real-life hero”

In a chilling revelation on the latest episode of Two Much with Kajol & Twinkle on Prime Video, Saif Ali Khan shared the harrowing night he confronted a knife-wielding intruder at his home, putting himself between the assailant and his family. His account, shared in vivid detail for the first time, left fellow guests and viewers alike stunned.

The actor recalled how the ordinary evening turned life-threatening. “We had just gone to sleep and Kareena had been out. I finished watching a movie with the boys and they’d gone to sleep and everything. It was actually quite late — two o’clock or something in the morning. Kareena came back, we had a small chat and then, you know, went to sleep. And then the maid came in and she said, ‘There’s someone in Jeh Baba’s room. He has a knife in his hand. He wants money’,” Saif said.

Recalling how he reacted instinctively, he rushed to his son’s room. “I kind of just heard that and rolled out of bed. I barged into Jeh’s room in the dark and I saw this guy standing over his bed with a knife. He was not pointing it at him, but he touched him. He had cut him later, because the nurse was trying to talk to him. Jeh got a little nick here, and the sister got a nick on her hand. He was kind of poking the knife at them. I saw this guy and I thought he’s smaller than me, which means he’s not very large. I jumped on him — which Jeh later told me was a big mistake. He said I should have punched him or kicked him or something. But I jumped, and we started this fight.”

The ensuing struggle was intense and dangerous. “He had these two knives and he just started slashing all over at me. I tried to remember my training, and I blocked a couple here, and then I felt this thump in my back that was really hard. We started fighting and rolling. The kids were out, everyone was out of the room. Geeta helped me in this struggle — she pushed this guy off me and pretty much saved, I think, my life at that point, because he had cut me everywhere, my neck and back. We locked him in the room. I remembered, I said, ‘I need a weapon of some sort.’ There are two swords we have hanging on the wall upstairs outside the dining room. So me and Hari, another help, went and grabbed them. But I couldn’t walk properly. I was feeling I’d been stabbed in the leg, but actually I’d been nicked in the spine. And Kareena said, ‘I think we should go to hospital. I’m going to take Jeh to my sister’s.’”

The story left Akshay Kumar visibly moved, calling Saif a “real-life hero” for his bravery and presence of mind. Kajol and Twinkle Khanna also praised his courage, noting that his account showcased “what true bravery looks like off screen.”

Saif’s candid narration highlights not only the dangers celebrities sometimes face in private life but also the lengths they will go to protect their loved ones.

Also Read: Two Much With Kajol And Twinkle: Saif Ali Khan BREAKS silence on not leaving hospital in wheelchair after knife attack: “I didn’t want to create worry but people alleged ‘the attack is fake’”; Sharmila Tagore sighed, “Why doesn’t he ever listen to me?”

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Kroll 2024 Report: Shah Rukh Khan’s brand value surges 21% to $145.7 Million – the King reclaims his crown at No. 2

After years of fluctuating fortunes, Shah Rukh Khan has once again risen to the very top of India’s celebrity power list. According to Kroll’s 2024 Celebrity Brand Valuation Report, the superstar’s brand value jumped 21% year-on-year, reaching an impressive USD 145.7 million – placing him firmly at No. 2 on the list, just behind Ranveer Singh.

Between 2020 and 2022, Shah Rukh’s brand value saw a dramatic shift – from USD 51.1 million in 2020 to USD 55.8 million in 2022 – a modest rebound after the pandemic years. But his spectacular box-office comeback in 2023 with Pathaan and Jawan changed everything. His brand value more than doubled to USD 120.7 million that year. Now, with 2024’s USD 145.7 million, SRK has consolidated his position as India’s most bankable legacy icon.

What makes Shah Rukh Khan’s resurgence so remarkable is that it’s not built on nostalgia but on reinvention and adaptability.

Blockbusters That Reshaped His Image: The back-to-back successes of Pathaan, Jawan, and Dunki showed three completely different shades of SRK – the action hero, the emotional patriot, and the grounded common man.

A Global Phenomenon: His Pan-India and overseas appeal turned him into an unstoppable cultural force, helping brands like Hyundai, LG, and Dubai Tourism tap into both aspirational and emotional audiences.

Family as Brand Multipliers: With Aryan Khan stepping into the luxury business world and Suhana Khan’s debut in The Archies, the “Khan brand” has become a multi-generational household name.

SRK’s journey over the last five years tells a story of resilience and reinvention. His brand value moved, from USD 51.1 million in 2020, to USD 55.8 million in 2022, USD 120.7 million in 2023, and now USD 145.7 million in 2024, a 21% rise that secures him the second spot on Kroll’s 2024 Top 10 Celebrity Brand List.

Shah Rukh’s brand might be fronted by his acting career, but its foundation lies in his entrepreneurial and philanthropic ventures. His production house Red Chillies Entertainment, the Kolkata Knight Riders franchise, and his global endorsements have built a billion-dollar ecosystem of credibility and influence. Even his public persona – thoughtful, humorous, and self-aware – adds intangible equity that few others possess.

At a time when celebrity relevance is fleeting, SRK’s staying power feels almost mythic. As he eyes new global ventures and streaming collaborations, his brand trajectory suggests one thing: the King of Bollywood is not just back — he’s setting new benchmarks for what sustained superstardom looks like.

Also Read: Shah Rukh Khan, Anand Pandit and Amitabh Bachchan join Bollywood’s billionaire club

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25 Years of Dil Pe Mat Le Yaar: Manoj Bajpayee wants to revisit the film with Hansal Mehta; says, “I’d like to correct all the mistakes, and do it again”

Even 25 years after its release, Manoj Bajpayee looks back at Dil Pe Mat Le Yaar (2000) with pride and affection — despite its box-office failure. “In spite of its failure, I’m very proud of Dil Pe Mat Le Yaar, which completes 25 years on October 6,” says the National Award-winning actor.

“Hansal Mehta and I were trying to do something different — and so what if we failed? Failure is a far stronger incentive to evolve than success. Imagine how boring life would be if we had only success to fall back on. Dil Pe Mat Le Yaar is what I’d call an honourable failure. We failed, yes — but we learnt from our mistakes.”

Recalling his early days with director Hansal Mehta, Manoj adds, “We were young, we were full of energy, and we made mistakes. But we had the courage to take the blow — to stumble and fall.”

When asked what went wrong with the film, he reflects, “Nothing! Nothing went wrong. We were trying to make a particular kind of film, but it turned out differently. Hansal and I had more than our share of disagreements during the shooting. Today, both of us have evolved, grown as human beings. We’re better equipped — intellectually, emotionally, and cinematically — to make Dil Pe Mat Le Yaar more honestly. So, my appeal to Hansal let’s make Dil Pe Mat Le Yaar again. This time, let’s do it the way we had originally planned.”

But would Tabu, his co-star in the original film, agree to revisit the story? Manoj is unsure. “Pataa nahin, yaar. Over the years, she’s remained a dear friend. But Tabu likes to be left alone. She’s happy in her own space. I don’t know if she’ll share Hansal’s and my enthusiasm for Dil Pe Mat Le Yaar.”

Also Read: 25 Years of Dil Pe Mat Le Yaar: 8 INSANE behind-the-scenes secrets – Hansal Mehta diverted AD’s flat money to shoot first schedule; Manoj Bajpayee, Anurag Kashyap were initially signed for “HANDSOME amount of Re 1”; Aditya Srivastava invested in the project despite losing lead role!

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Karan Johar ADMITS he’s “obsessed” with SS Rajamouli, reveals he personally approached him to present Baahubali 2 in Hindi

Filmmaker Karan Johar recently revealed his admiration for director SS Rajamouli and shared how he became involved in presenting the blockbuster Baahubali 2: The Conclusion. Speaking to Komal Nahta on his YouTube channel, Johar clarified that it was he who approached Rajamouli, not the other way around.

“I approached him. I was obsessed with Rajamouli from even before. His first ever film is called Student No. 1 and I got the idea for my film’s title Student Of The Year from that movie. I love that title. I am that obsessed with Rajamouli sir. I have watched all his films,” Johar said.

The filmmaker also credited actor Rana Daggubati for arranging a meeting between him and Rajamouli. “Until that time, people from our cinema weren’t even aware about the genius of Rajamouli, I knew. I kept asking Rana about Baahubali. Then, he arranged a meeting with Rajamouli sir,” he added.

Johar didn’t hold back his thoughts on Rajamouli’s Hindi-dubbed film Makkhi (originally Eega), which failed to resonate with Hindi-speaking audiences despite its original success. “A film that didn’t work for Rajamouli sir in Hindi was Makkhi. According to me, it is one of the best films ever made. Makkhi wasn’t marketed properly,” he said.

Reflecting on his excitement to present Baahubali 2, Johar said, “That’s why I told him that I think what you’ve made is spectacular, it’s the biggest motion picture of India, and I would love to position it. I was always a big fan and I was very excited about presenting Baahubali. That was in many ways a game changer.”

Speaking of the professional front, KJo is currently busy with the promotions of his multiple production ventures, including the recent releases Homebound and Sunny Sanskari Ki Tulsi Kumari.

Also Read: REVEALED: Karan Johar’s Dharma Productions merges Dharmatic Entertainment to simplify operations

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Photos: Bobby Deol snapped celebrating his 30 years in the film industry

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Photos: Urvashi Rautela, Elnaaz Norouzi and others turn showstoppers at Bombay Times Fashion Week 2025

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Rhea Chakraborty gets her passport back after 5 years; says “Patience was my only passport” in emotional post

Actress Rhea Chakraborty has finally received her passport back after nearly five years, marking a significant moment in her long legal journey following the Sushant Singh Rajput death case. Taking to social media, the actress shared an emotional post, reflecting on the struggles and resilience that defined this period of her life.

Sharing a picture of herself holding the passport, Rhea wrote, “Patience was my only passport for the past 5 years. Countless battles. Endless hope. Today, I hold my passport again. Ready for my Chapter 2! Satyameva Jayate.” The post has since gone viral, with fans and well-wishers flooding the comments section, expressing support and happiness over the actress finally reclaiming her travel documents.

 

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Rhea’s passport was confiscated in 2020 after her name surfaced in the investigation into Sushant Singh Rajput’s death, which became one of the most widely covered and polarizing cases in recent memory. The actor was found dead at his Mumbai residence in June 2020, leading to multiple probes by the Mumbai Police, the Central Bureau of Investigation (CBI), the Enforcement Directorate (ED), and the Narcotics Control Bureau (NCB).

Rhea, who was in a relationship with Sushant at the time, faced intense media scrutiny and was accused of abetment to suicide and involvement in a drug-related angle linked to the case. She was arrested by the NCB in September 2020 under the Narcotic Drugs and Psychotropic Substances Act but was granted bail a month later by the Bombay High Court.

Since then, the actress has largely stayed away from the spotlight, maintaining a low profile while occasionally sharing motivational and reflective posts on social media. In 2023, she made her television comeback as a gang leader on MTV Roadies 19, signaling a gradual return to the entertainment industry.

Now, with her passport back, Rhea appears ready to move forward. Her post has been interpreted by many as a message of renewal and resilience after enduring one of the most challenging phases of her life.

Rhea Chakraborty, who has previously appeared in films like Jalebi, Mere Dad Ki Maruti, and Chehre, is reportedly in talks for a few upcoming projects, hinting that her professional comeback may be just around the corner.

Also Read: Rhea Chakraborty shares emotional moment of dancing in jail after bail in Sushant Singh Rajput case; says, “I did naagin dance on the day of my bail”

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Vicky Kaushal reflects on 10 glorious years in cinema: “I’m very grateful to have worked with directors who are first-timers and veterans”

Vicky Kaushal is celebrating a major milestone — 10 years since he made his debut in the Indian film industry. Reflecting on his journey, the actor expressed heartfelt gratitude for the filmmakers who played a pivotal role in shaping his career and helping him evolve as a performer.

In a recent interaction, Vicky shared, “I’m very grateful to have worked with directors who are first-timers and veterans.” He fondly spoke about the opportunity to learn from some of the finest creative minds in the industry, particularly mentioning Sanjay Leela Bhansali, whose approach to filmmaking left a lasting impression on him.

Praising the ace filmmaker, Vicky said, “Sanjay Leela Bhansali’s scene construction skills are like attending film school.” The actor also expressed admiration for the energy and discipline that directors bring to their sets. “Raju’s dedication to writing and the energy he brings to sets,” he added, acknowledging the collaborative spirit that makes each project special.

He went on to credit several other directors who have contributed to his artistic growth, saying, “I credit my directors, including Anand Tiwari, Lakshman, Mozes Singh, and Neeraj Ghaywan, as very special to me.”

Interestingly, Vicky’s career came full circle this year as his debut film Masaan — directed by Neeraj Ghaywan — completed a decade. The 2015 drama, which also featured Shweta Tripathi and Richa Chadha, not only earned critical acclaim but also won accolades at the Cannes Film Festival, marking a proud moment for Indian cinema.

Over the years, Vicky Kaushal has delivered powerhouse performances in films like Uri: The Surgical Strike, Raazi, and Chhaava, earning a reputation as one of the most versatile actors of his generation.

Looking ahead, the actor is gearing up for Love & War, his much-anticipated collaboration with Sanjay Leela Bhansali. The film will also reunite him with Ranbir Kapoor and Alia Bhatt, marking a grand cinematic ensemble that fans are eagerly awaiting. The film is expected to hit theatres in March 2026.

Also Read: Two of my favourite actors: Ranbir Kapoor talks working with Vicky Kaushal and Alia Bhatt in Bhansali’s Love & War

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Vijay Deverakonda and Rashmika Mandanna reportedly get engaged in private ceremony; wedding planned for February 2026?

In what has set social media buzzing, reports suggest that actors Vijay Deverakonda and Rashmika Mandanna have officially gotten engaged. The alleged couple, who first won hearts with their chemistry in Geetha Govindam and Dear Comrade, have been rumoured to be dating for several years. Though both stars have consistently maintained that they are “just close friends,” speculation around their relationship has never really faded.

According to recent media reports, Vijay and Rashmika reportedly exchanged rings in an intimate ceremony held on October 3, attended only by their close friends and family members. Sources claim that the couple wanted to keep the engagement under wraps, preferring a private celebration over a grand event. If rumours are to be believed, the duo is planning to tie the knot in February 2026.

While fans are eagerly awaiting an official confirmation, neither Vijay nor Rashmika — nor their family members — have commented on the engagement news. This isn’t the first time such reports have surfaced. Earlier, in 2024, speculation was rife that the two were set to get engaged in February 2025, but the rumours eventually fizzled out. However, with the latest round of buzz and several industry insiders dropping subtle hints in interviews, fans are once again hopeful that the long-speculated romance might be turning into a real-life love story.

Interestingly, amid these reports, Rashmika’s latest social media post has also caught attention. Dressed in a traditional saree, the actress wished her followers on Dussehra with a heartfelt note. “Happy Dussehra my loves.. This year, I’m feeling extra grateful because of all the love you’ve been showering on the Thamma trailer and our song… Your messages, your excitement, your constant support… you make every moment bigger and happier for me… And I can’t wait to see you all super sooooon during the promotions,” she wrote. Fans couldn’t help but read between the lines, with many wondering if the post carried subtle hints about her personal happiness.

 

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On the work front, Rashmika will next be seen in Thamma opposite Ayushmann Khurrana. The horror-comedy, set against the backdrop of vampires, also stars Nawazuddin Siddiqui and Paresh Rawal and is slated for release on October 21, coinciding with Diwali. She also has The Girlfriend and Mysaa lined up. Vijay Deverakonda, meanwhile, continues to balance a mix of action and romance projects, though he has remained tight-lipped about his personal life.

If the latest reports hold true, fans might soon be celebrating the union of one of South cinema’s most adored on-screen couples — in real life.

Also Read: Thamma: YRF joins hands with Maddock Films to distribute Ayushmann Khurrana and Rashmika Mandanna starrer internationally

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