Did you know Salman Khan owns a watch collection worth Rs. 113 crores? From Patek Philippe to Bugatti-Inspired Jacob & Co. to Rolex, here’s a glimpse of it

Salman Khan’s larger-than-life persona is not limited to the silver screen. Off camera, the superstar’s taste for ultra-luxury watches places him among the most serious celebrity collectors in the world. With a watch collection valued at an eye-watering Rs. 113 crore approximately based on a social media post by the actor’s fanclub in association with a page called ‘wristwatchers’, Salman’s wrist game reflects power, rarity and a deep appreciation for high horology.

At the pinnacle of his collection sits the Patek Philippe Aquanaut Luce Rainbow in rose gold, a watch that alone is worth over Rs. 54 crore. Lit with invisibly set multicoloured sapphires and diamonds, this timepiece is less a watch and more a piece of wearable art. Its presence underlines Salman’s fondness for rare, jewelled complications that very few collectors globally can access.

Equally striking is the Jacob & Co. Caviar Tourbillon in white gold, valued at over Rs. 12 crore. With its flying tourbillon and pavé-set diamonds on both sides, the watch exemplifies Jacob & Co.’s flair for extravagant engineering. Salman’s love for the brand continues with standout pieces like the Bugatti Chiron Tourbillon, featuring a miniature functional W16 engine, and multiple editions from the Epic X and World Is Yours collections.

His preference for iconic Swiss maisons is evident through several Patek Philippe Nautilus references, including diamond-paved white gold models and a platinum Nautilus accented with baguette rubies. These watches seamlessly balance sport-luxury aesthetics with jewellery-level detailing, reinforcing Salman’s taste for statement-making classics.

The collection also features heavy-hitters from Audemars Piguet, including diamond-set Royal Oak Offshore models and a pink gold flying tourbillon, as well as rare Rolex Cosmograph Daytonas, notably the Everose Gold Rainbow edition and a platinum variant with baguette diamonds. Complementing these are distinctive pieces like the Rolex Day-Date with a turquoise dial, GMT-Master II SARU, and custom Sky-Dwellers featuring meteorite dials.

What sets Salman Khan apart as a collector is not just the cumulative value, but the diversity of his choices—ranging from hyper-complicated tourbillons to iconic sports watches elevated through gemstones and bespoke detailing. Each timepiece reflects a facet of his personality: bold, confident, and unapologetically grand.

In an industry where luxury often follows trends, Salman Khan’s watch collection stands as a testament to timeless indulgence—one that is as formidable and legendary as the superstar himself.

Also Read: Ek Tha Tiger: How the creative tussle between Kabir Khan and Salman Khan gave Bollywood its most iconic spy drama

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Athiya Shetty and Suniel Shetty pen special birthday notes for Ahan Shetty

The birthday of Border 2 actor Ahan Shetty turned into an emotional family moment as heartfelt wishes poured in from his sister Athiya Shetty and father Suniel Shetty, giving fans a rare glimpse into the close bond the Shetty family shares. The young actor, who is steadily carving his own space in the industry, received warm messages that reflected both nostalgia and pride.

Athiya Shetty took to Instagram to celebrate her younger brother with a touching post that featured a series of photographs spanning different phases of their lives. The carousel included childhood memories, candid family moments, and glimpses from Athiya’s wedding to Indian cricketer KL Rahul, making the post a visual journey of their shared experiences. Alongside the pictures, Athiya penned a simple yet affectionate note that read, “Happy birthday to the best boy in the world, love you. May the sun shine brightest on you this year.”

 

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Suniel Shetty’s birthday message for Ahan struck a deeper emotional chord. The actor shared a photograph of himself with his son from the stands of a stadium, capturing a quiet yet powerful moment between father and son. In his caption, Suniel expressed pride in Ahan’s growth and journey, writing, “Nothing fills my heart more than watching you step into your own with grace and grit. So proud of the man you have become and all that awaits you. And let me tell you one thing. The clock has quietly changed hands…and it’s your time now. Happy Birthday my son.” The note resonated strongly with fans, many of whom praised the actor’s words for their sincerity and encouragement.

 

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On the professional front, Ahan Shetty is gearing up for one of the most significant projects of his career. He will next be seen in Border 2, the much-anticipated war drama inspired by the 1971 Indo-Pak conflict. Ahan essays the role of a Navy officer inspired by the life of Lt Cdr Joseph Pius Alfred Noronha, marking a transformative phase in his acting journey. The film also stars Sunny Deol, Varun Dhawan, Diljit Dosanjh and others in key roles, with Anya Singh playing Ahan’s on-screen wife.

Slated to release on January 23, ahead of India’s Republic Day celebrations, Border 2 is expected to be a defining milestone for Ahan Shetty—making this birthday all the more special as he steps into a promising new chapter both personally and professionally.

Also Read: Ahan Shetty says, “Border 2 is forged with military precision” as he also talks about working with director Anurag Singh

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Battle Of Galwan Teaser: Salman Khan unveils the gritty war drama on his birthday

Salman Khan marked his birthday with a powerful cinematic reveal as the teaser of his much-anticipated film Battle Of Galwan was officially unveiled. More than just a celebratory launch, the teaser serves as a solemn tribute to the courage and resilience of India’s frontline soldiers, instantly setting a serious and intense tone for the war drama.

In the teaser, Salman Khan is seen in one of his most commanding avatars to date, portraying an Indian Army officer with quiet authority and controlled aggression. His rugged, weathered appearance reflects the physical and emotional toll of life on the frontlines. The actor’s restrained performance relies heavily on silence, expressions, and body language, culminating in a striking final moment where his unflinching gaze meets the viewer, leaving a strong and lingering impression.

Visually, the teaser leans into a raw and gritty aesthetic, capturing the harsh realities of high-altitude warfare. Snow-covered landscapes, unforgiving terrain, and moments of tense confrontation underline the brutality of combat in extreme conditions. Rather than relying on spectacle alone, the teaser focuses on realism, offering glimpses of the physical endurance and mental resolve required to survive such environments.

Adding emotional depth to the teaser are the vocals of Stebin Ben, which bring a sense of urgency and poignancy to the visuals. The background score, composed by Himesh Reshammiya, further elevates the impact with its intense and pulsating rhythms. Together, the music and vocals heighten the emotional stakes, reinforcing the gravity of the subject matter.

Battle Of Galwan positions itself as more than a conventional war film. The teaser suggests a narrative that reflects on the cost of conflict, the sacrifices made by soldiers, and the unyielding spirit that drives them to protect the nation. It also subtly underscores the idea that while bravery and valour are timeless, peace remains the ultimate aspiration.

 

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Directed by Apoorva Lakhia, the film promises an unflinching portrayal of bravery, sacrifice, and resilience. Chitrangada Singh plays a key role alongside Salman Khan, adding emotional weight to the story. The project is produced by Salma Khan under the banner of Salman Khan Films.

With the teaser receiving immediate attention online, Battle Of Galwan has firmly placed itself among the most awaited dramas on the horizon, raising expectations for a film that aims to balance realism, emotion, and patriotism as it gears up to release in the first half of 2026.

Also Read: Aditya Chopra makes way for Salman Khan, moves Alpha from April 17th for Battle of Galwan!

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No star heroine, 3.5 hours, ‘Adults-only’ certificate, and Gore. Still a BLOCKBUSTER: Dhurandhar broke every Bollywood rule India couldn’t ignore

Bollywood loves certainty. Not because certainty makes better films, but because certainty makes outcomes easier to predict. A familiar heroine, a clean certificate, a tidy runtime, a theme that doesn’t invite fatigue, a supporting cast that looks current on a trade slide — the industry’s comfort blanket is stitched out of these checkboxes. That’s precisely why Dhurandhar doesn’t feel like just another hit. It feels like a slap to the rulebook.

Because on paper, it had too many reasons to fail or at least to be capped.

Start with Ranveer Singh. Not Ranveer at peak invincibility, but Ranveer in a moment when the ecosystem had begun to over-audit him. In Bollywood, the moment the conversation shifts from star to track record, the narrative becomes louder than the work. Dhurandhar walked into that climate and still placed him at the centre, not as a decorative presence, but as the engine. That casting wasn’t a safety move; it was a challenge. The film invited the audience to watch a performer reclaim his event status in real time. And audiences don’t necessarily reject stars who have hit a rough patch; they reject stars who look like they’re coasting. Here, the energy was the opposite: hungry, aggressive, all-in. The down-but-not-out tag, instead of becoming a weakness, became the emotional voltage behind the film’s swagger.

Then came another anti-formula choice: no established heroine to serve as a marketing cushion. In a star-driven system, the female lead is too often treated as either an amplifier or a familiarity anchor. A new face is framed as a gamble because the industry assumes familiarity sells tickets. But Dhurandhar quietly proved the opposite: when a film is positioned as adult, scale-driven event cinema, audiences aren’t buying a pair, they’re buying a world. In that context, freshness can be an asset. It removes the baggage of overexposure and pre-set expectations. The film didn’t need a known heroine to feel big; it needed a credible world to feel unmissable.

The supporting cast became another pre-release talking point. Sanjay Dutt, Akshaye Khanna, Arjun Rampal; strong names, yes, but not the kind trade chatter routinely labels as recent box office insurance. Bollywood has a habit of treating actors like quarterly results: what’s the latest return? Dhurandhar exposed how shallow that logic is. Sanjay Dutt brings mythic weight, the kind that thickens the air the moment he enters. Rampal has that cold, controlled intensity modern action dramas can weaponise. Akshaye, riding momentum after Chhaava, arrived with something invaluable: audience curiosity. The point wasn’t whether each actor had delivered a mega-hit recently; it was whether they made the film feel dangerous, populated, and cinematic. Dhurandhar used them like instruments, not box office units, and the texture paid off.

Now to the biggest commercial red flag: the runtime. Three-and-a-half hours plus is a logistical provocation. It reduces show counts, makes exhibitors nervous, and hands critics an easy stick even before the first show ends. The standard argument is, audiences don’t have patience anymore. The truth is simpler: audiences don’t lack patience; they lack incentive. They will sit through length if the film keeps paying them back — with escalation, payoffs, and the feeling of a full-blown theatrical experience. Here, the length didn’t read as indulgence to its core audience; it read as value. In a market trained on speed, Dhurandhar made a counter-offer: give me your time, and I’ll give you scale.

Then there was the oft-repeated India–Pakistan theme; a phrase tossed around like repetition automatically equals irrelevance. Yes, the theme has been mined heavily. But fatigue hits when geopolitics is treated like wallpaper. Dhurandhar sold it as a pressure cooker. The hook wasn’t a novelty of subject; it was the urgency of execution. Familiarity became a runway: the audience already knows the landscape, so the film can go harder on stakes and tension.

Finally, the two things Bollywood traditionally panics about: violence and the ‘A’ certificate. The industry reads ‘A’ as limited market, and gore as alienating. Dhurandhar flipped that fear into positioning. The certification didn’t shrink the film, it clarified it. It told the audience: this won’t be sanitised action, this won’t be compromised spectacle. That clarity can be magnetic. People don’t always chase safe; they chase different, especially when different is mounted like an event.

Put it together, and the lesson becomes obvious: Dhurandhar didn’t win despite breaking norms – it won because it broke them with conviction. Bollywood’s so-called norms aren’t laws of audience behaviour; they’re reflections of industry anxiety. And Dhurandhar just proved that anxiety isn’t a business model.

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Dhurandhar Box Office: Rs. 189.30 cr in Week 3; Film obliterates every box office benchmark ever set, emerges as highest third-week grosser of all time

By the time a film reaches its third week in cinemas, the expectations are usually modest. Screen counts shrink, weekday footfalls thin out, and the box office conversation shifts from explosive growth to steady consolidation. Dhurandhar, however, has dismantled that entire framework with a third-week performance that now stands as the biggest in Hindi cinema history.

With a staggering Rs. 189.30 crore collected in its third week, Dhurandhar has emerged as the highest third-week grosser of all time, creating a gap so wide that comparisons feel almost academic. Until now, Pushpa 2: The Rule held the benchmark with Rs. 107.75 crore. Dhurandhar hasn’t just edged past that figure it has surged nearly Rs. 82 crore ahead, underlining the scale of its dominance.

The contrast becomes even sharper when placed alongside other landmark releases. Films that were celebrated for their staying power now trail far behind: Chhaava closed its third week at Rs. 84.94 crore, Stree 2 at Rs. 72.83 crore, and Baahubali 2: The Conclusion (Hindi) at Rs. 69.75 crore. Even mass juggernauts such as Gadar 2 (Rs. 63.35 crore), Jawan (Rs. 55.93 crore) and Animal (Rs. 53.63 crore) delivered their Week 3 business at levels that now appear conservative in comparison.

What makes Dhurandhar’s Week 3 haul especially remarkable is the manner in which it has been achieved. Rather than showing signs of fatigue, the film has maintained near-peak momentum deep into its run, driven by sustained word-of-mouth, repeat viewership and an unmistakable perception of the film as a must-watch theatrical event. This is not the typical trajectory of a blockbuster cooling off it is the behaviour of a film expanding its footprint long after its opening phase.

From a trade perspective, third-week collections are often viewed as the truest test of a film’s legs. They reflect genuine audience acceptance rather than opening-week hype. In smashing that benchmark by such a decisive margin, Dhurandhar has effectively reset industry expectations of what long-haul performance looks like in today’s market.

At Rs. 189.30 crore, Dhurandhar’s third-week total doesn’t just top an all-time list it redraws the ceiling altogether. The film has transformed Week 3 from a period of survival into a phase of supremacy, leaving the industry with a new reference point for endurance, scale and sustained box office power.

Top 10 All-Time Highest Third Week Grossers
Dhurandhar – Rs. 189.30 cr
Pushpa 2 – The Rule – Rs. 107.75 cr
Chhaava – Rs. 84.94 cr
Stree 2 – Rs. 72.83 cr
Baahubali 2 – The Conclusion – Rs. 69.75 cr
Gadar 2 – Rs. 63.35 cr
Jawan – Rs. 55.93 cr
Animal – Rs. 53.63 cr
Mahavatar Narsimha – Rs. 53.56 cr
KGF – Chapter 2 – Rs. 49.14 cr

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Dharmendra’s last interview on Ikkis few months before his demise, “To do this film is my way of paying tribute to India’s armed forces”

Months before his demise, the much missed Dharmendra spoke to this writer about his performance in Ikkis.

Said Dharam ji, “It is a very emotional experience for me. To do Ikkis is my way of paying a tribute to India’s armed forces. I had played a soldier in Ramanand Sagar’s Lalkar many years ago. I felt so proud to be in the uniform.”

Dharamji singled out young Agastya Nanda for praise. “He is a lovely child. And so talented. Quite a chip off the old block. I felt he was my own grandson. My relations with the Bachchans go back a long way. I have worked with both of Agastya’s grandparents Amitabh (Bachchan) and Jaya (Bachchan). They both love me. In fact, Jaya says she is a fan of mine. Jaya is very fond of (Dharam ji’s daughter) Esha (Deol). I never got a chance to work with Abhishek. But he is a very well brought up boy. Now, I am working with Agastya in his first film.”

I gently pointed out that Agastya had done a film earlier.

Dharam ji was surprised. “Has he? I didn’t know.”

Dharam ji had also singled out his director Sriram Raghavan for praise. “I worked with Sriram in Johnny Gaddar and now Ikkis. He is a very gifted director. He knows what he is doing.”

Also Read: Agastya Nanda on Ikkis, “I don’t want to hold any expectations, we tried to make the best film we could”

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Dhurandhar Box Office: Continues its Rs. 20 crores streak, WILL ENTER 700 CRORE CLUB this Saturday

20 days in theatres – each of the days bringing in Rs. 20 crores+ (barring one day). It has been a dreamworld journey for Dhurandhar so far, which is JUST NOT SLOWING DOWN at all. There is no stopping the film as after bringing in Rs. 28.70 crores on its first day, the film has now collected Rs. 20.90 crores on its 20th day. This has never ever happened before and this won’t happen in future either since Dhurandhar 2 will open at least twice as big.

What makes it all the more special is that there is only one day (Monday, it’s 18th day), when the collections went marginally below the Rs. 20 crores mark with the score reading Rs. 19.70 crores. Otherwise it has been one blockbuster streak right through. As a matter of fact, the collections are set to hit Rs. 30 crores today due to Christmas holiday and while it would be back in the 20s tomorrow, Saturday could well get back to the 30s and Sunday will definitely be right up there.

All of this means that the Aditya Dhar film will enter the Rs. 700 Crore Club by this Saturday itself and then close at much higher by the time the weekend is through. Currently, it stands at Rs. 640.20 crores and the grand total would be in Rs. 730-740 crores range before it steps into the weekdays. Since the holiday season is already on, there would be continued huge collections in weeks to come as well.

All Time Mega Blockbuster.

Note: All collections as per various box office sources

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Photos: Ahan Shetty snapped in Juhu

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Allu Arjun and Trivikram Srinivas to reunite for a mega-scale mythological epic? Industry buzz sparks massive excitement

Strong industry buzz suggests that superstar Allu Arjun and acclaimed filmmaker Trivikram Srinivas are gearing up to reunite for a grand mythological epic, marking their fourth collaboration together. While an official announcement is still awaited, the development has already generated significant excitement among fans and within the film fraternity, given the duo’s proven track record at the box office.

According to sources, the upcoming project is based on a powerful script that has been specifically conceived with Allu Arjun in mind. The film is said to explore the mythological genre on an unprecedented scale, blending traditional storytelling with contemporary cinematic techniques. If the reports hold true, this will mark a notable shift for both the actor and the director, as they venture into a genre that demands scale, visual grandeur and deep-rooted cultural themes.

Allu Arjun and Trivikram Srinivas share a formidable creative legacy. Their collaborations — Julayi, S/O Satyamurthy and Ala Vaikunthapurramuloo — have not only been commercially successful but have also enjoyed immense popularity with audiences across South India and beyond. Their last outing, Ala Vaikunthapurramuloo, went on to emerge as one of the most celebrated Telugu films of its time, further cementing their status as a hit-making duo.

Industry insiders claim that the proposed mythological epic will be mounted on a never-before-seen scale, with a reported budget exceeding Rs. 1000 crores. If true, this would make it one of the most expensive and ambitious mythological films ever attempted in Indian cinema. The makers are expected to rely heavily on cutting-edge technology, high-end VFX and expansive set pieces to bring the story to life, with an eye on catering to pan-Indian as well as global audiences.

While details about the storyline and supporting cast remain under wraps, sources indicate that the film is likely to go on floors in February 2027. An official announcement is expected in the coming weeks, which should offer more clarity on the project’s scope and timeline.

Meanwhile, currently Allu Arjun has been shooting for another magnum opus. The untitled fantasy sci-fi drama sees him collaborate with renowned filmmaker Atlee and the movie is also expected to feature Deepika Padukone in a key role.

Also Read: Allu Arjun cheers brother Allu Sirish for sharing screen space with Rohit Sharma in TVC

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Arjun Rampal ADMITS he felt horrible playing ISI chief in Dhurandhar: “I wanted to get out of the character as soon as I could”

Arjun Rampal’s turn as ISI Major Iqbal, ominously titled the Angel of Death, has emerged as one of the most talked-about elements of Dhurandhar. The film may be riding high on its box office momentum, but Rampal’s intense portrayal of the antagonist has sparked a separate conversation online, with viewers calling it one of his most unsettling performances to date.

On screen, Rampal embraces a restrained yet deeply menacing presence, steering clear of exaggerated villain tropes. The actor recently opened up about the emotional discomfort that came with stepping into the shoes of a character so ideologically opposed to his own beliefs. Admitting that the role took a toll on him, Rampal shared that he was eager to shed the character once filming wrapped. “I wanted to get out of the character as soon as I could. One of the important reasons to do it was because it is an important film to do,” he said.

Elaborating further, Rampal underlined the conflict actors often face when portraying morally difficult roles. He explained that while the events depicted on screen may thrill audiences, living through them as a performer can be deeply unsettling. “To see the event is one thing, what happened behind the scenes to see those events taking place is something that would excite me as an audience. I felt horrible when doing it because you love your country so much, but I guess that’s what an actor’s job is, and you just have to dive into it,” he added.

What makes Rampal’s performance stand out is its controlled intensity. There are no dramatic outbursts or stereotypical villainous flourishes. Instead, he delivers a slow, simmering menace that builds steadily, leaving a lasting impact long after his scenes end. The role relies heavily on silence, body language, and an undercurrent of threat—elements Rampal uses with precision.

With Dhurandhar establishing his character as a formidable force, anticipation is already building for what lies ahead. Audiences are now keen to see how the story escalates in Dhurandhar 2, which is slated for a theatrical release on 19th March, 2026.

Also Read: Arjun Rampal surprises fans at Gurugram club, spins remixed ‘FA9LA’ track from Dhurandhar in high-energy DJ set

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Dhurandhar Rules 2025 Box Office: Storms past Chhaava to become year’s biggest worldwide grosser

Dhurandhar has officially stamped its authority on the global box office, emerging as the highest worldwide grosser of 2025 with a staggering Rs. 853.07 crore haul. The Ranveer Singh-led spectacle has not only outperformed every release this year but has also widened the gap so decisively that the race for the top spot is effectively over. The film has surged ahead of Chhaava, which stood as the early front-runner with Rs. 797.34 crore worldwide. By crossing the Rs. 850 crore mark, Dhurandhar has bettered Chhaava by nearly Rs. 56 crore, underlining the scale of its dominance across domestic and overseas markets. What makes this achievement particularly noteworthy is the consistency with which the film has performed week after week, refusing to slow down even as newer titles entered theatres.

The gulf between Dhurandhar and the rest of the 2025 releases is even more telling further down the list. Saiyaara, which enjoyed a healthy global run, has amassed Rs. 579.23 crore, leaving it over Rs. 270 crore behind Dhurandhar. Meanwhile, big-ticket titles like War 2 and Sitaare Zameen Par have wrapped up their worldwide runs at Rs. 303.22 crore and Rs. 266.49 crore respectively, figures that Dhurandhar more than doubles with ease.

Trade analysts point out that Dhurandhar’s extraordinary overseas traction, coupled with its historic performance in India, has been the key driver behind its record-breaking worldwide total. The film’s appeal has cut across demographics and territories, translating into packed houses well beyond the traditional opening-weekend frenzy.

With Rs. 853.07 crore worldwide, Dhurandhar has not just delivered the biggest global hit of 2025—it has redefined the commercial benchmark for the year. As its run continues, the film stands tall as the undisputed box office champion of 2025, setting a formidable standard for every release that follows.

Top 5 Biggest Worldwide Grossers of 2025
Dhurandhar – Rs. 853.07 cr
Chhaava – Rs. 797.34 cr
Saiyaara – Rs. 579.23 cr
War 2- Rs. 303.22 cr
Sitaare Zameen Par – Rs. 266.49 cr

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Photos: Shriya Saran, Elli AvrRam, Richa Chadha and others attend Anand Pandit’s birthday bash

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Photos: Salman Khan snapped at Indian Supercross Racing League in Kozhikode, Kerala

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Photos: Vicky Kaushal, Raghav Juyal, Ishaan Khatter, Aditya Roy Kapur and Vishal Jethwa snapped at Pre-Christmas party

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World Saree Day 2025: Rekha, Kangana Ranaut, Isha Koppikar, Kareena Kapoor and Samantha prove sarees are the ultimate power statement

The saree remains India’s most cherished garment. A six-yard wonder that transforms with every drape, occasion, fabric, design, colour and personality. This World Saree Day, we celebrate 5 actresses who’ve mastered the art of wearing this timeless attire with unmatched grace and contemporary flair.

From ornate Banarasis to sleek designer pieces, these leading ladies prove that the saree isn’t just traditional wear, but a statement of elegance, power, and cultural pride that keeps getting passed down from generations.

Kangana Ranaut in Regal Blue

 

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Kangana commands attention in this exquisitely embroidered saree featuring intricate blue and gold patterns. The traditional motifs paired with a matching embellished blouse, create a look that’s both majestic and refined. Her sleek hair and statement earrings complete this picture of understated royalty.

Isha Koppikar’s Midnight Magic

 

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Isha brings all the drama in this stunning black saree adorned with elaborate golden embroidery along the borders. The geometric patterns and sequined texture give it a contemporary edge, while the emerald choker adds a pop of color. Isha perfectly demonstrates how you can make black work for traditional occasions.

Samantha’s Golden Hour

 

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Samantha looks ethereal in this champagne-gold organza saree with delicate lace detailing. The soft, flowing fabric and minimal embellishments create an elegant, almost romantic aesthetic. Her subtle jewelry and natural draping style prove that sometimes, less truly is more.

Kareena Kapoor’s Bridal Red

 

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Kareena embodies subtle bridal brilliance in this rich red saree, heavy with traditional embroidery and embellishments. The jewelled necklace and the luxurious fabric showcase the grandeur of Indian wedding couture, showcasing celebration dressing at its most opulent.

Rekha’s Kanjeevaram Splendor

 

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The evergreen Rekha honours tradition in a magnificent Kanjeevaram saree with a lustrous golden saree and rich maroon border. Her signature style, complete with traditional jewellery, bindi, and that iconic draping, reminds us why she remains the undisputed queen of saree elegance. This is timeless grace personified like it’s never been done before.

These five stunning looks remind us why the saree has remained a favourite constant through centuries as India’s most beloved garment. Whether it’s Kangana’s royal opulence, or Isha serving modern drama, Samantha’s understated elegance, or Kareena’s bridal grandeur, or even Rekha’s timeless traditional style, each actress brings her unique personality to this versatile drape. This World Saree Day, they inspire us to celebrate our heritage while also making it our own, because the saree isn’t just clothing, it’s an art form that continues to evolve while staying rooted in tradition.

Also Read: Isha Koppikar highlights the power of nutrition: “Abs are made in the kitchen”

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Aryan Khan wins debutant director award for The Ba***ds of Bollywood, dedicates it to THIS person, and it’s not dad Shah Rukh Khan!

Shah Rukh Khan’s son Aryan Khan has marked a significant milestone, collecting his first professional accolade. At the NDTV Indian of the Year 2025 awards, Aryan was honoured in the Debutant Director category for his Netflix series The Ba***ds Of Bollywood, a high-energy project blending action and drama that has positioned him as a promising storyteller in his own right.

During his acceptance speech, Aryan humorously revealed his personal penchant for trophies, drawing parallels to his father Shah Rukh Khan’s legendary collection. He quipped that he loves trophies just like his dad, but emphasized that “this is not for him,” dedicating the win to his team and underscoring the collaborative spirit behind the project.

He asserted, “Yeh mera phela award hai, and I hope mujhe aur bhi bahut sare awards milenge kyunki mere dad ki tarahn mujhe bhi aawards bahut pasand hain. But this award is not for him. This award is for my mom, kyunki meri mom mujhse hamesha kehti hain jaldi sona, logun ka mazak nahi udana aur gaali galoch bilkul nahi… aur aaj inhi sab cheezun ke liye mujhe yeh award mila hai.. Thank you for making my mom the happiest woman in the world and I know aaj ghar jaake mujhe thodhi kum dant padegi.”

Aryan’s grandmother, Savita Chhibber, expressed overwhelming pride, stating “I’m so proud” of her grandson’s achievement at the event.

Also Read: Aryan Khan drops gratitude post after winning Best Director for The Ba***ds Of Bollywood at Bollywood Hungama India Entertainment Awards

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ZICO drops new single ‘DUET’ featuring YOASOBI’s Lilas; out now!

ZICO has released a new single titled ‘DUET’, collaborating with Japanese musician Lilas, also known as ikura from YOASOBI. The track brings together artists from the Korean hip-hop and Japanese band scenes, reflecting ZICO’s continued interest in cross-border collaborations. Known for working across genres and musical styles, ZICO’s latest release marks another step in exploring new creative directions alongside Lilas.

The single began with a simple question, “What would it be like to record a duet with an ideal partner?” On the surface, ZICO and Lilas have contrasting vocal tones and distinctly different artistic styles, yet ‘DUET’ brings those differences together in seamless harmony. The track blends ZICO’s dynamic rap delivery with Lilas’s expressive vocals, creating a sound that feels fresh, cohesive, and immediately engaging. The production team behind last year’s widely loved ‘SPOT! (feat. JENNIE)’ also joined the project, adding depth and dimension to the single’s vibrant sound.

The lyrics emphasise the synergy between the two artists, with each writing their own verses and bringing their distinct musical sensibilities to the track. The blend of Japanese and Korean lyrics flows seamlessly, resulting in a bilingual sound that feels natural and cohesive.

The music video for ‘DUET’ reflects the song’s light and upbeat mood. Set in familiar, everyday locations, ZICO and Lilas begin dancing as if guided by an unseen connection, with the movement gradually spreading to people around them. The choreography unfolds across classrooms, offices and city streets, as adults echo the carefree gestures of children, turning ordinary settings into expressive moments. Shot in Japan, the video also mirrors the increasingly global nature of ZICO’s collaborations.

ZICO’s new single “DUET” is now available on all streaming platforms worldwide.

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Photos: Kartik Aaryan, Ananya Panday, Karan Johar and others grace the trailer launch of Tu Meri Main Tera Main Tera Tu Meri

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Kriti Sanon on breaking her pattern for Tere Ishk Mein, “I didn’t prepare in the usual way and surrendered to the world of the film and the director”

Basking in the success of Tere Ishk Mein, Kriti Sanon continues to witness a steady rise in her stature as an actor, marked by fearless choices, constant reinvention, and a deep hunger to explore uncharted emotional and creative spaces. With every new project, she has pushed her own boundaries, choosing characters that challenge expectations while allowing her to grow with each performance.

“When Bareilly Ki Barfi happened, I realised I could do something completely non glamorous, without the crutches of looking good or fitting into a certain image. I loved picking up a dialect. I loved the rawness and realness of Bitti Mishra. Stepping outside your comfort zone and doing what people don’t expect from you really excited me,” she said in a conversation with Zoom.

The actress added, “Mimi came from a place of extreme hunger, knowing deep inside that I could do so much more, even though the opportunities weren’t in front of me yet. When that film came along, it gave me immense confidence. It made me feel like I could fly and take on much more. It also made me crave substantial, meaty roles where I could truly add value.”

Reflecting on her recent body of work, Kriti shared, “Teri Baaton Mein (Aisa Uljha Jiya) was a completely different challenge because there was no reference point at all. Playing Sifra was tricky because the character could easily look gimmicky, and if she didn’t work, the film wouldn’t work. Finding challenge in simplicity, even without dramatic emotions, became the real test. Crew made me realise that films about women don’t always have to be serious. They can be fun. You can have three women from different generations coming together without catfights, actually doing something meaningful together. Do Patti brought a different kind of challenge with a double role, carrying emotional baggage. Two girls born and brought up together, related by blood, go through the same traumatic experience but process it very differently. I wanted a challenge and wasn’t finding one, so I created it. I chose a subject I deeply felt for and wanted to tell a story I truly believed in.”

Speaking about another defining moment in her journey, she added, “Mukti (from Tere Ishk Mein) was another turning point. I’m a very prepared actor, a frontbencher who does her homework and loses sleep if she isn’t fully ready. For the first time, I broke that pattern. I didn’t prepare in the usual way and instead took a leap of faith, surrendering to the world of the film, the director, and being fully present in the moment.”

With a filmography that reflects both courage and conviction, Kriti Sanon continues to evolve as a performer who prioritises substance over comfort. Up next, she will be seen in Cocktail 2, adding yet another exciting chapter to her ever expanding cinematic journey.

Also Read: Kriti Sanon on her biggest validation for Tere Ishk Mein, “It’s really special when your family says they couldn’t see you in the character Mukti”

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20 Years of Bluffmaster EXCLUSIVE: “We were stuck till 9 pm…” – Rohan Sippy reveals FASCINATING story behind Rajkumar Santoshi’s mention under ‘Special Thanks’ and his contribution to this Abhishek Bachchan-Boman Irani scene

Bluffmaster (2005), the cool con-comedy, completed 20 years on December 16. The film was loved for its fresh treatment, casting, comic moments, shocking suspense, and, of course, the music, which continues to be popular even today. In an exclusive interview with Bollywood Hungama, director Rohan Sippy spoke about the film and shared some fascinating trivia.

Your first film, Kuch Naa Kaho (2003), was a romantic drama, while Bluffmaster was in a completely different space. What made you switch gears and direct a film of this sort?
A lot of credit goes to writer Shridhar Raghavan. We met in 2003 and had several conversations. We got along very well and discussed many kinds of films that would be fun to make. The idea for Bluffmaster came out of his sensibility and stuff that he was excited by.

The opening disclaimers mention Rajkumar Santoshi under ‘Special Thanks’. What is the reason behind it?
Raj ji was an amazing help. There’s a scene where Boman Irani asks Abhishek Bachchan how many days he actually lived in his life. We started shooting for the film sooner than anticipated and moreover, our complete screenplay draft was in English. While writing the dialogue draft, this was a scene where we kept getting stuck. It’s one of the trickiest to write, especially bringing out the emotion behind it. Unfortunately, at that time, I used to think in English and hence, we kept grappling with it.

I remember we were all set to shoot the scene the next day. We tried multiple drafts, but Shridhar was not happy with the sound of it. He was also working with Mr Santoshi at that time. Mr Santoshi happened to call and asked him, ‘Shridhar, how’s it going?’. Shridhar is always candid and he replied, ‘Not so good. We are getting stuck’! He asked me and Shridhar to come over to his place. It was 8 or 9 pm when we went to meet him. He was having dinner with his associates. We selfishly took him away and literally started discussing the scene (laughs).

That is when I saw up close what an amazing writer he is. He kept trying to work through it with Shridhar. After many hours, we were able to crack the scene. By then, it was quite late at night. I only had time to go home and shower and get to the set at 6:00 am at the Gateway of India.

Boman was apprised of the dialogue on the set. It’s unfair to give an actor such an important scene on the day of the shoot. Nevertheless, adding that extra magic in the scene was worth it. It is one of my favourite scenes.

Even Tigmanshu Dhulia has been thanked…
He had also worked on the earlier draft as a dialogue writer. That was specifically the reason why we thanked him.

That’s not all. Sanjay Dutt and Aishwarya Rai Bachchan are also mentioned under ‘Special Thanks’. As per IMDb, the original cast of the film was Sanjay Dutt, Aishwarya Rai Bachchan and Abhishek Bachchan. Is that true?
No. These were different timelines and conversations. I had spoken to both of them, albeit for different reasons. It didn’t work but they were kind enough to give us the time. That’s why we thanked them.

Often, filmmakers say that shooting in Mumbai is not easy. Meanwhile, several scenes of Bluffmaster are shot outdoors in the city. Was it a challenge and did you ever consider setting the film in some other city?
Both Shridhar and I wanted it to be set in Mumbai. A lot of lovely old films had used Mumbai nicely. We were also into that decade of NRI obsession, which began with films like Dilwale Dulhania Le Jayenge (1995). Switzerland and the USA had become the new ‘it’ places for filmmakers then.

Also, the simple reality was that we didn’t even have the budget to do it (set the film in a foreign place)! Moreover, you can set a love story in different parts of the world, but when you have a con film, involving so many different elements of society, India seems apt. We didn’t even look into any other country, as it would have ended up looking weird. By default, it had to be an Indian city.

Meanwhile, Mumbai was my home from birth and Shridhar’s home since the time he started working. We were also enjoying adding a little bit of Mumbai flavour in the dialogues.

As for shooting here, you don’t realize it’s going to be a big challenge until you do it! Also, we were starting right in the beginning of the monsoon. That added more to the challenge but also added more to the beauty of the final product.

The right kind of cinematographer also helps. Himman Dhamija came on board; he’s from Delhi but has lived in Australia. Someone like him brought in an outsider’s eye in addition to being desi. The idea was not to try to make the city look glossy or westernized. But the richness of the city’s texture is fantastic. You just see it for what it is (smiles).

Also Read: 20th anniversary EXCLUSIVE: “NOBODY was remixing songs then…” – Rohan Sippy explains how Bluffmaster got its UNIQUE, rage-worthy music; also reveals, “We shot the film in JUST 50 days; budget was LESS than half of my first film, Kuch Naa Kaho!”

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