Web Series Review: MUSAFIR CAFE is a relatable romantic drama with Vikrant Massey and Vedika Pinto’s fine acts

Star Cast: Vikrant Massey, Vedika Pinto, Mahima Makwana

Director: Ruchir Arun

Synopsis:
MUSAFIR CAFE is the story of three characters at a crossroads, unfolding across two timelines. In 2018, Chander Mohan Sharma (Vikrant Massey) lives alone in Bhopal, away from his mother (Anubha Fatehpuria), and works at a company called DWD Logistics. At his mother’s insistence, he meets prospective brides for an arranged marriage. During one such meeting, he crosses paths with Sudha Tripathi (Vedika Pinto), a lawyer. Though they initially reject each other, they soon grow attracted to one another. Circumstances eventually lead them to start living together in Chander’s flat. A parallel track is set eight years later, in 2026. Chander has fulfilled his dream of opening Musafir Cafe in Mussoorie. He runs the cafe with his partner, Preeti Kaushik (Mahima Makwana). The two are deeply in love, but Chander is yet to completely move on from Sudha. What happens next forms the rest of the series.

Musafir Cafe Story Review:
MUSAFIR CAFE is based on a book by Divya Prakash Dubey. The story is relatable and deals with the complexities of modern-day dating. Sharanya Rajgopal’s screenplay is breezy and filled with moments from everyday life. At the same time, the writing leaves a lot to be desired, especially in the present-day portions. Sharanya Rajgopal’s dialogues are witty and add to the humour.

Ruchir Arun’s direction is simple and effective. The show goes against the prevailing trend, as it features no violence, bloodshed or abusive language. Even the intimate scenes are treated aesthetically, making the series comfortable to watch with the family. The track involving Chander and Sudha is highly memorable, and one is likely to have a smile throughout their scenes. Moreover, the supporting characters complement their love story well, while their introductory scenes are entertaining, be it Mala Didi or Chander’s mother. The latter’s entry sequence, in particular, is hilarious. The conflicts that arise in Chander and Sudha’s relationship add the required drama. Since both timelines run parallel, one remains intrigued to know what transpired between them. Lastly, the episodes are short, and the entire series has a runtime of just around four hours.

On the flipside, while the makers present the Chander-Sudha love story in all its glory, they fail to do equal justice to the track involving Chander and Preeti. Their first meeting and the development of their relationship are merely explained through dialogue. In the absence of visual representation, their love story fails to create the desired impact. Similarly, the track involving Mark (Adil Hussain) and Nilima (Sadiya Siddiqui) seems half-baked. Viewers learn how they entered the protagonists’ lives and what happened to them later, but the events in between remain largely unexplored. Rahil Qureshi’s (Rajeev Siddhartha) character also fails to leave the desired impact. The climax is abrupt and ends on a cliffhanger, which might not appeal to all viewers. Ironically, a show that extensively explores the idea of closure fails to provide closure to its audience. Another issue is that even the otherwise engaging Chander-Sudha romantic track might leave viewers puzzled, as Sudha’s behaviour at certain crucial moments comes across as unfair.

Musafir Cafe Performances:
Vikrant Massey, who has been seen in intense and even negative roles lately, brings back his OG romantic side. He slips into such roles effortlessly and moreover, his performance is now even more nuanced in such characters. He also convincingly passes off as a man in his mid-20s in the 2018 scenes. Vedika Pinto outshines everyone else in the show and delivers a power-packed performance, even though some of her character’s actions are bewildering. Mahima Makwana puts up a sincere performance and one wishes her character had more to do in the show. Anubha Fatehpuria is very memorable, especially in her entry scene. Adil Hussain delivers an adorable performance while Sadiya Siddiqui lends able support. Rajeev Siddhartha is fine but is let down by the writing. Ranjana Aanjjan Srivastav (Mala Didi) delivers an entertaining performance and same applies to Ismeet Kaur Kohli (Gargi). Loveleen Mishra (Sudha’s mother) and Karan Mally (Kushal Pandit; also the show’s casting director) are fair.

Musafir Cafe music and other technical aspects:
The songs are well-woven into the narrative. The male and female versions of ‘Tera Hua Sahiba’ are the best of the lot, followed by ‘Kaafi Hai Na’, ‘Kaisi Jadugari’ and ‘Rozaana’. Neel Adhikari’s background score is non-interfering and flows beautifully.

Aniruddha Patankar’s cinematography is spectacular. The locales of Mussoorie are captured beautifully, yet the cinematography never makes the show resemble a tourism advertisement. Naveen Lohara’s production design is classy. Rohini Bose’s costumes are realistic and stylish, especially the ones worn by Vikrant Massey and Vedika Pinto. Yasha Jaidev Ramchandani’s editing is slick and unhurried.

Musafir Cafe Review Conclusion:
On the whole, MUSAFIR CAFE is a warm, breezy and relatable romantic drama, elevated by Vikrant Massey and Vedika Pinto’s performances, witty dialogues, soothing music and picturesque visuals. However, the underdeveloped parallel tracks and abrupt climax dilute its overall impact.

Rating – 3 stars

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Vaani Kapoor voices support for students protests: “My heart has been with the young people”

Vaani Kapoor has added her voice to the growing number of celebrities expressing support for students amid the ongoing protests across the country. The actress took to Instagram to share a heartfelt message, praising the determination and unity displayed by young people while encouraging empathy and meaningful dialogue.

In her Instagram note, Vaani reflected on the courage shown by students and expressed her admiration for their efforts. She wrote, “My heart has been with the young people through all of this. Seeing them come together for the future they believe in with such hope, courage and conviction has been deeply moving.”

The actress also highlighted the importance of responding to students with compassion and understanding rather than indifference. Continuing her message, she added, “I hope they’re met with empathy, understanding and a genuine willingness to listen.” Vaani concluded her post with the Indian flag and a white heart emoji, symbolising solidarity, hope and peace.

 

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Her statement comes at a time when student demonstrations have sparked widespread discussions across the country, with several actors and public figures sharing their views on social media. Over the past few days, a number of celebrities have publicly voiced support for students, stressing the need to acknowledge their concerns and engage in constructive conversations.

Vaani’s message quickly drew attention online, with many fans praising her for speaking on the issue. Several social media users appreciated the actress for her thoughtful words, describing her post as compassionate and encouraging. Others reshared her message, helping it reach a wider audience as conversations surrounding the protests continued to gain momentum.

Rather than making an elaborate political statement, Vaani chose to focus on the resilience, hope and conviction demonstrated by the students. Her message centred on the importance of empathy, mutual respect and open communication, striking a chord with many followers who believe that listening to young voices is essential.

As the nationwide discussions around the student protests continue, Vaani Kapoor’s Instagram post has emerged as another notable celebrity response. By expressing solidarity with students and advocating for compassion and understanding, the actress has contributed to the broader public conversation while reinforcing the call for meaningful engagement with the concerns raised by young people.

Also Read : Bollywood Hungama Style Icon Awards Glamour: Ananya Panday, Sharvari, Pooja Hegde, Manushi Chhillar, and Vaani Kapoor serve standout fashion moments

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Vikrant Massey opens up about industry bias and the impact of his National Award win; says, “There’s a lot more trust now”

Vikrant Massey has reflected on the transformative impact of 12th Fail on his career, revealing how the film not only earned him the National Film Award for Best Actor last year but also changed the industry’s perception of him. In an exclusive conversation with News18, the actor admitted that the recognition has opened new opportunities and increased the confidence filmmakers have in him.

Speaking about the shift, Vikrant said, “The access to certain rooms has increased. I wouldn’t deny that. But that’s the nature of life.” Despite the newfound recognition, he clarified that he never felt resentful about receiving appreciation only after the success of 12th Fail. “Not just in the film industry but also in sports, politics and the corporate world, if you’ve achieved a benchmark, the world starts seeing you differently. It really doesn’t surprise me. I’m not bitter about the fact that log mujhe National Award ya 12th Fail ke baad alag nazar se dekh rahe hai,” he shared, adding, “I always aware of this facet of life. It was like this before me and it will remain that way even after I’m gone.”

The actor also recalled a candid conversation with filmmaker Vidhu Vinod Chopra during the making of 12th Fail. Calling Chopra his mentor, Vikrant said, “He’s my mentor and someone who has handheld me throughout my journey and continues to do that. He told me, ‘Why would someone pay their hard earned money to watch you in a theatre when they can easily access you on Netflix? Woh apne ghar pe baithke tujhe dekh sakte hai.’ That has changed now.”

Vikrant believes audience trust has grown significantly since then. “There’s a lot more trust now. I realise there’s a lot more responsibility on me. I recognise that there’s a certain section of people who are shelling out their money to watch me. I want to be worth their time and money,” he said.

The Musafir Cafe actor also spoke about the prejudice he faced while transitioning from television to films. Having started his acting career with the TV show Dhoom Machaao Dhoom, Vikrant said the industry often looked down upon television actors. “I come from TV, a medium which is extremely powerful. But your professional circle tends to look down upon it. But the lines are blurring now and that has happened with the advent of OTT,” he remarked.

He further revealed that being labelled a “TV actor” used to offend him because it reflected a bias. “Today, you don’t refer to an actor who began their career with TV as a ‘TV actor’ like the way it used to be. I would really get offended when a supersedure would describe me as a TV actor. An actor is an actor. Usko badalne ke liye maine bahot koshish ki,” Vikrant concluded.

Also Read : Vikrant Massey credits son Vardaan for National Award win: “A lot of things have changed since he came”

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Kubbra Sait on the right to question systems; says,”Fixing the system does not mean hating it”

Actor and author Kubbra Sait shared her thoughts on the right to question systems and institutions in a recent video posted on social media, stating that raising concerns should not be mistaken for opposition.

In the video, Kubbra used an analogy to explain her perspective. She asked viewers to imagine living in a building where the lift had been dysfunctional for years, and when a resident approached the building secretary requesting that it be repaired, the response they received was, “So you hate this building?”

According to Kubbra, that reaction misses the point entirely. “I live in this building. I love this building. I just want the lift to be fixed,” she said, drawing a parallel to how criticism is often perceived in society.

The actor noted that when people point out problems, the focus frequently shifts from the issue itself to questioning the intentions of the person raising it. “The moment someone says something isn’t working, you stop listening to the problem. We start judging the person,” she said.

Referring to students who have taken to the streets to question the examination system, Kubbra said that before deciding whether protesters are right or wrong, it is important to understand why they are protesting. She said those raising their voices often do so because they feel unheard. Kubbra’s comments have resonated with many online. Her message reflects a broader principle that questioning systems and seeking accountability should not be viewed as acts of hostility, but as efforts to improve the institutions people care about.

She said that asking for the lift to be fixed does not mean hating the building, it means wanting it to work better for everyone.

Also Read: Kubbra Sait applauds Madhuri after watching Lock Upp episode: “She made me cry”

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Saif Ali Khan makes an attention grabbing appearance at Lord’s Stadium; heritage-inspired Winchester College tie becomes the highlight of his look

Saif Ali Khan made a stylish appearance at the recently concluded India vs England Test match at the iconic Lord’s Cricket Ground in London, but it wasn’t just his sharp tailoring that caught the internet’s attention. While the actor exuded effortless sophistication in a well-cut suit, it was a subtle accessory—his tie—that sparked curiosity among fashion enthusiasts and fans alike.

The actor was seen sporting an Old Wykehamist tie, the official alumni tie of Winchester College, one of England’s oldest and most prestigious educational institutions. More than just a fashion statement, the tie carries deep cultural significance in the United Kingdom, where wearing an old school tie is considered a proud symbol of one’s heritage, educational legacy, and lifelong connection to an institution.

Saif’s choice of accessory resonated with many who admire his understated yet thoughtful approach to style. Rather than opting for a bold designer logo or a trend-driven piece, the actor chose an item rooted in personal history and tradition. The Old Wykehamist tie is instantly recognizable among Winchester College alumni and reflects a long-standing British custom that continues to hold significance even decades after graduation.

Known for his refined sartorial choices, Saif Ali Khan has often embraced classic menswear with an appreciation for history and craftsmanship. Whether attending film events, public appearances, or international gatherings, the actor frequently incorporates timeless tailoring and heritage-inspired elements into his wardrobe, making his fashion choices stand out for their elegance rather than extravagance.

 

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His appearance at Lord’s also generated buzz among cricket lovers, as several celebrities were spotted enjoying the much-anticipated India vs England clash. Fans on social media praised Saif’s polished look, with many appreciating the story behind the tie after learning about its association with Winchester College.

The appearance once again reinforced Saif’s reputation as one of Bollywood’s most stylish actors, proving that meaningful details can often make the strongest fashion statement.

On the professional front, Saif Ali Khan is gearing up for the release of Haiwaan, directed by Priyadarshan. The film marks his reunion with Akshay Kumar, a pairing that has delivered several memorable films over the years. Scheduled to hit theatres on September 11, Haiwaan is among the most anticipated releases on Saif’s upcoming slate, with fans eager to see the duo reunite on the big screen once again.

Also Read: Saif Ali Khan steps into a visually challenged hero role in Haiwaan: “It is one of the most amazing roles”

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EXCLUSIVE: Onir “DISHEARTED” with 72nd National Awards winners, says All We Imagine As Light, Laapataa Ladies and others deserved recognition

The 72^nd National Film Awards were announced last evening for the films released in 2024. Following the announcement, there has been a wave of happiness amongst the winners as well as their fans and admirers. Hence, the social media is flooded with congratulatory messages being poured in on the winners. On the other hand, the winners have shared statements of gratitude for their win.

However, there is a section of the audience that is disappointed with the results of the awards and they have been vocal. But there are very few people from the film fraternity itself who have voiced their disappointment towards the same. One among them is filmmaker Onir.

The My Brother Nikhil director took to his X (formerly Twitter) and posted, “They Have TOTALLY LOST TEH PLOT. #72ndNationalFilmAwards.”

They Have TOTALLY LOST TEH PLOT.#72ndNationalFilmAwards

— iamOnir (@IamOnir) July 18, 2026

Bollywood Hungama contacted Onir to ask if he wishes to elaborate on why he is disappointed with the results of the National Award winners. The filmmaker politely refused for an interview but sent a text message saying why he is disappointed to see certain films being ignored by the National Awards jury.

Onir said, “Just disheartening not to see All We Imagine As Light, Laapataa Ladies or Girls Will Be Girls being recognised for film, director or actors (awards). And Diljit Dosanjh in Amar Singh Chamkila.”

Directed by Payal Kapadia, All We Imagine As Light made India proud at Cannes Film Festival by being the first film from the country in 30 years to win the prestigious Grand Prix. Hence, there were hopes from the film’s admirers for its triumph at this year’s National Awards.

Also Read: Ajay Devgn in Maidaan, Laapataa Ladies, Fahadh Faasil in Aavesham, Manjummel Boys: 7 acclaimed films and performances that were SHOCKINGLY ignored by 72nd National Film Awards

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72nd National Film Awards: Prabhas celebrates Kalki 2898 AD wins; says, “A proud honour for the entire Kalki family”

Kalki 2898 AD added another milestone to its journey after securing two honours at the 72nd National Film Awards. The Nag Ashwin directorial won the award for Best Popular Film Providing Wholesome Entertainment, while Nitin Zihani Choudhary was recognised with the Best Production Design award for his work on the film.

Following the announcement, lead actor Prabhas celebrated the achievement on social media by sharing the official National Award announcement poster on his Instagram Stories. Expressing his happiness over the recognition, the actor wrote, “A proud honour for the entire #Kalki2898AD family….”

The production banner, Vyjayanthi Films, also marked the occasion by sharing a note thanking audiences and everyone associated with the project for contributing to its success. “This recognition is a celebration of every artist, technician, and every heart behind #Kalki2898AD. Thank you for believing in our vision and making this journey truly special. The next chapter carries not just our vision, but your belief. We promise to make the wait for #Kalki2 worth it,” the production house wrote on Instagram.

 

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Directed by Nag Ashwin, Kalki 2898 AD released in 2024 and blended mythology with science fiction in a futuristic narrative. The film was noted for its large-scale production, visual effects and expansive world-building, emerging as one of the biggest commercial successes of the year.

The film features an ensemble cast led by Prabhas, alongside Amitabh Bachchan, Kamal Haasan, Deepika Padukone, Disha Patani and several others in pivotal roles. Upon release, it received appreciation for its visual scale, production values and ambitious storytelling.

The National Film Awards recognition further adds to the film’s list of achievements, with the Best Popular Film Providing Wholesome Entertainment honour acknowledging its widespread appeal, while the Best Production Design award recognises the extensive effort that went into creating its futuristic cinematic universe.

Meanwhile, anticipation continues to surround Kalki 2, the sequel to the blockbuster. While the makers have confirmed that the story will continue in a second instalment, work on the film is yet to begin as the principal cast is currently occupied with other commitments.

With two National Film Awards now to its credit, Kalki 2898 AD has further strengthened its position as one of the notable Indian films of 2024, while Prabhas and the team continue to celebrate the recognition received at one of the country’s most prestigious honours for cinema.

Also Read: 72nd National Film Awards: Amaran, Bramayugam, Kalki 2898 AD lead South Indian cinema winners

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Arshad Warsi starrer Jeevan Bheema Yojana to release on August 28

The makers of Jeevan Bheema Yojana have announced the release date of the upcoming dark comedy crime thriller. Headlined by Arshad Warsi, the film is slated to arrive in cinemas worldwide next month. Directed by Abhishek Dogra, the project marks the first time in Warsi’s career that he will be seen in a double role.

The film revolves around Arshad Warsi’s dual characters, Jeevan and Bheema—a debt-ridden common man and his dangerous lookalike—whose lives intersect in unexpected circumstances, leading to a series of chaotic events. Sanjeeda Shaikh plays Yojana, a resourceful wife who devises an ambitious fraud, while Vijay Raaz essays the role of Vinayak, a mysterious man with secrets that gradually unfold.

Sharing details about the film, director Abhishek Dogra said, “Jeevan Bheema Yojana is a film about ordinary people making one extraordinary, catastrophic decision — and then spending the rest of the film paying for it. The genre is dark comedy, but the heart of it is very human. Greed, desperation, love, and the terrible momentum of a lie you can’t stop telling. Arshad brings both men to life with a precision that constantly surprised us on set.”

Raman Raheja, Director of StarBeam Ventures Ltd and co-producer, also spoke about the project, saying, “This is the first of the multiple releases lined up by StarBeam Ventures Ltd in the next 6-12 months and what better way to start than having the ever-loved Arshad Warsi featuring in a double role for the first time in his career. Audiences will love it.”

The announcement adds another project to Arshad Warsi’s upcoming slate, with the actor exploring a dual-character narrative for the first time. Directed by Abhishek Dogra, Jeevan Bheema Yojana combines elements of crime, dark humour and family drama, with the story centring on how one decision triggers an increasingly complicated chain of events.

Presented and produced by StarBeam Ventures Ltd (formerly Blue God Entertainment Ltd), Jeevan Bheema Yojana also features Pooja Chopra, Bijendra Kala and the late Atul Parchure in pivotal roles.

With its ensemble cast and a premise built around mistaken identity and deception, Jeevan Bheema Yojana is set to release in cinemas worldwide on August 28, 2026.

Also Read: Vir Hirani thanks Arshad Warsi after Pritam and Pedro debut; says, “Having you by my side made all the difference”

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Photos: Ranbir Kapoor spotted outside a Kalina airport

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Sameera Reddy opens up about body shaming during her 2002 debut; says, “I was made two to three shades lighter”

Sameera Reddy has spoken candidly about the unrealistic beauty standards she encountered during the early years of her Bollywood career. Looking back at her acting debut in the 2002 film Maine Dil Tujhko Diya, the actress revealed that she was asked to alter her appearance to fit industry expectations, including lightening her skin tone with makeup and wearing padded bras.

Speaking in an interview with Hauterrfly, Sameera recalled, “In my first film, Maine Dil Tujhko Diya, I was made two to three shades lighter. I almost looked grey! I used to do full body makeup to match the colour of my face with my body.” She said these practices reflected the rigid beauty standards that were prevalent at the time.

Questioning society’s perception of beauty, the actress added, “Do you know how many women have it in their own families? Her own parents and in-laws say, ‘You’re dark or fat.’ What the hell! Who has given the definition of beauty?”

Sameera admitted that accepting herself was a long journey that took over two decades. Reflecting on her struggles with self-image, she said, “The confusion with what I had to represent, what I’m selling, and who I am — I have to say it was only in my 40s that I broke it! It took me 20 years because for all these years, I was wearing only padded bras, bum pads, and coloured lenses.”

The actress also shared that comments about her body began early in her career. “I was always ‘pleasantly plump’ since my childhood, as I’d like to put it. When I lost weight, I was told, ‘Your bum is flat.’ Today, I can laugh about it. I was struggling till my 30s with my identity that I’m not that fair, I don’t have light eyes, and I’m not too tall! I used to hunch and walk because my hero wasn’t tall. But now I’m like, ‘That’s not my problem, bro! You wear heels!’ At that time, it was such a problem. So, what do you do? You make the girl feel bad,” she said.

Sameera further revealed that the pressure to change her appearance also came from members of the film crew. “Even the dress designers told me right from the start that I had to do something about it. So, all my outfits had built-in bras with pads. And I’ve to tell you I’ve the best collection of pads! I was told so many times, ‘How much can we try with the pads, Sameera? Just do something about it. What is it going to take, anyway?’” she recalled.

Maine Dil Tujhko Diya marked the Bollywood debut of both Sameera Reddy and Sohail Khan, who also wrote, directed and produced the film. After a 14-year break from Hindi cinema, Sameera recently returned to the big screen with Abhijeet Mohan Warang’s political drama Aakhri Sawal, which released in theatres on May 15.

Also Read : Aakhri Sawal trailer: Sanjay Dutt vows to give the final answer to the final question

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Anupam Kher, Anubhav Sinha among top honourees as NIFFA 2026 concludes

The National Indian Film Festival of Australia (NIFFA) concluded its 2026 edition with grand closing ceremonies held across Brisbane and the Gold Coast, marking another successful chapter in its journey as one of the largest showcases of Indian cinema outside India. Bringing together filmmakers, industry professionals and cinema enthusiasts from both nations, the festival celebrated storytelling while strengthening cultural and creative ties between India and Australia.

Among the biggest winners, Jeejivisha Kale’s Marathi drama Tighee (Motherhood) secured the Best Indie Feature award, while Ankur Arun Kakatkar’s Mumbai-based romance Courage was named Best International Indie Feature. Chintan Kamlesh Parekh’s documentary Gottipua: Beyond Borders, which premiered globally at the festival, won Best Documentary. Meanwhile, Khwabeeda, directed by Beybaar and Vishal Tiwari, received the Best Short Film honour in association with Pocket Films.

Adding to the significance of the awards, the producers of both winning feature films are graduates of Australian film schools, reflecting the growing influence of Australia-trained filmmakers in India’s independent cinema landscape.

The festival also recognised several notable personalities from the Indian film industry. Veteran actor Anupam Kher was presented with the Indian International Cinema Icon Award, while filmmakers Anubhav Sinha and Leena Yadav received the prestigious Nishtha Awards. Trade analyst Komal Nahta was honoured with the Vimarsh Samman.

NIFFA 2026 expanded its reach more than ever before, covering over 13 Australian cities through more than 200 screenings, workshops, masterclasses, red-carpet events and special presentations. More than 32 films in 15 Indian languages were showcased across metropolitan centres, regional towns and outback locations.

Festival Director Anupam Sharma reflected on the event’s growing impact, saying, “In a short time NIFFA became something bigger – a national platform where cinema, culture, community and commerce between India and Australia meet in real time. This is very important in the current environment of anti-immigration and pro-monocultural narratives being attempted.”

Queensland politician Hon John-Paul Langbroek MP also praised the initiative, stating, “Festivals such as NIFFA play an important role in connecting communities, celebrating cultural exchange and showcasing the power of storytelling to bring people together… we are delighted to host a festival that strengthens the cultural and creative ties between Australia and India.”

The festival also announced a three-year partnership with Destination NSW and a two-year collaboration with the Northern Territory, paving the way for greater discussions around filming opportunities, co-productions and creative partnerships between India and Australia. With strong backing from government bodies and film organisations in both countries, NIFFA 2026 once again highlighted cinema’s ability to foster cultural understanding and deepen international collaboration.

Also Read : Anupam Kher breaks silence on Ram Mandir controversy; says, “I was never scared before, I’m not scared today”

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Samantha Ruth Prabhu on embracing motherhood; says, “I’ve been waiting for this moment, I’ve always wanted to be a mother”

Samantha Ruth Prabhu is embracing a new phase in her personal life as she prepares to welcome her first child with husband Raj Nidimoru. After recently confirming her pregnancy during the promotions of Maa Inti Bangaaram, the actress has now opened up about her excitement for motherhood, revealing that it is something she has long dreamed of.

In an interview with Pinkvilla, Samantha shared that becoming a mother has always been close to her heart. “It’s definitely new and exciting. But I’ve been waiting for this moment for a while now. I’ve always wanted to be a mother. So I know that I’ll be giving this my all,” she said.

This marks Samantha’s first pregnancy. The actress married filmmaker Raj Nidimoru in December 2025 following her divorce from actor Naga Chaitanya. She is currently on maternity leave after wrapping up her ongoing professional commitments.

Speaking further about this new chapter, Samantha described the emotional transformation she has been experiencing. “I’ve always been passionate about everything in life. But now I feel I carry a different, new kind of strength and purpose in me. I’m looking forward to this journey a lot. And I’m filled with gratitude, learning every day, and getting ready to embrace whatever comes next,” she added.

Speculation about Samantha’s pregnancy first gained momentum when fans noticed what appeared to be a baby bump during the success celebrations of Maa Inti Bangaaram. The actress later confirmed the news herself at the film’s success event, where she also announced that she would be taking a brief maternity break after completing her scheduled work.

Alongside this personal milestone, Samantha is also celebrating a major professional achievement. Her latest Telugu action comedy-drama, Maa Inti Bangaaram, has crossed the Rs 100 crore mark in worldwide gross box office collections. The actress recently shared a video capturing her reaction after learning about the film’s success while relaxing at home.

Expressing her gratitude, Samantha thanked audiences for their overwhelming support and reflected on the initial uncertainty surrounding a woman-led film. She noted that the film’s strong box office performance represents the beginning of a larger shift for female-led cinema.

Directed by BV Nandini Reddy, Maa Inti Bangaaram is produced by Samantha Ruth Prabhu, Raj Nidimoru and Himank Reddy Duvvuru under the banner of Tralala Moving Pictures. The film has emerged as both a commercial success and a significant milestone in Samantha’s career, making this an especially memorable period in the actress’s life as she prepares to step into motherhood.

Also Read : Samantha Ruth Prabhu flaunts baby bump in her first playful post on Instagram

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Varun Tej gets possessed by a Korean spirit in Korean Kanakaraju teaser; film releases on August 7

The teaser for Korean Kanakaraju, a Telugu horror comedy starring Varun Tej, Ritika Naik and Satya, released on July 13. Directed by Merlapaka Gandhi, the film is set for a theatrical release on August 7. It is produced by Rajeev Reddy and Sai Babu Jagarlamudi under the UV Creations and First Frame Entertainment banners.

The teaser opens with Varun Tej’s character Kanakaraju introducing himself and his hometown of Penukonda in Rayalaseema, establishing the film’s rural setting. The narrative shifts when a vessel arriving from Korea carries a supernatural presence that possesses Kanakaraju, transforming him into Korean Kanakaraju and setting the story’s central premise in motion.

Moving between the landscapes of Penukonda and Korea, the teaser builds around the comic and supernatural fallout of the possession. Ritika Naik plays a Korean girl central to the plot, while Satya appears alongside Varun Tej through several scenes.

The technical team includes Thaman S as music composer, Manojh Reddy as cinematographer and Satyaa G as editor. The film has been shot across locations in Rayalaseema and South Korea.

Varun Tej was last seen in Matka (2024), directed by Karuna Kumar, and the Hindi action thriller Operation Valentine (2024), directed by Shakti Pratap Singh. Ritika Naik previously featured in Mirai (2025), written and directed by Karthik Gattamneni, and Hi Nanna (2023) alongside Nani and Mrunal Thakur. Satya was most recently seen in Peddi (2026), starring Ram Charan, Janhvi Kapoor and Shivarajkumar, and Alcohol (2026), directed by Meher Tej.

Korean Kanakaraju releases in theatres on August 7, 2026.

Also Read: Varun Tej suffers knee fracture during Bhari shoot and undergoes surgery; sister Niharika Konidela shares health update

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Jayati Bhatia opens up on playing the ruthless Sharda on Jaane Anjaane Hum Mile: “It has been one of the most challenging journeys of my career”

Zee TV show Jaane Anjaane Hum Mile has continued to keep viewers invested with its dramatic storyline and emotional twists. Headlined by Bharat Ahlawwat as Raghav and Aayushi Khurrana as Reet, the show is currently centred around one of its biggest storylines yet, with Sharda Bua, also known as Shalini Batra, emerging as the mastermind behind the separation of Reet and Raghav after allegedly kidnapping their newborn child.

At the heart of this intense narrative is actress Jayati Bhatia, whose portrayal of the manipulative and calculating Sharda has become one of the show’s most talked-about aspects. As the character continues to descend into darker territory, the actress has reflected on the emotional and creative challenges of portraying such a layered negative role for over a year and a half.

Speaking about the experience, Jayati Bhatia said, “Playing Sharda, aka Shalini Batra, for over one and a half years has been one of the most challenging yet fulfilling journeys of my career. With every twist in the story, Sharda’s negativity has only grown and staying in that headspace for 12–14 hours a day pushes me as an actor. But the moment I pack up, I make it a point to leave Sharda on the sets and become Jayati again. My co-stars have always understood that Sharda is just a character, so off-screen we’re constantly laughing and enjoying each other’s company. As for the audience, when they get angry with Sharda or criticize her actions, I take it as a compliment because it means they’ve completely accepted me in the role. I never take those reactions personally. Instead, they motivate me to portray Sharda with even more conviction and honesty. For me, that’s the biggest reward of playing a powerful negative character.”

The actress also highlighted the importance of maintaining a clear distinction between her on-screen persona and her real-life self, revealing that she consciously leaves the character behind once the day’s shoot comes to an end.

The current storyline has raised the stakes in Jaane Anjaane Hum Mile. As Reet’s baby, Reyansh, unknowingly returns home, Sharda remains determined to prevent a reunion between mother and son. Her latest scheme is expected to further complicate the lives of Reet and Raghav, setting the stage for more suspense and emotional confrontations in the episodes ahead.

With Sharda’s actions continuing to drive the narrative forward, viewers can expect more dramatic twists as the mystery surrounding Reyansh unfolds. Jaane Anjaane Hum Mile airs every day at 10:30 pm on Zee TV.

Also Read: Ayushi Khurana opens up about challenges she faced while shooting inside a water tank

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Photos: Dhvani Bhanushali spotted in Khar

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Dhamaal 4 Box Office Day 3 Evening Update: Collects Rs. 20.91 crore by 5 PM; records 50% occupancy in evening shows on Sunday

Dhamaal 4 has recorded a phenomenal jump in collections on its third day at the domestic box office. The comedy entertainer has collected approximately Rs. 20.91 crore as of 5 PM on Sunday and is headed towards a massive Day 3 total.

The film began the day with occupancy of around 20% during the morning shows. The response surged significantly during the early and late afternoon shows, which registered occupancy of approximately 46%. The evening shows have grown further, recording occupancy of nearly 50%.

The night shows are currently tracking at around 27%, though the figure is expected to improve as spot bookings gather momentum closer to showtime.

Dhamaal 4 is witnessing strong audience turnout across the country, with most major cities recording occupancies in excess of 40%. Several smaller towns and centres have performed even better, registering occupancies in the range of 50% to 60%.

The widespread growth beyond the metropolitan markets highlights the franchise’s strong mass and family appeal. With the evening shows running to packed houses across several centres and night-show bookings continuing to rise, Dhamaal 4 is set to conclude its opening weekend on a blockbuster note.

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Photos: Cast of Dil Deewana Ho Gaya announce release date of the film

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The Odyssey Mumbai press conference: Matt Damon REGRET turning down Shekhar Kapur’s The Four Feathers: “It’s a 20-year-old DEBT that I have been carrying around in my pocket!”

Christopher Nolan, Matt Damon, Tom Holland and producer Emma Thomas attended the press conference of their film, The Odyssey, at a five-star hotel in South Mumbai. Bollywood Hungama was one of the privileged few to attend this press meet. Matt surprised one and all as he spoke about his regret of not doing a film with Shekhar Kapur.

Matt Damon was asked if he’d like to work with an Indian filmmaker and who that would be. He said, “The filmmaker that everybody wanted to collaborate with is Shekhar Kapur. I remember when I couldn’t do The Four Feathers for some reason and I was really upset about that (laughs). I think I was signed up for a Bourne movie. So, I guess he’s always been on my list. I’d like to have another go. That’s like a 20-year-old debt that I have been carrying around in my pocket!”

He also opened up about working on The Odyssey, “I had the benefit of those 35 years behind me and (it was an exciting) opportunity to play a role like this; he’s such a fascinating, complex character. But to do it at this scale in this way with Chris – everything practical and everything in camera – it felt like my one chance to do a David Lean movie! I always wanted to do that (smiles). I felt such gratitude the moment he called me. I had a sense of what it was going to entail.”

Matt Damon continued, “It required so much of work from so many thousands of people. Every single person wanted to be there and nowhere else. We collected crew members in every country that we went to. We knew we were working with the elite members that are coming on board for that section to take on that set piece, and then you move on. We did that in Greece, Iceland, Morocco and Italy. It was just the most exceptional group of people who were just there for the same reason.”

He raised laughs as he said, “I told this to Emma early about producing this film. I asked her, ‘What is wrong with you?’! I told her that I was so happy that I am not a producer on this movie (laughs) because the level of coordination was beyond anyone’s imagination. She said to me, ‘This is like 6 or 7 movies, but we actually made each of these movies already. We have gone underwater with Dunkirk (2017), we have been on mountains with Batman. We have made all of these movies and so, we are prepared to make this one’.”

Matt Damon concluded, “I drew upon every tool from the toolkit and every experience that I have gathered over the course of my life to prepare for this moment. And I had the privilege of doing it alongside the most extraordinary group of people.”

The Odyssey releases in cinemas on July 17.

Also Read: The Odyssey Mumbai premiere: Christopher Nolan attends film’s ONLY fan screening worldwide; calls Indian audiences “some of the MOST enthusiastic and knowledgeable in the world”; playfully asks, “Who is better in the film – Matt Damon or Tom Holland?”

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Robert Downey Jr on playing Doctor Doom in Avengers: Doomsday: “I played the best hero… I can play the best villain”

The excitement surrounding Avengers: Doomsday continues to grow as fans eagerly await Robert Downey Jr’s return to the Marvel Cinematic Universe. However, this time the Oscar-winning actor will step into a completely different role, leaving behind his iconic portrayal of Tony Stark/Iron Man to play one of Marvel’s most feared villains, Doctor Doom.

The announcement of Downey Jr’s casting as Doctor Doom sparked widespread discussion among Marvel fans, who are curious to see the actor take on a darker and more complex character after spending over a decade as the face of the franchise’s greatest hero.

Adding to the anticipation, Marvel Studios president Kevin Feige recently shared how Downey Jr responded when he was approached for the role. Speaking at a recent event, Feige recalled the actor’s confident reaction, saying, “His exact words were, ‘I played the best hero… I can play the best villain.'”

“why….. WHYYYY rdj as doom” answer by kevin feige #AvengersDoomsday pic.twitter.com/2dbsWm4YIO

— em (@drdoomarchive) July 11, 2026

The statement has quickly caught the attention of Marvel fans, with many looking forward to seeing how Downey Jr reinvents himself as Victor Von Doom, one of Marvel Comics’ most iconic antagonists. Doctor Doom is known for his intelligence, power and strategic mind, making him a formidable opponent for Earth’s Mightiest Heroes.

Downey Jr’s return marks one of the biggest casting developments in the MCU, especially after Iron Man’s emotional farewell in Avengers: Endgame. His comeback in an entirely new role is expected to bring a fresh dynamic to the franchise while opening a new chapter in the Marvel saga.

With production progressing and excitement continuing to build, Avengers: Doomsday has already become one of the most anticipated superhero films on the release calendar. Fans are now waiting for the first official look at Downey Jr as Doctor Doom and to see how his version of the legendary villain fits into the future of the Marvel Cinematic Universe.

Also Read : Tom Holland on Spider-Man’s future after Brand New Day: “If I could do what Robert Downey Jr did for me…”

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EXCLUSIVE: Here’s why Aditya Chopra and Luv Ranjan are mentioned under ‘Special Thanks’ in Ikka

Ikka has finally released today on Netflix and the film is much awaited as it brings together two veteran powerhouse performers – Sunny Deol and Akshaye Khanna. Interestingly, the opening moments of the end credits feature a surprise. The ‘Directed by Siddharth P Malhotra’ slate is followed by the names of Aditya Chopra and Luv Ranjan under the ‘Special Thanks’ section.

Bollywood Hungama spoke exclusively with Siddharth P Malhotra for the reason behind it. He said, “They (Aditya Chopra and Luv Ranjan) had worked on it. As I have mentioned in many of my interviews, lots of people helped to get this film made. Ikka bante-bante nahin bani. Everyone liked the script. But due to casting issues or financial factors, it didn’t materialize. At one point, both Adi and Luv sir made immense contributions to the script. It was only correct for me to thank them and give credit where its due.”

He added, “Iss script pe Adi ne mehnat ki thi; unke baad Luv sir ne bhi mehnat ki thi.”

The years-long struggle finally ended on a high when Sunny Deol and Akshaye Khanna came on board as Ikka’s lead actors. Siddharth P Malhotra admitted, “This casting is god-sent. Nobody ever thought that such casting would fall into place.”

Siddharth P Malhotra has made two films for Yash Raj Films – the 2018 box office hit Hichki and Junaid Khan’s launch vehicle, Maharaj (2024). Like Ikka, the latter was also a courtroom drama which had a direct release on Netflix.

Yesterday, a screening of Ikka was held for the media and for the cast and crew. Siddharth P Malhotra was missing and he explained the reason behind it, “I am in New York for my sister-in-law’s daughter’s wedding. It’s a wedding in my immediate family. So, I had to be here.”

He admitted, “My heart and soul are in Mumbai. I wanted to be there for the screening.”

Also Read: After Dhurandhar’s success, Ranveer Singh and Aditya Chopra hold a closed-door meeting at YRF; reunion on the cards?

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Alliance: Soha Ali Khan makes surprise entry as host; Sohail Khan says, “Yeh ek aisa show hai jo unpredictable hai”

The latest episode of Alliance brought fresh twists to the game as a surprise appearance by Soha Ali Khan, emotional conversations and two high-stakes Knockout Challenges kept contestants on edge. Interestingly, the show is hosted by Kunal Kemmu who is also Soha’s husband. Amid many of them reacting to the Prime Video reality series which tests loyalties, with relationships inside the headquarters were seen facing renewed scrutiny after another eventful day including Sohail Khan.

The episode picked up from the aftermath of Dolly Javed and Kushal Tandon’s confrontation, with tensions still lingering among the contestants. Dolly was seen breaking down during a conversation with Nikhil Chinapa, who encouraged her to move forward despite the events that had unfolded. Meanwhile, discussions surrounding Kushal’s role in the game continued, with Ruhee Dosani and Payal Gaming questioning his approach. Payal even referred to him as the “captain of the headquarter.”

Elsewhere, Ace Arslan Goni reassured Niti Taylor amid uncertainty over her future in the competition, telling her that if the decision rested with him, she would not be leaving the headquarters. However, before the contestants could settle into the day, an unexpected system glitch froze the tracker, leaving everyone surprised.

The atmosphere shifted once the contestants assembled for the next Knockout Challenge, where Soha Ali Khan made a surprise appearance. She announced that Alliance had become the No. 1 trending show on Prime Video before interacting with Sohail Khan about his experience on the reality series.

Reflecting on his journey, Sohail said, “Bahut badia, yeh ek aisa show hai jo unpredictable hai, roz kuch na kuch naya hai (Its amazing, it’s a show that is quite unpredictable. Something new happens every day).” He further revealed that it was his children who motivated him to participate in the show and expressed his hope of making them proud.

The game then resumed with the Kings defeating the Hunters in the first Knockout Challenge. The loss forced the Hunters to decide which member would be placed on the “To Be Deleted” list. What began as a discussion soon turned into an argument after Rivva Kishan called Vriddhi Patwa “darpok.” Following deliberations, the alliance ultimately chose Vriddhi’s name for the list.

The Kings continued their winning run by defeating the Warriors in the next challenge, once again putting the losing alliance in the difficult position of deciding which teammate would face elimination. With every round reshaping alliances and testing trust, the competition inside the headquarters continues to become increasingly unpredictable.

Alliance, hosted by Kunal Kemmu, streams daily at 12 noon exclusively on Prime Video.

Also Read: Sohail Khan takes responsibility for divorce as ex-wife Seema Sajdeh joins Alliance as wild card contestant; says, “I take the onus and the responsibility”

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Lock Upp: Shivangi Joshi backs Dheeraj Dhoopar during chargesheet task amid Shilpa Shinde’s dramatic entry, says, “He is being what he is”

The latest episode of Lock Upp witnessed changing equations, strategic decisions, and fresh drama as Shilpa Shinde made a surprise entry into the house. Her arrival altered the dynamics among the contestants, with conversations taking a different turn after her return.

Before Shilpa entered the house, several inmates were seen discussing the controversy surrounding her alleged false accusation against a producer. However, once she arrived, the tone of those conversations appeared to change, with many contestants choosing to interact with her differently, highlighting the constantly evolving alliances inside the reality show.

The episode also featured the chargesheet task, which raised the stakes for all the contestants. Only six inmates could secure their safety, forcing participants to bid from their own ‘kharcha paani’ in an effort to avoid landing in the risk zone. The task required contestants to balance strategy with personal relationships, resulting in several difficult choices.

Amid the intense competition, Shivangi chose to support fellow contestant and actor Dheeraj. While some members of the girls’ group reportedly preferred backing other contestants, Shivangi used her opportunity to help Dheeraj move back into the safe zone.

Explaining her decision, Shivangi said she would continue to support him even if it meant putting another contestant, Varun, at risk. Sharing her perspective, she said, “Dheeraj has a good impact on the show, and I have nothing against Varun who is very sweet but so is Dheeraj and he is being what he is.”

Her remarks sparked discussion among fellow contestants, with differing opinions emerging over whether the move was driven by loyalty, personal rapport, or gameplay. As alliances continue to shift inside the Lock Upp house, such decisions are expected to play an important role in shaping the competition in the coming episodes.

The latest developments have once again underlined how quickly equations can change in the reality show, especially with unexpected twists and new challenges influencing contestants’ strategies. With Shilpa Shinde’s entry adding another layer to the ongoing dynamics and the chargesheet task testing loyalties, viewers can expect more confrontations and strategic gameplay as the season progresses.

Whether Shivangi and Dheeraj’s alliance continues to remain strong or changes with the course of the game remains to be seen in the upcoming episodes of Lock Upp.

Also Read: Ashneer Grover REACTS after X user asks him to donate Rs 900 crore following wife Madhuri Jain Grover’s remarks in Lock Upp: “Biwi ne gyaan de diya hai already”

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