Border 2 actress Medha Rana shares her reaction after bagging the role, “I cried so much in front of Anurag Singh sir and Mukesh Chhabra sir”

Along with an ensemble cast of Sunny Deol, Varun Dhawan, Diljit Dosanjh and Ahan Shetty, Border 2 also stars newcomer Medha Rana. She has been appreciated for her role as Varun’s wife. She got talking about her role and more in an interview with us.

Congratulations on a small part with a big heart and an even bigger impact. How are you tackling all the praise and compliments?

Honestly, it’s been overwhelming to say the least. I feel like I’m still soaking in all the love and appreciation that the film and my character are receiving. This film is a labour of love, hard work, and respect infused with the spirit of our nation’s brave hearts. So, all the love being received is the universe’s way of giving back to the film and the armed forces.

How did the role come your way, and what was your reaction to it?

I auditioned for it in October 2024 with Mukesh Chhabra sir’s team. I had multiple rounds of the audition process, followed by a final meeting with our director Anurag (Singh) sir and Mukesh sir, where they both told me that I was locked for the part and we celebrated with jalebis. I couldn’t believe it; I cried so much in front of them, and the first thing I did was call my mother. She got very emotional too.

All your scenes are with Varun Dhawan. Was he helpful as a co-star?

Varun has been the kindest, most supportive co-actor I’ve ever worked with. It was so easy for me to perform because he made it conducive and real. I was initially intimidated to work with such a big star and an incredible actor, also to be on such a big set. But Varun, from the very first day, made everything feel normal and fun, and all my inhibitions went away. I’m so lucky and happy that I got to do my big-screen debut with Varun! He’s really the best!

As someone with no connections in the film industry, has it been tough to keep your hopes alive while waiting?

It’s not an easy industry to crack into or even sustain; it takes a lot of hard work, perseverance, and patience – most importantly. The waiting is the worst part. It can push you into a lot of self-doubt and anxiety. It did happen with me too, multiple times. But I think what really kept me going was my family and the fact that they’ve been here with me in Bombay for most of my acting journey. Their support and belief in me are what truly kept me going.

Is this industry tough on newcomers, especially girls? How do you see the road ahead?

It’s not easy, for sure. But at the same time, it’s not an impossible path. It’s been walked on by so many exemplary outsiders who’ve created everything from scratch. I feel like it takes a lot of work for an actor to be taken seriously by both the industry and the audience. This certainly is dependent on many factors, like getting the right opportunities, being at the top of your game as an actor, and having people around who believe in you. I feel like I’ve been very blessed to have worked with the people that I have so far; they’ve all contributed to my journey in so many ways, and I’ve learned so much along the way. The road ahead is going to be the one less travelled by; I wish to make my own mark and explore different characters and be a part of stories that deserve to be told.

Also Read: EXCLUSIVE: Bhushan Kumar explains his director-led slate strategy with Border 2 director Anurag Singh; draws parallels with Anurag Basu, Sandeep Reddy Vanga

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EXCLUSIVE: Bhumi Pednekar reveals how Daldal uses silence as its sharpest weapon: “She doesn’t express anything except anger”

One of the most daring creative choices in Daldal is its refusal to explain itself too early, a choice that even unsettled interviewer Rohit Khilnani. “As a viewer, I kept wondering where this character was going,” he admitted during his exclusive chat with Bollywood Hungama. “And then it goes somewhere completely unexpected.”

That slow burn is intentional. Bhumi Pednekar’s character withholds emotion, information and reaction until the silence becomes unbearable. “She doesn’t express anything except anger,” Bhumi explained. “It’s like sitting in front of a wall.” This restraint initially made Bhumi doubt herself. “I thought I wasn’t doing enough.” But the makers encouraged her to trust the stillness.

Writer Amrit Raj Gupta explained why. “If she feels lost, if she feels blank that’s real.” Daldal weaponizes patience. It allows discomfort to build, trusting viewers to stay. Director Suresh Triveni admitted that even he struggled watching it. “It made me uncomfortable.” That discomfort is the payoff. When the character finally shifts, the impact is seismic not because of spectacle, but because of everything that was held back.

In an era obsessed with instant gratification, Daldal dares to wait. And in that waiting, it finds its power.

Also Read: Bhumi Pednekar on why Daldal became a creative equaliser for her, “I don’t know if that’s politically correct to say but…”

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EXCLUSIVE: Bhumi Pednekar on why Mumbai owns crime stories: “The city shapes who you become”

Few cities in Indian cinema have been as persistently examined as Mumbai, especially through the lens of crime. In her exclusive interview with Bollywood Hungama, Bhumi Pednekar explained why that fascination refuses to fade.

“Mumbai Police is the best,” she said instantly, without hesitation. “I’m a Mumbaikar. I love them.” That emotional connection informs Daldal’s portrayal of the city not as spectacle, but as lived-in reality. Mumbai in the series isn’t glamorous or stylised; it’s crowded, exhausting, morally complex.

Producer Vikram Malhotra believes Mumbai naturally lends itself to such narratives. “Crime stories work best when the setting has layers. Mumbai has too many truths existing at once.”

Director Suresh Triveni added that the city amplifies internal conflict. “Everyone likes to see what they can’t do in real life. Mumbai becomes that escape and that confrontation.”

In Daldal, the police force is neither idealised nor demonised. Bhumi’s character exists within the system but is fractured by it. “The only honest thing in her life is her job. Everywhere else, she’s broken.”

Mumbai, much like her, becomes a character quietly shaping choices, suppressing emotions, and forcing moral compromises.

The city’s enduring pull lies in this duality. It offers hope and corrosion in equal measure. Daldal taps into that contradiction, proving once again that Mumbai doesn’t just host crime stories it defines them.

Also Read: Bhumi Pednekkar says she “took 4-5 months to crack” her Daldal character

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Bhumi Satish Pednekkar on accepting Daldal, “I want to use my art and the advocacy that often comes with it for something meaningful”

Bhumi Satish Pednekkar has been receiving rave reviews for her portrayal of an investigative cop in Prime Video’s latest show Daldal. She got talking about the web series and more in an interview with us.

That is quite a performance in Daldal
Thank you, that really means a lot. What drew me in immediately was the story. I went in expecting something familiar within the genre, but what I truly enjoyed was the disruption the makers were attempting. I was also very keen to collaborate with Suresh Triveni, who’s show-running the series. This is my third outing with Abundantia, and I’ve always had such a wonderful experience working with Vikram sir. Amrit Raj Gupta, our director, I loved Gullak, so the team itself was extremely exciting for me.

What did you think of the script?
When I read the script, I realised that Daldal is very different from many shows in this space. It’s a slow burn. It isn’t a whodunit it’s a ‘whydunnit’ and I found that incredibly compelling.

Do you prefer the realistic gritty projects like Bhakshak and Daldal over a glam project like The Royals?

I do enjoy my glamorous side, but I feel I get plenty of opportunities to express that off screen. On screen, though, I’ve never really chosen a part because it made me look glamorous. Out of the 25 projects I’ve done so far, my decisions have always been driven by whether I find the character interesting not by how I might appear. Sometimes that works, sometimes it doesn’t. And filmmaking is never just about the actor; it’s a collective process. There’s an entire team involved, for better or worse.

I often say that I piggyback on the director’s vision because many times, what a director sees for a character or the edit decision they take might not fully align with what you initially imagined, and that’s simply part of the process. And many a times, it turns into something even more exciting than you expected. When it comes to socially driven stories, though films with commentary or social drama, I genuinely love doing them. A large part of my work has been in that space, and I don’t see myself stepping away from it. It reflects who I am as a person.

So would you sacrifice a Royals for a Daldal?
I resonate deeply with stories that have a purpose, because I try to live my own life with purpose too. I want to create impact. I want to use my art and the advocacy that often comes with it for something meaningful, for something better. I feel immense gratitude that filmmakers bring projects like Bhakshak and Daldal to me. These are narratives that truly challenge me, and I’m thankful that I get the opportunity to step into such demanding spaces. It’s deeply satisfying to be part of stories that ask something more of you as an actor.

Also Read: Bhumi Pednekar reveals how Daldal evolved slowly over years: “It was 2020 when Vikram Malhotra-sir and I first spoke”

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Akshay Kumar calls Rani Mukerji “Goddeess of acting” as he reviews Mardaani 3: “I saw it. I loved it”

Akshay Kumar has taken to social media to support Rani Mukerji and Mardaani 3. He said, “Go watch the ‘Goddeess’ of acting in her most powerful avatar. I saw it. I loved it. Don’t miss it!”

 

Akshay’s support comes on a day when Mardaani is becoming a wildfire at the box office nationwide.

On opening day, Mardaani 3 surpassed all expectations by becoming the biggest opener for Mardaani franchise and solo Rani Mukerji film.

Earlier, Shah Rukh Khan also gave a shoutout to Mardaani 3 on his social media handle. He called Rani “feisty, strong and compassionate” in his note.

It collected Rs 4 crores on Day 1 to register a mind-blowing start for a female-led film in India! Riding on exceptional reviews and word of mouth, the message-oriented thriller is set for a big run at the box office.

Also Read: Shah Rukh Khan calls Rani Mukerji “feisty, strong and compassionate” in shoutout note for Mardaani 3

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EXCLUSIVE: Meet Ashim Samanta, who dubbed Jurassic Park, the first Hollywood film to be dubbed in India; reveals, “I was paid Rs. 3.50 lakhs but spent Rs. 3.60 lakhs on the process; I was the ONLY one in the world who lost money on the film!”; adds how Urdu version helped him make a profit

Shakti Samanta’s son, Ashim Samanta, has made his mark as a film and television director and producer. But not many are aware that he is the ‘dubbing king’ of India. He was the one who worked on the dubbing of Jurassic Park (1994), the first ever Hollywood flick to be dubbed in India. Since then, he has consistently handled dubbing for some of the biggest Hollywood titles, and in recent times, his workload has only grown with the surge of OTT content. In an exclusive interview with Bollywood Hungama, Ashim spoke at length about this fascinating journey.

How did you get into the dubbing field and dubbing for Hollywood films?
I started a dubbing studio in 1986. At that time, I did a lot of research on which equipment would be the best. I went down South and checked equipments in Prasad Labs. Though it cost 20% more, I still went ahead. Luckily, it paid back very well. It was a time when everybody wanted to dub at our studio.

In 1993, out of the blue, I got an offer from United International Pictures. They were distributing most of the Hollywood films at that time. They wanted to dub Jurassic Park in Hindi, Tamil and Telugu. It was the first ever Hollywood film to be dubbed in the country. Leela Ghosh was the dubbing coordinator and director while I was present throughout the whole process. My father was also there and all of us were excited to do something new. To convey the same feelings in different regional languages for the Indian audience was a challenge, especially when you do it for the first time.

Thankfully, we did it very successfully and Jurassic Park performed exceptionally well. And since 1993, all the studios have stuck with us! We have worked hard and ensured that the quality of the dubbing is satisfactory. They, too, have respected our hard work.

How much were you paid for dubbing Jurassic Park?
For Jurassic Park, we were paid Rs. 3.5 lakhs for the Hindi version. I spent Rs. 3.60 lakhs on the dubbing process. So, I faced a loss of Rs. 10,000. I joked at that time that I was the only person in the whole world who had lost money while working on Jurassic Park, while everyone else associated with the film made tons of money!

But then, the studio decided to have an Urdu version for Pakistan. They told us that a dialogue writer from Pakistan will watch the film and suggest which portions to be re-dubbed. They further informed me that they would pay us Rs. 1 lakh for this version. The writer came down, saw the film and asked for re-dubbing of just 4 lines. So, we spent some Rs. 10,000 in dubbing those 4 lines and were paid Rs. 1 lakh. That’s when I said, ‘Now, I am in the plus finally’!

Now it must be a profitable venture…
It is not profitable if you work on just 1 project. But since we work on so many films, it has become profitable. The margins are very little, but the turnover is good.

Did you have any background in dubbing before opening your studio?
Yes. We were the first ones to dub Aradhana (1969) in Bengali. It was a brilliant experience. Amanush (a bi-lingual in Hindi and Bengali) clicked in a big way in 1975. Hence, Dad decided to dub Aradhana in Bengali in 1975, though six years had passed since its release in Hindi. I had finished my graduation and so, I was attending the dubbing sessions. So, you can say that my first project in the film industry was the dubbing of Aradhana. Fortunately, the dubbed version of Aradhana also did very well.

In fact, because of its success, the Bengali film industry banned dubbing of Hindi films as they feared that the local Bengali films would be affected. Many years later, this ban was lifted after a case was filed in the Supreme Court. The Court passed a verdict that a film can be dubbed in any language.

How many films have you dubbed until now?
I have lost count (smiles). If we dub 10 theatrical films a year, then we must have dubbed 350-400 films by now. But for OTT, it will be in thousands. That is the bulk of our work.

Do you use AI and what are your views on it, from a dubbing point of view?
We don’t use AI and it will not be able to do good dubbing. It is fine for news reading or voiceover. But for serials or films, each line has to be adjusted as per the length of the original dialogue. Secondly, the emotions have to come to the fore. You are speaking a different language altogether. We are changing the thought and matter in some places. For instance, an American joke may not land with Indian audiences. So we often localize it by swapping references to places, food, and cultural cues with ones that feel familiar in India. And finally, it’s a creative job. We have a dubbing script but we follow it 80-90%. The rest of the creativity happens while the dubbing is going on. The artist or the dubbing director might come up with inputs, which we incorporate.

This makes a lot of difference and this is not possible with AI. It is like digital music. When you hear 2-3 AI songs, you won’t feel like listening to it. But you can listen to acoustical music for 24 hours. You’ll feel energized. However, digital combined with acoustics might sound fine. Similarly, in films, when you take advantage of AI with real stuff, then it would work. For instance, if someone has not pronounced a word properly, it can be corrected with AI. If someone has mispronounced, say, Karl as ‘Karal’, AI can do the needful. However, we are still not doing it and will require their permission. Hollywood has banned the use of AI in dubbing. That’s why we don’t use it and also, as said before, we won’t get a good output.

Also Read: 100 Years of Shakti Samanta EXCLUSIVE: How legendary filmmaker dared to release Bengali version of Devdas weeks before Shah Rukh Khan-Aishwarya Rai Bachchan-Madhuri Dixit starrer; Ashim Samanta reveals, “Last 3 reels of Debdas were BETTER than Devdas”

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EXCLUSIVE: Haqeeqat, Border and now Border 2: Anurag Singh says, “The biggest thing in these films is emotions”

When filmmaker Anurag Singh looks back at Border and even further at Haqeeqat, what stands out for him is not scale alone, but feeling. In his view, Indian war films that endure are the ones that prioritise human experience over spectacle, a philosophy he says continues to guide Border 2.

Reflecting on why Border (1997) became iconic, Singh situates it within the limited landscape of Indian war cinema at the time in an exclusive interview with Bollywood Hungama. “When Border came, why did it become an iconic film? We had never seen anything like that,” he says, recalling watching it as a child. “We were kids too. We also went to the cinema to watch it. We had never seen that kind of thing – war, that sort of action which felt very real.”

For Singh, the comparison with Haqeeqat (1964) is inevitable and meaningful. “Before that, there was only one good war film that I remember, which was Haqeeqat,” he says. “The two best war films made in India are Haqeeqat, which had Dharam ji, and the second best is Border, which has Sunny sir. So what a big, what a huge coincidence that is.”

The overlap, he notes, stayed with him during the making of Border 2. But beyond casting or legacy, what unites these films is their grounding in lived emotion. Singh points out that when Border released, audiences were also less exposed to global cinema. “At that time, exposure to world cinema was also limited. We were seeing tanks, fighting in the middle of war, and the kind of characters were larger than life.”

Yet, according to him, it was not the machinery or battle sequences alone that left a mark. “They humanised the soldiers for us,” he says. The film lingered on the everyday realities of soldiers, men caught between duty and home.

Singh emphasises how Border captured a world that feels distant to today’s audiences. “At that time there was no fuss of video calls or anything. You would wait for two months for a letter or some news from home,” he explains. “Someone has passed away or something has happened – and you are finding out months later. We cannot imagine that today.”

Those moments of waiting, loss and uncertainty, he believes, are what anchored the film emotionally. “So when we saw that in the film, you know, everybody fell in love with that, right?” Singh says. “So obviously, apart from the action in Border, the biggest thing was its emotions. The film had its heart, a lot of heart, in the right place.”

That approach, he insists, is central to Border 2 as well. While the sequel expands the canvas—covering land, air and sea, the emotional core remains the priority. “With this film too, for us it was the same, we had to make the film, but the main thing, the mainstay, as he said earlier, is emotion,” Singh notes.

He is clear that scale alone is not the draw. “War is fine, we will scale up the war – we are showing three fronts, Navy, Air Force, land action – but the audience is not coming only to see action,” he says.

Instead, Singh returns to the same idea that defined Haqeeqat and Border. “They are coming to see human beings, our soldiers, our heroes,” he explains. “They are people like us who go on to become heroes with their actions.”

In positioning Border 2 within this lineage, Singh is careful not to frame it as an escalation of spectacle for its own sake. Rather, he sees it as an extension of a tradition in Indian war cinema where emotion—quiet, personal, and often understated, carries as much weight as the battles themselves.

Also Read: Will Border 2 cross the lifetime of Gadar 2 and emerge as Sunny Deols HIGHEST grosser? Trade experts make predictions: “Family crowd, that hesitated to watch Dhurandhar, have no such qualms for this film”

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Photos: Shilpa Shetty snapped with family in Juhu

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Mahesh Babu starrer Varanasi locks release date; to release in April 2027

One of the most anticipated Indian films in recent times, Varanasi, starring Mahesh Babu and Priyanka Chopra Jonas, has officially locked its theatrical release date. The big-budget spectacle, directed by S. S. Rajamouli, is slated to hit cinemas on April 7, 2027, a date that coincides with major regional festivals such as Gudi Padwa, Ugadi, and other New Year celebrations across India.

The release date announcement has further heightened excitement around the film, which also marks Priyanka Chopra Jonas’ return to Indian cinema after a long hiatus. If earlier reports are to be believed, the film will also be releasing in multiple Indian and foreign languages. Since the unveiling of its announcement teaser last year, Varanasi has generated immense buzz, with audiences eager to witness Mahesh Babu and Priyanka Chopra Jonas sharing screen space for the first time in what is being described as a high-octane fantasy action-adventure drama.

Adding to the scale of the project is a formidable supporting cast led by Prithviraj Sukumaran, who plays a pivotal role in the narrative. The film boasts an impressive technical team, with M. M. Keeravani composing the music, Mohan Bingi handling production design, P. S. Vinod as director of photography, Bikkina Thammiraju on editing duties, and V. Srinivas Mohan overseeing visual effects.

Varanasi is also making history on the technical front. The film is the first Indian film and the first non-English film to be shot in the 1.43:1 IMAX format, underlining Rajamouli’s ambition to deliver a visually immersive cinematic experience on a global scale.

While the makers are keeping further plot details tightly under wraps, first-look posters of the film’s three principal characters were unveiled ahead of the title launch event in Hyderabad. Mahesh Babu will be seen as Rudra, Priyanka Chopra Jonas essays the role of Mandakini, while Prithviraj Sukumaran appears as Kumbha. The character reveals offered a glimpse into the mythic and larger-than-life world that the film aims to explore.

With a festive release date, a powerhouse cast, and Rajamouli at the helm, Varanasi is shaping up to be one of the biggest theatrical events of 2027, setting expectations sky-high well ahead of its release.

Also Read: REVEALED: Varanasi title row resolved – Telugu version renamed Rajamouli’s Varanasi; original title retained for other versions

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EXCLUSIVE: Mardaani 3 release strategy REVEALED – Ticket prices at par with Saiyaara, 2 shows in 2-screen theatres from 3:00 pm onwards, no more than 6 shows per day in any theatre under any circumstances

Mardaani 3 is all set to release tomorrow, January 30, and the excitement is there due to the popularity of the series and Rani Mukerji’s towering presence in the lead role. Yash Raj Films, the producers as well as the distributors of the film, have decided to not flood the cinemas with excessive shows of the film, trade sources have confirmed to Bollywood Hungama.

A source told Bollywood Hungama, “As per the requirement list shared by the distribution team of YRF, cinemas have been asked to play Mardaani 3 at the ‘same normal admission rates’ as their 2025 sleeper blockbuster, Saiyaara. In short, Mardaani 3’s tickets would be available at normal price and not at popular or blockbuster rates.”

The source continued, “YRF has also made it clear that in three-screen cinemas, Mardaani 3 should have 4 shows with the earliest show not playing before 10:00 am. In four-screen theatres, there should be 5 shows from 10:00 am onwards. In cinemas with 5 screens or more, there should be 6 shows. Surprisingly, two-screen plexes have been asked to play 2 shows and that too from 3:00 pm onwards. Hence, these cinemas can’t have shows in the morning or early afternoon. The directive clearly states that no cinema is allowed to play more than 6 shows per day under any circumstances.”

The source further said, “As for single screens, YRF distribution team will take a call on a case-by-case basis. What it means is that contrary to perception, some single screens do get elite crowds like PVR Le Reve Bandra, Chitra Cinema in Dadar etc. Hence, there’s a possibility that the YRF team will push for a show or two for Mardaani 3 in such cinemas.”

Despite reasonable demands, trade sources have said that show-sharing issues have cropped up between Mardaani 3 and last week’s big grosser, Border 2, in several single-screen and two-screen cinemas. The matter is expected to be resolved by Thursday evening.

Marathi films pushed ahead

Meanwhile, due to the sudden and unfortunate demise of Maharashtra’s Deputy Chief Minister, Ajit Pawar, the release of two Marathi films – Punha Ekda Sade Made 3 and Ranapati Shivray Swari Agra – has been postponed. Both were scheduled to arrive in cinemas on January 30. While Ranapati Shivray Swari Agra will now arrive next Friday, February 6, the makers of the much-awaited Punha Ekda Sade Made 3, starring Ashok Saraf, are yet to announce their new release date.

Also Read: Madras High Court grants anti-piracy injunction to protect Rani Mukerji’s Mardaani 3 ahead of release

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EXCLUSIVE: Border 2 director Anurag Singh on Varun Dhawan’s performance silencing the trolls, “Now people are apologizing and saying, ‘Tell us where to submit the apology application?'”

Ahead of the release of Border 2, Varun was heavily trolled on social media, especially over visuals from the song ‘Ghar Kab Aaoge’. Memes and comments questioned whether he was the right choice for a film associated with the legacy of Border. However, once the film hit theatres, audience response began telling a different story. With Border 2 now entering the Rs. 200 crores club, the actor’s performance has largely put those doubts to rest.

In an exclusive interview with Bollywood Hungama, director Anurag Singh shared that his decision to cast Varun was based on the actor’s serious work rather than his more familiar commercial image. Singh recalled watching Badlapur soon after Student of the Year and being surprised by the shift in Varun’s screen presence. “I remember thinking, ‘Man, what a switch this guy is pulling,’” he said. “So in my mind it was clear that if Varun is coming into the film, then I’m going to that Varun. I’m not going to the other Varun.”

Anurag Singh explained that he specifically wanted the Badlapur and October version of Varun Dhawan for the role of Major Hoshiar Singh Dahiya in Border 2. According to the director, the part required restraint and emotional control, qualities he believes Varun has shown in his earlier work. He also pointed out that an actor does not stay relevant in the industry for this long without skill and the ability to grow with time.

Talking about the trolling Varun faced before the release, Singh said the reaction has now flipped. “Now people are apologizing and saying, ‘Brother, just tell us where to submit the apology application,’” he said, adding that there could be no bigger win for the team. “There can’t be a bigger victory than this.”

Also Read: EXCLUSIVE: Bhushan Kumar on backing Diljit Dosanjh in Border 2, “It was Anurag Singh’s call that for Nirmaljit Singh Sekhon’s character, he wanted only Diljit”

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Celebrities shower praise on Sanjay Mishra – Neena Gupta starrer Vadh 2 trailer: “Impossible to look away”

The trailer of Vadh 2 has sparked strong reactions across the film industry, with several celebrities taking to social media to praise the intense tone and performances showcased in the preview. Starring Sanjay Mishra and Neena Gupta, the crime drama is already building momentum ahead of its theatrical release, thanks to the enthusiastic responses from actors and filmmakers alike.

Actor R Madhavan was among the first to react to the trailer. Sharing it on his Instagram stories, he wrote, “What an awesome and brilliant little champ. You’ve got to see this trailer guys…”, drawing attention to the film’s gripping presentation and impact.

Rakul Preet Singh also shared her excitement, posting, “LUV FILMS.. Wowwww what a killer. Trailer #vadh2 loooks double the thrill.. cannnot wait for 6th Feb .. @imsanjaimishra @neena_gupta are absolute fire .. goood luck to the entire team @luv_films @gargankur82 #luvranjan”. Her reaction highlighted both the performances and the heightened thrill factor promised by the sequel. Sharvari described the trailer as compelling, writing, “What a gripping trailer! Looking forward to watching it….”

Meanwhile, Sunny Singh reacted with a heart emoji, signalling his appreciation for the film’s intense preview. Arjun Kapoor summed up the general sentiment with his comment, “Thrilling, intense, and impossible to look away from, what a trailer!”

Vadh 2 serves as a follow-up to Vadh, the crime drama that released in December 2022. The first film, written and directed by Jaspal Singh Sandhu and Rajiv Barnwal and produced by Luv Films, was noted for its grounded storytelling and strong performances, particularly by its lead cast.

The trailer of Vadh 2 underscores performances marked by gravitas and authenticity, anchoring the film’s emotional intensity. Alongside Sanjay Mishra and Neena Gupta, the sequel features an expanded ensemble cast including Kumud Mishra, Shilpa Shukla, and new actors such as Amitt K Singh, Akshay Dogra, and Yogita Bihani.

A Luv Films presentation, Vadh 2 is written and directed by Jaspal Singh Sandhu and produced by Luv Ranjan and Ankur Garg. With growing industry endorsement and strong early buzz, the film is slated to release in cinemas on February 6, 2026, and is shaping up to be one of the notable crime dramas to watch out for.

Also Read: Vadh 2 trailer out: Sanjay Mishra and Neena Gupta tease layered thriller with a fresh story, watch

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100 Years of Shakti Samanta EXCLUSIVE: “Bigger hit than Dhurandhar” – Ashim Samanta reveals Amanush was a ROI MONSTER: “Made in just Rs. 30 lakhs; collected Rs. 1.20 cr ONLY in Bengal. In today’s times, that’s Rs. 70 cr; to date, no film in Bengal has collected more than Rs. 45 cr!”

The 100th birth anniversary of Shakti Samanta, one of India’s finest filmmakers, was celebrated on January 13. On this memorable occasion, Shakti Samanta’s talented son, Ashim Samanta, spoke exclusively with Bollywood Hungama about his legendary father and some of his famous works. In the previous article, we informed readers how Shakti Samanta shot Indian cinema’s first-ever bi-lingual, Amanush (1975), in the Sunderbans, despite the challenges. In this part, we’ll focus on the film’s unprecedented box office success.

Ashim Samanta began by saying, “The success of Amanush is another story. It was a huge hit across India from North to South, East to West. If I talk about Return on Investment, Amanush and Anuraag (1973) were our biggest hits. They were bigger than Aradhana (1969), Kati Patang (1971) and Amar Prem (1972).”

Ashim explained, “The film was made in Rs. 30 lakhs. It was a super-hit everywhere and the Bengali’s version itself collected around Rs. 1.20 crore! In today’s times, it amounts to Rs. 70 crores. To date, no film in Bengal has collected more than Rs. 45 crores! Amanush was released 50 years ago and even today, the record stays (smiles). You can say, this was a bigger hit than Dhurandhar!”

Amanush starred Bengali matinee idol Uttam Kumar in the lead role. Ashim explained how he came on board, “In 1971, police officers from Kolkata, accompanied by Mumbai cops, came to meet Dad. They told him, ‘The lives of you, Uttam Kumar and Hemant Kumar are in danger due to the Naxalites’. They wanted to kill these three famous Bengali artists, so that they get huge publicity across the country. Hence, 24-hour police protection was given to them. Uttam Kumar was asked to leave Calcutta, as they said that it won’t be possible to give him protection in that city. So, he came to Mumbai for a few months. This is when Dad and he met once a week and got close. They would have dinner and drinks together. During one such meeting, Uttam Kumar regretfully said that ‘I got only one chance to work in a Hindi film (Chhoti Si Mulaqat; 1967). But it bombed. Do you think I can get another chance?’. Dad replied, ‘You are a fantastic actor and a good-looking man. I’ll give you that chance’. Dad’s only condition was that it would be shot in Hindi as well as Bengali.”

Also Read: 100 Years of Shakti Samanta EXCLUSIVE: 3 Generators, deep freezers, ‘American-style commodes’: Ashim Samanta reveals how premium mini town was built in Sunderbans for Amanush shoot; also said, “Naxalites wanted to kill my dad, Uttam Kumar, Hemant Kumar; they had 24-hr police protection”

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Rani Mukerji extends heartfelt gratitude as West Bengal Governor honours her with Vande Mataram Puraskar for completing 30 years in Cinema

Actor Rani Mukerji has been conferred with the Vande Mataram Puraskar, the West Bengal Governor’s Award of Excellence, in recognition of her contribution to Indian cinema. The honour comes in a significant year for the actor, as she completes 30 years in the film industry.

In a statement issued on the occasion, Rani Mukerji expressed her gratitude and reflected on her personal and cultural ties to West Bengal. She also acknowledged her parents and the influence of Bengali culture on her life and career. Her full statement reads, “Today, my heart is filled with a kind of emotion that is difficult to put into words. Winning the Governor’s Award of Excellence – the Vande Mataram Puraskar – on my 30th year in cinema feels incredibly humbling. This honour is not just a recognition of my work—it feels like a homecoming, a warm hug from West Bengal, my roots. I only hope I have done you proud and will continue doing so.
Though my journey as an actor unfolded largely in Hindi cinema, my roots have always been deeply, unmistakably Bengali. They live in my values, in my discipline, in my love for art, literature, and above all, in the way I see life—with resilience, warmth, and quiet strength.
I was born into a family where celebrating culture was a way of living. Music, cinema, storytelling, and intellectual curiosity were part of everyday conversation. And at the centre of that world stood my mother.
My parents , proud Bengalis, taught me that strength does not need to be loud. They taught me grace, self-respect, and the importance of standing your ground with dignity. Whatever courage I have shown in my career, whatever choices I have dared to make, have come from watching them live their life with honesty. This honour belongs as much to them as it does to me and I wish my mother and me could have been here amongst all of you today. I sincerely regret not being able to make it but I thank you from the bottom of my heart for honouring me with one of the highest civilian awards of West Bengal!

“Bengal has always been the land of thinkers, poets, rebels, and artists. From Tagore to Ray, this soil has given India minds and voices that changed the way we think and feel. To be acknowledged by this land is a privilege I will carry with deep humility. I accept this honour with gratitude, with pride, and with a renewed sense of responsibility—to continue contributing to Indian cinema with sincerity, and to always remain worthy of the values Bengal has given me.
Thank you, West Bengal, for always claiming me as your own and always showering so much love on your child. It is truly precious.”, it read further.

The Vande Mataram Puraskar is among the highest civilian honours awarded by the state of West Bengal and is presented to individuals for excellence and distinguished service in their respective fields.

On the professional front, Rani Mukerji will next be seen in Mardaani 3, directed by Abhiraj Minawala and produced by Aditya Chopra. The film continues the Mardaani franchise, which has previously addressed issues such as human trafficking and violent crime. The third instalment is expected to explore another serious social issue, in line with the themes established by the earlier films.

Mardaani 3 is scheduled for a worldwide theatrical release on January 30, 2026. The film also coincides with Rani Mukerji’s 30-year milestone in cinema, making the year particularly notable in her career.

Also Read: EXCLUSIVE: CBFC replaces ‘bachhi’ with ‘ladki’ in Mardaani 3; modifies slapping visuals

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Parvathy Thiruvothu drops a special Republic Day message; sparks reflection on power, unity and responsibility

On the occasion of Republic Day, National Award-winning actor Parvathy Thiruvothu shared a powerful and introspective message that went beyond celebration, urging citizens to reflect on the deeper meaning of being a true republic. Marking the day with rare images from India’s first Republic Day celebrations, the actor revisited the values, responsibilities and collective power that form the foundation of the nation.

Accompanying the archival photographs was a strongly worded caption that called for awareness, unity and active citizenship. In her message, Parvathy wrote, “Now more than ever, we are called to remember what being a true republic nation means. To remember the power we hold as people of our nation. To stay aware, informed and fight propaganda and misinformation; let’s unite as one to ensure each and everyone deserves a dignified, respectful life in our country. On this Republic Day, I urge you to reflect and work on your core values — and be rid of anything that comes from a place of hatred and indoctrination. As a people, each and every individual holds immense power to turn things around. Wield that power for the good of your fellow citizens, to ensure your government delivers safety and security to all. Remember to lead from a place of love! ”.

 

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Through her post, Parvathy emphasised that the idea of a republic extends far beyond constitutional structures and national ceremonies. She highlighted the responsibility of individuals to remain informed, resist misinformation and actively participate in shaping a society rooted in dignity, respect and equality.

The actor’s message also underlined the importance of unity and compassion, suggesting that democratic values must be practised in everyday life to ensure safety and security for all citizens. By stressing that every individual holds the power to bring about change, Parvathy reinforced the idea that democracy thrives when people engage thoughtfully and ethically.

Her Republic Day reflection struck a chord with many, offering a reminder that the strength of a nation lies not only in its institutions, but in the values its people choose to uphold consistently.

On the work front, Parvathy Thiruvothu continues to maintain a strong presence across industries. She will next be seen in the Malayalam films Pradhama Dhrishtya Kuttakkar and I, Nobody, while her upcoming Hindi project Storm, produced by Hrithik Roshan, also remains highly anticipated.

With her Republic Day post, Parvathy once again used her voice to spark meaningful dialogue, encouraging citizens to reflect, engage and lead with empathy.

Also Read: “It still hasn’t settled”: Parvathy Reflects on losing Irrfan Khan and Puneeth Rajkumar

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Aparshakti Khurana unveils intense new look from Tamil debut ROOT – Running Out Of Time

Aparshakti Khurana is all set to make a striking entry into Tamil cinema, and the latest poster of his upcoming film ROOT – Running Out Of Time has only added to the growing anticipation. The actor, known for his versatility across genres, looks intense and enigmatic in the newly unveiled character poster from the sci-fi thriller, signalling a significant new phase in his career.

The poster was revealed on the occasion of Republic Day by acclaimed filmmaker A R Murugadoss, who took to social media to officially introduce Aparshakti Khurana’s character from the film. Sharing the poster, Murugadoss wrote, “Happy to reveal the second look from the world of #ROOT – This is where it begins.” The reveal immediately grabbed attention, with fans and industry insiders decoding the darker undertones of Aparshakti’s appearance.

 

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Going by the poster, Aparshakti appears to be playing a crucial role with a strong air of mystery surrounding it. His chilling stare, controlled stillness and restrained intensity hint at a character deeply intertwined with the film’s science-fiction narrative. The look suggests a darker, more layered avatar, marking a departure from some of the lighter roles he has been widely loved for in Hindi cinema.

Celebrated for his performances in films such as Dangal, Stree, Pati Patni Aur Woh and Stree 2, as well as the critically acclaimed series Jubilee, Aparshakti Khurana’s Tamil debut has naturally heightened expectations around ROOT – Running Out Of Time. His inclusion adds to the film’s pan-Indian appeal, especially among audiences familiar with his body of work.

The film also stars Gautham Ram Karthik in a pivotal role. His character poster was unveiled earlier this month by superstar Rajinikanth, further boosting the buzz surrounding the project and setting the tone for its ambitious scale.

Written and directed by Sooriyaprathap S, ROOT – Running Out Of Time is backed by producers Shaik Mujeeb, RajaRajan Gnanasambandam, Sanjai Shankar and Dhanishtan Fernando under the banner of Verus Productions. Alongside Aparshakti Khurana and Gautham Ram Karthik, the ensemble cast features Narain, Bhavya Trikha, Y Gee Mahendra, Pavni Reddy, Linga and RJ Anandhi in key roles.

Currently in its post-production stage, ROOT – Running Out Of Time is shaping up to be an intriguing sci-fi thriller, with Aparshakti Khurana’s intense new look adding another compelling layer to the film’s growing intrigue.

Also Read: Ayushmann Khurrana drops a fun birthday post for brother Aparshakti and it is winning the internet!

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Karan Johar cheers Gujarati Cinema’s big moment, applauds Laalo director Ankit Sakhiya after Rs.100-Crore success

Gujarati cinema continues to command national attention, and its latest landmark moment came as filmmaker Karan Johar met Laalo – Krishna Sada Sahaayate director Ankit Sakhiya in Mumbai. The interaction followed the remarkable success of Laalo, which recently made history by becoming the first Gujarati film to cross the Rs.100-crore mark at the box office.

For Ankit Sakhiya, the meeting was both emotional and validating. Sharing his gratitude on Instagram after the interaction, the debut director wrote, “Thank you, @karanjohar sir, for taking the time to meet me today. As a first-time director, this moment holds a very special place in my heart. Our conversation about Gujarati cinema, and the importance of having conviction as a filmmaker, truly meant a lot to me. Your kind appreciation for Gujarati films and our industry was deeply encouraging. Thank you once again — from the entire team of Laalo.”

Johar’s appreciation is being seen as a significant endorsement for Gujarati cinema at a time when regional industries are increasingly breaking linguistic and commercial barriers. His encouragement reinforced the idea that conviction-led storytelling, rooted in cultural authenticity, can resonate with audiences far beyond its original market.

 

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Presented by Manifest Films and produced by Ajay Padariya and Jay Vyas, Laalo – Krishna Sada Sahaayate is written and directed by Ankit Sakhiya and stars Reeva Rachh, Shruhad Goswami and Karan Joshi in pivotal roles. Released in October 2025, the film’s unprecedented box office performance marked a turning point for Gujarati cinema, positioning it firmly on the national map.

Following its overwhelming response, the film was released in theatres across India in a Hindi-dubbed version on January 9, 2026. The Hindi release has allowed Laalo to reach a wider audience, further extending its journey of faith-driven storytelling and emotional depth.

At its core, Laalo – Krishna Sada Sahaayate is a devotional drama that follows a rickshaw driver trapped in a farmhouse, forced to confront his past while experiencing divine visions of Lord Krishna. These visions guide him through a transformative path of healing and self-discovery, a narrative that struck a chord with viewers across regions.

As Laalo continues its successful theatrical run, the meeting between Karan Johar and Ankit Sakhiya stands as a symbolic moment — reflecting the growing respect for Gujarati cinema and its evolving place within the larger Indian film landscape.

Also Read: Shruhad Goswami on playing Lord Krishna in Laalo, “People are touching my feet, their gaze is such that they cry”

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Photos: Shanaya Kapoor and Adarsh Gourav snapped promoting Tu Yaa Main

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World Tourism Day Special: Let Ananya Panday, Mrunal Thakur and more celebs inspire your next dream vacation

If celebrity travel pictures have ever sent you straight into holiday-planning mode, you’re in good company. This World Tourism Day, stars from across the industry are serving major travel inspiration with their picturesque getaways, offering a peek into destinations that balance luxury, culture, and pure escapism. From tranquil beaches to high-energy cities, these celebrity-approved locations might just spark your next adventure.

Ananya Panday — Paris
Paris through Ananya Panday’s travel lens feels fresh, fashionable, and endlessly charming. From iconic landmarks to casual city moments, her diary brings alive the romance and style the French capital is famous for. It’s a gentle reminder that Paris, in all its timeless elegance, continues to be a favourite for good reason.

 

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Rasha Thadani — Los Angeles
Rasha Thadani’s Los Angeles trip is all about embracing the city’s effortless cool. Her snapshots reflect the dynamic energy of LA—from sunlit streets to iconic urban backdrops. The travel diary captures a glamorous yet laid-back mood, making the city a perfect pick for travellers who enjoy fast-paced city life with a touch of Hollywood flair.

 

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Mrunal Thakur — Thailand
Thailand remains a timeless favourite, and Mrunal Thakur’s holiday proves exactly why. Her travel moments highlight the country’s vibrant personality, blending scenic landscapes with relaxed, joyful experiences. From colourful surroundings to easygoing holiday vibes, her diary showcases Thailand as a destination that caters equally to explorers, culture lovers, and those simply looking to unwind.

 

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Soha Ali Khan — Japan
Soha Ali Khan’s Japan journey stands out for its reflective and immersive tone. Her travel experiences highlight the country’s unique ability to balance tradition with modern living. From historic landmarks to serene environments, her diary positions Japan as a destination for travellers who appreciate culture, detail, and meaningful exploration.

 

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Akansha Ranjan Kapoor — Maldives
Akansha Ranjan Kapoor’s Maldives vacation is a postcard-perfect reminder of why island holidays never lose their charm. Set against crystal-clear waters and expansive blue skies, her travel diary captures the slower rhythm of life that the Maldives is known for. Whether it’s soaking in ocean views or enjoying moments of calm, her getaway reflects the ultimate tropical retreat—ideal for travellers seeking peace, privacy, and indulgence.

 

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This World Tourism Day, these celebrity travel diaries serve as the perfect nudge to turn wanderlust into actual plans—because your next destination might just be waiting.

Also Read: Sayani Gupta welcomes 2026 with a mountain retreat, see pics!

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